|Studio album by Foo Fighters|
|Released||April 12, 2011|
|Recorded||September 6–December 21, 2010 in Dave Grohl's Garage|
|Genre||Alternative rock, post-grunge, hard rock|
|Foo Fighters chronology|
|Singles from Wasting Light|
Wasting Light is the seventh studio album by American rock band Foo Fighters. It was released on April 12, 2011 on RCA Records. Wishing to capture the essence of the group's earlier work and avoid the artificiality of digital recording, frontman Dave Grohl arranged for the band to record in his garage in Encino, California using only analog equipment. The sessions were supervised by producer Butch Vig, with whom Grohl had worked on Nirvana's Nevermind. Since the old equipment did not allow for many mistakes to be corrected in post-production, the band spent three weeks rehearsing the songs, and Vig had to relearn outdated editing techniques. The band went for a heavier and rawer sound to contrast with the musical experiments from their previous albums, and most of the lyrics were written as Grohl reflected upon his life and possible future. Guest musicians include Bob Mould, Krist Novoselic, Jessy Greene, Rami Jaffe and Fee Waybill.
The recording sessions were documented for fans on the band's website and Twitter, and the album's promotion included the documentary Back and Forth and a worldwide concert tour that included concerts played in fans' garages. Wasting Light was preceded by the successful single "Rope", which became only the second song ever to debut at number one on Billboard 's Rock Songs chart. The follow-up single, "Walk", also charted highly. The album was a commercial success, debuting at number one in eleven countries, and it received positive reviews from most music critics, who complimented its production and the band's songwriting. In 2012, Wasting Light and its songs earned Foo Fighters five Grammy Awards, including Best Rock Album.
After the Echoes, Silence, Patience & Grace tour ended in 2008, the Foo Fighters went to Grand Master Studios in Hollywood to record 14 compositions written during the tours so as to possibly release a new album without much promotion and touring. The band eventually decided to take a break instead of continuing to work on those recordings. Three songs from those sessions saw a later release: "Wheels" and "Word Forward", were rerecorded for the band's Greatest Hits album, and "Rope" became a part of Wasting Light. As "Wheels" and "Word Forward" were the reunion of frontman Dave Grohl with producer Butch Vig, who had previously worked with Nirvana on their breakthrough album Nevermind, Grohl thought it was finally time to bring Vig to produce the next Foo Fighters album.
The idea of a new album came back in 2010, as frontman Dave Grohl was touring Australia with Them Crooked Vultures. Grohl decided that "we should make a documentary about the recording of this new album and make it a history of the band too. Rather than just record the album in the most expensive studio with the most state-of-the-art equipment, what if Butch and I were to get back together after 20 years and dust off the tape machines and put them in my garage?" Grohl later elaborated that Vig was brought in so the record could be "that one album that kinda defines the band: it might not be their best album, but it's the one people identify the band with the most, like Back In Black or the Metallica Black Album. It's like you take all of the things that people consider your band's signature characteristics and just amplify them and make one simple album with that. And that's sorta what I thought we could do with Butch, because Butch has a great way of trimming all the fat and making sense of it all." Grohl also used the tour with the Vultures to turn song ideas into demos, which were then brought to drummer Taylor Hawkins to be further developed. The album would also mark the return of guitarist Pat Smear as a permanent member; Smear left the Foo Fighters after the release of The Colour and the Shape, but had been part of the touring band since 2006.
Unlike the band's previous two albums, Wasting Light was recorded in Dave Grohl's garage in Encino, California, as opposed to the band's home-built studio, Studio 606. Regarding this decision, Grohl states: "There's poetry in being the band that can sell out Wembley but also makes a record in a garage. Why go into the most expensive studio with the biggest producer and use the best state-of-the-art equipment? Where's the rock'n'roll in that?" Grohl added it was a way to "do something really primal sounding", innovate, break people's expectations and "make records the way we used to fucking make records".
The album was recorded using entirely analogue equipment until post-mastering. Grohl said it was done that way because he felt digital recording was getting out of control: "when I listen to music these days, and I hear Pro Tools and drums that sound like a machine- it kinda sucks the life out of music." According to Grohl, the analog strategy would make the record "sound rawer and somewhat imperfect", something which guitarist Chris Shiflett agreed was beneficial, declaring that "rock n'roll is about flaws and imperfections". Bassist Nate Mendel added that "we grew up making records on tape, which has a certain sound, certain limitations", and drummer Taylor Hawkins said that the digital recording in contemporary rock n' roll lead to an artificial sound : "they kinda played it and then how someone else manipulated it in a computer, to make them sound a certain way." Hawkins believed an analog project would help the band reclaim its artistic freedom.
Once Vig learned about the analog project, at first he considered Grohl was joking, but then replied that "You guys have to play really well, because nothing is gonna be fixed" since mistakes are not as easily correctable as in a digital recording. With that in mind, the band spent three weeks doing pre-production and rehearsals at Studio 606, where the composition was completed, going "from forty songs to fourteen", and said songs were rehearsed to be recorded live, while in previous records, as put by Mendel, "we'd often come up with parts in the studio, and the songs would evolve".
Grohl's garage was equipped with microphones, sound baffles on the garage door and behind the drums to prevent sound leakings, and a carpet under the drum kit to make it sound less "loud and bright". To reduce the cymbal bleed, the microphones were rearranged and the crash cymbal was traded for a "shorter-decay Zildjian cymbal with holes drilled in it". A room next to the study was turned into an isolation booth to record the vocals. For the recording itself a makeshift control room was built inside a tent on the backyard, and a system of two cameras and a television provided the communication between the garage and the control room. The equipment was the same the band employed to record the albums There Is Nothing Left to Lose and One by One at Grohl's former house in Alexandria, Virginia.
Recording of the album began September 6, 2010, lasting for eleven weeks, each one focusing on a particular song, something Vig stated "was good because each song kinda had its own life". The recordings started with Grohl's rhythm guitar and Taylor Hawkins' drumming to provide the foundations and see if both could "lock in". Hawkins usually played for hours before he got "a drum track I'd be proud of". Click tracks were used, but Vig said that there was not a worry for the drums to follow it exactly as they "wanted it to groove" and "we realized that when everything is off just a few milliseconds, the sound gets wider and thicker." After the guitar and drum track, Mendel would play his basslines, which were practiced enough for them to be recorded perfectly on the first take. The following day, Shiflett and Smear would play guitars, with the latter being the last and usually being given a baritone guitar to have a different sound from the other guitarists. After the instrumental backing was ready, Grohl did the vocals either on the control room or the isolation booth. As Grohl wanted the songs "to have maximum emotional potential", the vocals were screamed to the point he had headaches—"when the mic is picking up every tiny inconsistency, you really strain to make it sound right."
Bob Mould of Hüsker Dü, one of Grohl's idols, was brought in to do vocals in a song Grohl conceived as a duet with him, "Dear Rosemary". Mould also played guitar on the track, even though Vig's plans had him just singing. Grohl's and Smear's former Nirvana bandmate Krist Novoselic appeared in "I Should Have Known" as Grohl thought "it would be nice to have him come down and share the experience" and that the song would be enhanced by his bass and accordion-playing." "Miss the Misery" features Fee Waybill of The Tubes, a personal friend of Grohl who said that the frontman invited him because "the background vocal sounded like him". Other guest musicians included three members of the expanded touring band, keyboardist Rami Jaffee, violinist Jessy Greene and percussionist Drew Hester.
Vig started doubting it could be done fully analog once the tapes for the first song recorded, "Miss the Misery", started falling apart, but Grohl reassured him "no, Butch, I don't want any computer in this house at all." The producer said that during recording he "had to force my brain to fire different synapses" to remember how to deal with the analog equipment and the lack of a digital display. One of the habits Vig had to call back was editing using a razor blade—"I used to be able to do 20 edits in half an hour if need be. It took me about 20 minutes to do the first edit!"—a technique he employed for the first songs recorded. Eventually he gave up and decided to punch in and punch out tapes instead, as the process was time-consuming and a more editable tape sent to Vig from Smart Studios was mostly ruined by one of Grohl's daughters. While many recordings had inserts and some parts rerecorded, the only song that had to be redone from scratch was "I Should Have Known", as Grohl felt Vig was "trying to make this into a radio single" when the singer wanted it "to sound really raw and primal".
The mixing started at Chalice Recording Studios, but moved to Grohl's house as engineer Alan Moulder said it was the way "to make it sound like your garage." Since Grohl's mixing console was not automated, at times four people—Vig, Grohl, Moulder and engineer James Brown—had to work simultaneously on the board, something Grohl found interesting because every song was done differently and "even the mixes sounded like performances" The mixes were tested out in the cars of the band members and Vig, as they felt that "if it sounds good on a lousy stereo, it will sound good anywhere".
The recording of the album was filmed as part of a career-spanning documentary called Back and Forth, which Grohl said was essential to make audiences understand the decision to record the album in his garage. The album name, taken from a lyric in "Miss the Misery", was chosen by Grohl because "it seemed to resonate with me: 'OK, that's what we're here doing'", as the band always "recorded each album thinking it could be our last" and tried to take the most of their tenure together—"we're only here for a short time, we're lucky to be alive, lucky to be a band; I don't take any of this for granted; I don't want to spend my time looking backwards, I want to look forwards".
|Problems playing this file? See media help.|
For Wasting Light, Grohl stated that they would go back to a rawer and heavier sound after "exploring new musical ground" on the previous records, adding that "with the last album we were too concerned with being musical, now it's time for us to be a rock band again". To contrast with the "seven or eight minute-long songs, with seven or eight sections, and two or three time changes" Grohl played with Them Crooked Vultures, he instead tried to compose the "tightest, catchiest four-and-a-half-minute 'softball bat to your face' songs". Hawkins added that he liked Wasting Light for being "straightforward, and that’s a good thing for us right now. The last couple [records] had some big dynamic changes." Grohl described the effort as their heaviest yet, later saying it was done because "I'm 42 now. I don't know if I'm going to be able to make this record when I'm 46 or 49. It's my last chance." While the demos that prompted Grohl to say the album would be their heaviest yet were not used on the album, Vig took the declarations to heart, following three criteria while recording: "It's got to be hooky, heavy, and we're going analog all the way."
For the guitar sound, the group tried to balance Grohl's "playing the rhythm straight up the middle", Shiflett's "sharp and clean sense of melodic playing", and Smear's more aggressive sound, with Grohl declaring that "with three guitars, you have to be careful that it doesn't become a huge fucking mess. But when everybody's playing their thing really well, it sounds perfectly orchestrated." Smear would usually play his parts on a baritone guitar, which would both contrast with Grohl and Shiflett and add a heavier sound - as Grohl declared, "if we ever felt like a section wasn't heavy enough, we put the fuckin' baritone on it, and it became huge." Hawkins added many buzz rolls to his drum fills at the suggestion of Vig, as buzz rolls were a trademark of one of the producer's favorite drummers, Ian Paice.
The lyrics for Wasting Light were completed during the week each song was being recorded. Grohl said that the words were "what was on my mind each week", most being "written from the perspective of who I was then and who I am now", with references to the past, life and death, and "time, but questioning whether it matters at all. There's so much focus on the before that people forget there's an after." The frontman said this was helped by the environment - "a lot of retrospection and introspection and nostalgia going back to the way we used to make records" - and working with Vig again, which "made me think a lot about starting over, and rebirth, and making your way through tragedy and coming out the other side." An example was "I Should Have Known", partially inspired by former Nirvana bandmate Kurt Cobain - "a song like 'I Should Have Known' is about all the people I've lost, not just Kurt". Grohl still tried to do laid-back songs such as "White Limo", which had its lyrics written in just two minutes, specially after Mendel sent him an e-mail saying, "I really like it when you write songs that are silly and mean nothing, too. You don't have to try to write 'Imagine' every time you sit down with a pen and paper".
Packaging and versions
The first CD copies of the album contain a small section of the original analogue master tape. Grohl decided to it both for thinking it "would be an extraordinary move to destroy all the masters and give the pieces of the tapes to the fans", as the digital recording does not allow for such a memento, and also due to every technician involved with Wasting Light being overtly worried about the tapes. The art direction was done by New York studio Morning Breath Inc., and keeping with the album's analog recording, the images did not use computer graphics, instead being created with "old tools of the trade" such as copy machines, transparent ink and X-Acto blades, and the end result was not printed in CMYK.
The album was issued on CD, a double vinyl record and digital download. The pre-orders had the option for both the CD and LP with a T-shirt, and a Deluxe packaging that came with both the CD and LP, a T-shirt, a beer coaster, an iron-on patch, a wristband and a signed lithograph of the album cover. iTunes in turn issued a deluxe edition that included a remix of "Rope" made by Deadmau5, the outtake "Better Off", the video for "White Limo" and a live performance of "Walk".
Release and promotion
Extensive updates on the production of Wasting Light were up on the band's website and Twitter, because, as put by RCA Records executive Aaron Borns, "the band wanted to be more engaged with the fans earlier this time." Along with images of the sessions themselves and both a whiteboard and papers that showed the progress in recording, a live feed of the tape machine would be put on the Foo Fighters website.
On December 21, 2010, the same day the album was finished, the band played a secret gig at the Tarzana, California bar Paladino’s, on which four songs from the new record made their live debuts. The Wasting Light World Tour started in 2011, with some concerts having the album played in its entirety along with other hit songs by the band. Given the album was recorded in a garage, the band held a contest for which some shows of the promotional tour would be performed in eight fans' garages.
On January 17, 2011, the band released a 30-second teaser of the song "Bridge Burning" on their website, and on February 1, the band revealed a teaser for "Miss the Misery" along with the album name and an April 12 release date. On February 12, a music video was released for "White Limo", featuring Lemmy of Motörhead. On February 23, 2011, "Rope" was made available for online stream. It debuted at #1 on Billboard's Rock Chart, making it only the second single to do so since the chart's advent in 2009, and would later top the Alternative Songs chart as well. Another part of the promotional campaign was a contest held by Fuse TV where fans created their own videos for the Wasting Light tracks.
After "Rope", four other songs were issued as singles: "Walk", "Arlandria", "These Days", and "Bridge Burning". The most successful was "Walk", which also topped the Rock and Alternative charts. Five songs on the album were licensed for ESPN and two others were featured in movies, "Miss the Misery" in Real Steel  and "Walk" in Thor. In addition, "Bridge Burning" appears in the video game Madden NFL 12. "Walk" was also featured in a video package that was put together by the WWE to be included for Edge's induction into the 2012 WWE Hall of Fame and it was played again after he said he wanted real rock n' roll to close out the ceremony.
The album debuted at number one in twelve countries. Wasting Light was the first Foo Fighters album to top the United States' Billboard 200 chart, with first-week sales of 235,000 copies, their second-highest sales week, following In Your Honor 's first-week sales of 311,000 copies in 2005. In Canada, the album debuted at number one on the Canadian Albums Chart, selling 21,000 copies in its first week. In the UK, the album's 114,000 units broke Adele's 11-week run atop the UK Album Charts.
On the week of Wasting Light 's release, 6 different tracks from the album made the UK Top 40 Rock Chart. These were the iTunes bonus track "Better Off" at number 5, "Bridge Burning" at number 14, "Walk" at number 24, "White Limo" at number 28, "Arlandria" at number 35 and "These Days" at number 39. In both Australia and New Zealand Wasting Light had the biggest first week digital album sales in their chart histories. The album also topped the charts in Germany, Austria, Switzerland, Sweden, Finland, Norway, New Zealand, and Singapore. Wasting Light has sold 663,000 copies in the US as of January 6, 2012, and closed 2011 with 380,000 units sold in the UK.
|The A.V. Club||B|
Wasting Light received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 78, based on 35 reviews. Andrew Perry of The Daily Telegraph viewed it as by far the band's best album and found it "tough but accessible, reliably catchy, yet also surprising at the last." Allmusic editor Stephen Thomas Erlewine called its rock sound "untrammeled" and cited it as "the fiercest album they've ever made ... the kind of record they've always seemed on the verge of delivering but never have." Mikael Wood of Spin observed a "back-to-basics aspiration" and dubbed the album "Grohl's most memorable set of songs since 1997's The Colour and the Shape." Rob Parker of NME said that it "sounds phenomenal" on headphones or sound systems and is "both broad and focused enough to appeal to casuals and longhairs alike". Paul Brannigan of Q praised Grohl's lyrics and called Wasting Light "the most life-affirming, positively-charged album of his career." David Fricke, writing for Rolling Stone, commended Grohl's themes and Butch Vig's "nuanced approach to weight and release." Kyle Ryan of The A.V. Club said that, although it lacks recognizable hooks, the album also lacks the filler of the band's previous albums and stated, "As a return to Foo Fighters' specialty—melodic, hard-hitting rock with soaring choruses—Wasting Light is a success."
In a mixed review, Slant Magazine's Kevin Liedel criticized the band's "growing aversion to anthemic songs," writing that "the obvious high points of Wasting Light are those that strive for stadium-pleasing melodies." Dave Simpson of The Guardian noted an "undue" arena influence and called the album "a typically supersized arena-rock barrage, with lots of howling and wailing, every chorus tailored to imaginary walls of pyrotechnics and some tracks seemingly specifically constructed to accommodate a guitar spot or drum solo." Greg Kot of the Chicago Tribune felt that, although it is "competently" performed, the songs are not innovative and suffer from "clichés", including "hardcore punk screed", "streamlined rocker", and "melodramatic power ballad". Pitchfork Media's David Bevan commented that "there just isn't a melody or hook to really amplify." Andy Gill of The Independent criticized its "bombastic level" and stated "the presumed desire for back-to-the-roots simplicity ... jettisons the diversity of Echoes, Silence, Patience & Grace."
Wasting Light and its songs were nominated for five Grammy Awards, including Album of the Year. The record won the Best Rock Album award, while "White Limo" was chosen as the Best Hard Rock/Metal Performance and "Walk" won both Best Rock Performance and Best Rock Song. The album was chosen as the 4th best album of 2011 by Kerrang!, and listed in three rankings of the 50 best albums of the year: 20th by Rolling Stone, 43rd by NME, and 46th by Spin. It was also listed among The Hollywood Reporter 's ten best albums of 2011, and chosen as the album of the year by iTunes.
|7.||"Back & Forth"||3:52|
|8.||"A Matter of Time"||4:36|
|9.||"Miss the Misery"||4:33|
|10.||"I Should Have Known"||4:15|
|Japanese bonus track|
|iTunes and Best Buy Deluxe edition|
|12.||"Rope" (Deadmau5 Remix)||5:52|
|14.||"White Limo" (Video)||3:35|
|15.||"Walk" (Live at the Roxy) (Video)||4:23|
|Year||Single||Peak chart positions||Certifications|
|"—" denotes singles that did not chart.|
- A ^ "Rope" and "These Days" charted only on the Belgian combined sales and airplay chart (Ultratip). "Walk" charted on the Belgian singles sales chart (Ultratop 50).
- B ^ "These Days" did not enter the Billboard Hot 100 but peaked on the Bubbling Under Hot 100 Singles chart at number 11.
- Thomas Erlewine, Stephen. "Wasting Light - Foo Fighters". Allmusic. Retrieved 2011-04-12.
- "White Limo - Single by Foo Fighters - Single on iTunes". iTunes. Retrieved 2009-04-12.
- Brannigan, Paul (December 2010). "Kerrang's 50 albums you need to hear in 2011 - Foo Fighters (Interview)". Kerrang!.
- "I have all these huge fucking riffs, I can scream for three hours... LET'S GO!", Classic Rock, May 2011
- "2011 PREVIEW: FOO FIGHTERS MAKING MUSIC TO BREAK INTO CARS TO". Q, November 2010
- Moll, James (director) (2011). Back and Forth (documentary). RCA.
- Wood, Mikael (May 2011). "Rock Of Ages" (PDF). Nylon Guys.
- Halperin, Shirley (2010-03-08). "Foo Fighters Team With Butch Vig for "Heaviest Album Yet"Yet"". Rolling Stone. Retrieved 2012-01-07.
- Peters, Mitchell (2011-03-25). "Foo Fighters: The Billboard Cover Story". Billboard. Retrieved 2011-08-13.
- Montgomery, James (2011-01-27). "Exclusive: Butch Vig Talks 'Primal, Raw' Foo Fighters Album". MTV. Retrieved 2011-02-16.
- Turner, Gustavo (2011-04-11). "EXCLUSIVE Interview: Dave Grohl on Cutting the New Foo Fighters Album's Master Tape to Pieces--and Giving Them Away to the Fans". LA Weekly. Retrieved 2011-06-18.
- Treuen, Jason (12 April 2011). "Foo Fighters: The TMN interview Artists". The Music Network. Retrieved 2011-08-13.
- "The Garbage super-producer on recording the Foo Fighters' new album Wasting Light" Rhythm - June 2011
- Moll, James (director) (2011). Pre-Production These Days (documentary, deleted scene). Back and Forth DVD: RCA.
- Fox, Brian. "Mendelian Genesis", Bass Player, August 2011
- Doyle, Tom (June 2011). "FOO FIGHTERS: Recording Wasting Light". Sound on Sound. Retrieved 2012-01-15.
- "Hey. What's That Buzz?". Guitar World. May 2011.
- Micallef, Ken (2011-05-11). "THE FOO FIGHTERS TAKE A LOW-TECH APPROACH TO HIGH-INTENSITY ROCK". Electronic Musician. Retrieved 2012-01-15.
- Cameron, Keith (May 2011). "Dave Grohl; album review Q&A". Mojo.
- Ryan, Kyle (2011-06-29). "Interview: Bob Mould". The A.V. Club. Retrieved 2012-01-15.
- "Twitter / Foo Fighters: Taylor and Fee Waybill fro". Twitter.com. 2010-09-10. Retrieved 2011-04-10.
- Hopkins, Scott (2011-05-18). "Talk to Ya Now! A Conversation with Fee Waybill". Pop Bitez. Retrieved 2012-01-15.
- "Some bands go quietly into the good night. But not the Foos, with Nevermind producer Butch Vig urging them". Hot Press, May 2011
- "Rocking Off The Grid". Modern Drummer. September 2011.
- Bookman, Dave (2011-02-25). "Bookie's Grohl Call with Dave Grohl". CFNY-FM. Retrieved 2012-01-15.
- Moll, James (director) (2011). Mixing (documentary, deleted scene). Back and Forth DVD: RCA.
- 3/30/11 (2011-03-30). "New Foo Fighters Documentary 'Back And Forth' Traces Band's Entire Career". Rolling Stone Magazine. Retrieved 2011-06-13.
- Foo Fighters Discuss 'Back and Forth' Documentary at SXSW, Billboard
- Goodman, William (2011-02-23). "LISTEN: Foo Fighters' Heavy New Single!". Spin. Retrieved 2011-04-10.
- "Studio Insider: Dave Grohl talks to Paul Brannigan". Q. May 2011. Retrieved 2011-08-13.
- Diehl, Matt (2010-12-23). "Foo Fighters Reunite, Play New Songs at Secret Show". Rolling Stone. Retrieved 2012-01-15.
- Hanra (April 2011). "The Rock God". Elle UK.
- Heawood, Sophie (November 2010). "At Home With Foos". NME.
- "Foo Fighters "Wasting Light" Artwork". Morning Breath Inc. 2011-03-09. Retrieved 2012-01-15.
- "Foo Fighters Wasting Light Pre-Order Packages". The Uprising Creative. 2011-03-12. Retrieved 2012-01-15.
- ""Wasting Light" als Preorder bei iTunes". FooFighters.com. 2011-02-25. Retrieved 2012-01-15.
- Halperin, Shirley (2011-12-01). "Foo Fighters' Six Grammy Nominations Put Analog Recording Back on the Map". Retrieved 2012-01-11.
- Collis, Clark (2011-04-15). "Dave Grohl Q&A: The Foo Fighters frontman talks about the new Foos album, saying no to 'Glee,' and playing 'Smells LIke Teen Spirit' for the first time in 18 years". Entertainment Weekly. Retrieved 2012-01-11.
- Perpetua, Matthew (2011-04-13). "Foo Fighters Play 'Wasting Light,' Other Hits on 'Live on Letterman'". Rolling Stone. Retrieved 2012-01-15.
- "The BlackBerry Garage Contest - Foo Fighters Garage Tour". Retrieved 2012-01-06.
- Perpetua, Matthew (2011-04-19). "Foo Fighters Cut Loose in a Fan's Garage". Rolling Stone. Retrieved 2012-01-15.
- Suarez, Jessica (2011-01-19). "Foo Fighters "Bridge Burning" Teaser". Stereogum. Retrieved 2011-02-16.
- Lipshutz, Jason (2011-02-15). "Foo Fighters Reveal Wasting Light Album". Billboard.com. Retrieved 2011-02-15.
- Trust, Gary. "Foo Fighters' 'Rope' Hangs a No. 1 Debut on Rock Songs". Billboard. Feb 28, 2011.
- "Foo Fighters - Billboard Singles". Allmusic. Retrieved 2008-05-08.
- "ESPN's featured music for April". ESPN. 2011-03-05. Retrieved 2012-01-15.
- Monger, James Christopher. "Real Steel (Original Motion Picture Soundtrack)". allmusic. Retrieved October 25, 2011.
- "‘Thor’: Foo Fighters take a ‘Walk’ with Marvel film". Los Angeles Times. 2011-04-15. Retrieved 2011-11-03.
- "Madden NFL 12 Soundtrack". pastapadre. 2011-06-21. Retrieved 2011-04-21.
- "Full Report From The 2012 WWE Hall Of Fame Ceremony". Wrestling Inc. 2012-03-31. Retrieved 2012-04-01.
- "FOO FIGHTERS: WASTING LIGHT DEBUTS AT #1 IN TWELVE COUNTRIES". RCA Records. 2011-04-20. Retrieved 2012-01-15.
- Caulfield, Keith (April 20, 2011). Foo Fighters Earn First No. 1 Album with 'Wasting Light' | Billboard.com. Billboard. Retrieved on 2011-04-21.
- Tuch, Paul (April 22, 2011). "Foo Fighters "Light" Up Album Chart". Nielsen Business Media, Inc. Retrieved on 2011-04-21.
- Williams, John (April 20, 2011). Foos' 'Light' shines bright at No. 1. Jam!. Retrieved on 2011-04-21.
- Sexton, Paul (2011-04-18). "Foo Fighters Top U.K. Charts, End Adele's 11-Week Run". Billboard. Retrieved 2012-01-15.
- Top 40 Rock & Metal Singles - 23rd April 2011, The Official Charts Company
- Caulfield, Keith (2012-01-06). "Rock Lives (Still): Mumford & Sons, Foster The People Lead 2011's Growing Rock Retail". Billboard. Retrieved 2012-01-06.
- "Coldplay, Noel Gallagher and Foo Fighters revealed as biggest selling rock acts of 2011". NME. 2012-01-17. Retrieved 2012-03-19.
- Ryan, Kyle (April 12, 2011). "Foo Fighters: Wasting Light". The A.V. Club. Retrieved 2011-04-12.
- Petrusich, Amanda (March 31, 2011). Wasting Light | Music | EW.com. Entertainment Weekly. Retrieved on 2011-04-13.
- Simpson, Dave (April 7, 2011). Foo Fighters: Wasting Light – review | Music | The Guardian. The Guardian. Retrieved on 2011-04-13.
- Parker, Rob (April 6, 2011). "Album Review: Foo Fighters - Wasting Light (Roswell/RCA)". NME. Retrieved 2011-04-12.
- Bevan, David (April 15, 2011). "Pitchfork: Album Reviews: Foo Fighters: Wasting Light". Pitchfork Media. Retrieved 2011-04-15.
- Brannigan, Paul (May 2011). "Foo Fighters – Wasting Light (Roswell/RCA)". Q (Bauer Media Group) (298): 114–118. Retrieved 2011-04-13.
- Fricke, David (April 28, 2011), "Wasting Light by Foo Fighters", Rolling Stone (1129): 93–94
- Liedel, Kevin (April 13, 2011). "Foo Fighters: Wasting Light Music Review". Slant Magazine. Retrieved 2011-04-13.
- Wood, Mikael (April 8, 2011). "Foo Fighters, 'Wasting Light' (Roswell/RCA)". Spin. Retrieved 2011-04-12.
- Wasting Light Reviews, Ratings, Credits, and More at Metacritic. Metacritic. Retrieved on 2011-04-13.
- Perry, Andrew (2011-04-07). "Foo Fighters, Wasting Light, CD of the week". The Daily Telegraph (London). Retrieved 2013-03-24.
- Kot, Greg (2011-04-01). "Album review: Foo Fighters, 'Wasting Light'". Chicago Tribune. Retrieved 2013-02-24.
- Gill, Andy (April 8, 2011). "Album: Foo Fighters, Wasting Light (Columbia)". The Independent. Retrieved 2011-04-12.
- "Grammy Winners List 2012". MTV. 2012-02-12. Retrieved 2012-02-13.
- "The Best Albums of the Year". Kerrang! (Bauer) (1394). 14 December 2011.
- "50 Best Albums of 2011: Foo Fighters, 'Wasting Light'". Rolling Stone. 2011-12-07. Retrieved 2012-01-15.
- "50 Best Albums Of 2011: #43 Foo Fighters - Wasting Light". NME. 2011-12-19. Retrieved 2012-01-15.
- "SPIN's 50 Best Albums of 2011". Spin. 2011-12-12. Retrieved 2012-01-15.
- Halperin, Shirley (2011-12-23). "THR Music Editor's Top 10 Albums of 2011". The Hollywood Reporter. Retrieved 2012-01-10.
- Halperin, Shirley (2011-12-08). "Adele Is iTunes' Top Seller in 2011, Foo Fighters' 'Wasting Light' Named Album of the Year by Apple Staff". The Hollywood Reporter. Retrieved 2012-01-10.
- "Foo Fighters "Wasting Light" @ CDJapan". CDJapan.co.jp. Retrieved 2012-03-13.
- "Foo Fighters "Wasting Light (Deluxe Version)" @ iTunes". iTunes. Retrieved 2012-03-13.
- "australian-charts.com - Foo Fighters - Wasting Light". ARIA Charts. Hung Medien. Retrieved 2011-04-17.
- Foo Fighters - Wasting Light - austriancharts.at. Hung Medien. Retrieved on 2011-04-21.
- "ultratop.be - Foo Fighters - Wasting Light". Ultratop (in Dutch). ULTRATOP & Hung Medien / hitparade.ch. Retrieved 2011-04-15.
- "ultratop.be - Foo Fighters - Wasting Light". Ultratop (in French). ULTRATOP & Hung Medien / hitparade.ch. Retrieved 2011-04-15.
- "ČNS IFPI". Hitparáda - TOP50 Prodejní (in Czech). IFPI Czech Republic. Retrieved 2011-04-20.
- "danishcharts.com - Foo Fighters - Wasting Light". IFPI. Hung Medien. Retrieved 2011-04-17.
- "dutchcharts.nl - Foo Fighters - Wasting Light". MegaCharts (in Dutch). Hung Medien / hitparade.ch. Retrieved 2011-04-15.
- "finnishcharts.com - Foo Fighters - Wasting Light". Finland's Official List. Hung Medien. Retrieved 2011-04-17.
- "Foo Fighters - Wasting Light" (in French). InfoDisc. Retrieved 2011-04-22.
- "Foo Fighters’ Wasting Light Debuts At #1 In Twelve Countries!". The Audio Perv. 2011-04-20. Retrieved 2011-08-13.
- "greekcharts.com - Foo Fighters - Wasting Light". IFPI Greece. Hung Medien. Retrieved 2011-04-17.
- "Chart Track". Irish Albums Chart. GfK. Retrieved 2011-04-15.
- "Italy - Top Album Chart". Allcharts.org. Retrieved 2011-08-13.
- "Japanese Album Charts: Week 1, May 2011" (in Japanese). Oricon. Retrieved 2012-01-15.
9 ウェイスティング・ライト フー・ファイターズ 04/20 13085[dead link]
- "Foo Fighters – Wasting Light" (in Japanese). oricon ME inc. Retrieved 2015-05-25.
- "Wasting Light" (in Spanish). Hung Medien. Retrieved 2011-08-13.
- "CHART 1769 18 April 2011" (PDF). RIANZ. Retrieved 2011-05-17.
- Steffen Hung. "Foo Fighters – Wasting Light". Norwegiancharts.com. Retrieved 2011-08-13.
- "Oficjalna lista sprzedaży :: OLIS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved 2013-12-11.
- "Foo Fighters - Wasting Light". portuguesecharts.com. Retrieved 2011-04-21.
- "Promusicae". Promusicae. 2007-03-05. Retrieved 2011-08-13.
- "swedishcharts.com - Foo Fighters - Wasting Light". Sverigetopplistan. Hung Medien. Retrieved 2011-04-17.
- "Foo Fighters - Wasting Light". hitparade.ch. Retrieved 2011-04-21.
- Adele knocked off album chart top spot. BBC. Retrieved 2011-04-19
- "Ö3 Austria Top 40 - Longplay Charts 2011". Hitradio Ö3. Retrieved 2012-01-15.
- "ARIA 2011 TOP 100 ALBUMS CHART" (PDF). ARIA. 2012-01-01. p. 5. Retrieved 2012-01-06.
- "2011 Year End Charts: Top Canadian Albums". Billboard. Retrieved 2012-01-15.
- "Album-Top 100". Hitlisten. IFPI Danmark & Nielsen Music Control. Archived from the original on 2012-01-23.
- "Album Jahrescharts 2011". MTV Germany. Retrieved 2012-01-15.
- "Adele dominates NZ end of year charts". TV NZ. 2011-12-16. Retrieved 2012-01-15.
- "Schweizer Jahreshitparade 2011" (in German). Swiss Hitparade (Hung Medien). Retrieved 2012-01-15.
- "Billboard 200 Year-End 2011". Billboard. Retrieved 2012-05-04.
- "ARIA Top 100 Albums 2012". ARIA. Retrieved 2015-01-15.
- "Foo Fighters Album & Song Chart History – Hot 100". Billboard. Retrieved 2010-10-26.
- For "Rope" and "Walk": "Foo Fighters - Radio Songs - chart history". Billboard (magazine). foo fighters. Retrieved January 7, 2015.
- "These Days": "Foo Fighters - These Days - chart history - Radio Songs". aCharts. foo fighters. Retrieved January 7, 2015.
- "Foo Fighters Album & Song Chart History – Alternative Songs". Billboard. Retrieved 2010-10-26.
- Foo Fighters - Mainstream Rock Songs billboard.com. Retrieved January 7, 2014.
- "Foo Fighters Album & Song Chart History – Rock Songs". Billboard. Retrieved 2010-10-26.
- "Rope": "ARIA Top 100 Singles" (PDF) (1103). ARIA. April 18, 2011. p. 4. Retrieved January 7, 2015.
- "Walk": "ARIA Top 100 Singles" (PDF) (1117). ARIA. July 25, 2011. p. 4. Retrieved January 7, 2015.
- "These Days": "ARIA Top 100 Singles" (PDF) (1138). ARIA. December 19, 2011. p. 4. Retrieved January 7, 2015.
- "Discographie Foo Fighters" (in German). Ö3 Austria Top 40. Retrieved 2008-02-14.
- Discography Foo Fighters". Ultratop Belgian Charts. Retrieved 2008-02-14.
- "Foo Fighters Album & Song Chart History – Canadian Hot 100". Billboard. Retrieved 2010-07-31.
- "Foo Fighters Single" (in German). PHONONET GmbH. Retrieved 2015-05-25.
- Foo Fighters - Japan Hot 100 billboard.com. (Note: peak has not been updated for "Walk"). Retrieved January 7, 2015.
- "Discografie Foo Fighters" (in Dutch). MegaCharts. Retrieved 2008-02-14.
- "Discography Foo Fighters". New Zealand charts online. Retrieved 2008-02-14.
- "Walk on Swiss Charts". swisscharts.com. Retrieved 13 July 2012.
- "Walk":"Top 40 Rock & Metal Singles Archive - 25 June, 2011". Official Charts Company. Retrieved November 9, 2014.
- "Arlandria":"Top 40 Rock & Metal Singles Archive - 24 September, 2011". Official Charts Company. Retrieved November 9, 2014.
- "These Days":"Top 40 Rock & Metal Singles Archive - 8 September, 2012". Official Charts Company. Retrieved November 9, 2014.
- "Bridge Burning:"Top 40 Rock & Metal Singles Archive - 23 April, 2011". Official Charts Company. Retrieved November 9, 2014.
- "Accreditations - 2012 Singles". Australian Recording Industry Association.
- "Foo Fighters - These Days". Billboard. Retrieved 2009-03-01.
- "ARIA Charts - Accreditations - 2011 Albums". Australian Recording Industry Association. Retrieved 2012-01-06.
- "IFPI Austria" (in German). IFPI Austria.
- Belgium Gold and Platinum Certifications - 2011 ultratop.be. Retrieved 20 June 2013.
- "Gold Platinum Database: Foo Fighters - Wasting Light". Canadian Recording Industry Association. Retrieved 2011-08-26.
- "Ulkomaiset albumit 2011" (in Finnish). Retrieved 2011-07-27.
- "Bundesverband Musikindustrie: Gold-/Platin-Datenbank". Musikindustrie.de. Retrieved 2011-08-13.
- "Certificazione Album fisici e digitali dalla settimana 1 del 2009 alla settimana 52 del 2013" (in Italian). Federation of the Italian Music Industry. Archived from the original (PDF) on January 19, 2014. Retrieved January 19, 2014.
- "Gouden plaat voor Foo Fighters" (in Dutch). 3FM. August 19, 2012. Archived from the original on November 27, 2012. Retrieved November 27, 2012.
- "CHART 1784 01 August 2011" (PDF). RIANZ. Retrieved 2011-05-17.
- "Listy bestsellerów, wyróżnienia". Retrieved 2012-09-25.
- "Certified Awards Search" (ENTER THE SEARCH PARAMETER "FOO FIGHTERS" INTO THE SEARCH BOX, THEN SELECT "SEARCH"). British Phonographic Industry. Retrieved February 3, 2013.
- "Recording Industry Association of America". RIAA. Retrieved 2011-08-13.