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Wikipedia:WikiProject Deletion sorting/Japan

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This is a collection of discussions on the deletion of articles related to Japan. It is one of many deletion lists coordinated by WikiProject Deletion sorting. Anyone can help maintain the list on this page.

Adding a new AfD discussion
Adding an AfD to this page does not add it to the main page at WP:AFD. Similarly, removing an AfD from this page does not remove it from the main page at WP:AFD. If you want to nominate an article for deletion, go through the process on that page before adding it to this page. To add a discussion to this page, follow these steps:
  1. Edit this page and add {{Wikipedia:Articles for deletion/PageName}} to the top of the list. Replace "PageName" with the relevant article name, i.e. the one on the existing AFD discussion. Also, indicate the title of the article in the edit summary as it is particularly helpful to add a link to the article in the edit summary. When you save the page, the discussion will automatically appear.
  2. You should also tag the AfD by adding {{subst:delsort|Japan|~~~~}} to it, which will inform editors that it has been listed here. You may place this tag above or below the nomination statement or at the end of the discussion thread.
There are a few scripts and tools that can make this easier.
Removing a closed AfD discussion
Closed AfD discussions are automatically removed by a bot.
Other types of discussions
You can also add and remove other discussions (prod, CfD, TfD etc.) related to Japan. For the other XfD's, the process is the same as AfD (except {{Wikipedia:Miscellany for deletion/PageName}} is used for MFD and {{transclude xfd}} for the rest). For PRODs, adding a link with {{prodded}} will suffice.
Further information
For further information see Wikipedia's deletion policy and WP:AfD for general information about Articles for Deletion, including a list of article deletions sorted by day of nomination.

This list is also part of the larger list of deletion debates related to Asia.

Archived discussions (starting from September 2007) may be found at:
Purge page cache watch
Scan for Japan-related AfDs

Scan for Japan-related Prods

Scan for Japan-related template TfDs

See also:



Japan

[edit]
Kaoli Isshiki (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Fails WP:SIGCOV. No significant coverage in any of the sources. Two of the three cited sources don't even mention the subject, and the one source that does simply lists here as one of several singers in a chamber choir (she is one of four singers in the soprano section). 4meter4 (talk) 01:59, 20 October 2024 (UTC)[reply]

Kenji Tanaka (footballer, born 1983) (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Failure of WP:GNG and WP:SPORTCRIT, with no significant and independent coverage (including in the ja:wiki, where all sources are primary), and 18 games in Japan's second and third leagues being his claim to notability. Creator is blocked indefinitely. Geschichte (talk) 20:47, 19 October 2024 (UTC)[reply]

Yoko Maria (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Article contains zero independent sources with significant coverage. The sources used are all self published or from primary materials closely connected to the subject. Fails WP:SIGCOV. 4meter4 (talk) 00:10, 19 October 2024 (UTC)[reply]

Tatsuya Suzuki (footballer, born 1988) (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Blatant and utter failure of WP:GNG and WP:SPORTCRIT. No indication of notability anywhere. Geschichte (talk) 22:48, 17 October 2024 (UTC)[reply]

Takayuki Fujii (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Overt failure of WP:GNG and WP:SPORTCRIT, with no significant and independent coverage (including in the ja:wiki), and 6 games in Japan's third league being his claim to notability. Creator is globally locked. Geschichte (talk) 22:46, 17 October 2024 (UTC)[reply]

2006 Kawasaki Frontale season (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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AFD’ing this because redirecting season articles to the club is not a thing we do, i.e. the redirect is not useful. The page was rightfully prodded by ViridianPenguin and Spiderone, as the page failed WP:NOTSTATS; a season page that barely had some information entered, no lead etc, so no reason to preserve the page history either. The creator is blocked indefinitely. Geschichte (talk) 07:58, 17 October 2024 (UTC)[reply]

Masayoshi Takayanagi (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Huge failure of WP:GNG and WP:SPORTCRIT. Played a couple of football matches. No usable sources in ja:wiki, is it apparent for everyone that they are exclusively WP:PRIMARY (or too short, as #1). Creator is globally locked. Geschichte (talk) 07:55, 17 October 2024 (UTC)[reply]

Osamu Miura (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Failure of WP:GNG and WP:SPORTCRIT, with no significant and independent coverage (including in the ja:wiki), and 25 games in Japan's second league being his claim to notability. Creator is blocked indefinitely. Geschichte (talk) 09:48, 16 October 2024 (UTC)[reply]

Kenji Moriyama (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Failure of WP:GNG and WP:SPORTCRIT, with no significant and independent coverage (including in the ja:wiki), and 24 games during a single season of Japan’s third league being his claim to notability. Geschichte (talk) 09:49, 16 October 2024 (UTC)[reply]

Masato Ishida (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Failure of WP:GNG and WP:SPORTCRIT, with no significant and independent coverage (including in the ja:wiki), and 18 games in Japan's second league being his claim to notability. Creator is blocked indefinitely. Geschichte (talk) 09:50, 16 October 2024 (UTC)[reply]

Taisei Isoe (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Failure of WP:GNG and WP:SPORTCRIT, with 2 appearanced in Japan's third league. Every one of the sources in ja:wiki are primary, nothing usable, and hardly worth mentioning. Geschichte (talk) 06:40, 15 October 2024 (UTC)[reply]

Shoma Ishigami (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Lightyears away from meeting WP:GNG and WP:SPORTCRIT. Played 88 minutes in Japan. Nothing usable in ja:wiki, either primary sources or short/insignificant Gekisaka sources. Geschichte (talk) 06:39, 15 October 2024 (UTC)[reply]

Yasutaka Nomoto (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Failure of WP:GNG and WP:SPORTCRIT, with no significant and independent coverage (including in the ja:wiki), and 6 games in Japan's second league being his claim to notability. Creator is blocked indefinitely. Geschichte (talk) 06:20, 14 October 2024 (UTC)[reply]

Masahiro Ikeda (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Failure of WP:GNG and WP:SPORTCRIT, with no significant and independent coverage (including in the ja:wiki), and 9 games in Japan's second league being his claim to notability. The rest came in amateur divisions. Creator is blocked indefinitely. Geschichte (talk) 06:20, 14 October 2024 (UTC)[reply]

Koichi Higashi (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Failure of WP:GNG and WP:SPORTCRIT, with no significant and independent coverage (including in the ja:wiki), and one season in Japan's second league 23 years ago being his claim to notability. Creator is blocked indefinitely. Geschichte (talk) 06:21, 14 October 2024 (UTC)[reply]

Koichi Hashigaito (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Failure of WP:GNG and WP:SPORTCRIT, with no significant and independent coverage (including in the ja:wiki), and 1 game in Japan's second league being his claim to notability. The rest came in amateur divisions. Creator is blocked indefinitely. Geschichte (talk) 06:22, 14 October 2024 (UTC)[reply]

Tatsuki Noda (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Unfortunately fails of WP:GNG and WP:SPORTCRIT. Played 17 minutes in Japan's third league. The only source in ja:wiki to possibly rise above the usual primary and routine sources, [1], is also a transfer announcement containing three long quotes. Geschichte (talk) 05:08, 13 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Relisting. Already PROD'd so not eligible for a Soft Deletion.
Please add new comments below this notice. Thanks, Liz Read! Talk! 06:42, 20 October 2024 (UTC)[reply]

Yoshiyuki Okumura (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Strong failure of WP:GNG and WP:SPORTCRIT, only played 8 games in the third league. No independent and significant sources, including those in ja:wiki. Creator is globally locked. Geschichte (talk) 05:06, 13 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Relisting. Already PROD'd so not eligible for Soft Deletion.
Please add new comments below this notice. Thanks, Liz Read! Talk! 06:43, 20 October 2024 (UTC)[reply]

Keisuke Kumazawa (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Falls short of WP:GNG and WP:SPORTCRIT, his career lasting for 544 minutes. No sources approaching independent and significant, including those in the ja:wiki, which are primary or match reports. Creator is globally locked. Geschichte (talk) 05:04, 13 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Relisting. Already PROD'd so Soft Deletion is not an option.
Please add new comments below this notice. Thanks, Liz Read! Talk! 06:45, 20 October 2024 (UTC)[reply]

Jinyu Nasu (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Utter failure of WP:GNG and WP:SPORTCRIT, with his 190 minutes of play time in Japan's third league. No sources approaching independent and significant, including those in the ja:wiki. Geschichte (talk) 05:02, 13 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Relisting. Already PROD'd so Soft Deletion is not an option.
Please add new comments below this notice. Thanks, Liz Read! Talk! 06:45, 20 October 2024 (UTC)[reply]

Nobuhide Akiba (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Non-compliance with WP:GNG and WP:SPORTCRIT. No sources approaching independent and significant, including those in the ja:wiki. Geschichte (talk) 05:02, 13 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Relisting. Already PROD'd so Soft Deletion is not an option.
Please add new comments below this notice. Thanks, Liz Read! Talk! 06:46, 20 October 2024 (UTC)[reply]

Kyosuke Hashimoto (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Not good enough to meet WP:GNG and WP:SPORTCRIT for this player who spent 464 minutes in Japan's third league. Sources are WP:PRIMARY or WP:ROUTINE/WP:PASSING, especially those in the ja:wiki. Geschichte (talk) 05:01, 13 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Relisting. Already PROD'd so Soft Deletion is not an option.
Please add new comments below this notice. Thanks, Liz Read! Talk! 06:46, 20 October 2024 (UTC)[reply]

Yusuke Tanahashi (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Very far from meeting WP:GNG and WP:SPORTCRIT. Played 68 minutes in Japan' second league. No significant and independent coverage, including in ja:wiki. Geschichte (talk) 07:15, 12 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Not eligible for soft-deletion as a contested prod.
Please add new comments below this notice. Thanks, Daniel (talk) 07:51, 19 October 2024 (UTC)[reply]

Taishin Morikawa (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Failure of WP:GNG and WP:SPORTCRIT. Played 8 times in Japan's third league. No significant and independent coverage, including in ja:wiki. Creator is globally locked. Geschichte (talk) 07:14, 12 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Not eligible for soft-deletion as a contested prod.
Please add new comments below this notice. Thanks, Daniel (talk) 07:51, 19 October 2024 (UTC)[reply]

Izumi Miyata (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Failure of WP:GNG and WP:SPORTCRIT. Played 232 minutes in Japan's third league. No significant and independent coverage, including in ja:wiki. Geschichte (talk) 07:13, 12 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Not eligible for soft-deletion as a contested prod.
Please add new comments below this notice. Thanks, Daniel (talk) 07:52, 19 October 2024 (UTC)[reply]

Makito Hatanaka (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Failure of WP:GNG and WP:SPORTCRIT. Played some games in Japan's third league and 110 minutes in Singapore. I'm not very swayed by the status as a tall footballer. This is curious information that belongs in a list. Geschichte (talk) 11:26, 10 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Star Mississippi 19:01, 17 October 2024 (UTC)[reply]

Daisuke Tsuda (YouTuber) (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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WP:NPEOPLE Paradoctor (talk) 07:12, 9 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Can we get a review of the sources brought to this discussion. It would have been helpful if there had been a more comprehensive deletion nomination statement that demonstrated a BEFORE had been done instead of just a policy acronym which doesn't explain much at all.
Please add new comments below this notice. Thanks, Liz Read! Talk! 05:06, 16 October 2024 (UTC)[reply]

Delete per WP:NPEOPLE, and article only has 2 references. Babysharkboss2!! (I spread pro-Weezer propaganda) 14:15, 16 October 2024 (UTC)[reply]
References from Japanese Wikipedia article:

^ https://www.pref.aichi.jp/soshiki/bunka/2017071801.html

^ a b c “津田大介公式サイト | プロフィール”. 2020年8月20日閲覧。

^ “津田大介さんらが"ヤング・グローバル・リーダー"に--世界経済フォーラム”. マイナビニュース (2013年3月14日). 2023年3月21日閲覧。

^ Inc, Aetas. “津田大介の“本性”を見た!――ジャーナリスト津田大介氏がゲストの「ゲーマーはもっと経営者を目指すべき!」第13回”. www.4gamer.net. 2019年8月1日閲覧。

^ 【津田大介】どんな仕事も初回は断らない。自分に課した辛いルールが広げた仕事の幅|VENTURE FOR JAPAN|note

^ “津田大介公式サイト | プロフィール”. 2021年1月10日閲覧。

^ “世の中の大きな変わり目を経験した若者が、将来社会を変革していく”. www.univcoop.or.jp. www.univcoop.or.jp (2021年7月19日). 2023年8月8日閲覧。

^ “津田大介「ウェブで政治を動かす!」書評 新しい民主主義を作るために”. book.asahi.com. book.asahi.com (2012年12月2日). 2023年8月8日閲覧。

^ 津田大介ツイッター2011年5月3日2022年10月26日閲覧

^ a b “津田大介さん”. すぎなみ学倶楽部 (2014年1月14日). 2021年6月18日閲覧。

^ 上田市の上田染谷丘高校を昭和38年に卒業した同級生が青木村で同級会!

^ 添田隆典 (2019年5月26日). “<家族のこと話そう>闘う両親に影響受け ジャーナリスト・津田大介さん”. 東京新聞. オリジナルの2021年5月11日時点におけるアーカイブ。 2021年3月2日閲覧。

^ 朝日新聞2013年1月31日(木曜日)「おやじのせなか」理想追い思想押しつけず(津田大介さん)

^ “大手メディアでなく「赤旗」がスクープ連発はなぜ?/FMラジオ番組 小木曽編集局長語る”. www.jcp.or.jp. 2022年5月30日閲覧。

^ a b Inc, Aetas. “津田大介の“本性”を見た!――ジャーナリスト津田大介氏がゲストの「ゲーマーはもっと経営者を目指すべき!」第13回”. www.4gamer.net. 2019年8月1日閲覧。

^ 『現代用語の基礎知識 2010』 p.1225

^ a b 藤崎麻里. “「tsudaる」が生まれた日 誰も報じない審議会…中継が始まった”. withnews.jp. 2022年5月30日閲覧。

^ 津田大介『情報の呼吸法』「第1章 情報は行動を引き起こすためにある」p.19

^ “津田大介さん、あいちトリエンナーレの芸術監督に就任へ”. 朝日新聞. 2017年12月12日時点のオリジナルよりアーカイブ。2017年7月19日閲覧。

^ a b “『あいちトリエンナーレ』芸術監督に津田大介 「新しい芸術監督像を期待」”. CINRA.NET. 2019年8月1日閲覧。

^ “日本社会の「タブー」東京で展示”. ハンギョレ新聞 (2015年1月18日). 2020年8月17日閲覧。

^ “【主張】企画展再開 ヘイト批判に答えがない”. 産経新聞. (2019年10月9日)

^ “愛知芸術祭アドバイザー東浩紀氏が辞意「善後策提案採用されず」”. 産経新聞. (2019年8月14日). オリジナルの2021年4月20日時点におけるアーカイブ。 2022年5月30日閲覧。

^ 佐藤直子、稲垣太郎「こちら特捜部 『表現の不自由展』中止の衝撃(上) 脅迫に屈する『悪しき前例』 市長や政権 攻撃あおる 芸術監督・津田大介氏『文化に対する暴力テロ事件』」『東京新聞』2019年8月6日付朝刊、特報1面、22頁。

^ “「不自由展」監督 津田氏登壇シンポ中止へ 神戸市、抗議相次ぎ”. 東京新聞. (2019年8月9日) 2021年6月18日閲覧。

^ 『中日新聞』2020年8月26日付朝刊、二社、28面、「大村知事リコール 署名集めスタート 高須氏代表の団体」。

^ “リコール署名妨害と高須院長 映画評論家らを告発”. 共同通信. (2020年9月1日). オリジナルの2020年9月1日時点におけるアーカイブ。 2021年2月28日閲覧。

^ “高須氏らが愛知県を提訴 あいちトリエンナーレめぐり”. 朝日新聞. (2020年12月22日) 2021年2月24日閲覧。

^ 『中日新聞』2020年11月8日付朝刊、二社、26面、「大村知事リコール 高須氏が活動終了 病状悪化で」。

^ “愛知知事リコール署名「83%に不正の疑い」 県選管が調査結果、刑事告発も検討”. 毎日新聞. 2021年2月16日閲覧。

^ 津田大介 Twitter 2020年11月7日 午後9:41

^ “高須院長 津田氏に「謝罪遅れたら法廷」「癌で弱っていると思ってなめるな」”. デイリースポーツ. (2020年11月8日) 2020年11月11日閲覧。

^ “愛知県知事解職請求に係る署名簿の調査の取りまとめ状況について” (PDF). 愛知県選挙管理委員会 (2021年2月1日). 2021年2月25日閲覧。

^ “知事リコール署名は83%無効 愛知県選管が不正疑い告発検討”. 中日新聞. (2021年2月2日) 2021年2月25日閲覧。

^ “署名偽造容疑で田中孝博事務局長ら4人を逮捕、全容解明へ 愛知県知事リコール不正”. (2021年5月19日) 2021年9月9日閲覧。

^ 「不自由展」をめぐるネット右派の論理と背理――アートとサブカルとの対立をめぐって/伊藤昌亮 - SYNODOS

^ “知事リコール署名めぐりジャーナリスト津田氏、香山氏ら4人書類送検 愛知県警:中京テレビNEWS”. 中京テレビNEWS. 2021年9月9日時点のオリジナルよりアーカイブ。2021年9月9日閲覧。

^ “愛知リコール署名巡り津田大介氏ら書類送検 県警、起訴求めぬ意見か”. 朝日新聞DIGITAL. 2022年6月26日閲覧。

^ “リコール署名偽造、捜査に一区切り 元市議ら7人不起訴”. 朝日新聞. (2022年3月17日) 2024年3月5日閲覧。

^ “「ダウンロード違法化」で報告書まとまる iPod課金は「合意できず」”. ITmedia NEWS (2008年12月16日). 2022年5月30日閲覧。

^ 新サイト「ポリタス」で政治を可視化する!編集長・津田大介氏に使い方と狙いを聞いた ダイヤモンド・オンライン 2013年7月18日

^ 「津田大介プロフィール」 津田大介公式サイト

^ 「津田大介」 幻冬舎

^ “津田大介さん、あいちトリエンナーレの芸術監督に就任へ”. 朝日新聞. 2017年12月12日時点のオリジナルよりアーカイブ。2017年7月19日閲覧。

^ “津田大介とジョー横溝が仕掛ける前代未聞のトークフェス『RONDAN FES 2024 in IZU』の全貌”. Rooftop (2024年8月1日). 2024年8月30日閲覧。

^ 週刊朝日 2019年3月1日号

^ プレス民主2014年3月22日 【提言】「ネットを活用し、新しい政治のうねりを」津田大介氏

^ Independent Web Journal2013年4月3日 【IWJブログ:反差別訴える市民、排外デモ隊を終始包囲】

^ ウートピ2014年6月27日 【都議会ヤジ事件】津田大介氏や蓮舫議員も参加 ネットで署名を行った市民100人が集まり今後の対策を議論

^ 弁護士ドットコム2014年6月26日 津田大介氏「セクハラヤジは日本の恥」「変わるきっかけに」イベントで意識変革訴える

^ 流行語大賞 鳥越俊太郎氏と津田大介氏、「保育園落ちた日本死ね」のトップテン入りに「賛成」産経新聞

^ "河野談話は俺じゃない!" 外務大臣に起用された河野太郎氏の人となりは 2017年08月04日 abema news

^ “https://twitter.com/tsuda/status/1456172429886181383”. Twitter. 2021年11月6日閲覧。

^ “https://twitter.com/tsuda/status/1456172434273361927”. Twitter. 2021年11月6日閲覧。

^ “津田大介、女性共演者の「トイレの音と匂いを想像」発言で大炎上!!(2017/08/17 徳間書店「アサジョ」)”. アサジョ. 2021年11月18日閲覧。

^ “津田大介氏、不都合な真実”. Togetter. 2021年10月8日閲覧。

^ “https://twitter.com/tsuda/status/1359076627460747267”. Twitter. 2021年10月8日閲覧。

^ “報道ヨミトキMONDAY #14”. ポリタスTV (2021年7月5日). 2021年7月6日閲覧。

^ 津田大介 - オリコンTV出演情報

Left guide (talk) 15:08, 16 October 2024 (UTC)[reply]

Twitter posts aren't helpful for notability purposes. The rest aren't even hotlinked, so I don't know what you want us to do with them. We don't speak the language. This is a wall of text that really does nothing for this discussion. Oaktree b (talk) 20:47, 16 October 2024 (UTC)[reply]
I second that. It should be put in a collapsed template. This discussion was already bloated enough, by replies from Mihari Harukaze who unfortunately can't distinguish between a source about the subject, a source mentioning the subject and a source from the subject. Geschichte (talk) 07:44, 17 October 2024 (UTC)[reply]
Ja.wiki references collapsed per above suggestion. Left guide (talk) 08:21, 17 October 2024 (UTC)[reply]
  • Keep I am responding at the request of Left guide. Keep per the significant coverage in multiple independent reliable sources. The subject passes Wikipedia:Notability (people)#Basic criteria, which says:

    People are presumed notable if they have received significant coverage in multiple published secondary sources that are reliable, intellectually independent of each other, and independent of the subject.

    • If the depth of coverage in any given source is not substantial, then multiple independent sources may be combined to demonstrate notability; trivial coverage of a subject by secondary sources is not usually sufficient to establish notability.

    Sources

    1. A book and a PhD thesis from the scholar Elizabeth Rodwell:
      1. Rodwell, Elizabeth (2024). Push the Button: Interactive Television and Collaborative Journalism in Japan. Durham, North Carolina: Duke University Press. p. 12, 52–53, 75. ISBN 978-1-4780-2102-5. Retrieved 2024-10-20 – via Google Books.

        The book notes on pages 12: "In parallel, it was of great interest to self-proclaimed “media activist” Tsuda Daisuke that while an estimated one-third to one-half of Japanese computer users engaged with any form of social media, Twitter use had expanded dramatically between 2010 and 2012 as individuals sought alternative means by which to exchange written and visual information."

        The book notes on pages 52–53: "As prominent (self-described) “media activist” Tsuda Daisuke writes about nn, its strength lies in its capacity to allow viewers to interact with presenters, and with one another, simultaneously. Always seated behind his laptop during broadcasts, Tsuda, who appears regularly on both television and radio as well as nn, practices what he preaches by engaging fluidly with both embodied and virtual interlocutors simultaneously during his media appearances. Tsuda’s frequent commentary resembles media scholar Kitada Akihiro’s theorization of participation in these rapid-fire online communities as being more about the “pleasure of the social communication itself ” than the topics being discussed."

        The book notes on page 75: "For media activist Tsuda Daisuke, this potential defines his interest in interactive technologies; YouTube, NicoNico, and similar platforms can introduce a broad selection of events to a diverse national body and inspire them to protest, volunteer, or otherwise mobilize."

      2. Rodwell, Elizabeth A. (2015). Push the Button: Interactive Television and Collaborative Journalism in Japan (PhD thesis). Duke University. ProQuest 2001550937.

        The PhD thesis notes on page 4: "Nonetheless, it was interesting to me to see the extent to which the mass media flirted with such individuals, offering more prominent figures such as Uesugi Takashi and Tsuda Daisuke6 regular hosting gigs on (usually BS channel) television programs, and radio stations."

        The 6th footnote notes: "In this dissertation I will follow Japanese and anthropological convention when referring to Japanese individuals, and writing their last (family) names before their surnames. According to American convention, Tsuda Daisuke would be Daisuka Tsuda, as Tsuda is his “last” name."

        The thesis notes on page 48: "As prominent media activist Tsuda Daisuke writes about NND, its strength lies in its capacity to allow viewers to interact with presenters, and with one another simultaneously. Always seated behind his laptop during broadcasts, Tsuda, who appears regularly on both television and radio as well as NND, practices what he preaches by engaging fluidly with both embodied and virtual commentators during his media appearances–if not on NND, then on Twitter."

        The thesis notes on page 117: "From the perspective of prominent (and self-described) media activist Tsuda Daisuke, this capacity represents social media’s inherent strength; YouTube and UStream introduce a diverse selection of events to a diverse national body, whose members may be inspired to take action or become involved."

        The thesis notes on page 134: "Thus, it was of great interest to Tsuda that while in 2010 an estimated 1/3 to 1/2 of Japanese computer users engaged social media in any way, Twitter use in particular expanded dramatically between 2010-2012, as individuals sought alternative means by which to exchange written and visual information."

        The thesis notes on pages 137–138: "Referring back to the historical absence of a “kifu bunka” (donation culture) in Japan, Tsuda addresses what he believes is a culture in transition: “Korekara ‘kifu’ ga būmu ni naru,” (The ‘donation’ boom is coming) he titles a chapter in one of his recent books. Within his formulation ..., America’s donation culture is one worth emulating. While he praises services like the Japanese crowdfunding website Just Giving, his acquisitiveness about the potentials of a distinctly Japanese means to fundraising leads him to society’s widespread use of Suica cards, ... In the meantime, he acknowledges that social media has made political action easier, but, ..."

        The thesis notes on page 140: "Our Planet TV had recently held an FPAJ press conference without suffering negative repercussions, as had the Tsuda Daisuke-affiliated political group “Democracy 2.0”–although both of these groups benefitted from and were somewhat insulated by the accumulated social capital of their most prominent representatives. Tsuda-san and Shiraiishi-san both represent a credible and high quality journalistic body of work, and their integrity generally unquestioned."

        The thesis notes on page 160: "In another case, the prominent and self described “media activist” (media akutobisuto), Tsuda Daisuke– instantly recognizable by his platinum-dyed hair (kinpatsu) and sticker-covered laptop–maintains a public schedule of appearances on his website (http://tsuda.ru/); indeed his circulation as a product, and the circulation of his work is sufficient that they must be subcategorized on the basis of television, radio, publications, etc. Like most contemporary media activists, he tweets avidly (@tsuda), and was not only an early adopter of the medium, but a vocal proponent of its adoption as a means to circumvent the mainstream Japanese press."

    2. Ishiguro, Tomoko (October 2019). "Daisuke Tsuda". Axis. Vol. 201. p. 71. ISSN 0285-8223. ProQuest 2303174793.

      The abstract notes: "The perspective of artistic director Daisuke Tsuda that understand the necessity of an approach to free up the age of deadlock, and that events as media have great power in that respect is examined. Tsuda may be called a hero of the Internet era, and his new ideas that fully utilize the media and his ability to take action such as reporting symposiums via Twitter have given him quite a reputation. As he composes music, his network is broad. Although his contact with the fields of art and design is not strong, requests for attending panel discussions with artists and designers wanting to hear his story are not few. The unusual matching of Tsuda and artists brought moments of new discoveries and learning experiences to both sides. Thus, journalists and the media should learn how to build relationships between the creativity of the artists and the reality at the venue."

    3. "女性議員の比率向上へ街頭演説 津田大介氏ら" [Street speech to increase the ratio of female lawmakers: Daisuke Tsuda and others]. The Nikkei (in Japanese). 2019-04-10. Archived from the original on 2019-04-11. Retrieved 2024-10-20.

      The article notes: "女性議員の比率向上をめざして活動するパリテ・キャンペーン実行委員会は10日、女性の参政権行使73周年を記念し、東京と大阪で街頭宣伝活動を実施した。東京ではジャーナリストの津田大介氏が演説し「男性も具体的な行動を始める必要がある」と述べた。"

      From Google Translate: "The Parity Campaign Executive Committee, which works to increase the ratio of female lawmakers, held street campaigns in Tokyo and Osaka on the 10th to commemorate the 73rd anniversary of women's suffrage. In Tokyo, journalist Daisuke Tsuda gave a speech, saying, "Men also need to start taking concrete action.""

    4. "津田氏が芸術監督に就任 19年あいちトリエンナーレ" [Tsuda appointed artistic director of the 2019 Aichi Triennale]. The Nikkei (in Japanese). 2017-08-04. Archived from the original on 2017-08-04. Retrieved 2024-10-20.

      The article notes: "3年に1度開く国際芸術祭「あいちトリエンナーレ」の2019年の芸術監督にジャーナリストの津田大介氏(43)が1日付で就任した。"

      From Google Translate: "Journalist Daisuke Tsuda (43) was appointed artistic director of the 2019 Aichi Triennale, an international art festival held every three years, effective from the 1st."

    5. "芸術監督に津田大介氏 あいちトリエンナーレ2019" [Daisuke Tsuda appointed artistic director of Aichi Triennale 2019]. The Nikkei (in Japanese). 2017-07-19. Archived from the original on 2017-07-21. Retrieved 2024-10-20.

      The article notes: "愛知県は18日、3年に1度開く国際芸術祭「あいちトリエンナーレ2019」の芸術監督に、ジャーナリストで早大教授の津田大介氏(43)が決まったと発表した。就任は8月1日付。芸術分野に詳し…"

      From Google Translate: "Aichi Prefecture announced on the 18th that journalist and Waseda University professor Daisuke Tsuda (43) has been appointed artistic director of the Aichi Triennale 2019, an international art festival held every three years. He will take up his post on August 1st. He is well versed in the arts..."

    6. "ウェブで政治参加促す 津田大介さん(殻を破れ) 政治家は「ツール」 誰でも動かせる" [Encouraging political participation through the web - Daisuke Tsuda (Break out of your shell) Politicians are "tools" - anyone can use them]. The Nikkei (in Japanese). 2013-01-01. Archived from the original on 2013-01-05. Retrieved 2024-10-20.

      The article notes "指定されたのは六本木ヒルズ49階の一室。ドアを開けると、金髪でパソコンに向かう横顔が飛び込んできた。名刺を交換すると、事務所の住所は庶民的な若者の街、高円寺。話してみると、印象はそちらに近い。ウェブと政治の関係について新たな取り組みを提唱するジャーナリスト、津田大介さん(39)だ。"

      From Google Translate: "The designated room was on the 49th floor of Roppongi Hills. When I opened the door, I was greeted by a profile of a blonde man working at a computer. After exchanging business cards, I learned that his office address was in Koenji, a popular young people's town. When we talked, I got the impression that he was close to that. He is Daisuke Tsuda (39), a journalist who advocates a new approach to the relationship between the web and politics."

    7. "Dream HEART vol.323 ジャーナリスト・津田大介さん" [Dream HEART vol.323 Journalist Daisuke Tsuda] (in Japanese). Tokyo FM. 2019-06-08. Archived from the original on 2021-10-25. Retrieved 2024-10-20.

      The interviews contains biographical coverage of the subject. The source notes: "今週ゲストにお迎えしたのは、今年の8月1日から開催される「あいちトリエンナーレ2019」の芸術監督に抜擢された、ジャーナリスト・津田大介さんです。津田大介さんは、1973年東京都のご出身。早稲田大学社会科学部をご卒業後、メディアとジャーナリズム、著作権、コンテンツビジネス、表現の自由などを専門分野として執筆活動を行っていらっしゃいます。近年は地域の振興、社会起業、テクノロジーが社会をどのように変えるかをテーマに取材を続けていらっしゃいます。2013年、世界経済フォーラム(ダボス会議)の「ヤング・グローバル・リーダー」に選出。現在は、早稲田大学文学学術院教授、一般社団法人インターネットユーザー協会の代表理事でもいらっしゃいます。"

      From Google Translate: "This week's guest is journalist Daisuke Tsuda, who was appointed artistic director of the Aichi Triennale 2019, which will be held from 1 August this year. Daisuke Tsuda was born in Tokyo in 1973. After graduating from the Faculty of Social Sciences at Waseda University, he has been writing about media and journalism, copyright, content business, and freedom of expression. In recent years, he has continued to cover themes such as regional development, social entrepreneurship, and how technology will change society. In 2013, he was selected as a Young Global Leader by the World Economic Forum (Davos Conference). He is currently a professor at the Faculty of Letters, Arts and Sciences at Waseda University and the representative director of the Internet Users Association."

    8. "ユーチューブ「ポリタスTV」などで活躍する津田大介氏を囲む! 上田市の上田染谷丘高校を昭和38年に卒業した同級生が青木村で同級会!" [Surrounded by Daisuke Tsuda, who is active on YouTube "Politas TV" and other programs! Classmates who graduated from Ueda Someyaoka High School in Ueda City in 1963 hold a class reunion in Aoki Village!]. 東信ジャーナル [Toshin Journal] (in Japanese). 2023-03-12. Archived from the original on 2023-12-07. Retrieved 2024-10-20.

      The article notes: "津田大介さんは1973年生まれ。ジャーナリスト、メディア・アクティビストとして活躍。ユーチューブ「ポリタスTV」の編集長として政治、経済、芸能など様々な分野の人と対談し、人気上昇中。メディアとジャーナリズム、テクノロジーと社会、表現の自由とネット上の人権侵害、地域課題解決と行政の文化事業、著作権とコンテンツビジネスなどを専門分野として執筆、取材活動を行っている。2012年から2020年まで放送されたNHKラジオ主婦向け情報ワイド番組「すっぴん」に2013年から2015年まで担当。"

      From Google Translate: "Daisuke Tsuda was born in 1973. He is active as a journalist and media activist. As editor-in-chief of the YouTube channel "Politus TV," he has been interviewing people from various fields such as politics, economics, and entertainment, and his popularity is on the rise. He writes and reports on topics such as media and journalism, technology and society, freedom of expression and human rights violations on the Internet, solving local issues and cultural projects by government, and copyright and content business, all of which are his specialties. From 2013 to 2015, he was in charge of "Suppon," an information program for housewives on NHK Radio that aired from 2012 to 2020."

    9. "新サイト「ポリタス」で政治を可視化する! 編集長・津田大介氏に使い方と狙いを聞いた" [Make politics visible with the new website "Politas"! We asked editor-in-chief Tsuda Daisuke about how to use it and what it aims to achieve]. Diamond Weekly [ja] (in Japanese). 2013-07-18. Archived from the original on 2024-03-03. Retrieved 2024-10-20.

      The article notes: "7月16日、政治家の審議会や国会、各種メディアでの発言を集め、トピックごとに分類して表示する新政治メディア、「ポリタス」のスマートフォン版が正式にオープンした。企画、制作、編集を務めるのがジャーナリストでメディア・アクティビストの津田大介氏。"

      From Google Translate: "On 16 July, the smartphone version of "Politas," a new political media that collects politicians' comments from councils, the Diet, and various media, and displays them by topic, was officially launched. Journalist and media activist Tsuda Daisuke is in charge of planning, production, and editing."

      The article notes: "つだ・だいすけ 1973年生まれ。早稲田大学社会科学部卒業。ジャーナリスト、メディア・アクティビスト。一般社団法人インターネットユーザー協 会(MIAU)代表理事。主な著書に『ウェブで政治を動かす!』(朝日新書)、『Twitter社会論』(洋泉社新書y)など多数。2011年9月より週刊メールマガジン「津田大介の『メディアの現場』」を配信中"

      From Google Translate: "Tsuda Daisuke Born in 1973. Graduated from Waseda University's School of Social Sciences. Journalist and media activist. Representative director of the Japan Internet Users Association (MIAU). His main publications include "Moving politics with the web!" (Asahi Shinsho) and "Social theory on Twitter" (Yosensha Shinsho y). He has been distributing the weekly email magazine "Daisuke Tsuda's 'Media on the Ground'" since September 2011."

    There is sufficient coverage in reliable sources to allow Daisuke Tsuda (津田大介, Tsuda Daisuke) to pass Wikipedia:Notability#General notability guideline, which requires "significant coverage in reliable sources that are independent of the subject".

    Cunard (talk) 09:36, 20 October 2024 (UTC)[reply]

Naoto Ueno (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
(Find sources: Google (books · news · scholar · free images · WP refs· FENS · JSTOR · TWL)

Does not seem to meet WP:N WP:NBIO. No third-party sources indicating notability. Also severe WP:COI editing, including some that is clearly by the subject of the article. ~Darth StabroTalk/Contribs 02:30, 9 October 2024 (UTC)[reply]

  • Weak delete. Obvious WP:COI issues, an argument could possibly be made for WP:NACADEMIC. There are a handful of in depth interviews in academic journals, director of the UH Cancer Center, and while the highest cited papers on Google Scholar are with many authors with the subject in the middle, there are quite a few papers for which he is the lead/corresponding author that are relatively highly cited for the age of the paper. I'm not convinced of the magnitude of impact of the scholarly work and independence/possible journalistic COI of interview coverage is not clear.
Cyanochic (talk) 09:18, 9 October 2024 (UTC)[reply]
Keep, tentatively. He has 30,000 citations and an h-index of 84, but in a very high-citation field. However even ignoring the highly-cited consortia papers, he still has several impactful research articles as the last/corresponding author (top cites: 576, 342, 231) and as first author (223), not to mention a lot of reviews in those authorship positions (554, 538, 237, 208; 235), though I don't give these as much weight. I've collected some of the more in-depth secondary analyses of work attributed to him as first/senior author below, which might help demonstrate a stronger case for C1. These could also be used to make his research section more NPOV.
Secondary/independent analysis
  • ~60 words

    Clinical evidence of graft-versus-BC effect has been reported in a limited number of patients (2/10) by Ueno et al,2 and in one anecdotal case by Eibl et al.1 However, the study by Ueno et al was different from ours in that it included patients without progressive disease, adopted a myeloablative conditioning regimen with demonstrated antitumor activity, and performed DLI in only one case without response.

  • ~120 words

    Meanwhile, other researchers think that looking at the top of a signaling pathway doesn't make sense when what really counts is whether the cell is proliferating or not. For that reason, Naoto T. Ueno, M.D., Ph.D., [...] has looked at the activity of a key cell cycle regulator, CDK2, in sensitive and resistant tumor cell lines. They found a correlation between increasing resistance and increasing CDK2 kinase activity, which promotes cell cycling. The amount of protein or activity of proteins in the pathway steps between EGFR and CDK2 do not seem to be related to erlotinib sensitivity, according to Ueno's data. [quote]

  • ~160 words

    An update of experience at the MD Anderson Cancer Center with inflammatory breast cancer over the past 20 years was published by Ueno and colleagues [4]. [...] ... Ueno and colleagues found that 71% of all patients had a response to anthracycline-based induction chemotherapy, with 12% of patients achieving a complete response [4]. In addition, [...] (truncated to avoid CV)

  • ~120 words

    Experience at the M.D. Anderson Cancer Center over the past 20 years was reported by Ueno et al. [87]. One hundred seventy patients [...]. ... The study by Ueno et al. also showed the importance of response to induction chemotherapy. [...]

  • ~50 words

    Ueno and colleagues reported that 74% of patients with IBC experienced a response from an anthracycline-based regimen, and 12% had a complete response. ... Many of the women in the review by Ueno and colleagues initially presented with inoperable disease. After induction chemotherapy, 95% of these patients were able to have surgery.

  • ~20 words

    Current treatment recommendations for IBC are multimodal with combination neoadjuvant chemotherapy followed by mastectomy and then concluding with chemotherapy and radiation. This regimen is reported by Ueno et al. 10to show a [quote]

  • ~160 words

    In 2008 Ueno and colleagues published a retrospective analysis of 66 metastatic breast cancer patients, 39 of whom had undergone myeloablative HCT/AT between 1992 and 2000. Data were [...]. These initial experiences showed that an allotransplant-based approach could result in long-term disease control in metastatic breast cancer, but the rate of TRM was a serious drawback. ... In the already mentioned retrospective analysis conducted by Ueno and colleagues [42], 27 of the 66 patients [...]

  • ~120 words, but by a former coauthor

    The first series of patients was reported by Ueno et al [6] from the M.D. Anderson Cancer Center. Ten patients [...] ... The largest unpublished series was presented by Ueno and Niederwieser on behalf of the Center for International Blood and Marrow Transplantation Research (CIBMTR) [...]

  • ~45 words

    Erlotinib inhibits triple negative breast cancer as shown by Ueno and Zhang[30] when they generated a SUM149 xenograft model by implanting luciferase expressing SUM149 cells into mammary pads of athymic nude mice. The results indicated significant inhibition of tumour growth at doses of 50 and 100 mg/kg.

JoelleJay (talk) 01:40, 10 October 2024 (UTC)[reply]

  • Clear Keep -- As @JoelleJay has noted, the nominator's notability guidelines omit the most relevant, WP:PROF (a notability criteria that predates and is independent of WP:N) where it is clear that Ueno is clearly more accomplished and notable than the average professor. Full-professor, head of a major NIH research program, at an R1 University, with significant third-party coverage of the appointment: ASCO-Post is the publication of the American Society for Clinical Oncology, so their coverage is very relevant. As far as the actual citation numbers, these vary from field to field hugely, but I can't remember a researcher in any field with an h-index of 84 or above ever being deleted -- medicine is a high pub. + high citation field, so the numbers need to be much higher than say Estonian studies, but my experience is that borderline is usually 30-50 in that field.
The article was probably created too early: the notability tags from 2011 were probably correct and I would have likely been on the delete side then, but much has changed since then and regardless of past COI or other mistakes, now the subject of the article is notable; thus keep. -- Michael Scott Asato Cuthbert (talk) 10:19, 14 October 2024 (UTC)[reply]
  • Keep. Google scholar has him with an h-factor of 105. He is still active, I counted 39 publications in 2024. While this may be a high citation field, and many of these papers have multiple authors, I feel he passes #C1 of WP:NPROF. Ldm1954 (talk) 14:25, 14 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Liz Read! Talk! 04:38, 16 October 2024 (UTC)[reply]

Comment I am in the middle of Keep and Draft. In the current state it should be drafted because the sources are not the best and it is written in a biased way. The current sources are not the best, and should probably be removed (the University of Texas MD Anderson Cancer Center source is 404 error), and without them the page doesn't have anything, which is why I'm leaning draft/delete.
But I agree with the Keep people that the academic articles that he has written show notability. The problem is that the current page doesn't really reflect the research he does, or sources any of it.
Overall, the page needs an over hall.
- Bpuddin (talk) 07:46, 17 October 2024 (UTC)[reply]
WP:AFDISNOTCLEANUP DCsansei (talk) 22:56, 18 October 2024 (UTC)[reply]
Ribbon (band) (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
(Find sources: Google (books · news · scholar · free images · WP refs· FENS · JSTOR · TWL)

An unsourced article about a Japanese pop group. Not to disparage Ribbon, but pop groups are a dime a dozen in Japan. No indication that WP:NBAND is satisfied. Yes, their single Little Date was used as the theme song for a single season of Ranma 1/2, but that would not do it on its own. No indications they charted any singles or otherwise satisfy NBAND. Safiel (talk) 20:08, 6 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, The Herald (Benison) (talk) 21:23, 13 October 2024 (UTC)[reply]



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Redirects

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Comment on the talk pages of the articles, not here. If you agree with the proposed deletion, you don't have to do anything. If you think the article merits keeping, then remove the {{prod}} template and make an effort to improve the article so that it clearly meets the notability and verifiability criteria.