English in southern England
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- 1 South East England and the Home Counties
- 1.1 Regional dialect levelling ("supralocalisation") in the South-East of England
- 1.2 London
- 1.3 Essex
- 1.4 Estuary
- 1.5 East Hertfordshire
- 1.6 West Hertfordshire and Buckinghamshire
- 1.7 Bedfordshire
- 1.8 Kent
- 1.9 Surrey
- 1.10 Jafaican
- 2 Southern Rural and West Country accents
- 3 East Anglia
- 4 References
South East England and the Home Counties
South East England and the Home Counties (the counties bordering London) tend to reflect the interface between the London region and other regional accents. Affluent districts are associated with a modified Received Pronunciation (RP) accent, reflecting their traditional popularity with upper middle and upper-class residents which has spread throughout more social classes broadly in rural areas with commuting access to London. Less affluent areas have traditionally mainstream London accents (that is, variants of the Estuary English accent) that grade into southern rural outside urban areas.
Regional dialect levelling ("supralocalisation") in the South-East of England
Commentators report widespread homogenisation in the south-east (Kerswill & Williams 2000; Britain 2002). The features present a levelling between the extremes of Estuarine Pronunciation and careful Received Pronunciation and except where an intuitive neutral parity position exists, they include:
- Reduced amount of H-dropping
- Increased amount of TH-fronting
- GOAT fronting to [əʏ]
- "RP" variant in MOUTH [aʊ]
- Low-back onset of PRICE [ɑɪ], lowered/unrounded from [ʌɪ], [ɔɪ] or [ɒɪ]
- Raising of onset of FACE to [ɛ̝ɪ]
- Fronting of GOOSE to [ʏː]
- Fronting of FOOT
- Lowering and backing of TRAP
- Backing of STRUT
After a before final consonants it is therefore locally entirely dropped, for example far /fɑː/ c.f. /spɔrt/ vs /spɔt/ which does not follow an a so adopts an r-coloured vowel to distinguish it from 'spot'.
General characteristics of all major London accents include:
- diphthongal realization of /iː/ and /uː/, for example beat [ˈbɪiʔ], boot [ˈbuʉʔ] / [buː?]
- diphthongal realization of /ɔː/ in open syllables, for example bore [ˈbɔə], paw [ˈpʰɔə] versus a monophthongal realization in closed syllables, for example board [ˈboːd], pause [ˈpʰoːz]. But the diphthong is retained before inflectional endings, so that board and pause often contrast with bored [ˈbɔəd] and paws [ˈpʰɔəz].
- lengthening of /æ/ in words such as man, sad, bag, hand (cf. can, had, lad): split of /æ/ into two phonemes /æ/ and /æː/, as in Australian English. See bad–lad split.
- an allophone of /əʊ/ before "dark L" ([ɫ]), namely [ɒʊ], for example whole [ˈhɒʊɫ] versus holy [ˈhəʊli]. But the [ɒʊ] is retained when the addition of a suffix turns the "dark L" clear, so that wholly [ˈhɒʊli] can contrast with holy.
It is also common to hear young Londoners drop "(to) the" from sentences related to going places (such as: Do you want to go cinema?/Do you want to go West End?).
Sloane-speak and Rah (slang)
Sloane-speak or Sloaney-speech is spoken by the upper middle and upper classes, ultralocalised in Inner South-West and West London by a range of inhabitants of the very expensive private housing in and around Sloane Street and Sloane Square, Chelsea, Mayfair and alongside Marylebone High Street. The speakers of Sloaney are sometimes defined as Sloane Rangers. Levelling aspects of the speech of the young aristocracy were heightened in the early 1980s by the 'Princess Diana' accent and effect yet drew upon public school and historic vocabulary to form a distinct Sloane-speak of the young and wealthy soon dubbed 'Sloane Rangers'. Here aristocrats' clipped Received Pronunciation was modified in this particular speech community as the young upper and upper-middle classes, like Diana and contemporaries, increasingly settled as singles in the 'muesli belt' round Sloane Square on the border of Belgravia and Chelsea, Chelsea's King's Road into Fulham and even in expensive parts of Putney, Richmond, London, Wandsworth and Battersea. Sloanies followed the 1960s fashion boom of King's Road and became lesser cultural icons for a time in fashion, as well as seeking out idiosyncratic cultural pursuits and language.
Features, whether affected or throwback to particular aristocratic shorthands include 'jah' for yes; "(s)he's rairly, rairly (really, really) nice', or shortened ('Nick's' for Harvey Nichols; 'Rods' for Harrods; 'Fred's' for Fortnum and Mason's). Hyperbole was for a period rife ('frightfully', 'ghastly', 'appalling', 'thanks awfully'), but subject to influences from more demotic speech of the capital, particularly towards its fringes.
Reflecting national upper class moves towards slightly less formal pronunciation, or indeed the middle-dialect influence of Sloane-speak, end-of-sentence glottal stop and final-t // sounds came into the speech of younger Royalty: for instance in the speech of Diana and Prince Edward ('// There's a lot about it); and vocoids for "l" as in miʉ[ɫ]k; all juxtaposed against borrowed vocabulary from opposing dialects such as 'bog' (toilet) and 'yonks' (a long time).
To many middle-class Londoners, however, the often drawled pronunciation of the Sloane Rangers was deemed as 'marked' or 'affected' as the Queen's, so closely identified was with a particular social group: the rah-rah accent and dialect, named in 1982, coupled with the most obscure vocabulary became Rah (slang), synonymous with snobbery. The once trendy rah concepts faded into fashion oblivion during the Cool Britannia decade but in the late 2000s staged a comeback with slightly different, edgier, rougher forms continuing to develop:
- "Sloane-speak has grown edgier. Nancy Mitford's vocabulary was updated last year by a wealth of new words compiled into a dictionary by Olivia Stewart-Liberty and Peter York (author of the original Sloane Ranger Handbook). But the past few months have yielded telling additions: "disrevelled" refers to a Sloane's appearance after a heavy night at Boujis; "dorleybowl" is a bad haircut (in frequent usage, as you can imagine); "squippy" is the perpetual state of the Sloane (it means "hyperactive"). Then there's "jollop" (to go out and enjoy oneself) and "floordrobe", the place young Sloanes choose to store their clothes – i.e., on the floor. Oddly, there don't seem to be any jolly, japeish terms for "the workplace", "grocery shopping" and "bill paying"".
Cockney is an accent traditionally from the working classes of the areas immediately surrounding the City of London (most famously including the East End). It is characterized by a number of phonological differences from RP:
- The dental fricatives [θ, ð] are replaced with labiodental [f, v], for example think [fɪŋk]
- The diphthong /aʊ/ is monophthongized to [æː], for example south [sæːf]
- H-dropping, for example house [æːs]
- Replacement of [t] in the middle or end of a word with a glottal stop; for example hit [ɪʔ]
- Diphthong shift of [iː] to [əi] (for example beet [bəiʔ]), [eɪ] to [aɪ] (for example bait [baɪʔ]), [aɪ] to [ɒɪ] (for example bite [bɒɪʔ]), and [ɔɪ] to [oɪ] (for example, boy [boɪ].
- Vocalisation of [ɫ] (dark L) to [ɯ], for example, people [pʰəipɯ]
Multicultural London English
Multicultural London English (abbreviated MLE), colloquially called Blockney or Jafaican, is a dialect(and/or sociolect) of English that emerged in the late 20th century. It is spoken mainly by youths in inner London.
The speech of Jamaicans, or children of Jamaican parents, in London shows interesting combinations of the Jamaican accent with the London accent. For example, in Jamaican English, /θ/ is replaced by [t], for example both /boːt/. In London, word-final /t/ is realised as [ʔ], as mentioned above. In Jamaican-London speech, glottalization of /t/ applies also to /t/ from /θ/, for example both of them [bʌʊʔ ə dem]. Hypercorrections like [fʊθ] for foot are also heard from Jamaicans. John C. Wells's dissertation, Jamaican pronunciation in London, was published by the Philological Society in 1973.
Essex, is usually associated with Estuary English, mainly in urban areas receiving an influx of East London migrants. The non-urban Essex accent, generally found in the north of the county, is more closely related to those of East Anglia. Residents of places within Essex such as Basildon, Billericay and Grays (comedian Russell Brand comes from the latter-most) are more likely to have an accent similar to the traditional 'Cockney' accent, due to the proximity to East London and East End migration to these areas since WWII.
Estuary English is the name given to an accent (or group of accents) that may informally be considered a compromise between Cockney and RP. It avoids some of the most stigmatised aspects of Cockney speech, such as the vocalisation of [ɫ] (dark L) to [o], and yod-coalescence in stressed syllables (for example, duty [dʒʉːʔi]) and H-dropping (while retaining others, such as replacement of [t] with [ʔ] (the glottal stop) in weak positions, or occasionally with d).
The east Herts accent traditionally spoken is akin to a native central/north Essex rural accent. The largest towns in particular have the diverse sociolect variants of Received Pronunciation and Estuary English as seen in London, with smaller settlements tending towards the traditional dialects or variants of RP.
West Hertfordshire and Buckinghamshire
West Herts and Buckinghamshire have r-coloured vowels, for instance, here the established dialects make a distinction between the words farther and father /fɑːrð/ər and /fɑːðər/. However again in larger settlements are strong influences from London's Estuary English, thanks to the influx of post-World War II migrants from across London.
In the Luton/Dunstable Urban Area, the accent is similar to a London accent, and it is often mistaken as one. This is because of the overflow of Londoners and their subsequent generations in the area. The 'Lutonian' accent is not as strong as an accent from Essex. The main difference between Lutonian and other Southern English accents is the pronunciation of the letter 'T'. A good example is the pronunciation of the word "Luton": to most natives, it is said like "Lu'n". This is a very subtle difference, and many people from outside this area do not notice it. This difference was played upon in the Campari advert featuring Lorraine Chase.
In Mid Bedfordshire the more traditional accent of the area is still held. Especially by those of an older generation, or in very remote areas.
While in North Bedfordshire especially near the border with Northamptonshire it can be argued that the dialect is one which sounds more like East Midlands English, Bedford itself is linguistically diverse, reflecting the more varied demographics of the town (compared with the surrounding villages). A typical Bedford accent is more similar to a Londonian Luton or Dunstable accent, due largely to movement of people from these places to Bedford.
Accents today are a cross between Estuary English and Received Pronunciation which both evolve over time and are becoming significantly more similar; where towards the former, accents have been strongly influenced by proximity to towns in the London Gateway involved in heavy trades, fishing and repairs and merchant sides of the Royal Navy, which was concentrated in Greenwich and Chatham. This corresponds to the name of the dialect which refers to the Thames Estuary. 'H dropping' is in general rare, as in the other Home Counties, but 't dropping' or substitution with a weaker vowel is common.
However of particular note, one vowel usage is unique to West Kent which is a use of the 'a'-like 'o' for the regional (and internationally) dominant form of 'u' as in the word "strut". Technically this sound is pronounced // instead of //, such that "cut" closely resembles "cot" and is pronounced // except before a vowel when it is //.
Estuary English is common throughout the county, particularly in the northern areas bordering on London, although many large settlements further south into Surrey, such as Guildford and Woking, share in variants of estuary English. Furthest north into Surrey is the borough of Spelthorne, where the accent is indistinguishable (as formerly part of Middlesex) from the London accent due to it sharing borders with the London boroughs of Hounslow, Richmond-upon-Thames and Hillingdon.
Jafaican, also known as Tikkiny or less commonly "Hood-Chat" is part accent, part dialect, from around the mid-1990s, and influenced not only by British black urban culture, but by rap music. This variant is used by the youth of all races as a 'street' patois, with clear African-American/American English influences (such as the greeting "Yo!"), but also Caribbean patterns such as "aks" (rather than "ask"). The dialect is used mainly by young people, regardless of racial background. It can be heard in many parts of England, but especially around London.
Southern Rural and West Country accents
This family of similar strongly rhotic accents – now perceived as rural – originally extended across much of southern England south of the broad A isogloss, but are now most often, (but not always) found west of a line roughly from Shropshire to Hampshire via Oxfordshire. Their shared characteristics have been caricatured as Mummerset.
They persist most strongly in areas that remain largely rural with a largely indigenous population, particularly the West Country. In many other areas they are declining due to immigration by RP and Estuary speakers; for instance, strong Isle of Wight accents tend to be more prevalent in older speakers.
As well as rhoticity, common features of these accents include
- The diphthong /aɪ/ (as in price) realised as [ʌɪ] or [ɔɪ], sounding more like the diphthong in Received Pronunciation choice.
- The diphthong /aʊ/ (as in mouth) realised as [ɛʊ], with a starting point close to the vowel in Received Pronunciation dress.
- The vowel /ɒ/ (as in lot) realised as an unrounded vowel [ɑ], as in many forms of American English.
- In traditional West Country accents, the voiceless fricatives /s/, /f/, /θ/, /ʃ/ (as in sat, farm, think, shed respectively) are often voiced to [z], [v], [ð], [ʒ], giving pronunciations like "Zummerzet" for Somerset, "varm" for farm, "zhure" for sure, etc.
- In the Bristol area a vowel at the end of a word is often followed by an intrusive dark l, [ɫ]. Hence the old joke about the three Bristolian sisters Evil, Idle, and Normal (written Eva, Ida, and Norma). L is pronounced darkly where it is present, too, which means that in Bristolian rendering, 'idea' and 'ideal' are homophones.
- H-dropping in South Devon and Cornwall, "Berry 'Aid" for Berry Head (in Brixham, South Devon)
- Yod-dropping after all consonants: beautiful may be pronounced [ˈbʉːʔɪfəl], often represented as "bootiful" or "bewtiful", huge as [ˈhʉːdʒ], and so on.
- Absence of the long mid merger between Early Modern English /oː/ (as in toe, moan, road, boat) and /ɔʊ/ (as in tow, mown, rowed). The vowel of toe, moan, road, boat may be realised as [ʊu], so that boat may sound to outsiders like boot.
- Glottal stop frequent for /t/.
- The diphthong /aɪ/ (as in price) realised as [ɔɪ], sounding very much like the diphthong in Received Pronunciation choice.
- The vowel /ɒ/ (as in lot) realised as an unrounded vowel [ɑ], as in many forms of American English.
- Merger of the vowels of near and square (RP /ɪə/ and /ɛə/), making chair and cheer homophones.
- East Anglian accents are generally non-rhotic.
There are differences between areas within East Anglia, and even within areas: the Norwich accent has distinguishing aspects from the Norfolk dialect that surrounds it – chiefly in the vowel sounds. The accents of Suffolk and Cambridgeshire are different from the Norfolk accent.
- Wells, John C. (1982). Accents of English. Cambridge: Cambridge University Press. pp. 400–70. ISBN 0-521-24225-8 (vol. 3) Check
- John C. Wells in Trudgill ed., Language in the British Isles, page 61, Cambridge University Press, 1984
- John C. Wells in Trudgill ed., Language in the British Isles, pages 60-61, Cambridge University Press, 1984
- These were also singled out as the districts lived in by the subjects of the fly-on-the-wall documentary Made in Chelsea (2012)
- See Received Pronunciation: Historical Variation
- OK, yo! Sloane-speak's gone street – Celia Walden The Daily Telegraph 17 Jul 2008 'London from Punk to Blair' By Joe Kerr, Andrew Gibson, Mike Seaborne – Reaktion Books, 2003
- John C. Wells Jamaican pronunciation in London The Philological Society (1973).
- There are more details on , written by Norfolk-born linguist Peter Trudgill
- Some examples of the Norfolk accent (with dialectal words thrown in) at