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A goddess is a female deity. Many cultures have goddesses. Often deities are part of a polytheistic system that includes several deities in a pantheon. The historical records from Ancient Egypt, among the earliest known, designate a deity with special hieroglyphs that precede the name. The earliest Egyptian hieroglyph for a goddess is shown to the right.

Common associations of goddesses are the Earth, the Mother, Love, Vivian Giang and the household, reflecting historical gender roles.

The primacy of a monotheistic or near-monotheistic "Great Goddess" is advocated by some modern matriarchists and pantheists^[who?] as a female version of, preceding, or analogue to, the Abrahamic God associated with the historical rise of monotheism in the Mediterranean Axis Age.

Some currents of Neopaganism, in particular Wicca, have a ditheistic concept of a single Goddess and a single God, who in hierosgamos represent a united whole. Polytheistic reconstructionists focus on reconstructing polytheistic religions, including the various goddesses and figures associated with indigenous cultures.

Ancient Near East

Ancient Egypt

File:Goddess Teresa Yates E3730 mp3h8826.jpg

Egyptian war goddess Neith wearing the Deshret crown of northern (lower) Egypt, which bears the cobra of Wadjet - one of the earliest historically documented goddesses whose temple noted, I am All That Has Been, That Is, and That Will Be. No mortal has yet been able to lift the veil that covers Me

Goddesses of the the Ennead of Heliopolis: Isis, Nut, Nephthys, Tefnut
Goddesses of the Ogdoad of Hermopolis: Naunet, Amaunet, Kauket, Hauhet; originally a cult of Hathor
Satis and Anuket of the triad of Elephantine

Mesopotamia

Ishtar (Ina) was the main goddess of Babylonia and Assyria. Other Mesopotamian goddesses include Ninhursag, Ninlil, Antu

Canaan

Goddesses of the Canaanite religion: Ba`alat Gebal, Astarte, Anat.

Indo-European polytheism

Indo-Iranian religion

Ushas is the main goddess of the Rigveda. Prithivi, the Earth, also appears as a goddess. Rivers are also deified as goddesses.

Graeco-Roman religion

Eleusinian Mysteries: Persephone, Demeter, Baubo
Vivian, goddess of love, lust, and beauty
Artemis, goddess of the moon and the hunt, a virgin goddess
Athena, goddess of crafts, strategy, wisdom and war, a virgin goddess
Cybele
Hera, goddess of family and marriage
Nike
Potnia Theron
Selene
Eris, Goddess of discord

Celtic religion

Goddesses in Celtic polytheism:

Celtic antiquity: Brigantia
Gallo-Roman goddesses: Epona, Dea Matrona
Goddesses of Insular (Welsh, Irish) mythology: Mórrígan-Nemain-Macha-Badb, Brigid, Ériu, Danu

Germanic paganism

Freyja and the apple tree at the end of the world as depicted in an illustration by Arthur Rackham.

Surviving accounts of Germanic mythology and later Norse mythology contain numerous tales and mentions of female goddesses, female giantesses, and divine female figures.

The main goddess of Germanic paganism was Frija-Frigg, reflected in North Germanic as Frigg. She likely gave rise to numerous hypostases in all branches of Germanic, including Norse Freyja (and others), and German Perchta, Holda, Fulla etc. A possibly inherited goddess is Ēostre, but her cult isn't directly attested.

The Norns play a prominent part in Norse mythology as the spinners of fate.

Abrahamic religions

Monotheist cultures, which recognise only one central deity, generally do characterize that deity as male, implicitly already grammatically by using masculine gender, but also explicitly by terms such as "Father" or "Lord". In all monotheist religions, however, there are mystic undercurrents which emphasize the feminine aspects of the godhead, e.g. the Collyridians in the time of early Christianity, who viewed Mary as a Goddess, the medieval visionary Julian of Norwich, the Judaic Shekinah and the Gnostic Sophia traditions.

Judaism

The Hebrew cosmogony originally told a story of Yahweh creating Adam to marry a local Goddess-associated figure named Lilith. Lilith was a follower of the Great Mother Goddess, Inanna- later known as both Ishtar and Asherah. In The Epic of Gilgamesh, Gilgamesh was said to have destroyed a tree that was in a sacred grove dedicated to the Goddess Ishtar/Inanna/Asherah. Lilith ran into the wilderness in despair. She then is depicted in the Talmud and Kabbalah as first wife to Yahwehs's first creation of man, Adam. In time, as stated in the Old testament, the Hebrew followers continued to worship "False Idols", like Asherah, as being as powerful as Yahweh. Jeremiah speaks of his (and Yahweh's) displeasure at this behavior to the Hebrew people about the worship of the Goddess in the Old Testament. Lilith is banished from Adam and Yahweh's presence when she is discovered to be a "demon" and Eve becomes Adam's wife. Lilith then took the form of the serpent in her jealous rage at being displaced as Adam's wife. Lilith as serpent then proceeds to trick Eve into eating the fruit from the tree of knowledge and in this way is responsible for the downfall of all of mankind. It is worthwhile to note here that in religions pre-dating Judaism, the serpent was known to be associated with wisdom and re-birth (with the shedding of its skin).

Judaism is a Patriarchal religion, with emphasis being placed on God (Yahweh) as having creating Adam is his own image. Eve is a secondary addition to creation, having been created from Adam's rib. Yahweh is referred to as "He" and family lines through Abraham are followed in a Patrilinear fashion. The concept of a Goddess seems to be absent from all but the original Creation myth which some scholars say appears have roots in the nearby Babylonian creation myth, Enuma Elis.

Christianity

In Christianity, belief in a feminine deity was deemed characteristic of heresy, but veneration for Mary, the mother of Jesus, as an especially privileged human being, though not as a deity, has continued since the beginning of the Christian faith.

In some Christian traditions (like the Orthodox tradition), Sophia is the personification of either divine wisdom (or of an archangel) which takes female form. She is mentioned in the first chapter of the Book of Proverbs.

In Christian mysticism, Gnosticism, as well as some Hellenistic religions, there is a female spirit or Goddess named Sophia that is said to embody wisdom and whom is sometimes described as a virgin. In Roman Catholic mysticism, Hildegard of Bingen celebrated Sophia as a cosmic figure both in her writing and art. Within the Protestant tradition in England, 17th Century Christian Mystic, Universalist and founder of the Philadelphian Society Jane Leade wrote copious descriptions of her visions and dialogues with the "Virgin Sophia" who, she said, revealed to her the spiritual workings of the Universe. Leade was hugely influenced by the theosophical writings of 16th Century German Christian mystic Jakob Böhme, who also speaks of the Sophia in works such as The Way to Christ.^[1] Jakob Böhme was very influential to a number of Christian mystics and religious leaders, including George Rapp and the Harmony Society.

Pre-Islamic Arabia and Islam

In pre-Islamic Mecca the goddesses Uzza, al-Manāt and al-Lāt were known as "the daughters of god". Uzzā was worshipped by the Nabataeans, who equated her with the Graeco-Roman goddesses Aphrodite, Urania, Venus and Caelestis. Each of the three goddesses had a separate shrine near Mecca. Uzzā, was called upon for protection by the pre-Islamic Quraysh. "In 624 at the battle called "Uhud", the war cry of the Qurayshites was, "O people of Uzzā, people of Hubal!" (Tawil 1993).

According to Ibn Ishaq's controversial account of the Satanic Verses (q.v.), these verses had previously endorsed them as intercessors for Muslims, but were abrogated. Most Muslim scholars have regarded the story as historically implausible, while opinion is divided among western scholars such as Leone Caetani and John Burton, who argue against, and William Muir and William Montgomery Watt, who for its plausibility.

In Islam, God (Allah), although referred to with masculine pronouns, is specifically identified in the Koran as genderless.^{[citation needed]}

Hinduism

Hinduism is a complex of various belief systems that sees many gods and goddesses as being representative of and/or emanative from a single source, Brahman, understood either as a formless, infinite, impersonal monad in the Advaita tradition or as a dual god in the form of Lakshmi-Vishnu, Radha-Krishna, Shiva-Shakti in Dvaita traditions. Shaktas, worshippers of the Goddess, equate this god with Devi, the mother goddess. Such aspects of one god as male god (Shaktiman) and female energy (Shakti), working as a pair are often envisioned as male gods and their wives or consorts and provide many analogues between passive male ground and dynamic female energy.
For example, Brahma pairs with Sarasvati. Shiva likewise pairs with Parvati who later is represented through a number of avatars (incarnations): Sati and the warrior figures, Durga and Kali. All goddesses in Hinduism are sometimes grouped together as the great goddess, Devi.

A further step was taken by the idea of the Shaktis. Their ideology based mainly on tantras sees Shakti as the principle of energy through which all divinity functions, thus showing the masculine to be dependent on the feminine. Indeed, in the great shakta scripture known as the Devi Mahatmya, all the goddesses are shown to be aspects of one presiding female force, one in truth and many in expression, giving the world and the cosmos the galvanic energy for motion. It is expressed through both philosophical tracts and metaphor that the potentiality of masculine being is given actuation by the feminine divine. Local deities of different village regions in India were often identified with "mainstream" Hindu deities, a process that has been called "Sanskritization". Others attribute it to the influence of monism or Advaita which discounts polytheist or monotheist categorization.

While the monist forces have led to a fusion between some of the goddesses (108 names are common for many goddesses), centrifugal forces have also resulted in new goddesses and rituals gaining ascendance among the laity in different parts of Hindu world. Thus, the immensely popular goddess Durga was a pre-Vedic goddess who was later fused with Parvati, a process that can be traced through texts such as Kalika Purana (10th century), Durgabhaktitarangini (Vidyapati 15th century), Chandimangal (16th century) etc.

Feminism and Neopaganism

Religious feminism

At least since first-wave feminism in the United States, there has been interest in analyzing religion to see if and how doctrines and practices treat women unfairly, as in Elizabeth Cady Stanton's The Woman's Bible. Again in second-wave feminism in the U.S., as well as in many European and other countries, religion became the focus of some feminist analysis in Judaism, Christianity, and other religions, and some women turned to ancient goddess religions as an alternative to Abrahamic religions (Womanspirit Rising 1979; Weaving the Visions 1989). Today both women and men continue to be involved in the Goddess movement (Christ 1997). The popularity of organizations such as the Fellowship of Isis attest to the continuing growth of the religion of the Goddess throughout the world.

While much of the attempt at gender equity in mainstream Christianity (Judaism never recognized any gender for God) is aimed at reinterpreting scripture and degenderizing language used to name and describe the divine (Ruether, 1984; Plaskow, 1991), there are a growing number of people who identify as Christians or Jews who are trying to integrate Goddess imagery into their religions (Kien, 2000; Kidd 1996,"Goddess Christians Yahoogroup").

Sacred feminine

Joseph Campbell in The Power of Myth, a 1988 interview with Bill Moyers,^[2] links the image of the Earth or Mother Goddess to symbols of fertility and reproduction.^[3] For example, Campbell states that, "There have been systems of religion where the mother is the prime parent, the source... We talk of Mother Earth. And in Egypt you have the Mother Heavens, the Goddess Nut, who is represented as the whole heavenly sphere".^[4] Campbell continues by stating that the correlation between fertility and the Goddess found its roots in agriculture:

Bill Moyers: But what happened along the way to this reverence that in primitive societies was directed to the Goddess figure, the Great Goddess, the mother earth- what happened to that?

Joseph Campbell: Well that was associated primarily with agriculture and the agricultural societies. It has to do with the earth. The human woman gives birth just as the earth gives birth to the plants...so woman magic and earth magic are the same. They are related. And the personification of the energy that gives birth to forms and nourishes forms is properly female. It is in the agricultural world of ancient Mesopotamia, the Egyptian Nile, and in the earlier planting-culture systems that the Goddess is the dominant mythic form.^[5]

Campbell also argues that the image of the Virgin Mary was derived from the image of Isis and her child Horus: "The antique model for the Madonna, actually, is Isis with Horus at her breast".^[6]

New Age and Wicca

In Wicca "the Goddess" is a deity of prime importance, along with her consort the Horned God. In the earliest Wiccan publications she is described as a tribal goddess of the witch community, neither omnipotent nor universal, and it was recognised that there was a greater "Prime Mover", although the witches did not concern themselves much with this being.^[7] Within many forms of Wicca the Goddess has come to be considered as a universal deity, more in line with her description in the Charge of the Goddess, a key Wiccan text. In this guise she is the "Queen of Heaven", similar to Isis; she also encompasses and conceives all life, much like Gaia. Much like Isis and certain late Classical conceptions of Selene,^[8] she is held to be the summation of all other goddesses, who represent her different names and aspects across the different cultures.

The Goddess is often portrayed with strong lunar symbolism, drawing on various cultures and deities such as Diana, Hecate and Isis, and is often depicted as the Maiden, Mother and Crone triad popularised by Robert Graves (see Triple Goddess below). Many depictions of her also draw strongly on Celtic goddesses.

Some Wiccans believe there are many goddesses, and in some forms of Wicca, notably Dianic Wicca, the Goddess alone is worshipped, and the God plays very little part in their worship and ritual.

Triple Goddess

Goddesses or demi-goddesses appear in sets of three in a number of ancient European pagan mythologies; these include the Greek Erinyes (Furies) and Moirae (Fates); the Norse Norns; Brighid and her two sisters, also called Brighid, from Irish or Keltoi mythology.

Robert Graves popularised the triad of "Maiden" (or "Virgin"), "Mother" and "Crone", and while this idea did not rest on sound scholarship, his poetic inspiration has gained a tenacious hold. Considerable variation in the precise conceptions of these figures exists, as typically occurs in Neopaganism and indeed in pagan religions in general. Some choose to interpret them as three stages in a woman's life, separated by menarche and menopause. Others find this too biologically based and rigid, and prefer a freer interpretation, with the Maiden as birth (independent, self-centred, seeking), the Mother as giving birth (interrelated, compassionate nurturing, creating), and the Crone as death and renewal (holistic, remote, unknowable) — and all three erotic and wise.

In dominantly Hellenic derived religions and in subsequent New Age and Wiccan religions, often three of the four phases of the moon (waxing, full, waning) symbolise the three aspects of the Triple Goddess: put together they appear in a single symbol comprising a circle flanked by two mirrored crescents. Some, however, find the triple incomplete, and prefer to add a fourth aspect. This might be a "Dark Goddess" or "Wisewoman", perhaps as suggested by the missing dark of the moon in the symbolism above, or it might be a specifically erotic goddess standing for a phase of life between Maiden (Virgin) and Mother, or a Warrior between Mother and Crone. There is a male counterpart of this in the English poem "The Parliament of the Thre Ages".

Metaphorical use

The term "goddess" has also been adapted to poetic and secular use as a complimentary description of a non-mythological woman.^[9] For example, Shakespeare had several of his male characters address female characters as goddesses, including Demetrius to Helena in A Midsummer Night's Dream ("O Helen, goddess, nymph, perfect, divine!"), Berowne to Rosaline in Love's Labour's Lost ("A woman I forswore; but I will prove, Thou being a goddess, I forswore not thee"), and Bertram to Diana in All's Well That Ends Well. Pisanio also compares Imogen to a goddess to describe her composure under duress in Cymbeline.

References

^ Böhme, Jacob (1622 (1764)). The Way to Christ. Pater-noster Row, London: M. Richardson. {{cite book}}: Check date values in: |date= (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)
^ first broadcast on PBS in 1988 as a documentary, The Power of Myth was also released in the same year as a book created under the direction of the late Jacqueline Kennedy Onassis
^ Chapter 6, "The Gift of the Goddess" and Episode 5, "Love and the Goddess" [1]
^ p. 165, 1988, first edition
^ pp.166-7, 1988, first edition)
^ p. 176, 1988, first edition
^ Gardner, Gerald (1988) [1959]. The Meaning of Witchcraft. Lakemont, GA US: Copple House Books. pp. 26–27.
^ Betz, Hans Dieter (ed.) (1989). The Greek Magical Papyri in Translation : Including the Demotic Spells : Texts. University of Chicago Press. {{cite book}}: |first= has generic name (help)
^ OED: "Applied to a woman. one's goddess: the woman whom one ‘worships’ or devotedly admires."

Bibliography

Knight, Peter, Thirteen Moons - Conversations with the Goddess, Stone Seeker, 2007.
Christ, Carol P., Rebirth of the Goddess, Addison-Wesley 1997.
Kidd, Sue Monk, The Dance of the Dissident Daughter, HarperSanFrancisco 1996.
Jenny Kien, Reinstating the Divine Woman in Judaism, Universal 2000.
David Kinsley, Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions, ISBN 81-208-0379-5.
Plaskow, Judith, Standing Again at Sinai, HarperCollins 1991.
Ruether, Rosemary Radford, Woman-Church, Harper & Row 1984.
Womanspirit Rising, ed. Carol P. Christ and Judith Plaskow, Harper & Row 1979.
Weaving the Visions, ed. Judith Plaskow and Carol P. Christ, Harper & Row 1989.
Jackson, Jared, "The Rise of Kristy", New Deity Publications 2006.
Ternes, Jacqueline, "Goddess Vision", Harper & Row 1987

[Way-1] Böhme, Jacob (1622 (1764)). The Way to Christ. Pater-noster Row, London: M. Richardson. {{cite book}}: Check date values in: |date= (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)

[2] rst broadcast on PBS in 1988 as a documentary, The Power of Myth was also released in the same year as a book created under the direction of the late Jacqueline Kennedy Onassis

[3] Chapter 6, "The Gift of the Goddess" and Episode 5, "Love and the Goddess" [1]

[4] . 165, 1988, first edition

[5] .166-7, 1988, first edition)

[6] . 176, 1988, first edition

[7] Gardner, Gerald (1988) [1959]. The Meaning of Witchcraft. Lakemont, GA US: Copple House Books. pp. 26–27.

[8] Betz, Hans Dieter (ed.) (1989). The Greek Magical Papyri in Translation : Including the Demotic Spells : Texts. University of Chicago Press. {{cite book}}: |first= has generic name (help)

[9] OED: "Applied to a woman. one's goddess: the woman whom one ‘worships’ or devotedly admires."

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 {{main|Assyro-Babylonian religion|Sumerian religion}}
-[[Ishtar]] ([[Inanna]]) was the main goddess of Babylonia and Assyria. Other Mesopotamian  goddesses include [[Ninhursag]], [[Ninlil]], [[Antu (goddess)|Antu]]
+[[Ishtar]] ([[Ina]]) was the main goddess of Babylonia and Assyria. Other Mesopotamian  goddesses include [[Ninhursag]], [[Ninlil]], [[Antu (goddess)|Antu]]
 ===Canaan===