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*''[[September Affair]]'' ([[1950]])
*''[[September Affair]]'' ([[1950]])
*''[[Darling, How Could You]]'' ([[1951]])
*''[[Darling, How Could You]]'' ([[1951]])
*''[[Othello_%281952_film%29|The Tragedy of Othello: The Moor of Venice]]'' ([[1952]]
*''[[Othello_%281952_film%29|The Tragedy of Othello: The Moor of Venice]]'' ([[1952]])
*''[[Something to Live For]]'' ([[1952]])
*''[[Something to Live For]]'' ([[1952]])
*''[[Ivanhoe]]'' ([[1952]])
*''[[Ivanhoe]]'' ([[1952]])

Revision as of 22:11, 26 November 2005

Joan Fontaine (born October 22 1917) is an American actress. She was born Joan de Beauvoir de Havilland in Tokyo, Japan, the younger daughter of Walter de Havilland, and the former Lilian Augusta Ruse, an actress known by her stage name of Lillian Fontaine, who married in 1914. Fontaine's father, Walter, was a British patent attorney with a practice in Japan.

She is the younger sister of actress Olivia de Havilland, from whom she has been estranged for many years; both attended Los Gatos High School and the Notre Dame Convent Roman Catholic girls school in Belmont, California.

At the age of two, Joan's parents divorced. Joan was a sickly child and had developed anemia following a combined attack of the measles and a streptococcic infection. Upon the advice of a physician, Joan's mother moved her and her sister to the United States where they settled in the town of Saratoga, California. Joan's health improved dramatically and she was soon taking diction lessons along with her sister. She was also an extremely bright child and scored 160 on an intelligence test when she was three. When she was fifteen, Joan returned to Japan and lived with her father for two years.

When she returned to the U.S., she followed Olivia's lead and began to appear on stage and in films, but was refused permission by their mother, who allegedly favored Olivia, to use the family name. So Joan was forced to invent a name (Joan Burfield, and later Joan Fontaine, utilizing her own mother's former stage name).

Joan made her stage debut in the West Coast production of Call It A Day in 1935 and was soon signed to an RKO contract. Her film debut was a small role in No More Ladies (1935). She continued appearing in small parts in about a dozen films but failed to make a strong impression and her contract was not renewed when it expired in 1939, the same year she married her first husband, the late British actor Brian Aherne.

Her luck changed one night at a dinner party when she found herself seated next to producer David O. Selznick. She and Selznick began discussing the Daphne Du Maurier novel Rebecca, and Selznick asked her to audition for the part of the unnamed heroine. She endured a grueling six-month series of film tests, along with hundreds of other actresses, before securing the part. The film marked the American debut of British director Alfred Hitchcock. In 1940, the film was released to glowing reviews and Joan was nominated for an Academy Award as Best Actress. She didn't win that year (Ginger Rogers took home the award for Kitty Foyle) but she did win the following year for Best Actress in Suspicion (1941), which was also directed by Hitchcock.

Fontaine and her sister were each nominated for an Academy Award for Best Actress in 1942. Fontaine won first for her role in Alfred Hitchcock's Suspicion (1941) over de Havilland's nomination for Hold Back the Dawn (1941). Biographer Charles Higham has described the events of the awards ceremony, stating that as Fontaine stepped forward to collect her award, she had pointedly rejected de Havilland's attempts at congratulating her and that de Havilland was both offended and embarrassed by her behavior. Several years later, de Havilland would return the favor and brush by Fontaine, waiting with her hand extended, because Olivia had allegedly taken offense at a comment Joan made about her Olivia's then-husband. He records that the sisters always had an uneasy relationship, even since early childhood, when Olivia would rip up the clothes Joan had to wear as hand-me-downs, forcing Joan to sew them back together.

File:Suspicion car.JPG
Joan Fontaine with Cary Grant in Suspicion

She went on to continued success during the 1940s in which she excelled in romantic melodramas. Among her memorable films during this time was The Constant Nymph (1943), Jane Eyre (1944), Ivy (1947) and Letter From An Unknown Woman (1948). Her film successes slowed a bit during the 1950s and she also began appearing in television and on the stage. She won good reviews for her role on Broadway in 1954 as Laura in Tea and Sympathy opposite Anthony Perkins. During the 1960s, she continued her stage appearances in several productions, among them Private Lives, Cactus Flower and an Austrian production of The Lion in Winter. Her last theatrical film was The Witches (1966), which she also co-produced. She made sporadic television appearances throughout the 1970s and 1980s and was nominated for an Emmy for the soap opera Ryan's Hope in 1980.

Among her other talents, Miss Fontaine has been a licensed pilot, a champion balloonist, an expert rider, a prize-winning tuna fisherman, and a hole-in-one golfer, a Cordon Bleu chef and a licensed interior decorator. She resides in Carmel, California in relative seclusion.

She published her autobiography No Bed of Roses in 1979.

Miss Fontaine has been married four times—to actors Brian Aherne (1939-1945), William Dozier (1946-1951), Collier Young (1952-1961) and magazine editor Alfred Wright, Jr. (1964-1969). She has one daughter, Deborah Leslie Dozier (born in 1948), from her union with Dozier, and another daughter, Melinda, a Peruvian adoptee, who ran away from home. Fontaine is reported to be estranged from her daughters as well, possibly because she discovered that they were secretly maintaining a relationship with their aunt Olivia.

Both sisters have refused to comment on theur feud, but Higham has stated that the above described event in 1942 was the final straw for what would become a lifelong feud, but this is debatable, given de Haviland's later retaliation, and also the events of 1975, which were at least as notable milestones as the incident Higham describes from 1942. The sisters finally ceased to speak at all in 1975, because, according to Fontaine, de Havilland had not invited her to a memorial service for their late mother, Lilian de Havilland, who had recently died, although Olivia claims she told Joan and Joan brushed her off saying she was too busy to attend. The truth is hard to get when one is faced with two different versions of the same event (and probably many other events as well).

She has a star on the Hollywood Walk of Fame at 1645 Vine Street.

Filmography

Sources

Fontaine, Joan. No Bed of Roses. Berkley Publishing Group, 1979. ISBN 0425050289

Current Biography 1944. H.W. Wilson Company, 1945.

External link

Retrieved from "https://en.wikipedia.org/w/index.php?title=Joan_Fontaine&oldid=29318924"