Kill Bill: Volume 1

Kill Bill: Vol. 1
File:Kill bill vol one ver.jpg Theatrical poster for Vol. 1
Directed by	Quentin Tarantino
Written by	Uma Thurman Quentin Tarantino
Produced by	Lawrence Bender
Starring	Uma Thurman Lucy Liu Daryl Hannah David Carradine Vivica A. Fox Michael Madsen Julie Dreyfus Chiaki Kuriyama Sonny Chiba
Cinematography	Robert Richardson
Edited by	Sally Menke
Music by	The RZA
Production company	A Band Apart
Distributed by	Miramax Films
Release date	October 10, 2003
Running time	111 min.
Countries	United States Japan
Languages	English Japanese French
Budget	$55 million
Box office	US$70.1 million (domestic) US$180.9 million (worldwide)

Kill Bill is the fourth film by writer-director Quentin Tarantino, starring Uma Thurman as The Bride. Originally conceived as one film, it was released in two separate 'volumes' (in late 2003 and early 2004) due to its running time of approximately four hours. The movie is an epic-length revenge drama, with homages to earlier film genres, such as Hong Kong martial arts movies, Japanese samurai movies, exploitation films and Italian spaghetti westerns; an extensive use of popular music and pop culture references; and aestheticization of violence. Filming took place in California, Texas, Beijing, Hong Kong, Tokyo, and Mexico.

Plot

Kill Bill is one story, divided into two volumes with five chapters each, presented in a nonlinear style (as is common among Tarantino's films).

Volume 1

The Bride (Thurman) is introduced to the audience in a blood-spattered wedding gown immediately after a violent massacre at an El Paso wedding chapel. She attempts to tell her would-be killer, Bill (Carradine), that she is pregnant with his baby, but he shoots her in the side of her head.

Chapter 1: 2

Chapter 1 chronologically occurs after the rest of the first volume, depicting the second item on the Bride's death list, hence the chapter title.

The Bride arrives at the house of Jeannie Bell a.k.a. Vernita Green (Fox) of the Deadly Viper Assassination Squad, and engages her in a vicious fight, destroying her living room. Vernita's four-year-old daughter, Nikki, arrives home from school, abruptly pausing the fight until she is sent to her room. In the kitchen over coffee, Vernita appeals to The Bride, apologizing for betraying her and asking for mercy on behalf of her family. The Bride coldly refuses, and the two agree to a knife fight later that evening. Green suddenly attempts to shoot The Bride with a gun concealed in a box of Kaboom cereal but misses and is killed by a knife thrown by the Bride. Nikki suddenly appears, having witnessed her mother's death. The Bride tells her that she is sorry for killing her mother in front of her, that her mother "had it coming" and that she would be waiting if the young girl wishes to avenge her death when she grows up. The Bride then leaves in a customized yellow pick-up truck known as the "Pussy Wagon".

Chapter 2: The Blood Splattered Bride

A flashback to the events after the wedding reveals that the comatose Bride is the only survivor of the wedding chapel massacre. Deadly Viper Elle Driver (Hannah), the one-eyed assassin who has replaced The Bride as Bill's lover, slips into the hospital ward intending to inject poison into The Bride's intravenous line. She is stopped at the last second by a phone call from Bill, who believes The Bride deserves a more honorable death.

The Bride wakes up from her coma four years later and is horrified to discover she is no longer pregnant. She escapes from the hospital after killing a sleazy orderly named Buck, who has been selling sexual access to her body as she lay comatose, and one of Buck's customers. She escapes out of the hospital and hides in the back of Buck's yellow pick-up truck (the "Pussy Wagon" seen in Chapter 1).

Chapter 3: The Origin of O-Ren

While slowly working her legs out of atrophy, the Bride recalls the people responsible for the wedding chapel massacre and focuses on another Deadly Viper, O-Ren Ishii (Lucy Liu), whose origins are narrated in an anime short. After witnessing her parents' murder on orders of a Japanese crime lord, Matsumoto, O-Ren swears revenge. Two years later, O-Ren successfully infiltrates Matsumoto's inner circle by taking advantage of the Yakuza lord's pedophilia, then brutally kills him. O-Ren then becomes an assassin, scoring numerous hits on targets across the world and gaining a reputation of her own. Eventually she rises to the top of the Yakuza.

Chapter 4: The Man From Okinawa

The Bride travels to Okinawa to obtain a katana from Hattori Hanzō (Sonny Chiba), a renowned swordsmith, who has retired to the life of a sushi chef. Though Hanzō has taken a blood oath to never make another sword, The Bride is able to convince him of the merit of her mission after she alludes to Bill, and he forges for her the best sword he has ever created.

Chapter 5: Showdown at House of Blue Leaves

The chapter starts by showing how O-Ren Ishii rose to the top of the Yakuza, and introduces her friend and lawyer Sofie Fatale (Julie Dreyfus), another former protege of Bill; Gogo Yubari (Kuriyama), her personal bodyguard; and Johnny Mo (Gordon Liu), leader of O-Ren's personal army, the Crazy 88. The chapter also shows O-Ren executing one of her Yakuza associates for daring to bring up her Chinese-American heritage in a derogatory manner.

The Bride tracks O-Ren to a hangout called the "House of Blue Leaves", takes Fatale hostage and cuts off her arm to lure O-Ren from her dinner. O-Ren sends Yubari, Mo, and dozens of the Crazy 88 to deal with The Bride. She dispatches them all in a bloody sword fight, then turns her attention to O-Ren, climaxing in a dramatic duel in a snowy garden (which borrows from the Japanese sexploitation film Sex & Fury). After crossing swords several times, O-Ren is scalped and killed by the Bride's Hanzō sword.

After torturing her, The Bride dumps the badly wounded Fatale at a hospital, where she is later visited by Bill. Though missing several limbs (the exact number is not shown), Fatale is spared by the Bride to find out the locations of the remaining Deadly Vipers and to inform Bill that the Bride is setting out to kill all the remaining Vipers, including him. The ending shows the Bride writing her death list (seen in Chapter 1) and Bill asking Fatale if the Bride is aware that her daughter is still alive.

Volume 2

Kill Bill: Vol. 2
File:Kill bill vol two ver.jpg Theatrical poster for Vol. 2
Directed by	Quentin Tarantino
Written by	Quentin Tarantino
Produced by	Lawrence Bender
Starring	Uma Thurman David Carradine Daryl Hannah Michael Madsen Lucy Liu Michael Parks
Cinematography	Robert Richardson
Edited by	Sally Menke
Music by	Robert Rodríguez
Production company	A Band Apart
Distributed by	Miramax Films
Release date	April 16, 2004
Running time	136 min.
Country	United States
Languages	English Cantonese Mandarin Spanish Japanese
Budget	$30 million
Box office	$66,208,183

The opening of Volume 2 reprises the opening scenes of the first volume and then cuts to the Bride driving her car to Bill, the last on her death list.

Chapter 6: The Massacre at Two Pines

The film then shows the events leading up to the wedding chapel massacre. The Bride and her friends are gathered for her wedding rehearsal, as they are tracked down by Bill. He is polite and mild-mannered, and even consents to The Bride introducing him as her father to the groom. The Bride begs Bill in private to be able to move on past her assassin life, and Bill seemingly consents. She takes her place at the altar as the other four Deadly Vipers arrive at the chapel, weapons in tow, and kill everyone at the rehearsal except The Bride.

Chapter 7: The Lonely Grave of Paula Schultz

Bill ventures to the California desert to warn his brother Budd (Michael Madsen), another former Deadly Viper, that the Bride will come for him next. Budd, now an overweight alcoholic, has put his assassin days behind him, living in a trailer and working as a bouncer at a local strip club, where he is verbally abused by the manager.

The Bride arrives at Budd's trailer that night seeking revenge. Anticipating her entry, Budd shoots her in the chest with rock salt the moment she opens his door, then injects her with a sedative. Budd calls Elle Driver and offers to sell her the Bride's Hanzō sword for $1,000,000. Budd then gives the Bride a "Texas funeral", burying her alive with a flashlight in someone else's grave.

Chapter 8: Cruel Tutelage of Pai Mei

As she lies in her grave, The Bride remembers her early training in China, when Bill took her to the temple of legendary martial arts master Pai Mei (Gordon Liu), an elderly martial arts master who could perform a fatal attack called the Five Point Palm Exploding Heart Technique, which is so secret that he has not even taught it to Bill. According to Bill, he "hates Caucasians, despises Americans, and has nothing but contempt for women". Nevertheless, he takes in The Bride and molds her into a formidable fighter. He brutally trains her, and she eventually gains his silent respect. In the present, The Bride calls on Pai Mei's training to break out of the coffin and claw her way up to freedom.

Chapter 9: Elle and I

The Bride arrives at Budd's trailer to see Elle Driver arriving. Elle hands Budd a suitcase containing his money for the sword, but also a hidden black mamba, the deadly snake that shares the Bride's code name. The snake bites Budd, who lies paralyzed and dying while Elle explains she regretted that the Bride died at Budd's hands and deserved a better end. After Budd succumbs to the venom, Elle calls Bill, tells him of Budd's death, and how to find the final resting place of "Beatrix Kiddo" (The Bride's real name, which, until this point, was bleeped out). As Elle is about to leave, Beatrix attacks her with a flying kick. A brutal fight ensues that destroys most of the trailer. Elle uses Beatrix's own sword against her, but Beatrix finds Budd's Hattori Hanzō sword in his golf bag, which Budd had told Bill he had pawned. As they stand off for their final combat, Elle reveals that Pai Mei (who also taught her) snatched out her eye for calling him a "miserable old fool" and that she later poisoned him. The two charge each other; during the sword clash, Beatrix plucks out Elle's remaining eye, leaving blinded Elle to writhe in the trailer with the same black mamba that killed Budd. Elle's fate is left unknown; in the credits, while all the other members of The Bride's "Death List Five" are crossed out as dead, her status is marked merely as "?".

Last Chapter: Face to Face

Beatrix travels to Mexico and visits Esteban Vihaio (Michael Parks), an old pimp who raised Bill from childhood. He forthrightly tells her Bill's whereabouts, explaining to a puzzled Beatrix that Bill would have wanted him to, so he could see her again. When she finally finds Bill, she is shocked to find that B.B., her four-year-old daughter, is alive and apparently expecting her mother's return. The family spends the evening together peacefully, and B.B. falls asleep watching the chambara film Shogun Assassin in her mother's arms.

With B.B. safely in bed, Beatrix confronts Bill. Bill shoots her with a dart filled with truth serum; Beatrix is forced to reveal that, when she discovered her pregnancy and decided not to abort, she thereafter had to put her unborn daughter's future above Bill.

The estranged couple sit down at a table outside. Bill admits he had overreacted towards the situation in attempting to kill her. However, Beatrix claims she is still in disbelief over what Bill had done and insists that she complete her unfinished business. Bill then draws his sword to attack her. Beatrix dodges his attack and draws her own sword, but Bill succeeds in disarming her. He thrusts to stab her with his sword, but she catches it in her Hanzo sheath and disables Bill with the Five Point Palm Exploding Heart Technique, secretly taught to her by Pai Mei. Bill, defeated, says a tender goodbye and takes five silent steps to his death. Beatrix sheds a few tears at the death of her former lover, and returns to the house to collect her daughter.

Later, B.B. is watching cartoons in a motel while Beatrix sobs on the bathroom floor. As she collects herself and returns to watch cartoons with B.B., both of them smile as the film ends. The exit quote on the screen is: "The lioness has rejoined her cub and all is right in the jungle".

Cast

See also: List of Kill Bill characters

Actor	Role	Vol. 1	Vol. 2
Uma Thurman	Beatrix Kiddo / The Bride ("Black Mamba")	•	•
David Carradine	Bill ("Snake Charmer")	•	•
Vivica A. Fox	Vernita Green / Jeannie Bell ("Copperhead")	•	•
Daryl Hannah	Elle Driver ("California Mountain Snake")	•	•
Lucy Liu	O-Ren Ishii ("Cottonmouth")	•	•
Michael Madsen	Budd ("Sidewinder")	•	•
Julie Dreyfus	Sofie Fatale	•
Chiaki Kuriyama	Gogo Yubari	•
Sonny Chiba	Hattori Hanzō	•
Gordon Liu	Johnny Mo	•
	Pai Mei		•
Michael Parks	Earl McGraw	•
	Esteban Vihaio		•
Michael Bowen	Buck	•
Jun Kunimura	Boss Tanaka	•
Christopher Allen Nelson	Tommy Plympton	•	•
Bo Svenson	Reverend Harmony		•
Samuel L. Jackson	Rufus		•
Larry Bishop	Larry Gomez		•
Laura Cayouette	Rocket		•
Perla Haney-Jardine	B.B.		•
Ambrosia Kelley	Nikki Bell	•
Helen Kim	Karen Kim		•

Influences

File:Shawframe019.jpg

Shaw Scope logo as shown at the beginning of Kill Bill vol. 1.

The overall storyline of Kill Bill — a woman seeks revenge on a group of people, crossing them off a list one by one as she kills them — is adapted from Lady Snowblood, a 1973 Japanese film in which a woman kills off the gang who murdered her family. The Guardian commented that Lady Snowblood was "practically a template for the whole of Kill Bill Vol. 1".

It is also similar to The Bride Wore Black, a 1968 French film directed by François Truffaut and based on the novel of the same name by Cornell Woolrich.

The film also references Samurai Reincarnation (1981) by quoting its iconic line "If you encounter God, God will be cut". Hattori Hanzō is modelled on legendary sword maker Muramasa. The character is also a reference to the Japanese television show Kage no Gundan (Shadow Warriors in America), in which Sonny Chiba portrayed a fictionalized version of Hattori Hanzō, as well as his descendents in later seasons. Tarantino, in Vol. 1 special features, claims that his film's Hanzō is one of those descendents.

Kill Bill pays tribute to film genres including the spaghetti western, blaxploitation, Chinese wuxia, Japanese yakuza films, Japanese samurai cinema, and kung fu movies of the 1960s and 1970s. This last genre, which was largely produced by the Shaw Brothers, is given an obvious nod by the inclusion of the Shaw Scope logo at the beginning of Kill Bill Vol. 1.

The scene in which The Bride fights in the snow, is virtually identical to the one in Sex and Fury.

Daryl Hannah has claimed that the more slapstick elements of Elle's brawl with Beatrix were inspired by Jackass: The Movie, which Tarantino watched during the filming of Kill Bill.

One influential exploitation film that Tarantino has mentioned in interviews is the Swedish Thriller - en grym film, released in the U.S. as They Call Her One Eye. Tarantino recommended that actress Daryl Hannah watch the movie to prepare for her role as the one-eyed killer Elle Driver.

The Japanese Lone Wolf and Cub series of Manga and films are echoed in the characters of The Bride and her daughter. The Americanized compilation version of this series, Shogun Assassin, is actually viewed by the two characters.

Bill's speech towards the end of the movie, regarding the differences between Batman and Superman, is taken from "The Great Comic Book Heroes" by Jules Feiffer.

The films also contain a number of references to specific American and European films, such as "Pussy Wagon" (taken from lyrics in the film Grease).

The closing credits to both films included a short list of deceased directors, writers and actors, under the title "R.I.P.": Charles Bronson, Chang Cheh, Kinji Fukasaku, Lo Lieh, Shintaro Katsu, William Witney, Sergio Corbucci, Lucio Fulci, Sergio Leone and Lee Van Cleef.

Reception

After a six-year hiatus of Tarantino movies, Kill Bill was much anticipated by fans and critics and generated a tremendous amount of discussion. Reaction by film critics was largely positive. Both volumes did very well at the box office. Kill Bill Vol. 1 grossed $180,949,045 worldwide, followed by Kill Bill Vol. 2 with $152,159,461 worldwide.

A movie in two volumes

Though released as two parts, the film differs from multi-part "franchise" series like Star Wars. The short duration between the releases of the two volumes, the film's internal structure, and the history of its development all strongly imply that Kill Bill be regarded as one movie (for example, the cast of Vol. 1 are credited at the end of Vol. 2). The dual-release strategy, ostensibly due to the film's length, has been criticized as an attempt by Miramax to sell two tickets to one movie.

The two-volume format also amplified what some saw as a structural problem with the film: most of the action occurs in the first half, while most of the dialogue and plot are conveyed in the second. Thus, the two volumes are noticeably different in style and tone, leaving some viewers enamored of one volume but disappointed by the other. Of Volume 2, Sean O’Connell of Filmcritic.com writes, "The drop-off in energy, style, and coherence from Volume 1 to its bloated, disinteresting counterpart is so drastic and extreme that you can hardly believe they come from the same director, let alone conclude the same storyline." Jeffery M. Anderson of Combustible Celluloid, like some other critics, preferred Volume 2, writing "…Characters actually talk to one another here rather than the stilted samurai movie-speak of the first volume."

Violence

Much criticism concerned the amount and presentation of bloodshed and general mayhem, especially in the first volume. One critic referred to Volume 1 as a "cocktail party in an abattoir".

Style and substance

Much of the controversy over the film reflects the differing expectations of those who look primarily at a movie for its style and craftsmanship against those who look at story and substance; as a tribute film and revenge saga, the movie is at a disadvantage with the latter group. "You never forget that Kill Bill is an exercise in genre-sampling," writes the Chicago Tribune’s Mark Caro. However, other critics found it well-constructed, with tightly edited action scenes, strong performances, often-clever dialogue, and an effectively exciting soundtrack. On the whole, both volumes of the film received positive reviews.

Awards

Each part was nominated at the Golden Globe Awards. Uma Thurman received a Best Actress in a Motion Picture - Drama nomination in 2004 and 2005 for her work in Volume 1 and Volume 2. David Carradine received a Best Supporting Actor nomination in 2005 for his work as the mentor-like titular character in Kill Bill: Volume 2. Uma Thurman was also nominated in 2004 for a BAFTA Award for Best Actress in a Leading Role for her work in 'Kill Bill: Volume 1.' The film was nominated for 5 BAFTAs at the 2004 BAFTA awards ceremony.

The film was very popular at the MTV Movie Awards. At the 2004 MTV Movie Awards Uma Thurman won Best Female performance for Volume 1, Lucy Liu won Best Villain in Volume 1, and the fight between The Bride and Gogo Yubari won Best Fight. She also thanked Chiaki Kuriyama during her acceptance speech. At the 2005 MTV Movie Awards, Kill Bill Volume 2 was nominated for best movie, Thurman was nominated for best female performance, and the fight between The Bride and Elle Driver in Kill Bill Volume 2 also won Best Fight. Uma Thurman also received the Saturn Award for Best Actress in 2003 for her work in Volume 1.

Parody

Main article: Kill Buljo

In 2007, a Norwegian parody of Kill Bill, called Kill Buljo, was released in Norwegian cinemas. The movie is set in Finnmark, Norway, and satirizes stereotypes about Norway's Sami population. When the parody was presented to Quentin Tarantino, his response was "I love it! I love it!", according to an interview with Norwegian newspaper Dagbladet. Kill Buljo was made with hardly any budget at all, and both director Tommy Wirkola and the actors were practically unknown at the time; the film, however, enjoyed great local success, which led to offers for future film projects for Wirkola.

In "The Deep End," Episode 8 of the stop-motion animated television series "Robot Chicken," Jesus Christ hunts down his greatest nemesis, Tarantino-style in "Kill Bunny", aired in 2005.

Music

Main articles: Kill Bill Volume 1 (soundtrack) and Kill Bill Volume 2 (soundtrack)

As with Tarantino's previous films, Kill Bill features an eclectic soundtrack comprising many musical genres. On the two soundtracks, music ranges from country music to selections from the Spaghetti Western film scores of Ennio Morricone. Bernard Herrmann's theme from the film Twisted Nerve is whistled by the menacing Elle Driver in the hospital scene. Instrumental tracks from Japanese guitarist Tomoyasu Hotei figure prominently, and after the success of Kill Bill they were frequently used in American TV commercials and at sporting events. As the Bride enters "The House of Blue Leaves", go-go group The 5,6,7,8's perform "I Walk Like Jayne Mansfield", "I'm Blue" and "Woo Hoo." The connection to Lady Snowblood is further established by the use of "The Flower of Carnage" the closing theme from that film.

Releases

DVD release

In the United States Kill Bill: Volume 1 was released as a DVD on April 13, 2004 while Volume 2 was released August 10, 2004.

In a December 2005 interview, Tarantino addressed the lack of a special edition DVD for Kill Bill by stating "I've been holding off because I've been working on it for so long that I just wanted a year off from Kill Bill and then I'll do the big supplementary DVD package."

The United States does not have a DVD boxed set of Kill Bill, though box sets of the two separate volumes are available in other countries, such as France, Japan and the United Kingdom. Upon the DVD release of Volume 2 in the US, however, Best Buy did offer an exclusive box set slipcase to house the two individual releases together.

High Definition release

Both Kill Bill movies were released in High Definition on Blu-Ray on September 9, 2008 in the United States.

Differences in Japanese cut

While the American cut of the movie shows part of the violent battle at the "House of Blue Leaves" in black-and-white, the Japanese cut shows all of it in colour. In addition, the Japanese cut includes many extra bits of violence distributed throughout the film, most notably during the anime sequence and the showdown at the "House of Blue Leaves". Furthermore, the Japanese cut shows The Bride cutting off Sophie's other arm during her interrogation. This causes a continuity error because Sofie's arm is still attached when she is rolling down the hill. These cuts were made to the U.S. version in order to avoid an NC-17 rating.

In Kill Bill Volume 2, the only extra footage in the Japanese cut is an extra 45 seconds added into the Mexican Brothel scene, basically showing extra footage of the setting.

The quotation "Revenge is a dish best served cold" (attributed as being "an old Klingon proverb," in reference to Star Trek II: The Wrath of Khan) at the beginning of "Volume 1" was replaced by a tribute to Japanese filmmaker Kinji Fukasaku:

This Film is dedicated to master filmmaker.

Kinji Fukasaku

1930-2003

Forthcoming

Tarantino announced at the 2008 Provincetown International Film Festival that a single film version of Kill Bill with an extended animation sequence was to be released in May 2009. As of yet, no such release has been announced.

Possible sequel

Tarantino told Entertainment Weekly in April 2004 that he is planning a sequel:

Oh yeah, initially I was thinking this would be my "Dollars Trilogy". I was going to do a new one every ten years. But I need at least fifteen years before I do this again. I've already got the whole mythology: Sofie Fatale will get all of Bill's money. She'll raise Nikki, who'll take on The Bride. Nikki deserves her revenge every bit as much as The Bride deserved hers. I might even shoot a couple of scenes for it now so I can get the actresses while they're this age.

According to Bloody-Disgusting.com, details have emerged about Kill Bill Volumes 3 and 4. According to the article, "Bennett Walsh said at the Shanghai International Film Festival the third film involves the revenge of two killers whose arms and eyes were hacked by Uma Thurman in the first stories," which suggest Sofie and Elle, respectively. The article adds that the "fourth installment of the popular kung fu action films concerns a cycle of reprisals and daughters who avenge their mother's deaths".

Possible prequels

Quentin Tarantino said at the 2006 Comic Con that, after the completion of Grindhouse, he wants to make two anime Kill Bill films. One will be an origin story about Bill and his mentors, and the other will be an origin starring The Bride. The latter is most likely to be a prequel, but could also follow the rumored (sequel) plot reported in Entertainment Weekly in April 2004.

See also

• List of women warriors in folklore, literature, and popular culture

References

External links

• Vol. 1 at IMDb
• Vol. 2 at IMDb
• Vol. 1 at AllMovie
• Vol. 2 at AllMovie
• Vol. 1 at the TCM Movie Database
• Vol. 2 at the TCM Movie Database
• Vol. 1 at Rotten Tomatoes
• Vol. 2 at Rotten Tomatoes
• Production I.G on the Kill Bill Anime Sequences Article from CGSociety.org
• Kill Bill References Guide at tarantino.info
• Article from Universal Library including extended analysis
• Kill Bill Wiki, an external wiki