Castel Sant'Angelo
41°54′11″N 12°27′59″E / 41.903064°N 12.466355°E
The Mausoleum of Hadrian, usually known as the Castel Sant'Angelo, is a towering cylindrical building in Rome, initially commissioned by the Roman Emperor Hadrian as a mausoleum for himself and his family. The building was later used as a fortress and castle, and is now a museum.
Hadrian's tomb
The tomb of the Roman emperor Hadrian, also called Adrian's mole,[1] was erected on the right bank of the Tiber, between 135 AD and 139 AD. Originally the mausoleum was a decorated cylinder, with a garden top and golden quadriga. Hadrian's ashes were placed here a year after his death in Baiae in 138 AD, together with those of his wife Sabina, and his first adopted son, Lucius Aelius, who also died in 138 AD. Following this, the remains of succeeding emperors were also placed here, the last recorded deposition being Caracalla in 217 AD. The urns containing these ashes were probably placed in what is now known as the Treasury room deep within the building. Hadrian also built the Pons Aelius facing straight onto the mausoleum – it still provides a scenic approach from the center of Rome and the right bank of the Tiber, and is renowned for the Baroque additions of statuary of angels holding aloft elements of the Passion of Christ.
Destruction
Much of the tomb contents and decoration has been lost since the building's conversion into a military fortress in 401 and inclusion by Flavius Augustus Honorius in the Aurelian Walls. The urns and ashes were scattered by Visigothic looters in Alaric's sack of Rome in 410, and the original decorative bronze and stone statuary was thrown down upon the attacking Goths when they besieged Rome in 537, as recounted by Procopius. An unusual survival, however, is the capstone of a funerary urn (most probably that of Hadrian), which made its way to Saint Peter's Basilica and was recycled in a massive Renaissance baptistery. That spolia from the tomb had been used in the post-Roman period was already noted in the 16th century - Giorgio Vasari writes:
...in order to build churches for the use of the Christians, not only were the most honoured temples of the idols [ie pagan Roman gods] destroyed, but in order to ennoble and decorate Saint Peter's with more ornaments than it then possessed, they took away the stone columns from the tomb of Hadrian, now the castle of Sant'Angelo, as well as many other things which we now see in ruins.[2]
Legend holds that the Archangel Michael appeared atop the mausoleum, sheathing his sword as a sign of the end of the plague of 590, thus lending the castle its present name.
Papal fortress, residence and prison
The popes converted the structure into a castle, from the 14th century; Pope Nicholas III connected the castle to St. Peter's Basilica by a covered fortified corridor called the Passetto di Borgo. The fortress was the refuge of Pope Clement VII from the siege of Charles V's Landsknecht during the Sack of Rome (1527), in which Benvenuto Cellini describes strolling the ramparts and shooting enemy soldiers.
Leo X built a chapel with a fine Madonna by Raffaello da Montelupo. In 1536 Montelupo also created a marble statue of Saint Michael holding his sword after the 590 plague (as described above) to surmount the Castel.[3] Later Paul III built a rich apartment, to ensure that in any future siege the Pope had an appropriate place to stay.
Montelupo's statue was replaced by a bronze statue of the same subject, executed by the Flemish sculptor Peter Anton von Verschaffelt, in 1753. Verschaffelt's is still in place, though Montelupo's can be seen in an open court in the interior of the Castle.
The Papal state also used Sant'Angelo as a prison; Giordano Bruno, for example, was imprisoned there for six years. Executions were made in the small interior square. As a prison, it was also the setting for the third act of Giacomo Puccini's Tosca from whose ramparts the eponymous heroine of the opera leaps to her death.
Museum
Decommissioned in 1901, the castle is now a museum, the Museo Nazionale di Castel Sant'Angelo.
Popular culture
The Castel Sant'Angelo appeared in Dan Brown's 2000 novel Angels & Demons. The location was the secret lair for the Hassassin and was seen as the last existing church of the Illuminati. The book also emphasized the Passetto di Borgo as a secret way of getting from the Vatican to the castle. It also appears in the 2009 motion picture, Angels & Demons, as one of the locations where a clue that leads to the papal assassin resides.
The castle appeared in the film Roman Holiday in a scene taking place on barges on the river below.
In Puccini's opera, Tosca, the Castel is where Cavaradossi is held prisoner. After murdering Scarpia in his private room at the Palazzo Farnese, Floria Tosca goes to the Castel Sant' Angelo, safe conducts in hand, where her lover, Mario Cavaradossi is to be executed. She has been led to believe it will be a mock execution and is horrified to find her lover dead. Rather than be arrested by Scarpia's henchmen, she throws herself from the rooftop.
The castle is one of the settings of Endymion (Hyperion Cantos) and The Rise of Endymion, books in the Hyperion Cantos by author Dan Simmons. In the novels it has been relocated, along with large parts of the Vatican to the fictional planet Pacem. It serves as a prison and site of the torture of several protagonists in the novels, which include a resurgent but sinister version of the Catholic church being the major power in human society.
In the Trinity Blood novels, a castle called San Angelo is the seat of power for the Catholic Church, though it is not known whether this is the same castle as the one in real life.
The castle also appears in the 2009 video game Assassin's Creed 2.
Gallery
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Castel Sant'Angelo. -
Ponte Sant'Angelo which leads to the Castel Sant'Angelo. -
A view of Rome from atop the castle. Saint Peter's Basilica can be seen on the far left. -
The original angel by Raffaello da Montelupo. -
Verschaffelt's replacement. -
Giovanni Battista Bugatti, papal executioner between 1796 and 1865 offering snuff to a condemned prisoner in front of Castel Sant'Angelo
Notes
- ^ Gibbon, Edward (1826). The history of the decline and fall of the Roman Empire. Vol. 6 (4th American ed.). New York. p. 369.
- ^ Preface, "Lives of the Artists"
- ^ Rome (Eyewitness Travel Guides) DK Publishing, London (2003) p. 242
See also
External links
- Castel Sant'Angelo, a Story in Pictures
- Satellite image
- Castel Sant'Angelo Virtual 360° panorama and photos.
- Site describing arrangement of the original mausoleum.
- Mausoleum of Hadrian, part of the Encyclopædia Romana by James Grout
- Platner and Ashby entry on the tomb on Lacus Curtius site
- Roman Bookshelf - Views of Castel Sant'Angelo from the 19° Century
- Castel Sant'Angelo