Jamaican English

Jamaican English or Jamaican Standard English is a variety of the English spoken in Jamaica. It melds parts of both American English and British English dialects, along with many aspects of Irish intonation. Typically, it uses the same spellings as found in British English.

Although the distinction between the two is best described as a continuum rather than a solid line, it is not to be confused with Jamaican Patois.

Grammar

Jamaican Standard English is grammatically similar to Standard English (see English English). However since the mid-20th century, Jamaica has increasingly developed stronger social and economic ties with the United States and the increasing popularity of U.S. cultural offerings including film, music, and televised dramas and comedies, exposure to American English has been increasing steadily.

Vocabulary

The Irish accent was a major influence on the accent of Jamaican English. Recent American influence is also obvious in the lexicon (babies sleep in "cribs" and wear "diapers" or "pampers"; some people live in "apartments" or "townhouses", for example). Generally, older vocabulary tends to be British (babies wear "nappies", not "diapers"; cars have "bonnets" and "windscreens"; children study "maths", use "rubbers" to erase their mistakes and wish they were on "holiday"), while newer phenomena are typically "imported" together with their American names.

An interesting use of mixed British and American vocabulary is with automobiles, where the American term "trunk" is almost universally used instead of the British term "boot", the British word "sleeping policeman" is used instead of the American word "speed bump”, while the engine covering is always referred to by the British term "bonnet". This is probably because the American term, "hood", is used in Jamaica as a vulgar slang for penis.

Naturally, Jamaican Standard also uses many local words borrowed from Jamaican Patois, such as "duppy" for "ghost"; "higgler" for "informal vendor/hawker"; and some terms for local foods, like "ackee", "callaloo", "guinep", and "bammy".

Pronunciation

Jamaican Standard pronunciation, while it differs greatly from Jamaican Patois pronunciation, is nevertheless recognizably Caribbean. Giveaway features include the characteristic pronunciation of the diphthong in words like "cow", which is more closed and rounded than in Received Pronunciation or General American; the pronunciation of the strut vowel /ʌ/ (again, more closed than the RP or GenAm version, though not as closed as in the Creole); semi-rhoticity, i.e. the dropping of the "-r" in words like "water" (at the end of unstressed syllables) and "market" (before a consonant); but not in words like "car" or "dare" (stressed syllables at the end of the word). Merger of the diphthongs in "fair" and "fear" takes place both in Jamaican Standard and Jamaican Patois, resulting in those two words (and many others, like "bear" and "beer") becoming homophones. (Standard speakers typically pronounce both closer to "air", while Creole speakers render them as "ear"). The short "a" sound (man, hat) is very open, similar to its Irish versions.

Language use: Standard versus Patois

Jamaican Standard and Jamaican Patois exist together in a post-creole speech continuum. Creole is used by most people for everyday, informal situations - it is the language most Jamaicans use at home and are most familiar with, as well as the language of most local popular music. Standard, on the other hand, is the language of education, high culture, government, the media and official/formal communications. It is also the native language of a small minority of Jamaicans (typically upper-class and upper/traditional middle-class). Most Creole-dominant speakers have a fair command of Standard English, through schooling and exposure to official culture and mass media; their receptive skills (understanding of Standard English) are typically much better than their productive skills (their own intended Standard English statements often show signs of Creole interference).

Most writing in Jamaica is done in Standard English (including private notes and correspondence). Jamaican Patois has no standardized spelling, and has only recently been taught in some schools. As a result, the majority of Jamaicans can read and write Standard English only, and have trouble deciphering written dialect (in which the writer tries to reflect characteristic structures and pronunciations to differing degrees, without compromising readability). Written Patois appears mostly in literature, especially in folkloristic "dialect poems"; in humoristic newspaper columns; and most recently, on internet chat sites frequented by younger Jamaicans, who seem to have a more positive attitude toward their own language use than their parents.

While, for the sake of simplicity, it is customary to describe Jamaican speech in terms of Standard versus Creole, a clear-cut dichotomy does not adequately describe the actual language use of most Jamaicans. Between the two extremes—"broad Patois" on one end of the spectrum, and "perfect" Standard on the other—there are various in-between varieties. This situation typically results when a Creole language is in constant contact with its standard (superstrate or lexifier language) and is called a creole speech continuum. The least prestigious (most Creole) variety is called the basilect; the Standard (or high prestige) variety the acrolect; and in-between versions are known as mesolects.

Consider, for example, the following forms:

• "im ah wok oba deh suh" (basilect)
• "im workin ova deh suh" (low mesolect)
• "(H)e (h)is workin' over dere" (high mesolect)
• "He is working over there." (acrolect)

(As noted above, the "r" in "over" is not pronounced in any variety, but the one in "dere" or "there" is.)

Jamaicans choose from the varieties available to them according to the situation. A Creole-dominant speaker will choose a higher variety for formal occasions like official business or a wedding speech, and a lower one for relating to friends; a Standard-dominant speaker is likely to employ a lower variety when shopping at the market than at their workplace. Code-switching can also be metaphoric (e.g., a Standard-dominant speaker switching to a lower variety for humoristic purposes, or to express solidarity).

See also

• Regional accents of English speakers
• Nation language