M. S. Viswanathan
M.S.Viswanathan | |
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Background information | |
Birth name | Manayangath Subramanian Viswanathan |
Also known as | MSV |
Born | 24 June 1928 |
Origin | Palakkad, Kerala, India |
Occupation | Film score composer music director |
Instrument(s) | Vocals (playback singing), keyboard/harmonium/piano |
Years active | 1945 to present |
Labels | Mellisai Mannar |
Website | http://www.msvtimes.com |
Manayangath Subramanian Viswanathan, also known as M.S.V.), is a Music Director from South India. He is popularly known as "Mellisai Mannar" (Tamil for "the King of Light Music"). His major works over the past five decades have been in Tamil, Malayalam and Telugu films. He has also acted and sung in a few films.J Jayalalithaa conferred the "Thirai Isai Chakravarthy" title on him in August 2012.[2] M.S.V composed music for more than 1200 films, where he and Ramamoorthy composed music together in more than 500 films[3] from the film Panam in 1952 till Ayirathil Oruvan in 1965 and after splitting from Ramamoorthy, as a separate music director from 1965–1995 he composed for over 700 films.He sang under his own composition over 500 songs and in addiition sang 200 songs composed by other music directors.
Early life
Viswanathan was born on 24 June 1928 to Manayangath Subramanian and Narayanikutty (or Naanikutty) in Elappully village in Palakkad, Kerala, India. He lost his father when he was four. He was saved by his grandfather when his mother decided to kill him and herself as an escape from abject poverty and lack of support. According to him,he even sold refreshments in a movie theater for a living in his childhood and learned music from Neelakanda Bhagavathar in the period 1933–1939 resulting in his first stage performance in Trivandrum when he was only 13 years old.
Career
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Viswanathan Ramamoorthy As Partners
T. K. Ramamoorthy was born into a famous musical family in Trichy and was a talented violinist since young.His father, Krishnaswamy Iyer and grandfather, Malaikottai Govindasamy Iyer were well known violinists in Trichy. Ramamoorthy gave several stage performances along with his father since his childhood days. C. R. Subburaman noted the young Ramamoorthy's talent and hired him as a violinist for HMV when he was only fourteen years old.[4] He later worked in Saraswathi Stores where AVM Studo's boss, Avichi Meiyappa Chettiar,was a partner – which lead him to play violin for AVM's music composer , R. Sudarsanam, in some films. During these days, he also became friendly with P.S.Diwakar ,the famous pianist cum music composer in the Malayala films and was staying with P.S.Diwakar while seeking opportunities. By this time, C. R. Subburaman, was a rising star in the South Indian film music world and Ramamoorthy rejoined him as one of his violinists in his musical troupe. There , he met T. G. Lingappa, another famed violinist. M.S Viswanathan joined this troupe later as a harmonium player in 1950.
M. S. Viswanathan had always wanted to be an actor and singer, but was not successful.He had done a few small roles in stage dramas in 1940's. The famous music composer in the 50s, T. R. Papa, who was a violinist for the doyen of the Tamil film music, S. V. Venkatraman when he met the young struggling Viswanathan, took a liking to him and arranged a job for him as an errand boy for S. V. Venkatraman's musical troupe. In that company of all musicians, Viswanathan realized that he had the inclination and the potential for composing music. He thereafter joined S. M. Subbaiah Naidu and at times assisted him. He then joined C. R. Subburaman as a Harmonium player where he met both T.K.Ramamoorthy and T. G. Lingappa , the two leading violinists at that time. T. G. Lingappa also became a renowned music composer on his own in the 1950s.
In 1952, C. R. Subburaman died unexpectedly in the midst of completing the background music for the films such as Devadas, Chandi Rani and Marumagal. Ramamoorthy and Viswanathan joined together and completed the background music for these films . During this time, M.S.Viswanathan also got an opportunity to be the third composer for the film Genova starring M.G.R with M.S.Gnanamani and T.K.Kalyanam, who were famous music composers then.
Both Ramamoorthy and Viswanathan always proudly name C.R.Subburaman as their Guru.M.S.Viswanathan has also mentioned that he was also inspired by the music of S.V.Venkatraman and T.R.Papa.
N. S. Krishnan who knew both M.S. Viswanathan and T.K.Ramamoorthy fairly intimately and also their respective talents by then, with foresight, suggested an alliance between them like Shankar Jaikishan in the North. T.K.Ramamoorthy, despite being an excellent musician with an orthodox carnatic musical background, was a shy, modest and reserved person whereas M. S. Viswanathan was naturally talented, charming, forward and dynamic although he lacked the similar background in Carnatic music. Ramamoorthy is older than Viswanathan by seven years, but placing of their names as Viswanathan-Ramamoorthy was agreed upon by both parties on the advice of N. S. Krishnan, who thereafter got the duo Viswanathan-Ramamoorthy their first chance to compose for the film Panam in 1953 which was produced by A.L.Seenivasan and directed by N. S. Krishnan himself.It was the second film for Sivaji Ganesan and the first film for the successful pair in the history of Tamil Films – Sivaji Ganesan – Padmini.During this time,Chithambaram C. S.Jayaraman, music comoposer and singer, also engaged the services of Viswanathan-Ramamoorthy duo for the film Raththa Kanneer to assist him for the background music though music for all the songs in Raththa Kanner were tuned by C.S.Jayaraman himself.It was a slow progress for the duo in the 50s , a period that boasted of many talented composers with the stalwart G.Ramanathan in the lead.After Panam was a success, many film producers and directors approached them and the duo together composed music for over 500 films from 1952–1965.The duo were the highest paid composers and held the number one position in market together from 1959–1965.
However,right from the beginning, the duo displayed a flair for light sweet melodious music. The films like Porter Kanthan, Pasa Valai, Thennali Raman, Gulebahavali, Sugam Enge, Sorga Vasal, etc. in the 50s created a lot attention for them.In 1956, the duo composed for the Telugu film Santhosham,the Telugu adaptation of the Tamil film Velaikaari(story by C. N. Annadurai) with N. T. Rama Rao and Anjali Devi which was a big musical hit.This was reproduced in Hindi as Naya Aadmi with music by Madan Mohan who,impressed by the duo's music, suggested to retain some of the original tunes for the Hindi version.The Hindi song "Laut gaya gam ka zamana" sung by Lata Mangeshkar and Hemanta Kumar Mukhopadhyay in that film, copy of the duo's Telugu song "Teeyani eenati reyi" sung by P. Susheela and G. K. Venkatesh, was a big hit in the North.
Towards the latter part of the 50s, the duo were racing ahead with musical hits like Pudhayal,Nichchaya Thamboolam,Pathi Pakthi. ,Petra Mahanai Vitra Annai,Thalai Koduththaan Thambi, Mahane Kel,Pahappirivinai,etc.The winning combinations of the duo initially were mainly with the Directors T. R. Ramanna and A. Bhimsingh who produced some mega hits in the late 50s and early 60s – for which the duo composed excellent music and thereby reaching the No.1 slot in the early 60s. Then C. V. Sridhar, after his music composer A. M. Rajah fell out with him in 1961, engaged the duo for his films and many top hits followed. Major studios like Gemini, AVM, etc. were also to engage them later. During this period, the duo also boasted of assistants of the stature of R. Govardhanam, G. K. Venkatesh, Shankar Ganesh and Henry Daniel. They also had Sathan for special voice and sound effects.
On 16 June 1963, at a special function M. S. Viswanathan and T. K. Ramamoorthy were each given the title of Mellisai Mannar(Kings of the Light Music).[5] It was granted by Sivaji Ganesan at the Madras Triplicane Cultural Academy. The function was supported and facilitated by the Hindu Group of Publications, especially Mr. T. M. Ramachandran, Director C. V. Sridhar and Chitralaya Gobu.Though collectively M. S. Viswanathan and T. K. Ramamoorthy were called Mellisai Mannargal (Kings of the Light Music). The title is more used for M.S.V for he continued to be successful as individual music director from 1965–1995.
But M. S. Viswanathan and T. K. Ramamoorthy split up after the release of Aayirathil Oruvan on 9 July 1965. Since then both had composed for films individually. M.S.Viswanathan, in his solo career continued to achieve success as he did earlier and composed music for over 700 films from 1965–1995, but Ramamoorthy as a solo music director could not achieve as much and gradually faded away. He composed for only 19 films from 1966–1986. Vishwanathan was most in demand and was the highest paid music director from 1965–1980. After 29 years, they had rejoined in 1995 just once for the Sathyaraj starrer Tamil film Engirundho Vanthan.
The composer duo are given the credit in moulding the careers of singers especially that of singers, T. M. Soundararajan, P. B. Srinivas and L. R. Eswary who owe their success partially to the duo and in particular to M. S. Viswanathan as they were most regular singers with them. (T. M. Soundararajan was the all time favourite singer for Viswanathan).P. Susheela too owes a great deal to the duo as their main female singer.A. L. Raghavan and S. Janaki sang for them, but not so regularly till 1965. Jikki used to be their favourite before P. Susheela, but the duo was divided on A. M. Rajah. Ramamoorthy was keen to use him, but Viswanathan always resisted using him owing to personality conflict after the film Genova , with the result that A. M. Rajah sang only 5 songs for the duo even at the height of his career in the 50s. In their films, A. M. Rajah did not even give his voice to Gemini Ganesan, except for the film Pathi Pakthi. Their early years saw them also working with the already well established singers like M. L. Vasanthakumari, C. S. Jayaraman, Raavu Balasaraswathi, P. Leela, Jikki,M. S. Rajeswary, Jamuna Rani, M.S.Sarojini, S.C.Krishnan and Sirkazhi Govindarajan.The actor-singer's , T. R. Mahalingam and J. P. Chandrababu also sang memorable songs for the duo. G.K.Venkatesh, Viswanathan's good friend and assistant, sang few but excellent songs for the duo.
The duo composed for over 500 films during the 50s and 60s, revitalising Chennai film music. The duo parted in 1965 and since then they had composed for films individually. Both T. R. Ramanna and A. Bhimsingh were saddened by this development , but still worked with both of them,but individually in different films they produced and directed – which showed that at that stage equal importance was given to both. M.S.Viswanathan, in his solo career continued to achieve success as he did earlier and composed music for over 700 films from 1965–1995, but Ramamoorthy as a solo music director could not achieve as much and gradually faded away. He composed for only 19 films from 1966–1986. Vishwanathan was most in demand setting new trends in Tamil film music and was the highest paid music director from 1965–1985.
Viswanathan and Ramamoorthy rejoined once after 29 years of separation just once for the film Engirundho Vanthan in 1995.
M.S.Viswanthan as separate music director
A legendary perfectionist, he established a prolific career composing film music in the Tamil film industry.
M.S.Viswanathan, in his solo career continued to achieve success as he did earlier and composed music for over 700 films from 1965–1995, but Ramamoorthy could not achieve as much and gradually faded away. Vishwanathan was most in demand and was the highest paid music director from 1965–1985. MGR preferred MSV over other music directors from 1964–1977 for composing music in the films starring him.
M.S.Viswanathan's achievements range from introducing fresher melodies with changing trends, style and orchestration approaches to incorporating various genres of what is now called world music into Indian cinema music. Humming, Chorus, Viscilling were all incorporated swiftly in the songs composed by M.S.V without usage of advanced technology way back in 1950's to 1970's. MSV continued to upgrade his music with new trends like western music and disco from the early 1970's till 1990's and blended them with Indian classical tunes. Viswanathan during the late 70s and 80s chose mainly the young , up and coming singers , S. P. Balasubramaniam, K. J. Yesudas and Vani Jayaram giving career's of these singers the much needed boost. Film directors like B.R.Panthalu, B.S.Ranga, Krishnan-Panju from 1950's then A.Bhimsingh, Madhavan, C.V.Shridhar, T.R.Ramanna, A.C.Trilogchander, K.Shankar, K.Balachander, Mukta V Srinivasan preferred to have Vishwanathan as music director in their films from the 1960's till 1990's and later from 1980's new directors like Visu, S.A.Chandrashekar collaborated with Viswanathan regularly.
Viswanathan continued to work regulalry with P.Susheela, L.R.Eshwari and T.M. Sounderrajan in many films from 1965–1985. Although S.P.Balasubramaniam shot to fame with the song "Ayiram Nilave Vaa" from Adamai Penn , a K. V. Mahadevan composition in 1969,it was really Viswanathan who booked him first for a Tamil film. S.P.Balasubramanyum regards Viswanathan as his mentor for he gave him the break in Tamil films with the song "Iyarkai Ennum" in the film Shanthi Nilayam which was recorded in 1969, but released later than Admai Penn. Viswanathan introduced Jayachandran , the famous Malayalam singer to the Tamil films in Manippayal and used him for many more films in 70's. K. Y. Jesudas was given big break with film Kathalikka Neramillai in 1964 by the duo but Viswanathan started working mre with Yesudas from 1970. Ramamoorthy used him for the beautiful song Vasantha Kalam Varumo in the film Marakka Mudiyuma in 1965. In the 70s, at the insistence of M. G. Ramachandran , Yesudas was his voice in many films in Viswanathan's music like in Nalai Namathe, Urmaikural, Sirithu Vazha Vendum etc. Their co-operation continued consequent on the success of these songs and then Viswanathan used Yesudas for the up-and-coming actors like Kamalahasan, Sivakumar, Vijaykumar and others. M.S.Viswanthan is alone held responsible for making singers like R.Balasaraswathi in early 1960's and then in making Vani Jayram, S.Janaki, A.L. Raghavan, Yesudas, S.P.Balasubramaniyam a popular name after 1965 in South India.
He has done playback singing for 500 songs composed by himself and has sung over 200 songs of composed by music directors like V. Kumar, Shankar Ganesh, Ilayaraaja, Gangai Amaran, Deva, Bharathwaj and A. R. Rahman. M.S.Viswanathan has also scored music for many non-film albums and for political campaigns. MSV is the inspiration for music directors Shankar Ganesh, Ilayaraaja, Deva, V. Kumar, A.R.Rahman, Vidyasagar, Gangai Amaran, Bharathwaj and others. His achievements also include appearances in numerous films and television series.M. S. Vishwanathan went on to act in a couple of Tamil feature films notably appearing in Kaadhal Mannan after being convinced to do so by actor Vivek, while he also starred in Kamal Haasan's Kaathala Kaathala and Karthik's Rojavanam.
He mainly teamed up with the well-known Tamil poet and lyricist Kannadasan in 1960's and 1970's and also with Vaali, but to a lesser extent. Viswanathan continued to belt out hit songs in 1970's till 1990's
Since late 1990's Viswanathan has focused on composing devotional music and serving as a judge in Malayalam TV reality shows. He has collaborated with Illaiyaraja in 'Mella Thiranthathu Kathathavu', 'Senthamizh Paatu' 'Vishwa Thulsi' and 'Senthamizh Selvan' starring Prashanth.
Personal
Viswanathan was married to Janaki and they had four sons and three daughters. His wife, Janaki, died on 14 May 2012.
He is known to have looked after his original Guru, S.M.Subbaiah Naidu, when he fell into financial difficulties and continued to look after his wife before her death.
Awards
M. S. Viswanathan has won many awards include the following:
- Honorary doctorate from Tirunelveli-based Manonmaniam Sundaranar University (MSU) on 3 January 2013[6]
- Paramacharya Award, meaning 'The Ultimate Guru' in 2006.
- Doctorate conferred by Sathyabama University in 2006.[7]
- Madhavapeddi Satyam Award by Siva Foundation in 2005.
- Won Gold Remi Award for the best music score for movie Vishwa Thulasi in 2005.
- Life Time Achievement Award by Sangam Kala group in 2004.
- Isai Sangam honoured him with Isai Peraringnar, meaning "Great Scholar in Music", in 2004.
- Kalaimamani – A jewel for art – from State Govt of Tamil Nadu
- Seventh Kamukura Award – given by Kerala Cultural Ministry.
- WorldFest Houston (USA)
- People and Media describe him as "University of Music".
- Media gave him title "Mellisai Mannar" along with T.K. Rammoorthy, meaning "King of Light Music" or "Kind of melodies".
- 'Sangeetha Saraswathi' by Poojya Sri Guruji Viswanath of Manava Seva Kendra.
Filmography
This is the filmography of M. S.Viswanathan according to the language and are arranged alphabetically.
Discography
Tamil films
- 47 Natkal, 2002
- Aadu Paambe, 1979
- Aalaya Deepam, 1984
- Aalayamani, 1962
- Aalukku Oru Veedu
- Aanandha Jothi, 1963
- Aanandhi, 1965
- Aandavan Kattalai, 1964
- Aaru Pushpangal, 1977
- Aasaikku Vayasillai
- Aasirvadham, 1972
- Aayiram Jenmangal', 1978
- Aayiratthil Oruvan
- Apoorva Raagangal, 1975
- Agni Pravesam
- Agni Satchi, 1982
- Akka, 1976
- Akkaraipachhai, 1974
- Alaigal, 1973
- Amarakaviyam
- Ammavum Neeye Appavum Neeye, 1985
- Amudha
- Anaya Vilakku
- Anbai Thedi
- Anbalippu, 1969
- Anbe Aaruyire
- Anbe Vaa, 1966
- Anbu Vazhi, 1968
- Anbukkor Annan, 1971
- Anbulla Atthan
- Andaman Kadali
- Andha Ezhu Natkal
- Annaiyum Pithavum
- Annan Oru Kovil
- Anu
- Anubhavam Pudumai, 1967
- Anubhavi Raja Anubhavi
- Arumbugal
- Atthai Maga
- Atthaiya Mamiya
- Aval Oru Thamizhachi, 1986
- Aval Oru Thodarkathai
- Aval Sumangalidhan
- Aval Thandha Uravu
- Avalukendru Oor Manam
- Avan Aval Adhu, 1980
- Avan Oru Sarithhiram
- Avanthan Manithan
- Avargal
- Azhaithhal Varuven
- Baagiya Lakshmi, 1961
- Babu
- Bagapirivinai
- Bagdad Perazhagi
- Baktha Markandeya, 1957
- Bale Pandiya
- Bama Rukmani
- Bhama Vijayam
- Bandha Pasam
- Bharatha Vilas
- Bhavani
- Billa
- Bombai Mail
- Brammacharigal, 1983
- Chandrodayam
- Chellakkili
- Chitra Pournami
- Chitthi
- Chittira Chevvanam
- Deiva Magal
- Deiva Thirumanangal
- Deivamagan
- Deivathaai
- Deiveegaragangal
- Devi Dharisanam
- Deviyin Thirumanam
- Deviyin Thiruvilayadal
- Dharmam Engey
- Dharmaraja
- Dheerga Sumangali
- Dhool Parakkudhu,
- Dikku Theriyadha Kattil
- Disai Mariya Paravaigal
- Gowry Kalyanam
- Dr. Siva
- Dravidan, 1989
- Edhir Kalam, 1970
- Eerikarai Poongaatre, 1990
- Elangeswaran, 1987
- Ellam Avale
- En Arumai Manaivi
- En Kelvikkenna Badhil
- En Magan
- En Thambi
- Enga Mama
- Enga Oor Kannagi
- Enga Oor Raja
- Enga Veettu Pillai 1965
- Engal Kula Deivam
- Engal Thai
- Engal Thangam
- Engal Vadhhiyar
- Engapappa
- Enginrundho Vandhal
- Engirundho Vandhan, 1995
- Enkadamai
- Enna Mudalali Sowkiyama
- Enna Thavam Seidhen
- Ennai Pol Oruvan
- Erattai Manidhan
- Erimalai
- Galatta Kalyanam
- Ganga Gowri
- Ganga Yamuna Kaveri
- Garuda Sowkiyama
- Gas Light Mangamma
- Gauravam
- Geetha Oru Shenbagappoo
- General Chakkaravarthi
- Gnana Oli
- Gnanaparavai, 1991
- Gowrikalyanam
- Grihapravesam
- Gulebagavali, 1955
- Hello Mr. Zamindar
- Hitler Vumanath
- Idhaya Malar
- Idhayathil Nee
- Idho Enthan Deivam
- Idhu Engga Naad
- Idhu Satthiyam
- Idhyakkani
- Ilakkiya Solai
- Ilaya Thalaimurai
- Ilayarani Rajalatchumi
- Imayam
- Indru Pol Endrum Vazhga
- Iraivan Kodutha Varam
- Iru Dhuruvam
- Iru Malargal
- Iru Medaigal
- Irumbu Pookkal
- Ivargal Vidhhiyasamanavargal
- Janani
- Jayagopi
- Jeeva Nadhi
- Jenova, 1954
- Jodi Sendhachhu, 1992
- Justice Gopinath
- Kaalam Badil Sollum
- Kaalam Marudhu
- Kaaviyathlaivi
- Kadhai Kadhaiyam Karanamaam
- Kaikoduttha Deivam
- Kalaikoyil
- Kalangarai Villakkam
- Kallum Kaniyagum
- Kalthoon
- Kama Sasthiram
- Kanavan
- Kanmani Poonga
- Kanmani Raja
- Kanna Nalama
- Kannan En Kadhalan
- Kanne Kaniyamudhe
- Kanne Pappa
- Kannippen
- Karnan
- Karpagam
- Karuppu Panam
- Kasethan Kadavulada
- Kaadhalikka Neramillai 1964
- Katthiruntha Kangal
- Kavalai Illatha Manithan
- Kavalkaran
- Keezhvaanam Sivakkum
- Kizhakkum Merkum Sandikkindrana
- Kodimalar
- Kootu Puzhukkal
- Kudi Irundha Koil
- Kudumba Gauravam, 1958
- Kudumbam Oru Kadambam, 1981
- Kulakozhundhu
- Kumarikottam
- Kumarippen
- Kungumam Kadai Solgiradhu
- Kuppathu Raja
- Kuzhandaiyum Deivamum
- Kuzhandhaikkaga
- Lakshmi Kalyanam
- Lalitha
- Lorry Driver Rajakannu
- Maadi Veetu Eazhai
- Maalai Itta Mangai
- Maalathi
- Maayandi
- Maduraiyai Meetta Sundarapandian
- Magalukkaga
- Magane Kel
- Magarasi Vazhga
- Mahadevi
- Mahalakshmi
- Mamiyar Vijayam
- Mamudhavalli, 1959
- Manakannakku
- Manal Kayiru
- Manappanndal
- Mangalavadhhiyam
- Manidharil Manikkam
- Manikandan Mahimai
- Manikka Thottil
- Manippayal
- Maniyosai
- Manmadha Leelai
- Mannadhi Mannan
- Mannavan Vandhanadi
- Marumagal, 1954
- Mayor Meenatchi
- Mazhalai Pattalam
- Meenatchi Thiruvilayadal
- Meenava Nanban
- Meendum Pallavi
- Meendum Vazhven
- Megathukkum Dagam Vundu
- Mella Thirandhathu Kadavu
- Mister Sampath
- Mohana Punnagai
- Mookkanankayiru
- Moondru Deivangal
- Moondru Mudichu
- Motor Sundaram Pillai
- Mridhanga Chakkravarthi
- Mohammad Bin Thuklak
- Mupperum Deviyar
- Murai Ponnu
- Mutthana Mutthallavo
- Naalai Namadhe
- Naalu Perukku Nandri
- Naam Pirandha Mann
- Naan Aanai Ittal
- Naan Avanillai
- Naan Kudhitthukonde Iruppen
- Naangu Suvargal
- Nadhi Ondru Karai Moondru
- Nadodi
- Nalla Mudivu
- Nambinar Keduvadhillai
- Namma Kuzhandaigal
- Namma Veethu Lakshmi
- Namnadu
- Navagraha Nayaki
- Nawab Naarkali
- Nee
- Nee Vazhavendum
- Needhi
- Needhikku Dhandanai
- Needhikku Thalai Vanangu
- Needhikkumun Neeya Naana
- Neela Malargal
- Neelakkadalin Orrathile
- Neelavanam
- Neenga Nalla Irukkanum
- Neerum Neruppum
- Neethibathi
- Neeyindri Naanillai
- Neeyum Naanum
- Nenjam Marappadhillai
- Nenjatthai Alli Thaa
- Nenjil Oor Alayam
- Nenjirukkumvarai
- Neram Nallayirukku
- Nermai
- Netru Indru Naalai
- Nichiya Thamboolam
- Nil Gavani Kadhali
- Nilave Malare
- Nilave Nee Satchi
- Nimirndhunil
- Ninaithadhai Mudippavan
- Ninaithale Inikkum
- Nizhal Nijamagiradhu
- Noolveli
- O Manju
- Odum Nadhi
- Oli Vilakku
- Om Saravana Bhava, 1997
- Ondru Pattal Undu Vazhavu
- Oomaithurai, 1988
- Oorukku Oru Pillai
- Oorukku Uzhaippavan
- Ooty Varai Oravu
- Ore Indiya Kanavu
- Ore Vaanam Ore Bhoomi
- Oru Kai Osai
- Oru Kodiyil Iru Malargal
- Oru Nadigai Nadagam Paarkiral
- Oru Thaai Makkal
- Oru Varisu Vuruvagiradhu
- Oru Veedu Oru Ulagam
- Oru Velladu Vengaiyagiradhu
- Paadha Kaanikkai
- Paadhukappu
- Paalkudam
- Paalum Pazhamum 1961
- Paar Magale Paar
- Paarthal Pasi Theerum
- Paasa Deepam
- Paasam
- Paasamalar
- Paasavalai, 1956
- Paattum Bharathamum
- Paavamannippu
- Pacchai Vilakku
- Padagotti
- Padithhal Mattum Podhuma
- Panakkara Kudumbam
- Panam Padaithavan
- Panam, 1952
- Panathottam
- Panatthukkaga
- Panjavarnakkili
- Parakkum Pavai
- Paritchaikku Neramachu
- Partha Gyabagam Illaiyo
- Pathi Bhakthi
- Pattam Padavi
- Patthini Deivam
- Patthinippen
- Pattikkada Pattanama
- Pattina Pravesam
- Payanam
- Pazhani
- Pen Endral Pen
- Pen Ondru Kanden
- Pennai Solli Kutramillai
- Periya Idatthu Pen
- Perum Pughazhum
- Perumaikkuriyaval
- Petralthan Pillaiya
- Petramaganai Vitra Annai
- Pillaiyo Pillai
- Pilot Premnath
- Poikkal Kudhirai
- Pokkiri Raja
- Police Police
- Policekaran Magal
- Polladhavan
- Pona Machhan Thirumbivanthan
- Ponoonjal
- Poojaikku Vandha Malar
- Pookkari
- Poova Thalaiya
- Porter Kandan
- Porter Ponnusami
- Praptham
- Pudhaiyal
- Pudhiya Bhoomi
- Pudiya Paravai
- Punidha Anthoniar
- Punnagai
- Punniya Bhoomi
- Punniyam Seidaval
- Puyal Kadandha Boomi
- Raaman Etthanai Ramanadi
- Raman Thediya Seethai
- Raanuva Veeran
- Ragasiya Police 115
- Raja
- Raja Malayasimhan
- Raja Nadai
- Raja Thandhiram
- Raja Veetu Kannukutti
- Rajapart Rangadurai
- Ramu
- Rani
- Rasatthi Kalyanam
- Rathhinapuri Ilavarasi
- Rattha Pasam
- Rikshawkaran
- Rojavin Raja
- Roshakkari
- Rudra Thandavam
- Saanthi Nilayam
- Samayalkaran
- Sandhadhi
- Sandhippu
- Sandirani, 1953
- Sange Muzhangu
- Sangili
- Sankar Salim Saiman
- Santhi
- Saranalayam
- Saritthira Nayagan
- Sattam Oru Vilayattu
- Satthiya Sundaram
- Saval
- Savale Samali
- Savithri
- School Master
- Seer Varisai
- Selvamagal
- Senthamarai
- Senthamizh Selvan, 1994
- Senthamizhpattu
- Sarvar Sundaram
- Sila Nerangalil Sila Manidhargal
- Silambu
- Silk Silk Silk
- Simla Special
- Sirai
- Siranjeevi
- Sirithu Vazhavendum
- Sivagangai Cheemai
- Sivakamiyin Selvan
- Sivandha Mann
- Sivappu Malargal
- Sivappu Sooriyan
- Sivappukal Mookuthhi
- Sollatthan Ninaikiren
- Sondham
- Soodhattam
- Sorga Vasal
- Sorgam
- Sri Ramajayam
- Sudandhira Nattin Adimaigal
- Sudarum Sooravaliyum
- Sugam Engey
- Sugamana Raagangal
- Sujatha
- Sumaithaangi
- Sumangali
- Sumathi En Sundari
- Suprabatham
- Suriya Gandhi
- Taxi Driver
- Thaai
- Thaai Pirandhal
- Thaai Veetu Seedhanam
- Thaali Dhanam
- Thaamarai Nenjam
- Thalai Kodutthan Thambi
- Thalaiprasavam
- Thambadhigal
- Thambathyam Oru Sangeetham
- Thanga Padhakkam
- Thanga Padhumai, 1960
- Thanga Rangan
- Thangadurai
- Thangai
- Thangaikkaga
- Thani Kudithhanam
- Thanneer Thanneer
- Thannga Kalasam
- Thappu Kanakku
- Tharasu
- Thattungal Thirakkapadum
- Thavapudhalvan
- Thedivandha Mappillai
- Thee
- Theerpu
- Thenaliraman
- Thendral Veesum
- Thenum Paalum
- Thillu Mullu
- Thirisoolam
- Thirudan
- Thirudi
- Thirumangalyam
- Thiruppam
- Thiruppangal
- Thiyagi
- Thunaivi
- Thunivey Thunai
- Ulagam Sutrum Valiban
- Unakkaga Naan
- Ungalil Orutthi
- Unmaigal
- Unmaiye Un Vilai Enna
- Unnai Vidamatten
- Urimaikural
- Uttharavindri Ulle Vaa
- Uzhaikkum Karangal
- Vaa Kanna Vaa
- Vaayadi
- Vaazhkai Padagu
- Vadai Malai
- Vaira Nenjam
- Vairamalai
- Valayal Chattham
- Vandikaran Magan
- Vannakathhukuriya Kadaliye
- Varam
- Varumaiyin Niram Sigappu
- Varuvan Vadivelan
- Vasantha Raagam
- Vasanthathil Oor Nal
- Vayasupponnu
- Vazahvu En Pakkam
- Vazhkai Vazhvadarke
- Vazhndhu Kattugiren
- Veeduvarai Uravu
- Veerathirumagan
- Veettuku Oru Pillai
- Veetukku Veedu
- Velli Radham
- Velundu Vinai Illai
- Vennira Aadai
- Vetri Vinayagar, 1996
- Vishwa Thulasi, 2004
- Viswaroopam
- Uyarntha Manithan
- Vuyira Manama
- Yamirukka Bayamen
- Yuddha Kaandam
- Thillu Mullu 2
Telugu films
- Praja Rajyam
- Santhosham
- Tenali Ramakrishna (1956)
- Baktha Markandeya
- Maa Gopi
- Raja Malayasimhan
- Intiki Deepam Illale
- Aasha Jeevulu
- Ammai Kaarisi
- Premalu Pellillu
- Anthuleni Katha (1976)
- Chilakamma Cheppindi (1977)
- Idi Katha Kaadu (1979)
- Aakali Rajyam (1981)
- Tholi Kodi Koosindi (1980)
- 47 Rojulu (1981)
- Maanasa Veena
- Simha Baludu
- Chatte Kaladi Chattaiya
- Samrat Asoka
- Triloka Sundari
- Maro Charithra (1978)
- Ramu
- Mahadevi
- Moratodu
- Kokilamma (1983)
- Laila
- Radhamma Kapuram (Alias Vichitra Pelli) (1990)
- Adavallaku Matrame (1994)
Malayalam films
- Janova
- Lanka Dahanam
- Manthrakodi
- Pani Theeratha Veedu
- Jesus
- Divya Darsanam
- Chandrakaantham
- Jeevikkan Marannupoya Sthree
- Babu Mon
- Ullasayathra
- Dharma Kshethre Kurukshethre
- Aval Oru Thudarkadha
- Panchami
- Ajayanum Vijayanum
- Yakshaganam
- Themmadi Velappan
- Rajayogam
- yakshaganam
- Kuttavum Sikshayum
- Hridayame Saakshi
- Ormakal Marikkumo
- Akshaya Pathram
- Rathi Manmadhan
- Amme Anupame
- Parivarthanam
- Sangamam
- Chila Nerangalil Chila Manushyar
- Madhurikkunna Rathri
- Randu Penkuttikal
- Sundarimarude Swapnangal
- Muhammadum Musthafayum
- Velluvili
- Snehathinte Mukhangal
- Itha Oru Manushyan
- Randilonnu
- Viswa Roopam
- Iniyum Kanam
- Indra Dhanussu
- Simhasanam
- Pathivrtha
- Venalil Oru Mazha
- Vadaka Veedu
- Oru Ragam Pala Thalam
- Jeevitham Oru Ganam
- Manikoya Kurup
- Ezham Kadalinakkare
- Lorry
- Theeram Thedunnavar
- Swarga Devatha
- Avan Oru Ahankari
- Kolilakkam
- Panchapandavar
- Jeevikkan Padikkanam
- Thirakal Ezhuthiya Kavitha
- Ankuram
- Marmaram
- Kaikeyi
- Sneha Bandhanam
- Ariyatha Vedhikal
- Minimol Vathikkanil
- Athirathram
- Thennal Thedunna Poovu
- Idanilangal
- Priyamvadakkoru Pranayageetham
- Amme Bhagavathi
- Bhagavan
- Ariyatha Bandham
- Samskaram
- Kai Ethum Doorathu (Old)
- Iyyer The Great
- Oliyambukal
- Veeralippattu
- Sthreekku Vendi Sthree
- Sabarimalayil Thanka Sooryodayam
- Amma Ammayiyamma
- Valkannezhuthi (Hold)
References
- ^ "Mellisai Mannar M S Viswanathan | Lakshman Sruthi – 100% Manual Orchestra |". Lakshman Sruthi. Retrieved 13 March 2012.
- ^ http://newindianexpress.com/cities/chennai/article597851.ece
- ^ http://newindianexpress.com/cities/chennai/After-PBS-kingdom-of-light-music-loses-another-emperor-of-low-tone-melody/2013/04/18/article1549871.ece
- ^ http://www.deccanherald.com/content/326730/music-composer-ramamoorthy-passes-away.html
- ^ http://www.indianexpress.com/news/music-composer-t-k-ramamoorthy-dies-at-91/1103748/
- ^ http://articles.timesofindia.indiatimes.com/2013-01-10/madurai/36257676_1_honorary-doctorate-m-s-viswanathan-convocation
- ^ "Tamil Nadu / Chennai News : Honorary doctorates for seven eminent personalities". The Hindu. 4 September 2006. Retrieved 13 March 2012.
External links
- Use dmy dates from March 2013
- 1928 births
- Indian actors
- Indian composers
- Indian film actors
- Indian film score composers
- Kerala State Film Award winners
- Living people
- Malayalam music directors
- Tamil film score composers
- Tamil musicians
- Kannada film composers
- Tamil Nadu State Film Awards winners
- People from Palakkad
- People from Kerala
- Malayali people