Jump to content

Jupiter Ascending

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Wikitürkçe (talk | contribs) at 21:46, 10 April 2015. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Jupiter Ascending
Theatrical release poster
Directed byThe Wachowskis
Written byThe Wachowskis
Produced by
Starring
CinematographyJohn Toll
Edited byAlexander Berner
Music byMichael Giacchino
Production
companies
Distributed by
Release dates
  • January 27, 2015 (2015-01-27) (Sundance Film Festival)
  • February 6, 2015 (2015-02-06) (North America)
  • February 19, 2015 (2015-02-19) (Australia)
Running time
127 minutes[2]
Countries
  • United States
  • Australia
LanguageEnglish
Budget$176 million[3]
Box office$18.15 million[3]

Jupiter Ascending is a 2015 American-Australian space opera[4] film written, produced, and directed by Lana and Andy Wachowski. Starring Channing Tatum and Mila Kunis, the film is centered on Jupiter Jones (Kunis), a down-on-her-luck cleaning woman, and Caine Wise (Tatum), an interplanetary warrior who informs Jones that her destiny extends beyond Earth. Supporting cast member Douglas Booth has described the film's fictional universe as a cross between The Matrix and Star Wars,[5][6][7] while Kunis named indulgence[8] and consumerism as its underlying themes.[9][10][11]

The film was co-produced by Grant Hill, who acted as executive producer on The Matrix Reloaded and The Matrix Revolutions and as producer on V for Vendetta, Speed Racer, Ninja Assassin and Cloud Atlas, making Jupiter Ascending his seventh collaboration with the Wachowskis. Several more longstanding Wachowski collaborators since the creation of The Matrix films have contributed to the picture,[12] including production designer Hugh Bateup, visual effects supervisor Dan Glass, visual effects designer John Gaeta, supervising sound editor Dane Davis and costume designer Kym Barrett. Other notable past collaborators include Speed Racer's composer Michael Giacchino, Cloud Atlas' director of photography John Toll along with its editor Alexander Berner and hair and make-up designer Jeremy Woodhead, who worked on both.

Although critics praised the visuals, world-building, and originality, the general attitude toward the film was negative, with most criticism focused on incoherence in the screenplay and an over-reliance on special effects. Despite this, the film has found a niche following, particularly among female sci-fi fans who appreciate the film's campiness, and that the film deviates from typical gender dynamics in a genre that is traditionally male-centric.

Plot

At the beginning of the story, Earth's residents are unaware that the human species on Earth and countless other planets has been established[13] by families of alien royalty[14] for the purpose of later "harvesting" the resulting organisms to produce a type of youth serum for the elites on still other planets.[15] After the death of the matriarch of the House of Abrasax, the most powerful of the alien dynasties,[9] her children, Balem (Eddie Redmayne), Kalique (Tuppence Middleton), and Titus (Douglas Booth), quarrel over the inheritance, with Balem inheriting an enormous production facility on Jupiter and Titus declaring his intention to dismantle the youth serum trade, of which Earth is the next intended source. Protagonist Jupiter Jones narrates that her father, Maximilian Jones (James D'Arcy), met her mother, Aleksa (Maria Doyle Kennedy), in Saint Petersburg. After Maximilian is killed in a robbery, Aleksa names their daughter Jupiter, after his dying wish, and they move to Chicago to live with Aleksa's family.

Many years later, Jupiter (Mila Kunis) works with Aleksa and her Aunt Nino (Frog Stone) and cleans the homes of wealthy people. To buy a telescope, Jupiter agrees to sell her eggs with the help of her cousin Vladie (Kick Gurry), under the name of her friend Katharine Dunlevy (Vanessa Kirby). At Katharine's house, Jupiter and Katharine are attacked by extraterrestrial Keepers; when Jupiter photographs them, they erase her memory of the incident. During the egg donation procedure, the doctors and nurses are identified as Balem's agents, sent to kill her, and she is saved by Caine Wise (Channing Tatum), a genetically engineered ex-soldier sent by Titus. Stinger Apini (Sean Bean), an old comrade of Caine's, agrees to help Jupiter, but a group of hunters take her to Kalique's palace on a distant planet, where Kalique explains that Jupiter is genetically identical to the dead matriarch, and therefore the Earth's rightful owner. Supported by Captain Diomika Tsing (Nikki Amuka-Bird) of the Aegis (an intergalactic police force), Caine retrieves her from Kalique, and brings her to the planet Ores (the intergalactic capital city) to claim her inheritance.

On the way back to Earth, Titus detains Jupiter and Caine. He reveals his plan to marry and then kill Jupiter and claim Earth before throwing Caine into the void, but Caine survives and saves Jupiter at the altar. Jupiter asks to return home, but her family has been taken hostage by Balem. In his citadel in the Great Red Spot, Balem demands Earth in exchange for Jupiter's family. Realizing that Balem can "harvest" Earth only with her permission, Jupiter refuses. Balem tries to kill Jupiter; but she defeats him in a fight. She escapes and is rescued by Caine, Stinger, and Tsing. Jupiter's family is returned home with no memory of her disappearance, while Jupiter secretly retains ownership of the Earth. Her family buys her the telescope she wanted and Caine receives a pair of wings earlier removed from his body.

Cast

  • Mila Kunis as Jupiter Jones. Kunis describes her character as unhappy with her job and life, but lazy and with no aspirations, until Caine finds her.[9]
  • Channing Tatum as Caine Wise, a genetically engineered soldier; half human and half canine, though this is not immediately visible.[16] He has a tremendously powerful sense of smell that allows him to track a gene through the universe.[17] Tatum had to wear a mouthpiece to change the shape of his lower jaw, which prevented him from closing his mouth and gave him trouble speaking.
  • Sean Bean as Stinger Apini, a "Han Solo-type character".[18] Stinger is half human and half honeybee, which gives him wings, speed, special vision, and a sense of loyalty. He is a former comrade of Caine's,[9] but lives on Earth with his daughter.[11]
  • Eddie Redmayne as Balem Abrasax, Emperor of the House of Abrasax and the eldest of the three Abrasax heirs, Balem controls the wealthiest business empire in the known universe operating from a gigantic refinery in the Great Red Spot of the planet Jupiter. He feels threatened by Jupiter Jones claim to Earth and attempts to stop her at all costs.[9]
  • Douglas Booth as Titus Abrasax, Balem's brother. Booth has described his character as "a bit of a playboy", mentioning his spaceship, as described in the script, as a cross between a Gothic cathedral and the Playboy Mansion.[9]
  • Tuppence Middleton as Kalique Abrasax, Balem's sister.[9]
  • Gugu Mbatha-Raw as Famulus, a half-human, half-deer combination.[19][20]
  • Terry Gilliam as the Seal and Signet Minister[21] who bestows Jupiter's title to Earth, in a scene made to resemble Gilliam's Brazil.[22]
  • David Ajala as Ibis, the leader of the hunters pursuing Jupiter and Caine.[23]
  • Ariyon Bakare as Greeghan, a hunter sent by Balem; resembling a Western dragon or the cryptid 'Reptilians'.
  • James D'Arcy as Maximilian Jones, Jupiter's father.
  • Kick Gurry as Vladie, Jupiter's cousin.
  • Bae Doona as Razo.
  • Charlotte Beaumont as Kiza, Stinger's daughter.[24]
  • Tim Pigott-Smith as Malidictes
  • Edward Hogg as Chicanery Night[25]
  • Nikki Amuka-Bird as Diomika Tsing.
  • Vanessa Kirby as Katharine Dunlevy.
  • Maria Doyle Kennedy as Aleksa, Jupiter's mother.
  • Christina Cole as Gemma Chatterjee, a cybernetic Aegis officer.

Production

Development

In 2009, Warner Bros' president Jeff Robinov approached The Wachowskis about creating an original intellectual property and franchise. Development began two years later, with the production and visual effects teams doing pre-production work based on a first draft of the script, while The Wachowskis were shooting the future segments of Cloud Atlas.[9] The story was partly inspired by Lana's favorite book,[26] the Odyssey.[27] "It was making me super-emotional," Lana has said. "The whole concept of these almost spiritual journeys and you’re changed." Another inspiration was The Wizard of Oz which Lana contrasts to the Odyssey. "Dorothy is pretty much the same at the end as she is at the beginning. Whereas Odysseus goes through such an epic shift in his identity." The Wachowski's themselves describe the plot of the film as an effort to reverse the classical sci-fi-trope of the hero who is “emotionally withholding and strong and stoic.” Instead, they tried to create a new form of female sci-fi-hero in the space-opera-genre. “[...] We were, like, ‘Can we bring a different kind of female character like Dorothy or Alice? Characters who negotiate conflict and complex situations with intelligence and empathy?’ Yes, Dorothy has a protector, Toto, who’s always barking at everyone. And that was sort of the origin of Caine.”[28]

Production design

Producer Grant Hill and visual effects supervisor Dan Glass have noted that the Wachowskis never repeat themselves. Hill has described the design as an original take on the look of space environments, while Glass mentioned it was influenced by cities around Europe rather than science fiction touchstones. Examples include Renaissance architecture, modern glass and Gothic art.[9]

Filming

The film was a co-production between the United States' Warner Bros. and Australia's Village Roadshow Pictures.[29] Roberto Malerba and Bruce Berman served as executive producers.[30] Principal photography commenced at Warner Bros. Studios, Leavesden on April 2, 2013. Filming also took place at Ely Cathedral in England.[31][32] The production remained in the London studio through June, then moved to various locations in Chicago, Illinois throughout late July and August.[30] Minor reshoots to clarify plot points[33] took place in January and early May of the next year, the latter of which took place in Bilbao, Spain.[34] This was the second feature that cinematographer John Toll shot digitally, using Arri Alexas and Codex Recorders, after Iron Man 3,[35] in part due to the visual effects element.[36] Legend3D handled the stereoscopic conversion of the film, having recently integrated the Mistika post-production software into their pipeline.[37] Vision3's Chris Parks is the stereoscopic supervisor of the film.[38][39]

An eight-minute long chase sequence, code named "Fifty-Two Part" by the film's crew, depicts Jupiter and Caine fleeing from aliens and spaceships in downtown Chicago shortly after they first meet. It was the longest sequence in the script, involving some of the film's most difficult stunts. To complete it, Kunis and Tatum had to film every day for six months.[11]

Effects

Several of the film's effects rely heavily on practical stunts instead of CGI. Tatum has noted there was minimal use of digital doubles and instead most stunts were done by the principal actors or stuntmen attempting to match the pre-vis sequences.[17][40][41][42] For the scenes of Tatum's character flying using antigravity boots, Glass has stated that his team invented a way to use stuntmen instead of doing them digitally, despite the limited available time to shoot them.[43] They created a rig of six cameras, called the Panocam, which was mounted on a helicopter and covered nearly 180 degrees of the action. During post-production, the directors could combine the overlapped filmed footage, essentially creating a camera that could swing around the action independently of the helicopter's actual flying path.[citation needed] The technique piqued the interest of other directors who have subsequently used it in their own movies.

Visual effects vendor Framestore used Vicon T40 cameras for pre-vis and motion capture purposes, the same camera system they used in the visually acclaimed Gravity.[44]

Music

The film's music was composed by Michael Giacchino, who also scored the Wachowskis’ 2008 film Speed Racer.[45] On June 10, 2013, Giacchino tweeted that Ludwig Wicki was conducting the film’s score at Abbey Road Studios in London.[46] In August, Giacchino stated: “We’re actually recording all the music first, before they’re even done shooting. It’s been done sort of backwards, and it’s much more freeing doing it that way. I’m not locked down to any specific timings and what the film is doing. I can do whatever I want. It opens up a lot more possibilities.”[47] The Wachowskis first used this approach during production of Cloud Atlas at the recommendation of co-director Tom Tykwer who has made all his movies this way, and have since commented they will never make a movie without recording the music first.[48]

Release

The film was initially to be released on July 25, 2014,[49] but it was later shifted to July 18, 2014.[50] On June 3, 2014, the film's release was delayed to February 6, 2015 due to additional time needed to complete over 2,000 special effects shots of the film[51] and prepare an effective marketing campaign.[33] The film was released in IMAX 3D, as was its competitor Seventh Son from Universal Pictures.

Jupiter Ascending had a surprise premiere at the Sundance Film Festival on January 27, 2015 at the Mary G. Steiner Egyptian Theatre in Park City.[52]

Reception

Box office

As of April 5, 2015, Jupiter Ascending had grossed $46.9 million in North America and $134.5 million in other territories for a worldwide total of $181.4 million, against a budget of $176 million.[3]

North America

The film was originally expected to gross between an estimated $21 to $23 million in its opening weekend.[53][54][55] The film also features in the list of "The Riskiest Box Office Bets of 2015" published by screenrant.com.[56] The film reportedly earned a gross of $1 million from Thursday preview.[57] However, the film was a box office bomb, earning an estimated $6.4 million in its opening day, and later being forecast to open at around $18 million.[58][59] The film earned an estimated $7.6 million for its second day and an estimated $5 million on its third day,[60] for a gross of $18.4 million in its opening weekend by playing in 3,181 theaters, with a $5,776 per-theatre average.[3] It finished in third at the box office behind The SpongeBob Movie: Sponge Out of Water ($55.4 million) and American Sniper ($23.3 million).[61]

Other territories

Despite a disappointing North America debut the film opened in the top spot overseas, earning a solid $32.5 million playing in theatres of 65 markets in other territories. Among top markets were Russia, where the film earned a gross of $4.7 million and topped the box office. It also opened in markets such as France ($2.5 million), South Korea ($2.1 million), the UK ($2 million), Brazil ($1.9 million), Mexico ($1.8 million), Germany ($1.8 million), Italy ($1.2 million) and Spain ($1.1 million). The film also debuted in Asian markets, bringing in $6 million in total from Singapore, Hong Kong, Taiwan, Philippines, Indonesia, Malaysia and Thailand.[62][63] The film opened in China in March ($23.2 million) and the opening in China took it to the top spot in the international market for the weekend.[64]

Critical response

Jupiter Ascending has received mostly negative reviews from critics.[65] Criticism has centered around the incoherence of film's screenplay and its over-reliance on special effects, although the visuals and originality were praised by some. On Rotten Tomatoes, the film holds a rating of 25%, based on 195 reviews, with an average rating of 4.2/10. The site's critical consensus reads, "Pleasing to the eye but narratively befuddled, Jupiter Ascending delivers another visually thrilling misfire from the Wachowskis."[66] On Metacritic, the film has a score of 40 out 100, based on 40 critics, indicating "mixed or average reviews".[67] In CinemaScore polls conducted during the opening weekend, cinema audiences gave Jupiter Ascending an average grade of "B-" on an A+ to F scale.[68]

David Edelstein of New York Magazine was highly critical of the whole film, calling it "inane from first frame to last...it’s miraculously unmiraculous."[69] Joe McGovern of Entertainment Weekly was also critical of the film, giving it a C+ writing that the film was "just another incoherent sci-fi spectacle."[70]

The film received a "secret screening" at the 2015 Sundance Film Festival which was invitation only and did not include members of the press. Variety's Ramin Setoodeh reported that the theater was half empty,[71] a handful of patrons walked out during the movie, and once it finished, reactions were negative.[52] An attendee was quoted as having hated it for being "just ridiculous" while screenwriter Neville Kiser liked it and commented that the PG-13 film would fare better with its intended audience of teenagers. Setoodeh reported many people were in agreement that the choice of Sundance was odd.[72]

Amid the criticism, the film picked up an enthusiastic following, particularly among female sci-fi fans who have embraced the film with the general attitude of: "This movie is garbage, but it's OUR garbage!"[73] Donna Dickens of HitFix.com noted that many viewers found the film attractive for providing "the wish-fulfillment of prepubescent girls". Dickens explained that where Hollywood typically portrays strong women in action films as "Arnold Schwarzenegger with boobs", Jupiter Ascending presents Kunis' character differently. "Women don’t always want superhuman robots to look up to. We want to be the same klutzy nobody who is cosseted and petted and told we’re special — despite all evidence to the contrary," she wrote.[73] Gavia Baker-Whitelaw of The Daily Dot had a similar perspective, praising the film for avoiding sexist jokes. Baker-Whitelaw described the film as "catnip for a certain subset of geeky, self-aware young women", adding that it "is dumb, and weird, and beautiful, and it wants you to be happy."[74] David Blaustein of ABC News wrote that the film "is a campy visual sci-fi spectacle that could very well become a cult classic."[75]

References

  1. ^ "Film Distribution - Village Roadshow Limited". Village Roadshow Pictures. February 11, 2014. Retrieved February 11, 2014.
  2. ^ "JUPITER ASCENDING (12A)". British Board of Film Classification. January 14, 2015. Retrieved January 14, 2015.
  3. ^ a b c d "Jupiter Ascending (2015)". Box Office Mojo. April 5, 2015. Retrieved April 9, 2015.
  4. ^ "Wachowskis hope to surprise with next film, 'Jupiter Ascending' - MSN Movies News". Movies.msn.com. October 27, 2013. Retrieved May 28, 2014.
  5. ^ "Douglas Booth interview: 'Romeo and Juliet is a scary prospect' - Movies Interview". Digital Spy. October 11, 2013. Retrieved June 13, 2014.
  6. ^ "Why Jupiter Ascending's Douglas Booth Makes Us Swoon | InStyle". News.instyle.com. Retrieved June 13, 2014.
  7. ^ Jen OrtizPhotograph by Matthew Brookes (January 4, 2014). "Interview with Romeo and Juliet Actor Douglas Booth". Gq.com. Retrieved June 13, 2014.
  8. ^ "Mila Kunis Full Interview - Ellen Show May 9, 2014". YouTube. Retrieved June 13, 2014.
  9. ^ a b c d e f g h i Total Film, Summer 2014, issue 221
  10. ^ Lavery, Christian (February 20, 2014). "Five questions: Mila Kunis". NYLON Guys. Nylonguysmag.com. Retrieved June 13, 2014.
  11. ^ a b c SFX, August 2014, issue 250
  12. ^ "New Trailer For 'Jupiter Ascending' With Channing Tatum, Mila Kunis Released". Geeksofdoom.com. March 26, 2014. Retrieved June 9, 2014.
  13. ^ "Jupiter Ascending Comic-Con Footage Recap - /Film". Slashfilm.com. Retrieved July 26, 2014.
  14. ^ "10 iconic movie characters to watch this summer". Usatoday.com. April 27, 2014. Retrieved May 28, 2014.
  15. ^ Empire, August 2014, issue 302
  16. ^ Chitwood, Adam (June 22, 2013). "Channing Tatum and Jamie Foxx Talk JUPITER ASCENDING & SPIDER-MAN 2; Tatum Says He Plays a "Hybrid Wolf and Human"". collider.com. Retrieved June 23, 2013.
  17. ^ a b Chris HeathPhotograph by Sebastian Kim (January 4, 2014). "Channing Tatum on How Kanye West Influenced Jupiter Ascending". Gq.com. Retrieved June 9, 2014.
  18. ^ Fleming Jr, Mike (February 5, 2013). "Sean Bean Joins Lana And Andy Wachowski's 'Jupiter Ascending' At Warners". deadline.com. Retrieved April 20, 2013.
  19. ^ "'Beyond the Lights' star can't believe her ears in 'Jupiter Ascending'". Chicago Entertainment - Chicago Sun-Times. Retrieved November 28, 2014.
  20. ^ "Gugu Mbatha-Raw admires Wachowskis - TV3 Xposé Entertainment". Tv3.ie. May 1, 2014. Retrieved May 28, 2014.
  21. ^ Gilliam, Terry (May 16, 2013). "Timeline Photos". Retrieved May 16, 2013.
  22. ^ "Interview: Terry Gilliam On Rewriting 'Don Quixote,' His Role In 'Jupiter Ascending' & Lacking Diplomacy | The Playlist". Blogs.indiewire.com. Retrieved February 14, 2014.
  23. ^ Patten, Dominic (March 27, 2013). "Movie Castings: Chris Elliot & J.K. Simmons Join Hugh Grant RomCom; 'Jupiter Ascending' Adds David Ajala". deadline.com. Retrieved April 20, 2013.
  24. ^ Sharon Lougher (June 7, 2013). "The US beckons for Broadchurch's Charlotte Beaumont | Metro News". Metro.co.uk. Retrieved February 14, 2014.
  25. ^ Earnshaw, Helen (May 29, 2013). "The Comedian Exclusive Interview". Femalefirst.co.uk. Retrieved February 14, 2014.
  26. ^ "Brothers Unleash the Comic Book of Ideas". nytimes.com. April 5, 1999. Retrieved January 30, 2015.
  27. ^ Don Steinberg (January 29, 2015). "'The Matrix' Creators Launch a New Epic With 'Jupiter Ascending' - WSJ". WSJ. Retrieved January 30, 2015.
  28. ^ "'Jupiter Ascending' filmmakers thrive on being sci-fi originals". Toronto Sun.
  29. ^ The Deadline Team (February 20, 2013). "Village Roadshow Boards The Wachowskis' 'Jupiter Ascending'". deadline.com. Retrieved April 20, 2013.
  30. ^ a b Warner Bros. Pictures (April 15, 2013). "The Wachowskis' Jupiter Ascending Starts Filming". comingsoon.net. Retrieved April 20, 2013.
  31. ^ "Mila Kunis at Ely Cathedral for Jupiter Ascending filming". April 24, 2013.
  32. ^ "Fans hoping to catch a glimpse of Mila Kunis". April 24, 2013.
  33. ^ a b "'Jupiter Ascending': Can Warner Bros. Avoid Another Wachowski Misfire?". Variety. Retrieved June 17, 2014.
  34. ^ "Wachowski siblings in Bilbao - Euro Weekly News Spain". Euroweeklynews.com. May 10, 2014. Retrieved June 9, 2014.
  35. ^ "Production Roundup – Yeoman, Fiore, Miranda, Steelberg and Toll « Parallax View". The ASC. July 18, 2013. Retrieved February 14, 2014.
  36. ^ "John Toll, ASC Relies on Codex for Iron Man 3". Codexdigital.com. Retrieved February 14, 2014.
  37. ^ "SGO Mistika | Legend3D Continues to Set the Pace with SGO Technology". Sgo.es. March 28, 2014. Retrieved July 26, 2014.
  38. ^ Ian Christie Updated: March 11, 2014 (March 11, 2014). "Digital native: Chris Parks | Sight & Sound". BFI. Retrieved July 29, 2014.{{cite web}}: CS1 maint: numeric names: authors list (link)
  39. ^ "Vision3 | Stereo 3D Production Expertise". Vision3.tv. Retrieved July 29, 2014.
  40. ^ "Channing Tatum and Jamie Foxx Talk JUPITER ASCENDING and SPIDER-MAN 2". Collider.com. Retrieved June 9, 2014.
  41. ^ "'Jupiter Ascending' Takes Channing Tatum To Places He's 'Never Gone Before'". MTV. Retrieved June 9, 2014.
  42. ^ "Mila Kunis Talks Working With Channing Tatum on Jupiter Ascending: He Literally Saved My Life | E! Online UK". Uk.eonline.com. March 28, 2014. Retrieved June 9, 2014.
  43. ^ By Erik Sofge (May 30, 2014). "The Real-Life Science Behind The Summer's Most Outrageous Sci-Fi Movies | Popular Science". Popsci.com. Retrieved June 9, 2014.
  44. ^ "Framestore Uses Vicon T40 Cameras for Pre-Vis on Gravity, Jupiter Ascending". Digital Cinema Report. November 21, 2013. Retrieved June 9, 2014.
  45. ^ filmmusicreporter (March 5, 2013). "Michael Giacchino to Score 'Jupiter Ascending'". filmmusicreporter.com. Retrieved April 20, 2013.
  46. ^ "Twitter / m_giacchino: Ludwig Wicki Conducting the". Twitter.com. June 10, 2013. Retrieved February 14, 2014.
  47. ^ "SFX239 Preview: Composer Michael Giacchino On Jupiter Ascending". SFX. August 20, 2013. Retrieved August 20, 2013.
  48. ^ Sepinwall, Alan (October 10, 2012). "An epic interview with the Wachowskis and Tom Tykwer: From Cloud Atlas to Jupiter Ascending". Hitfix.com. Retrieved June 13, 2014.
  49. ^ The Deadline Team (March 14, 2013). "WB Dates Wachowskis' 'Jupiter Ascending', Shifts De Niro-Stallone 'Grudge Match'". deadline.com. Retrieved April 20, 2013.
  50. ^ "Wachowskis' 'Jupiter Ascending' Moves Up a Week to July 18, 2014". TheWrap. December 11, 2013. Retrieved February 14, 2014.
  51. ^ McNary, Dave (June 3, 2014). "Jupiter Ascending Delayed Until February 2015". Variety. Retrieved June 5, 2014. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  52. ^ a b Ramin Setoodah (January 27, 2015). "'Jupiter Ascending' Debuts to Muted Crowd at Sundance". Variety. Retrieved January 28, 2015. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  53. ^ "'SpongeBob' to soak up box office, push 'American Sniper' out of top spot". latimes.com. Retrieved February 8, 2015.
  54. ^ Agar, Chris. "Box Office Prediction: 'American Sniper' vs. 'The SpongeBob Movie'". screenrant.com. Retrieved February 8, 2015.
  55. ^ "Forecast: 'SpongeBob' To Take Down 'Sniper' on First Weekend of February". boxofficemojo.com. IMDB. Retrieved February 8, 2015.
  56. ^ "The Riskiest Box Office Bets of 2015". screenrant.com. Retrieved February 6, 2015.
  57. ^ "'SpongeBob's $53M Pair Of Pants; 'Jupiter' & 'Son' Descending – Late Night B.O. Update". deadline.com. Retrieved February 8, 2015.
  58. ^ "Friday Report: 'SpongeBob' Scores Super $15.1 Million". boxofficemojo.com. IMDB. Retrieved February 8, 2015.
  59. ^ "Two Hollywood Flops in One Weekend at the Box Office". variety.com. Variety. Retrieved February 8, 2015.
  60. ^ "Jupiter Ascending Daily Gross". boxofficemojo.com. IMDB. Retrieved February 9, 2015.
  61. ^ "Weekend Box Office Results for February 6-8, 2015 - Box Office Mojo". boxofficemojo.com.
  62. ^ "Around-the-World Roundup: 'Jupiter' Ascends to Top Spot Overseas". boxofficemojo.com. IMDB. Retrieved February 8, 2015.
  63. ^ "'Jupiter Ascending' Rises To Number One At The International Box Office". deadline.com. Retrieved February 9, 2015.
  64. ^ "Around-the-World Roundup: 'Jupiter Ascending' Opens to $23 Million in China". boxofficemojo.com. IMDB. Retrieved March 8, 2015.
  65. ^ Driscoll, Molly (February 6, 2015). "'Jupiter Ascending': What are critics saying about the movie starring Mila Kunis?". The Christian Science Monitor. Retrieved February 8, 2015.
  66. ^ "Jupiter Ascending". Rotten Tomatoes. Flixster. Retrieved February 20, 2015.
  67. ^ "Jupiter Ascending". Metacritic. CBS Interactive. Retrieved February 11, 2015.
  68. ^ Pamela McClintock (February 6, 2015). "Box Office: 'SpongeBob' Nabs $15.1M Friday for $52M Debut; 'Jupiter Ascending' Falters". The Hollywood Reporter. Retrieved February 7, 2015. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  69. ^ Edelstein, David. "Jupiter Ascending Is Inane From First Frame to Last". Vulture. New York Media LLC. Retrieved March 10, 2015.
  70. ^ McGovern, Joe. "Jupiter Ascending review: Lost in space". Entertainment Weekly. Entertainment Weekly Inc. Retrieved March 10, 2015.
  71. ^ "Ramin Setoodeh on Twitter". Twitter. Retrieved January 29, 2015.
  72. ^ "Ramin Setoodeh on Twitter". Twitter. Retrieved January 29, 2015.
  73. ^ a b Donna Dickens (February 24, 2015). "'Jupiter Ascending' is the Sci-Fi movie women were waiting for". HitFix. Retrieved March 1, 2015.
  74. ^ Gavia Baker-Whitelaw (February 23, 2015). "Why women love 'Jupiter Ascending'". The Daily Dot. Retrieved March 1, 2015.
  75. ^ Blaustein, David (February 6, 2015). "Movie Review: 'Jupiter Ascending' Starring Mila Kunis and Channing Tatum". ABC News. Retrieved March 18, 2015.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Jupiter_Ascending&oldid=655890347"