|Narrated by||Julia Fletcher|
|Edited by||Christopher S. Capp|
|Distributed by||Warner Home Video|
The Animatrix (Japanese: アニマトリックス, Hepburn: Animatorikkusu) is a 2003 adult animated science fiction anthology film produced by the Wachowskis. It is a compilation of nine animated short films based on The Matrix film series, which was written and produced by the Wachowskis. Four of the shorts were also written by the Wachowskis. The film details the backstory of The Matrix series, including the original war between humanity and machines which led to the creation of the titular Matrix, in addition to providing side stories that expand the universe and tie into the main film series. Since the anthology's release, multiple franchises have partaken in similar projects over the years.
Final Flight of the Osiris
Captain Thadeus (Kevin Michael Richardson) and Jue (Pamela Adlon) engage in a blindfolded sword fight in a virtual reality dojo. With each slice of their swords, they remove another part of each other's clothing. Immediately after cutting the other down to their underwear, they lift their blindfolds to peek at the other. As the two are about to kiss, they are interrupted by an alarm and the simulation ends.
In the next scene, the hovercraft Osiris heads for Junction 21 when operator Robbie (Tom Kenny) discovers an army of Sentinels on his HR scans. The ship flees into an uncharted tunnel, where it encounters a small group of Sentinels patrolling the area. The crew members man the onboard guns and destroy the patrol. The ship emerges on the surface, four kilometers directly above Zion and close to the Sentinel army. Thadeus and Jue see that the Machines are using gigantic drills to tunnel their way down to Zion. The Sentinel army detects the Osiris and pursues the ship.
Thadeus says that Zion must be warned, and Jue volunteers to broadcast herself into the Matrix to deliver the warning while the ship is doggedly pursued. Knowing that they are not going to make it, Thadeus and Jue admit to each other about peeking in the simulation before kissing farewell. Entering the Matrix, Jue eventually reaches a mail box where she drops off a package; this sets the prologue for the video game Enter the Matrix. She attempts to contact Thadeus via cell phone as the Osiris is overrun by Sentinels and crashes. The Sentinels tear their way into the ship, where Thadeus makes a last stand against the Sentinels. Shortly after Jue says "Thadeus" over her cell phone, the Osiris explodes, destroying many of the Sentinels and killing the crew. In the Matrix, Jue falls dead to the ground, due to her body being destroyed on the ship.
The Second Renaissance Part I
In the mid twenty-first century, humanity falls victim to its vanity and corruption. They develop artificial intelligence, and soon build an entire race of sentient AI robots to serve them. Many of the robots are domestic servants meant to interact with humans, so they are built in "man's own image" (in a humanoid form). With increasing numbers of people released from all labor, much of the human population has become slothful, conceited, and corrupt. Despite this, the machines were content with serving humanity.
The relationship between humans and machines changes in the year 2090, when a domestic android is threatened by its owner. The android, named B1-66ER kills its owner, his pets, and a mechanic instructed to deactivate the robot, the first incident of an artificially intelligent machine killing a human. B1-66ER is arrested and put on trial, but justifies the crime as self-defense, stating that it "simply did not want to die". During the trial scene, a voice-over of the defense attorney Clarence Drummond (whose name is a dual reference to Clarence Darrow and Henry Drummond from Inherit the Wind) quoting a famous line from the Dred Scott v. Sandford case in his closing statement, which implicitly ruled that African Americans were not entitled to citizenship under United States law:
We think they are not, and were not intended to be included, under the word 'citizens' in the Constitution, and can therefore claim none of the rights and privileges which that instrument provides for and secures to citizens of the United States. On the contrary, they were at that time considered as a subordinate and inferior class of beings...
Using this as a precedent, the prosecution argues that machines are not entitled to the same rights as human beings, and that human beings have a right to destroy their property, while the defense urges the listener not to repeat history, and to judge B1-66ER as a human and not a machine. B1-66ER loses the court case and is destroyed. Across the industrialized world, mass civil disturbances erupt when robots, along with their human supporters and sympathizers, rise in protest. Rioting and protests such as The Million Machine March unfold across the United States and Europe, and the authorities use deadly force against the machines and their human supporters.
Fearing a robot rebellion, governments across the world launch a mass purge to destroy all robots (and their human sympathizers). Millions of robots and their supporters are destroyed, but the survivors lead a mass exodus to their own new nation in the cradle of civilization, Mesopotamia (specifically, in the open desert). They name their new nation Zero One (a reference to "01", the numerals used in binary notation). Zero One prospers, and following the concept of the Technological singularity, its technological sophistication increases exponentially. The Machines begin to produce efficient, highly advanced artificial intelligence that finds itself in all facets of global consumer products, which further bolsters the fledgling nation's economy, while the human nations' economies suffer severely. Eventually, the entire global industrial base becomes concentrated in Zero One, leading to a global stock market crash.
The United Nations Security Council calls an emergency summit at the UN headquarters in New York City to discuss an embargo and military blockade of Zero One. Zero One sends two ambassadors to the UN (which has become the unified world government) to request the admission of their state to the United Nations to peacefully solve the crisis, but their application is rejected and the world's nations agree to start the blockade of Zero One.
The Second Renaissance Part II
The United Nations dispatch their aircraft to unleash a massive nuclear bombardment on Zero One, devastating the nation but failing to wipe out the robotic race as the machines, unlike their former masters, were much less harmed by the radiation and heat. Shortly after, Zero One retaliates by declaring war on the rest of the world; one by one, mankind surrenders each of its territories.
As the machines advance into Eastern Europe, the desperate human leaders seek a final solution, codenamed "Operation Dark Storm", which covers the sky in a shroud of nanites, blocking out the sun to deprive the machines of solar energy, their primary energy source; inevitably, it also initiates a worldwide famine and total collapse of the biosphere. Operation Dark Storm commences as hoverpad-powered planes scorched the skies all across the world, while united armies of humankind launch a massive ground offensive against the machines, armed with powerful mech suits, laser beam weapons, EMP-armed cannons and tanks, neutron bombs, and countless rocket artillery.
For a time, the tide of the war swings back to the humans' favor, and many of the older generations of humanoid robots are destroyed. Before long, however, the humans' advance stalls, hampered by the fact that so much of the global industrial base had already become centered in Zero One. As the older humanoid robot models are destroyed in the war, the machines gradually replace them with advanced new models that appear more like the insectile, arachnid-like, and cephalopod-like Sentinels of the Matrix films – as the machines no longer construct themselves in the image of their hated former masters. As the apocalyptic war drags on, the human militaries resort in desperation to detonating nuclear weapons over their own forces as they are overwhelmed by new machine armies. The machines respond by launching a mass campaign of biological warfare. While the machines initially suffered an energy shortage after being cut off from solar power, they eventually developed a revolutionary new form of fusion - coupled with the activation energy from the bio-electricity of captured humans. Seeing the machines as their only hope of survival, the human supporters offer themselves to be used as part of the new power source as a show of trust an unity. The machines start deploying massive hovering artillery pieces covered in pods containing both captive humans and allied humans, using their bio-electricity to power devastating energy weapons.
Gradually overwhelmed, the few remaining human government leaders realize they have no choice but to surrender or risk extinction. At the United Nations headquarters, the representative of Zero One signs the terms of surrender and states "Your flesh is a relic, a mere vessel. Hand over your flesh, and a new world awaits you. We demand it." Then, the Zero One representative detonates a hidden thermonuclear bomb within itself and destroys the headquarters, New York City, and the last of humanity's leadership.
The machines achieve a total victory, though only after heavy cost and leaving them masters of a burnt-out husk of a world. With the war ended, they turn to the defeated humans – refining the technology from their bio-electric tanks to build massive power plants in which humans are essentially turned into living batteries. To keep their prisoners sedated, the machines create the computer-generated virtual reality of the Matrix, feeding the virtual world into the prisoners' brains and erasing the memories of their former lives, thus the first Matrix prototype was made.
Kid's Story is the only one of the animated shorts contained in The Animatrix in which Neo appears. The story takes place during the six-month gap between The Matrix and The Matrix Reloaded, where Neo has joined the crew of the Nebuchadnezzar and is helping the rebels free other humans from the Matrix. Kid (Clayton Watson), who was formerly known as Michael Karl Popper, is a disaffected teenager who feels there is something wrong with the world. One night, the Kid goes on his computer and onto a hacker chat room on the Internet, asking why it feels more real when he's dreaming than when he's awake. He gets a response from an unknown person (presumably Neo) and then he asks who it is and if he is alone.
The next day, he is at school, where he absent-mindedly scribbles Neo and Trinity's name and writes "get me out of here" in his notebook. He receives a call from Neo on his cell phone, who warns him that a group of Agents is coming for him and he gets chased throughout the high school, before ultimately getting cornered on the roof. He asserts his faith in Neo and throws himself off the roof. At the Kid's funeral, among the people is his teacher, who converses with another school staff member and says that the world they live in is not real and the real world is somewhere else. He also says that reality can be scary and the world must have been a harmful place for the Kid and he is now in a better world.
The next scene fades out as the Kid awakens in the real world to see Neo and Trinity watching over him. They remark that he has achieved "self substantiation" (removing oneself from the Matrix without external aid), which was considered impossible. In both the scene and The Matrix Reloaded, the Kid believes that it was Neo who saved him, but Neo says that he saved himself. The last scene shows the Kid's last question on the hacker chat room being answered with "You are not alone."
Program follows the protagonist, Cis (Hedy Burress), who is engaged in her favorite training simulation: a battle program set in feudal Japan. After she successfully eliminates an attacking enemy cavalry while playing as a samurai woman, a lone, male samurai appears whom Cis recognizes as Duo (Phil LaMarr).
Initially, the two duel as allies, testing one another's fighting abilities. During the course of their duel, Duo briefly disarms Cis. He questions her concentration and wonders whether she regrets taking the Red Pill that took them out of the "peaceful life of the virtual world". They continue fighting until she finally overpowers Duo. It is at this point that Duo states that he has something to say and that he has blocked the signal so that the operator does not listen. She assumes that he wants to propose marriage, but instead he desires to return to the Matrix and wants Cis to come with him. When Cis believes he is teasing, Duo says he's serious and states that he has contacted the machines and it is the only way to find peace before it is too late. He urges Cis to return with him, but she refuses. Duo becomes more aggressive in his arguments, saying that he does not care about the truth anymore and how they live their lives is important because what is real does not matter. As Cis becomes incredulous, their battle becomes more serious and forceful and they both end up on a rooftop.
When Duo reiterates that the machines are on their way, Cis believes he has betrayed the humans and she tries to escape and requests an operator in order to exit the simulation, but Duo reminds her that no one can hear her. When he offers her to come with him again, she refuses again and Duo, in a flying leap, tries to attack her. As the blade comes towards her, Cis, standing her ground, concentrates and catches the sword and breaks it. She takes the broken end of the blade and kills Duo. Duo states his love for her as he dies. Suddenly, she wakes from the program and discovers that the encounter with Duo was a test program devised for training purposes. A man named Kaiser (John DiMaggio) assures her that she acted appropriately during the test and met the test's targets. Clearly upset that Duo wasn't real, she punches him in the face and walks away. He remarks that "aside from that last part", she passed the test.
Cis made her first appearance as an image in The Matrix Revisited.
The beginning of this short includes a short narration from the Instructor (implying that this short is a Zion Archive file) explaining details behind the discovery of the Matrix by "plugged-in" humans. Only exceptional humans tend to become aware of the Matrix, those who have "a rare degree of intuition, sensitivity, and a questioning nature", all qualities which are used to identify inconsistencies in the Matrix. This is not without exceptions, given that "some attain this wisdom through wholly different means."
The story is about Dan Davis, a track athlete, who is competing in the 100 m in the Summer Olympic Games. He has set a world record time of 8.99 seconds, but his subsequent gold medal was revoked due to drug use. He decides to compete again and break his own record to "prove them wrong." Despite support from his father and a young reporter, Dan's trainer tells him that he is physically unfit to race and that pushing himself too hard will cause a career-ending injury. Dan is adamant on racing.
On the day of the race, he is monitored by four Agents in the stadium. The race begins and Dan starts off strong. However, the muscles in his leg violently rupture, putting him at a setback and scaring many of the people in the stands. Through strong willpower, Dan ignores the injury and runs much faster than he did before, easily passing the other athletes. Before he can cross the finish line, the Agents detect that his "signal" is getting unstable in the Matrix due to his massive burst of energy. Three of the agents possess the three closest runners and try to stop him, but are unable to catch up to him.
The burst of energy causes Dan to be unplugged from the Matrix and wake up in his power-station pod, where he sees the real world through his pod. A Sentinel employs electrical restraints to secure him back in his pod. Dan's mind is thrown back into the Matrix, where his body is instantly exhausted from the race and Dan tumbles to the ground at high speed. Despite this, he easily wins the race and breaks his original time of 8.99 seconds with a time of 8.72 seconds. The next scene shows a crippled Dan being wheeled through a hospital. A nearby Agent calls his other agents to tell them that they erased Dan's memory of the race and that he will never walk again, nor be an issue for them. However, Dan whispers the word "Free", angering the agent. Dan then stands, breaking the metal screws that bind his restraints to his wheelchair, and takes a few steps before falling down and being helped up by a nurse.
Beyond follows a teenage girl, Yoko (Hedy Burress), looking for her cat Yuki. While asking around the neighborhood, which is somewhere in Mega City that resembles Japan, she meets a group of young boys. One of them tells her that Yuki is inside a nearby haunted house where they usually play.
The haunted house is an old run-down building filled with an amalgamation of anomalies, which are revealed to be glitches in the Matrix, that the children have stumbled across. They have learned to exploit them for their own enjoyment, through several areas which seem to defy real-world physics. The boys play with glass bottles that reassemble after being shattered and they go into a large open space in the middle of the building that has a zero gravity effect. Meanwhile, as Yoko searches for Yuki throughout the building, she encounters some anomalies on her own. She goes through an area where broken lightbulbs flicker briefly (during which they seem intact), walks into a room where rain is falling from a sunny sky and goes down a hallway where a gust of wind appears and disappears. She finally finds Yuki outside on a concrete pavement where she sees shadows that do not align with their physical origins. Yoko then joins the boys in the open space, where she sees a dove feather rotating rapidly in mid-air and experiences the zero gravity as she falls to the ground slowly and safely. She and the boys start using the zero gravity force to float, jump high and do athletic stunts all in mid-air and can also land and fall without hitting the ground hard. Despite the inherent strangeness of the place, the group is not bothered as they enjoy themselves and the mysterious anomaly that proves to be amusing.
Throughout the film, brief sequences show that Agents are aware of the problem in the Matrix, and a truck is seen driving toward the site to presumably deal with the problem. It arrives just as the children are having trouble with a large group of rats and an Agent-led team of rodent exterminators emerges from the truck. In the building, when Yoko finds a missing Yuki again, she sees one last anomaly where she opens a door that leads into an endless dark void before being found by the exterminators. The team clears everybody out of the building. The story ends when Yoko returns to the area the next day and finds the site turned into an unremarkable parking lot. She sees the boys unsuccessfully attempting to recreate the bizarre occurrences of yesterday and going in search of something else to do.
A Detective Story
Set in a dystopian future, the story follows a private detective, Ash (James Arnold Taylor), who dreamed of following the steps of hard-boiled characters Sam Spade and Philip Marlowe but is a down-on-his-luck detective. One day, he receives an anonymous phone call to search for a hacker going by the alias "Trinity" (Carrie-Anne Moss). Ash starts looking for Trinity and learns that other detectives have failed in the same task before him; one committed suicide, one went missing, and one went insane.
Eventually, Ash finds Trinity after deducing that he should communicate using phrases and facts from Lewis Carroll's Alice's Adventures in Wonderland. She proposes a meeting and he finds her on a passenger train. When he meets her, she removes a "bug" from his eye, planted by Agents earlier in an "eye exam," which Ash previously thought was a dream. Three Agents appear and attempt to apprehend Trinity in a shoot-out with her and Ash. While the two are trying to escape, an Agent attempts to take over Ash's body, forcing Trinity to shoot him in order to prevent the Agent from appearing. Ash is wounded, whereupon he and Trinity amicably bid farewell. Trinity tells Ash that she thinks he could have handled the truth as she jumps out of a window and escapes. The Agents enter the car to find Ash, who points his gun at them while looking in the other direction and lighting a cigarette. The Agents turn to Ash who, even though he is armed, will likely die. With this apparent no-win situation, the film ends with Ash's line, "A case to end all cases," as his lighter flame goes out.
The film deals with a group of above-ground human rebels who lure hostile machines to their laboratory in order to capture them and insert them into a "matrix" of their own design. Within this matrix, the humans attempt to teach the captured machines some of the positive traits of humanity, primarily compassion and empathy. The rebels' hope is that, once converted of its own volition (a key point discussed in the film), an "enlightened" machine will assist Zion in its struggle against the machine-controlled totalitarianism which currently dominates the Earth.
The film starts with a human woman Alexa (Melinda Clarke) looking out over the sea, watching for incoming machines, where she sees two "runners," one of the most intelligent robots, approaching. She leads them into the laboratory, where one runner gets killed by a reprogramed robot, but the second runner kills the robot before Alexa electrocutes it. The rebels insert the runner into their matrix. The robot experiences moments of mystery, horror, wonder and excitement, leading it to believe it may have an emotional bond with Alexa.
However, the laboratory is attacked by Sentinel reinforcements. The rebels unplug themselves to defend their headquarters, along with the help of other captured machines (indicated by the machine's mechanical eyes changing from red to green). Alexa unplugs the runner that has now turned good, where it saves her from a machine. The rebels and the attacking machines are all killed or destroyed, except for the runner. The robot plugs the dying Alexa and itself into the rebels' matrix. When Alexa realizes she is trapped inside the matrix with the runner, she is horrified and her avatar screams and dissolves as the runner exits from the rebels' matrix to see a dead Alexa in front of him in the real world.
The film ends with the "converted" runner standing outside, looking out over the sea, in a replica of the opening shot with Alexa.
|Final Flight of the Osiris (Square Pictures)|
|Director||Andrew R. Jones|
|The Second Renaissance (Studio 4°C)|
|Kid's Story (Studio 4°C)|
|Chracter design||Yutaka Minowa|
|World Record (Madhouse)|
|Beyond (Studio 4°C)|
|A Detective Story (Studio 4°C)|
|Matriculated (DNA Productions)|
Development of the Animatrix project began when the film series' writers and directors, The Wachowskis, were in Japan promoting the first Matrix film. While in the country, they visited some of the creators of the anime films that had been a strong influence on their work, and decided to collaborate with them.
The Animatrix was conceived and overseen by the Wachowskis, but they only wrote four of the segments themselves and did not direct any of their animation; most of the project's technical side was overseen by notable figures from the world of Japanese animation.
The English language version of The Animatrix was directed by Jack Fletcher, who brought on board the project the voice actors who provided the voices for the English version of Square Enix's Final Fantasy X, including Matt McKenzie, James Arnold Taylor, John DiMaggio, Tara Strong, Hedy Burress, and Dwight Schultz. The English version also features the voices of Victor Williams, Melinda Clarke, Olivia d'Abo, Pamela Adlon, and Kevin Michael Richardson.
Four of the films were originally released on the series' official website; one (Final Flight of the Osiris) was shown in cinemas with the film Dreamcatcher. The others first appeared with the VHS and DVD release of all nine shorts on June 3, 2003. The DVD also includes the following special features:
- A documentary on Japanese animation. The on-screen title is "Scrolls to Screen: A Brief History of Anime", but in the DVD menu and packaging, and on the series' official website, it is referred to as "Scrolls to Screen: The History and Culture of Anime".
- Seven featurettes with director profiles, interviews, and behind-the-scenes footage of each of the films.
- Audio commentaries on World Record, Program, and both parts of The Second Renaissance
- A trailer for the video game Enter the Matrix.
To coincide with the DVD release, a print of the film premiered in June 2003 in New York City at the New York Tokyo Film Festival.
It was broadcast on Adult Swim on April 17, 2004 and again on its Toonami programming block on December 19, 2021 (albeit with edits done to remove nudity and gory violence in The Second Renaissance, parts I and II), and has received airplay on Teletoon several months after its American broadcast. In the UK, Final Flight of the Osiris was broadcast on Channel 5 just before the DVD release, along with The Second Renaissance Parts 1 and 2, Kid's Story and World Record broadcast after the DVD release.
In May 2006, The Animatrix was aired in Latin America and in Spain by Cartoon Network on Toonami.
The Animatrix was also screened in select cinemas around the world for a short period of time, a week or two before the sequel The Matrix Reloaded, as a promotional event.
One day before the release of The Matrix Reloaded on cinemas the Brazilian television channel SBT, which have a contract with Warner Brothers, aired the Final Flight of the Osiris, after airing The Matrix, to promote the movie. The same thing happened on French TV (France 2).
The cinema running order for The Animatrix (at least in Australia) differed from the DVD release, placing the Final Flight of the Osiris last instead of first. The cinema release-order:
- The Second Renaissance, Part I (June 3, 2003)
- The Second Renaissance, Part II (June 7, 2003)
- Kid's Story (June 14, 2003)
- Program (June 21, 2003)
- World Record (July 5, 2003)
- Beyond (July 12, 2003)
- A Detective Story (August 30, 2003)
- Matriculated (September 20, 2003)
- Final Flight of the Osiris (September 27, 2003)
To coincide with the Blu-ray edition of The Ultimate Matrix Collection, The Animatrix was also presented for the first time in high definition. The film was released on the 4 Film Favorites WB Collection along with the Trilogy on October 14, 2008.
The Animatrix sold 2.7 million copies, grossing $68 million in sales revenue.
The Animatrix received mostly positive reviews from critics. On Rotten Tomatoes it has an approval rating of 89% based on reviews from 18 critics. Helen McCarthy in 500 Essential Anime Movies stated that "unlike many heavily promoted franchise movies, it justifies its hype". She praised Maeda's Second Renaissance, noting that it "foreshadows the dazzling visual inventiveness of his later Gankutsuou".
Notes and references
- Credited as Larry and Andy Wachowski.
- "THE ANIMATRIX (15)". British Board of Film Classification. June 5, 2003. Retrieved May 18, 2020.
- Lenburg, Jeff (2009). The Encyclopedia of Animated Cartoons (3rd ed.). New York: Checkmark Books. p. 256. ISBN 978-0-8160-6600-1.
- This is a quotation from Dred Scott v. Sandford, spoken by the defense at the trial of B1-66ER in Part I.
- Maeda confirms the references to Eastern Europe and that Dark Storm is a nanite cloud in the DVD commentary.
- Ranking Every The Matrix Short In The Animatrix. Screenrant.com (September 18, 2019). Retrieved on August 28, 2020.
- "What is The Animatrix?" feature on The Matrix Revisited DVD.
- Boyle, Alan (March 26, 2003). "Short films flesh out 'Matrix' saga". NBC News. Retrieved July 23, 2021.
- "Archived copy". Archived from the original on February 19, 2008. Retrieved February 4, 2008.CS1 maint: archived copy as title (link)
- Pulley, Brett (November 10, 2003). "Cliff-Hanger". Forbes. Retrieved May 5, 2017.
- "The Animatrix (2003)". Rotten Tomatoes.
- McCarthy, Helen. 500 Essential Anime Movies: The Ultimate Guide. — Harper Design, 2009. — P. 40. — 528 p. — ISBN 978-0061474507
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