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Christian hip-hop

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Christian hip hop
Stylistic origins
Cultural origins1980s, United States
Typical instruments

Christian hip hop (originally Gospel rap, also known as Christian rap, Gospel hip hop, or holy hip hop) is hip hop music characterized by a Christian worldview, with the general purposes of evangelization (Christian mission work), edifying some members of the church and/or simply entertaining. Christian hip hop emerged from urban communities in the United States in the 1980s, when it existed almost exclusively in small underground scenes, with minimal formal industry promotion and little mainstream attention.

Christian hip hop, blending rhythmic music and faith-based lyrics, first emerged on record in 1982 with a track entitled "Jesus Christ (The Gospel Beat)" by Queens, New York artist McSweet. The first full-length, Christian hip hop album, Bible Break, by Oklahoma artist Stephen Wiley, was released in 1985 with the title track becoming a hit on Christian radio in 1986. Other early Christian hip recording artists from the mid-1980s included P.I.D. (Preachas in Disguise), who recorded to funky rock rhythms, as well as JC & the Boys and Michael Peace.

The most prominent Christian rappers have been tobyMac, who was the first rapper to have success in the mainstream Christian music scene, and Lecrae, who has emerged recently on the mainstream rap scene. Christian rap has almost exclusively come out Protestant traditions in the United States, although there is a small Catholic Rap scene that has recently emerged, and there are also small Christian rap scenes in the UK, Australia, Brazil, Canada and many other countries where Christians reside and hip hop music is popular.

History

The first commercially released and distributed Gospel hip hop record was by Queens, New York MC Pete Harrison, under the recording name 'McSweet', The Gospel Beat: Jesus-Christ (1982), written and arranged by Harrison and produced by Mac Sulliver on Lection Records of PolyGram.[1][2][3] The first notable full album released was Stephen Wiley's Bible Break (1985), written by Wiley and produced by Mike Barnes on Brentwood Records.[4][5][6][7] In the same year by David Guzman founded JC & The Boyz. Some of America's premiere Christian rappers, such as: Michael Peace, SFC, Dynamic Twins, MC Peace, and T-Bone came out of this crew. A more commercially successful crew known as P.I.D. (Preachers in Disguise) released five recordings. Michael Peace is an American rapper and one of Christian rap's first solo artists.

In the late 1980s, other crews emerged, including dc Talk, E.T.W. (End Time Warriors) and S.F.C. (Soldiers for Christ). ETW was led by producer/artist Mike Hill[disambiguation needed] who went on to pastor one of the largest inner city youth groups in the country out of Tulsa Oklahoma. S.F.C. was led by Chris Cooper who originally rapped as Super C (short for Super Chris / Super Christian) and later became Sup the Chemist and then finally Soup the Chemist. Christian emcee Danny "D-Boy" Rodriguez was another well-known early Gospel rap artist, but was murdered in 1990 in Texas.[8]

The 1990s saw the continuing trend of funky rap artists blending faith and rap, such as D.O.C. (Disciples of Christ) who emerged from Oklahoma as well as the Gospel Gangstaz from Compton and South Central Los Angeles, California. In 1991, JC Crew emerged featuring Maximillian (West Coast beat box champion) and T-Bone.

Other Christian Rap artists Dynamic Twins, Freedom of Soul, IDOL King, Apocalypse, 12th Tribe, and Holy Alliance. 12th Tribe and Holy Alliance were produced by Scott Blackwell of MYX Records. S.F.C.'s (Sup, QP, DJ Dove) 1992 album Phase III was DJed and produced by DJ Dove, whose credits also include the Gang Affiliated, Gospel Gangstas' 1993 debut album. Around the same time as Phase III, Dynamic Twins (Robbie and Noel) came out with their 1993 album No Room To Breathe. Freedom of Soul (MC Peace, DJ Cartoon) followed with their second album, The Second Coming (Caught in a Land of Time was their first), also their last album as a group.

Gotee Records formed in 1994, co-founded by dc Talk member Toby McKeehan, better known as TobyMac, making it the first record label marketed explicitly for Christian hip hop and R&B that was backed by a major label. The label was among the first to market the Contemporary Christian music market through distribution at Christian bookstores and playing on Christian radio. This trend continued with other labels such as Tooth & Nail's Uprok Records and others that gave an outlet to hip hop artists who identified themselves as Christian and wanted a broader market. Recently, a number of artists and labels such as Reach Records, Grace and Peace Records, Godchaserz Ent., Lampmode Recordings, Collision Records, End of Earth Records, Rezurrected Muzic, Cross Movement Records, Grapetree Records, Syntax Records, Deepspace5 Records, Universal Funk Records, Illect Recordings and The New Unstoppable Records have purposely marketed to people outside of churches[9]

In addition, many major Gospel stars were getting in on the hip hop & rap genre. Kirk Franklin joined with the 1 Nation Crew in the album Kirk Franklin Presents 1NC.

In September 2009, the Higherground Record Pool (HGRP) and One Accord DJ Alliance (OADA) held their first Gospel DJ Conference at the Crowne Plaza, Queens, NY. The first known Gospel DJs were honored at the event. Kingdom Affiliates Record Pool (HGRP) also was represented at the conference.

Most recently Christian rap artists like Lecrae and his label-mates from Reach Records have been setting records with sales and award-winning albums.[citation needed]

Artists and style

See also: List of Christian hip hop and rap artists

Although generally described to be Christian rappers, artists such as Lecrae, BB Jay, KJ-52, Trip Lee, Tunnel Rats, LPG, Brethren, Manafest, GRITS, Hostyle Gospel and Skribbal describe themselves hip hop artists who are expressing themselves, and are openly Christian.[10] Just like in Christian rock and other Christian music genres, some artists welcome being called Christian artists while others do not want it to be labeled as "Christian music", as to not limit their music to the Christian music market.

The record label Ministers of the Underground was one of the few labels to showcase Underground Hip Hop with the group "Secta 7". Members included Apacalypse, Optixs, Blackseed, Lord Metatron, Righteous Knight, Kaoticgal who later was known as Keturah Ariel, O.N.E., The Final Chapter, A.T.O.M. the Immortal and Stress. Ministers of the Underground had a small time show on Christian television, but was taken off the networks when Christian television opted for more orthodox style programming. The Ministers of Underground hosted events at a series of venues under the name CRU VENTION, or the convention of Underground Hip Hop for Christ, until around the year 2001.

A few Christian Rappers have emerged from Atlanta, including Remnant Militia and D.I.R.T.

While many notable studios and artists share influence in holy hip hop, no one style dominates. Christian hip hop features all conventional hip hop styles, such as Midwest (Hostyle Gospel), West Coast (T-Bone) and East Coast (BB Jay), and Dirty South (Pettidee) and King Wes. Some, such as DC Talk, include a mixture of hip hop, rock, and gospel music in their songs.

Christian hip hop is also embraced and performed in the United Kingdom, by Gospel rappers including, Melvillous, Jahaziel, Dwayne Tryumf, Guvna B, Triple O, Sammy G, Simply Andy & Just C.

In the UK, Christian hip-hop is often merged with a music style known as Grime, which gives the music a different sound from American hip hop. Many would agree that Grime music originated in London's black community and is predominately described as a secular genre. Although British, Grime music has a strong Jamaican influence as many of the artists are of British-Caribbean heritage.[11] The GL Live music event 2010, held in the United Kingdom, saw a fusion of Christian rappers both American and British celebrate their faith together whilst demonstrating their own unique styles. The event was attended by Trip-Lee and Tedashi, who performed several songs during the event including Jesus Muzic and No Worries.

Reaction and acceptance

Industry

Christian music awards shows such as the GMA Dove Awards and Stellar Awards have added rap and hip hop categories.[12][13] With the notable exceptions of tobyMac, and his label Gotee Records, and Lecrae, no Christian rapper or hip-hop group has garnered the attention of the mainstream Christian music industry. The nominal sales of Christian Rap labels have been almost exclusively to white church-going Christians.[14] Christian rap exists almost exclusively underground.[15]

Markets

There is no identifiable Christian Hip Hop market, as the majority of Christian Hip Hop has been underground, or marketed towards the mainstream Christian music scene.

In Australia, a multi-denominational group of Christian hip hop artists, led by Mistery from Brethren, have started a hip hop church Krosswerdz.[16] The church has been modeled on Crossover Church in Tampa, Florida.

A small Christian hip hop scene as also emerged in the UK.

Festivals

Christian rapper Tedashii performing live in 2012 at an Ichthus Music Festival

Rap Fest is an all day, outdoor, evangelistic outreach concert which takes place every summer. 2011 marked the 18th year for this event held annually in NY South Bronx area.

Flavor Fest Urban Leadership Conference is held yearly at Crossover Church in Tampa, Florida. Started by Pastor Tommy Kyllonen, the lead pastor of Crossover Church of Tampa.

Holy Hip Hop, founded By Danny Wilson & Eddie Valez.

SoCity Fest conducts nationwide Gospel hip hop artist retreats, artists/industry conferences and new artists showcases, and is a traveling music festival organized to encourage and enrich holy hip hop artists in their ministries, while giving them insight on navigating the music industry.

Crossover

Holy hip-hop has enjoyed some crossover acceptance as well. One of the early accepted artists were Disciples of Christ (D.O.C.).

One of the most notable mainstream reactions to Gospel rap was to KJ-52 (pronounced "five-two") and his single "Dear Slim", which was written to Eminem in an attempt to reach him with the message of Christ. The song became famous and controversial among Eminem fans when it was featured on the hit show Total Request Live. KJ-52 began to receive hate mail (including death threats) from Eminem's fans, though KJ-52 claimed that the song was not a "diss".[17] This also led to the single being disparaged by VH1 as No. 26 on their "Top 40 Worst Moments in Hip Hop",[18] an issue the artist addressed in "Washed Up". In contrast, the GRITS song "Ooh Ahh" received positive exposure on various TV Shows and movies, such as The Fast and the Furious: Tokyo Drift and Big Momma's House 2.[19] It was also featured as the theme song for the second season of MTV's hit show The Buried Life.[20]

Christian symbols and themes have also been invoked by rap artists who do not consider themselves "Christian Rappers", and do not claim to represent any particular set of religious beliefs. Examples include MC Hammer's No. 2 single "Pray"; Richie Rich and his first single "Don't Do It"; many of Tupac's lyrics and his first posthumous record, The Don Killuminati: The 7 Day Theory, the image of Tupac nailed to a cross pinned him as a hip hop martyr; and even recent hip hop/rap artists like Jay-Z with Kingdom Come, DMX with "Walk With Me Now and You'll Fly With Me Later", Nas with God's Son and Kanye West with "Jesus Walks". However, these artists, although they may profess to be Christians, are not generally considered to be part of the Christian hip hop movement.[21] Some Christians believe that hip hop culture in any form conflicts with biblical teachings, while others consider hip hop to be a way of reaching the youth and mainstream culture.[22]

Acceptance

Various prominent mainstream hip hop artists who profess through some of their music to be Christians, including Kanye West, Nas, DMX, and others, have incorporated Christian symbols and messages into there music and videos through images, lyrical content, and overarching themes. The 2002 Nas hit recording and video "One Mic" featured obvious references to his Christianity in the song, including the chorus "Yo all I need is... One God to show me how to do things his Son did..."[23] Kanye West's 2004 hit recording and music video "Jesus Walks" has received a notable amount of attention for its Christian content.[24] DMX incorporated prayers in many of his Number 1 international hit albums, and his 2006 hit recording and video Lord Give Me A Sign was highlighted by not only strong Christian lyrical content but actual scriptural quotes ("no weapon formed against me shall prosper and every tongue that risies up against me in judgement, Thou shall condemn") from the Holy Bible. Prominent Christian Rapper Lecrae, whose 2014 album "Anomaly" reached number 1 on the Billboard 100 and received numerous other accolades, expresses an explicitly Christian message in the majority of his music. However, while generally categorized as a Gospel or Christian rapper, he distances himself from the genre of Gospel Rap saying, "Christian is my faith not my genre." Other mainstream artists, such as Kanye West, while using religious themes and symbols, hold that that neither they or their music is "religious", out of a desire to distance themselves from negative stigma associated with mainstream religion.[25]

The use of religious themes in music that is otherwise regarded as illicit has sparked controversy over the validity of the religious messages expressed through the music. Some Christian listeners hold that "rap music, because of what it inherently communicates, is incompatible with the Christian Gospel", and attack the use of Christian themes and symbols in mainstream music as being disingenuous.[26] On the other hand, "since the mid-1990s Michael Eric Dyson and others have pointed to some cultural sensibilities shared by Christian churches and hip hop music; namely male privilege, middle-class biases, sexism, and homophobia."[27] Some analysts believe that the suffering expressed through rap music manifests itself in a certain spirituality that can be compatible with mainstream religious messages, although it approaches religious ideas in a much less direct way than most forms of religious expression. "Just as the MC slides into notes and dances around beats, "spirit" is not attacked straight on; it is courageously approached from below, from the margins, from youth, from uncertainty, through the structures of capitalism and mainstream media."[28] Some think that the use of mainstream religious symbols in predominately African-American music has increased the extent to which that music has disseminated through predominately white American culture.[29]

The 2007 Holy Hip Hop Music Awards received a written endorsement letter from the mayor of Atlanta acknowledging the event's support by the City of Atlanta and recognizing its 7th year.[30] However, EX Ministries and other churches contested the incorporation of secular hip hop culture into the Christian rap genre, holding that "Holy Hip-Hop" is still associated with the mainstream hip hop culture that they view as incompatible with Christianity's teachings.[31][32][33] Whereas many Christians hold that Holy Hip Hop can be used to evangelize,[34] others disagree, arguing that the use of this style distorts the Gospel message.[35]

From December 2013 well into 2014, Scott Aniol and Christian Hip Hop artist Shai Linne had a lengthy exchange about Christian rap (rap being the core element of hip hop), with Dr. Aniol arguing that the style is sinful and inadequate for Christian messages, and Shai Linne responding that the musical messaging of hip hop is relative, being interpreted differently by people from different backgrounds.[36]

Forms and subgenres

Catholic hip hop

See also: Catholic hip-hop artists

In the early 2000s rap artists of the Roman Catholic faith began emerging. Today, a number of active Catholic rappers and DJs are involved in what is known as the "Catholic hip hop scene".[37] Various artists in the Catholic hip hop scene include Akalyte, Massmatics, FoundNation, Sammy Blaze, Zealous, John Levi, Move Merchants, Flip Francis, Paradox, Manuel 3, M.A.S., Point 5 Covenant, Paul Jisung Kim,[38] Father Pontifex, Isaac Nolte, Uncut Diamondz, Seedz of Faith, Rob Fortin aka Miniztry, and Fr. Stan Fortuna. Catholic hip hop exists in the underground hip hop scene, and has not been noticed by mainstream hip hop labels.

Gospel Rap in Brazil

In Brazil gospel rap comes out of Pentecostal and Charismatic Evangelical Protestant movements, and emphasizes the message of the Gospel and salvation through faith over black politics and identity. Gospel Rappers view their music as divinely ordained, and believe their lyrics are a manifestation of the Holy Spirit speaking through them. The Brazilian Gospel Rap movement sees itself as divinely favored over the fallen state of rap in the US and other parts of the world. The Gospel Rap movement in Brazil sees its origins in the Bronx which they see as similar to their own tough neighborhoods. This reflects the Gospel Rap movement's emphasis on neighborhood and seeking God and opportunities for their neighborhoods.[39]

See also

References

  1. ^ Busy R. "The Holy Hip Hop DataBASE – The ultimate online Christian Hiphop resource". Hhhdb.com. Retrieved April 21, 2013.
  2. ^ "MC Sweet – (Adam & Eve) The Gospel Beat (Vinyl) at Discogs". Discogs.com. Retrieved April 21, 2013.
  3. ^ Busy R. "The Holy Hip Hop DataBASE – The ultimate online Christian Hiphop resource".
  4. ^ Kingdom Careers – Find out who we are
  5. ^ "Stephen Wiley – Bible Break". Crossrhythms.co.uk. Retrieved October 6, 2011.
  6. ^ "Beats, Rhymes and Bibles: An Introduction To Gospel Hip Hop" (PDF). Retrieved October 6, 2011.
  7. ^ "Stephen Wiley – Bible Break". Discogs.
  8. ^ "CMA: Danny 'D-Boy' Rodriguez". Christianmusicarchive.com. July 26, 2010. Retrieved October 6, 2011.
  9. ^ "Hip Hop Column". Gospel Flava. Retrieved October 6, 2011.
  10. ^ "Preach The" Christian Rapper'?". Brain Magazine. Brain Magazine. Retrieved November 28, 2014.
  11. ^ "John Burdick – The Color of Sound Race, Religion and Music in Brazil 2013"
  12. ^ GMA Dove Awards History: Rap/Hip Hop recorded song of the year Archived 2006-10-20 at the Wayback Machine
  13. ^ "22nd Annual Stellar Award WINNERS (2007)". Gospelflava.com. January 13, 2007. Retrieved October 6, 2011.
  14. ^ Cummings, Tony (January 2003). "Blessing the Martyrs". Cross Rhythms (72).
  15. ^ "The Problems of Christian Hip Hop". Retrieved May 5, 2015.
  16. ^ [1] Archived 2009-01-24 at the Wayback Machine
  17. ^ "ChristianMusicToday.com: KJ-52 Interview – Getting It Right". Christianitytoday.com. Retrieved October 6, 2011.
  18. ^ "KJ-52 – 2006 GMA Music Awards". video.google.com. Retrieved October 6, 2011.
  19. ^ Shull, Adam (July 29, 2010). "Grits, Hearts of Saints bring local connections to town". Paducah Sun. Retrieved August 18, 2010.
  20. ^ "GRITS "Ooh Ahh (My Life Be Like)" Finds Unparalleled Success as a Digital Single, Chosen as Theme Song for MTV's The Buried Life". Fusemix.com. Retrieved October 6, 2011.
  21. ^ Deepa Shah (April 29, 2008). "Holy Hip-Hop: Hostile Gospel". AllHipHop.com. Retrieved October 6, 2011.
  22. ^ "Can Rap be Christian? Evaluating Hip Hop". religousaffections.org.
  23. ^ "Nas – One Mic". Genius. Retrieved May 5, 2015.
  24. ^ "Under the Blasphemous W(RAP): Locating the "Spirit" in Hip-Hop". Retrieved May 5, 2015.
  25. ^ Browne, Rembert. "Lecrae: Christian Rappers, Christian Rap, and the No. 1 Album in the Country". Retrieved May 5, 2015.
  26. ^ "Can Rap be Christian? Evaluating Hip Hop". Retrieved May 5, 2015.
  27. ^ "Kanye West's Critique of Prosperity Preaching". Retrieved May 5, 2015.
  28. ^ Paris, Peter J. (1994). The Spirituality of African Peoples. Fortress Press. ISBN 0-8006-2854-3.
  29. ^ "The Emergence of Religion in Mainstream Hip-Hop" (PDF). www.arts.cornell.edu. Retrieved May 5, 2015.
  30. ^ Rapzilla.com – Holy Hip Hop awards Recap 2007 Archived 2007-01-28 at the Wayback Machine
  31. ^ "A message to Christian Rappers". Exministries.com. Retrieved October 6, 2011.
  32. ^ "ExMinistries Arguments". Exministries.com. Retrieved October 6, 2011.
  33. ^ "Holy Hip Hop. NOT!". Gospelexpressions.org. Retrieved April 21, 2013.
  34. ^ Testimonymag.ca – Holy Hip Hop
  35. ^ "Is Rap Really a Canvas?". Conservative Christianity, Worship, Culture, Aesthetics – Religious Affections Ministries. Retrieved October 5, 2014.
  36. ^ "religiousaffections.org – Discussion about Christian rap with Shai Linne: Introduction". Conservative Christianity, Worship, Culture, Aesthetics – Religious Affections Ministries. Retrieved October 5, 2014.
  37. ^ Phatmass.com - "Converting Catholics to Catholicism"
  38. ^ Phatmass.com - "Catholic Hip-Hop and Rap Music"
  39. ^ Burdick, John (2013). The Color of Sound Race, Religion, and Music in Brazil. USA: New York University Press. p. 160. ISBN 978-0-8147-0923-8.
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