New San Antonio Rose
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|"New San Antonio Rose"|
|Single by Bob Wills and His Texas Playboys|
"San Antonio Rose"/"New San Antonio Rose" was the signature song of Bob Wills and His Texas Playboys. "San Antonio Rose" was an instrumental song written by Bob Wills, who first recorded it with the Playboys in 1938. Band members added lyrics and it was retitled "New San Antonio Rose". The song opens with the refrain:
Deep within my heart lies a melody,
A song of old San Antone.
The song is written in the first person with the Rose of San Antone being the gentleman's lost love. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
The song, both the music and lyrics, reflects the Mexican influence Bob Wills found growing up in the Southwest. Wills developed the melody of the original "San Antonio Rose" itself from a traditional tune, "Spanish Two Step", by the playing the bridge in reverse.
The song has been recorded by many artists in several genres.
- The pseudonymous Jericho wrote the Swedish lyrics. A Swedish version was recorded by Ingalill Rossvald and Harry Brandelius with Thorsten Sjögren's orchestra. in Stockholm on February 7, 1952. It was released on the 78 rpm record His Master's Voice X 7795.
- American pianist Floyd Cramer had his version go to #8 on both the Billboard Hot 100 pop and country singles charts in 1961.
- In 1966 Harry James released a version on his album Harry James & His Western Friends (Dot DLP 3735 and 25735)
- American R&B and boogie-woogie pianist and singer Little Willie Littlefield recorded a version for his 1982 album Houseparty.
- Boyd, Jazz of the Southwest, p. 20: "Among the Playboy's all-time greates hits were two that featured horns: 'New San Antonio Rose,' a Wills tune with lyrics added by several band members, ..."
- Western Writers of America (2010). "The Top 100 Western Songs". American Cowboy. Archived from the original on 10 August 2014.
- Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN 978-1-55935-147-8. OCLC 31611854. Tape 2, side A.
- Wolff, Country Music, "Big Balls in Cowtown: Western Swing From Fort Worth to Fresno", p. 94: "One of the key turning points was 'New San Antonio Rose,' the Playboys' first national hit. The record sold over a million and was a jukebox favorite."
- Dorman, It Happened in Oklahoma, p. 84: "The popularity of the Texas Playboys only grew throughout the Tulsa years, culminating in their 1940 recording of the song, 'New San Antonio Rose.' The song was their first big hit, extending their appeal from the Southwest to fans nationwide and earning a gold record."
- La Chapelle, Proud to Be an Okie, p. 94: "Influenced by his early exposure to Mexican fiddle practices, Bob Wills introduced a mariachi chorus into his signature 'New San Antonio Rose' performing it and a few Spanish-language songs to spillover crowds while in Los Angeles."
- McWhorter, Cowboy Fiddler, p. 60: "The Colonel [Art Sutherland] went back in the control room and the boys asked Bob what they were going to do. Bob [Wills] said, "I don't have any idea. I'm going to play the bridge of 'The Spanish Two-Step' backwards, and Leon [McAuliffe], when I get through, you do anything you want to do and let's get out of here'. The played it through for a time and the Colonel came running out of there with his eyes wide open, said, 'Bob, what do you call that tune?' Bob said, 'You know, we haven't named it. We were going to let you name it. This tune's especially for you and you can name it anything you want to.' He said, 'I'm going to call it 'San Antonio Rose'.' "
- Kienzle, Southwest Shuffle, p. 256: " 'He [Uncle Dave Macon] abut flipped his dipper,' Mountjoy explained. 'We were breaking' tradition and all that. He went by a couple of time mumblin' about 'God-damn young upstarts'; and 'What they doin' with those drums here?' ' "
- Kienzle, Southwest Shuffle,P. 257: "When Acuff finished the introduction, the Playboys snapped into 'New San Antonio Rose,' Montjoy's drums and Brashear's trumpet clearly visible to the audience. ... 'They couldn't get the people to quit applauding; they just kept on and on and on. They kept tryin' to quiet the crowd down, and they wouldn't quiet down.' That kind of response usually justifies an encore. But Wills had remorselessly flouted Opry tradition, first by the act of bringing a drummer, then by defying their request that Mountjoy stay concealed. ... There would be no encore. But no one forgot, either."
- Boyd, Jean Ann. Jazz of the Southwest: An Oral History of Western Swing. Austin: University of Texas Press, 1998. ISBN 0-292-70859-9
- Dorman, Robert. It Happened in Oklahoma. Globe Pequot Press, 2006) . ISBN 0-7627-4000-0
- Gioia, Ted "Bob Wills & His Texas Playboys: New San Antonio Rose", Jazz.com, July 8, 2008
- La Chapelle, Peter. Proud to Be an Okie: Cultural Politics, Country Music, and Migration to Southern California. University of California Press, 2007. ISBN 0-520-24888-0
- Kienzle, Rich. Southwest Shuffle: Pioneers of Honky Tonk, Western Swing, and Country Jazz. New York: Routledge, 2003. ISBN 0-415-94102-4
- McWhorter, Frankie. Cowboy Fiddler in Bob Wills' Band. University of North Texas Press, 1997. ISBN 1-57441-025-3
- Whitburn, Joel. The Billboard Book of Top 40 Country Hits. Billboard Books, 2006. ISBN 0-8230-8291-1
- Wolff, Kurt; Orla Duane. Country Music: The Rough Guide. Rough Guides, 2000. ISBN 1-85828-534-8