Something Wicked This Way Comes (film)
||This article's lead section may not adequately summarize key points of its contents. (January 2015)|
|This article needs additional citations for verification. (January 2015) (Learn how and when to remove this template message)|
|Something Wicked This Way Comes|
Theatrical release poster by David Grove
|Directed by||Jack Clayton|
|Produced by||Peter Douglas|
|Written by||Ray Bradbury
|Based on||Something Wicked This Way Comes
by Ray Bradbury
|Narrated by||Arthur Hill|
|Music by||James Horner|
|Cinematography||Stephen H. Burum|
|Edited by||Barry Mark Gordon
Art J. Nelson
|Distributed by||Buena Vista Distribution|
|Budget||$19 million (estimated)|
|Box office||$8.4 million|
Something Wicked This Way Comes is a 1983 American horror fantasy film directed by Jack Clayton and produced by Walt Disney Pictures from a screenplay written by Ray Bradbury, based on his novel of the same name. The novel's title was taken directly from a line in Act IV of William Shakespeare's Macbeth: "By the pricking of my thumbs / Something wicked this way comes." The film stars Jason Robards, Jonathan Pryce, Diane Ladd, and Pam Grier. It was shot in Vermont and at the Walt Disney Studios in Burbank, California. It was the final Disney film to be released under the "Walt Disney Productions" label. The film had a troubled production - Clayton fell out with Bradbury over an uncredited script rewrite, and after test screenings of the director's cut failed to meet the studio's expectations, Disney sidelined Clayton, fired the original editor, and scrapped the original score, spending some $5 million and many months re-shooting, re-editing and re-scoring the film, before its eventual release.
||This article's tone or style may not reflect the encyclopedic tone used on Wikipedia. (January 2015) (Learn how and when to remove this template message)|
|This section requires expansion. (January 2015)|
In Greentown, Illinois, a small town enjoying the innocence of an upcoming autumn as the days grow shorter, two young boys—reserved Will Halloway and somewhat rebellious Jim Nightshade—leave from an after-school detention for "whispering in class" and hurry off for home. When the boys hear about a strange traveling carnival, Mr. Dark's Pandemonium Carnival, from a lightning-rod salesman, they decide to see what it is all about, but Will is fearful, as most carnivals end their tours after Labor Day. When the ominous Mr. Dark, the Illustrated Man, rides into town on a dark midnight, setting up his massive carnival in a matter of seconds, the boys are both thrilled and terrified. It seems to be just another carnival at first, but it is not long before the forces of darkness begin to manifest from the haunting melodies of the carousel—which can change your age depending on which way you ride it—and from the glaring Mirror Maze. With his collection of freaks and oddities, Dark intends to take control of the town and seize more innocent souls to damn. It will take all the wit and hope of the two boys to save their families and friends, with aid from an unlikely ally, Will's father, the town librarian, who understands more than anyone else that "something wicked this way comes."
- Jason Robards as Charles Halloway
- Jonathan Pryce as Mr. Dark
- Vidal Peterson as Will Halloway
- Shawn Carson as Jim Nightshade
- Ellen Geer as Mrs. Halloway
- Diane Ladd as Mrs. Nightshade
- Royal Dano as Tom Fury
- Pam Grier as the Dust Witch
- Mary Grace Canfield as Miss Foley
- Bruce M. Fischer as Mr. Cooger
- Arthur Hill as The Narrator
In 1977, Bradbury sold the film rights to Something Wicked This Way Comes to Paramount Pictures. He and director Jack Clayton, whom Bradbury had previously worked with on Moby Dick, produced a completed script. However, production never began and the film was eventually put into turnaround.
At this time Walt Disney Pictures was concentrating on films with more mature themes in an attempt to break free from their stereotype as an animation and family film studio on April 1, 1983. After the success of family-oriented fantasy pictures by competing studios, such as Time Bandits and The Dark Crystal, Disney decided to purchase the adaptation's rights and hired Bradbury to produce a new script from scratch.
The studio sought Bradbury's input on selecting a cast and director, and he suggested Clayton feeling they had worked well together at Paramount. In a 1981 issue of Cinefantastique, Bradbury stated that his top choices to play Mr. Dark were Peter O'Toole and Christopher Lee. However, Disney decided to go with a relatively unknown actor instead in order to keep the budget down, and Jonathan Pryce was eventually cast. As the film progressed, two differing visions emerged for the film, with Bradbury and Clayton wishing to stay as faithful to the novel as possible, while Disney wanted to make a more accessible and family friendly film. Bradbury and Clayton fell out during production after Bradbury discovered that Clayton had hired writer John Mortimer to do an uncredited revision of Bradbury's screenplay at the studio's insistence.
At a Q&A session following a 2012 screening of the film, actor Shawn Carson explained that he originally read some 10 times for the part of Will, but after a request from Bradbury, he read for and was cast in the part of Jim Nightshade instead. Although he had blonde hair at the time, and co-star Vidal Petersen had dark hair, Carson's hair was dyed jet black and Petersen's was dyed blonde to fit the new casting.
For the original score, Clayton picked Georges Delerue who had scored his films The Pumpkin Eater and Our Mother's House, but his score (considered "too dark" by Disney) was later removed and replaced at short notice with a score by James Horner. A soundtrack album of Delerue's unused score was released by Intrada Records in 2015.
Editor Barry Gordon was hired as assistant to the film's original editor, Argyle Nelson Jr. He recalled in 2012 that after Clayton submitted his original cut, Disney expressed concerns about the film's length, pacing and commercial appeal; the studio then took the project out of Clayton's hands and undertook an expensive six-month reshoot and re-edit. Nelson was let go for budgetary reasons, and although Gordon was originally prepared to follow Nelson and leave the production, Nelson encouraged him to stay, and Gordon edited the final cut (resulting in the film's dual editor credits).
Disney spent an additional US$5 million on re-filming, re-editing, and re-scoring the picture, and Gordon was required to make a number of changes to Clayton and Nelson's original cut, removing several major special-effects scenes, and incorporating the new material (directed by Leo Dyer), including a new spoken prologue, narrated by Arthur Hill. Among the casualties was a groundbreaking animation scene, which would have been one of the first major uses of computer-generated imaging in a Hollywood film; combining the then new technology of CGI with traditional animation, it depicted Dark's circus train rolling into town, and the carnival magically materialising - the smoke from the locomotive becomes the ropes and tents, tree limbs grow together to form a ferris wheel, and a spider web morphs into a wheel of fortune. The deleted scene was previewed in detail in the May-June 1983 issue of "Twilight Zone Magazine", but in the event, the re-edit retained only a few seconds of the sequence. Another cut sequence depicted Mr Dark using his sinister powers to send a huge disembodied hand to reach into the house to grab the boys - this mechanical effect was deemed not realistic enough by Disney executives, and was replaced by a new scene in which the room is invaded by hundreds of spiders. This was shot using real spiders, and years later Shawn Carson recalled the considerable discomfort he and Vidal Petersen experienced as a result being exposed to the irritating urticating hairs of the 200 tarantulas used in the sequence.
The original themes of Bradbury's novel, the suggestion of menace, the autumn atmosphere of an American Midwest township and the human relationships between characters that attracted Clayton escaped preview audiences completely with Clayton heavily criticized. New special effects sequences were shot and a hastily-composed new score by composer James Horner replaced Delerue's original music. Initial test screenings did not fare well with audiences, and Disney re-commissioned Bradbury to write an opening narration sequence and new ending.
Bradbury referred to the film's final cut as "not a great film, no, but a decently nice one."
The film was a box-office bomb. It only made $8.4 million at the domestic box office against its $19 million budget, grossing less than half of its costs.
|This section requires expansion. (January 2015)|
It's one of the few literary adaptations I've seen in which the film not only captures the mood and tone of the novel, but also the novel's style. Bradbury's prose is a strange hybrid of craftsmanship and lyricism. He builds his stories and novels in a straightforward way, with strong plotting, but his sentences owe more to Thomas Wolfe than to the pulp tradition, and the lyricism isn't missed in this movie. In its descriptions of autumn days, in its heartfelt conversations between a father and a son, in the unabashed romanticism of its evil carnival and even in the perfect rhythm of its title, this is a horror movie with elegance.
Janet Maslin said the film "begins on such an overworked Norman Rockwell note that there seems little chance that anything exciting or unexpected will happen. So it's a happy surprise when the film... turns into a lively, entertaining tale combining boyishness and grown-up horror in equal measure;" according to Maslin, "The gee-whiz quality to this adventure is far more excessive in Mr. Bradbury's novel than it is here, as directed by Jack Clayton. Mr. Clayton, who directed a widely admired version of The Turn of the Screw some years ago, gives the film a tension that transcends even its purplest prose."
|This section does not cite any sources. (January 2015) (Learn how and when to remove this template message)|
It won the 1984 Saturn Award for Best Fantasy Film and Saturn Award for Best Writing; it was nominated for five others including best music for James Horner and best supporting actor for Jonathan Pryce. The film was also nominated for the Hugo Award for Best Dramatic Presentation and Grand Jury Prize at the Avoriaz Fantastic Film Festival.
According to Deadline, Disney is making a remake of Something Wicked This Way Comes with Seth Grahame-Smith writing the script, making his directorial debut, and producing with David Katzenberg from their producing banner KatzSmith Productions, also, Grahame-Smith wants to focus mostly on Ray Bradbury's source material from the book.
- "Something Wicked This Way Comes (1983)". IMDb.
- Weller, Sam (2005). The Bradbury Chronicles: The Life of Ray Bradbury. New York: William Morrow. pp. 306–309. ISBN 0-06-054581-X.
- Something Wicked This Way Comes Q&A after screening With Shawn Carson and Barry Gordon. Vimeo.
- "Expanded ‘Edward Scissorhands’ Soundtrack and Unused ‘Something Wicked This Way Comes’ Score to Be Released". Film Music Reporter. December 8, 2015. Retrieved December 8, 2015.
- Lerouge, Stephanie Georges Delerue Unused Scores 2011 CD liner notes
- Bradbury, Ray (2005). Bradbury Speaks: Too Soon from the Cave, Too Far from the Stars. New York: William Morrow. p. 10. ISBN 0-06-058568-4.
- Ebert, Roger (April 29, 1983). "Something Wicked This Way Comes". Chicago Sun-Times. Retrieved December 16, 2012.
- Maslin, Janet (April 29, 1983). "Disney's Bradbury". The New York Times. Retrieved December 16, 2012.
- Fleming, Mike. "Disney, Seth Grahame- Smith Making New Film Of Ray Bradbury’s ‘Something Wicked This Way Comes’". Deadline. Retrieved 2014-03-12.
|Wikiquote has quotations related to: Something Wicked This Way Comes (film)|