The Lion in Winter (1968 film)
|The Lion in Winter|
Theatrical release poster
|Directed by||Anthony Harvey|
|Screenplay by||James Goldman|
|Based on||The Lion in Winter |
by James Goldman
|Music by||John Barry|
|Edited by||John Bloom|
AVCO Embassy Pictures
|Distributed by||AVCO Embassy Pictures|
|Box office||$22.3 million|
The Lion in Winter is a 1968 American-British historical drama film set around the Christmas of 1183, about political and personal turmoil among the royal family of Henry II of England, his wife Eleanor of Aquitaine, their children, and their guests. It is based on the 1966 Broadway play of the same name by James Goldman.
The film was directed by Anthony Harvey, written by James Goldman, and produced by Joseph E. Levine, Jane C. Nusbaum, and Martin Poll from Goldman's adaptation of his own play, The Lion in Winter. The film stars Peter O'Toole, Katharine Hepburn, John Castle, Anthony Hopkins (in his film debut in a major role), Jane Merrow, Timothy Dalton (in his film debut) and Nigel Terry.
The Lion in Winter is set during Christmas 1183, at King Henry II's château and primary residence in Chinon, Touraine, in the medieval Angevin Empire. Henry wants his youngest son, the future King John, to inherit his throne, while his estranged and imprisoned wife, Duchess Eleanor of Aquitaine, temporarily released from prison for the holidays, favors their oldest surviving son, the future King Richard the Lionheart. Meanwhile, King Philip II of France, the son and successor of Louis VII of France, Eleanor's ex-husband, has given his half-sister Alais, who is currently Henry's mistress, to the future heir, and demands either a wedding or the return of her dowry.
As a ruse, Henry agrees to give Alais to Richard and make him heir-apparent. He makes a side deal with Eleanor for her freedom in return for Aquitaine, to be given to John. When the deal is revealed at the wedding, Richard refuses to go through with the ceremony. After Richard leaves, Eleanor masochistically asks Henry to kiss Alais in front of her, and then looks on in horror as they perform a mock marriage ceremony. Having believed Henry's intentions, John, at the direction of middle brother, Geoffrey II, Duke of Brittany, plots with Philip to make war on England. Henry and Philip meet to discuss terms, but Henry soon learns that Phillip has been plotting with John and Geoffrey, and that he and Richard were once lovers.
Henry dismisses all three sons as unsuitable and locks them in a wine cellar, telling Alais, "the royal boys are aging with the royal port." He makes plans to travel to Rome for an annulment, so that he can have new sons with Alais, but she says he will never be able to release his sons from prison or they will be a threat to his future children. Henry sees that she is right and condemns them to death, but cannot bring himself to kill them, instead letting them escape. He and Eleanor go back to hoping for the future, with Eleanor returning on the barge to prison, laughing it off with Henry before she leaves.
- Peter O'Toole as King Henry II, King of England, Lord of Ireland, Duke of Normandy and of Aquitaine, Count of Anjou
- Katharine Hepburn as Eleanor of Aquitaine, his estranged Queen
- Anthony Hopkins as Richard the Lionheart, their eldest surviving son
- John Castle as Geoffrey, their middle surviving son
- Nigel Terry as John, their youngest surviving son
- Timothy Dalton as King Philip II of France
- Jane Merrow as Alais, Henry's mistress, betrothed to Richard
- Nigel Stock as Captain William Marshall
- Kenneth Ives as Queen Eleanor's guard
- O. Z. Whitehead as Hugh de Puiset, the Bishop of Durham
The original stage production had not been a success, getting a bad review in the New York Times and losing $150,000. Producer Martin Poll optioned Goldman's novel Waldorf for the movies. They discussed Lion in Winter which Poll read and loved. He hired Goldman to write a screenplay.
Poll was meant to make a film with Joseph Levine and Peter O'Toole, The Ski Bum (which would be written by James Goldman's brother William). That project fell through and Poll suggested they do Lion in Winter instead. O'Toole, who was 36, portrays Henry II at age 50. He had played the same king as a young man in the film Becket just four years earlier.
The film was shot at Ardmore Studios in Bray, County Wicklow, Ireland, and on location in Ireland, Wales (Marloes Sands), and in France at Abbaye de Montmajour, Arles, Château de Tarascon, Tarascon and Tavasson, Saône-et-Loire.
The sculpted stone figures appearing during the main title music were a lucky, unexpected find by the director while shooting scenes in France. They were filmed along the artist's driveway and later edited to create the title sequence where they appear to be on interior walls of the castle.
The film premiered on 30 October 1968 (29 December 1968 London premiere).
The film earned an estimated $6.4 million in distributor rentals in the domestic North American market during its initial year of release. It was the 14th most popular movie at the U.S. box office in 1969.
Variety called it "an intense, fierce, personal drama put across by outstanding performance of Peter O'Toole and Katharine Hepburn. Anthony Harvey, a relatively new director, has done excellent work with a generally strong cast, literate adaptation by the author, and superb production values assembled by Martin H. Poll, who produced for Joseph E. Levine presentation under the Embassy banner."
Roger Ebert gave the film 4 stars out of 4, writing, "One of the joys which movies provide too rarely is the opportunity to see a literate script handled intelligently. 'The Lion in Winter' triumphs at that difficult task; not since 'A Man for All Seasons' have we had such capable handling of a story about ideas. But 'The Lion in Winter' also functions at an emotional level, and is the better film, I think."
Charles Champlin of the Los Angeles Times declared, "Top honors for the most literate movie of the year, and for the finest and most imaginative and fascinating evocation of an historical time and place, can be awarded this very day to 'The Lion in Winter.'"
Pauline Kael of The New Yorker was less positive, writing that the film made a miscalculation by elevating the material of the play "with serious emotions, more or less authentic costumes and settings, pseudo-Stravinsky music, and historical pomp. And it just won't do to have actors carrying on as if this were a genuine, 'deep' historical play on the order of 'A Man for All Seasons' ... They're playing a camp historical play as if it were the real thing—delivering commercial near-poetry as if it were Shakespeare."
In a mixed review for The Monthly Film Bulletin, David Wilson called Katharine Hepburn's performance "perhaps the crowning achievement of an extraordinary career" but described the film as a whole as being "essentially a piece of highly polished theatricality, and not much else if one looks beyond its insistently sophisticated surface gloss."
Review aggregator website Rotten Tomatoes retrospectively collected 38 reviews, and gave the film an approval rating of 92% and an average rating of 8.31/10. The website's critical consensus reads, "Sharper and wittier than your average period piece, The Lion in Winter is a tale of palace intrigue bolstered by fantastic performances from Peter O'Toole, Katharine Hepburn, and Anthony Hopkins in his big-screen debut."
Awards and nominations
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Though the background and the eventual destinies of the characters are generally historically accurate, The Lion in Winter is fictional; none of the dialogue or action is historical. There was a Christmas court at Caen in 1182, but there was no Christmas court at Chinon in 1183. In reality, Henry had many mistresses and many illegitimate children; the "Rosamund" mentioned in the film was his mistress until she died. The article on the Revolt of 1173–1174 describes the historical events leading to the play's events. There was also a second rebellion, when Young Henry and Geoffrey revolted in 1183, resulting in Young Henry's death. While some historians have theorized that Richard was homosexual, historians remain divided on the question.
Geoffrey died in 1186 in a jousting tournament held in Paris (with some speculation that Geoffrey was involved in plotting against Henry with Philip at the time). A third rebellion against Henry by Richard and Philip in 1189 was finally successful, and a decisively defeated Henry retreated to Chinon in Anjou, where he died. Richard the Lionheart succeeded Henry II, but spent very little time in England (perhaps 6 months), after which he became a central Christian commander during the Third Crusade, leading the campaign after the departure of Philip. Richard won some considerable victories, but he did not succeed in retaking Jerusalem. John finally succeeded Richard in 1199 after Richard's death. During his unsuccessful reign he lost most of his father's holdings in Northern France and angered the English barons, who revolted and forced him to sign the Magna Carta. John is also known for being the villain in the Robin Hood legends. Lastly, Captain William Marshall, who during the film is harried about by Henry II, outlived the English royal family and eventually ruled England as regent for the young Henry III.
- Joseph, Robert. "Films Come to the Emerald Isle: Emerald Isle Welcomes Films" Los Angeles Times (1923-Current File) [Los Angeles, Calif] 17 March 1968: q26.
- "The Lion in Winter (1968)". The Numbers. Retrieved February 13, 2016.
- Quote from the 1968 movie, The Lion in Winter.
- Smith, C. (1968, Dec 01). 'Lion in winter'--play that refused to die. Los Angeles Times (1923-Current File) Retrieved from https://search.proquest.com/docview/156111474
- Bergan 1996, p. 155.
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- Wapshott 1984, p. 145.
- Wales hosts Hollywood blockbusters
- Director Anthony Harvey, audio commentary in Lion in Winter, 2000.
- "Big Rental Films of 1969", Variety, 7 January 1970 p 15
- "The World's Top Twenty Films", Sunday Times, [London, England], 27 September 1970: 27. The Sunday Times Digital Archive. accessed 5 April 2014
- Adler, Renata (October 31, 1968). "Screen: James Goldman's 'Lion in Winter' Arrives". The New York Times: 54.
- "The Lion In Winter". Variety: 6. October 23, 1968.
- Ebert, Roger (November 4, 1968). "The Lion In Winter". RogerEbert.com. Retrieved November 19, 2018.
- Champlin, Charles (December 17, 1968). "'The Lion in Winter' Opens Run". Los Angeles Times. Part IV, p. 1.
- Kael, Pauline (November 9, 1968). "The Current Cinema". The New Yorker. p. 189.
- Wilson, David (March 1969). "The Lion In Winter". The Monthly Film Bulletin. 36 (422): 50.
- "The Lion in Winter (1968)". Rotten Tomatoes. Fandango Media. Retrieved 15 July 2019.
- "Preserved Projects". Academy Film Archive.
- Painter, S., William Marshal, Knight-Errant, Baron & Regent of England, p.268
- Paden, William (2004). Utz, Richard; Swan, Jesse G (eds.). I Learned It at the Movies: Teaching Medieval Film in: Postmodern Medievalisms. Cambridge: Brewer. pp. 79–98.CS1 maint: ref=harv (link)
- Bergan, Ronald (1996). Katharine Hepburn: An Independent Woman. Arcade Publishing. p. 155. ISBN 9781559703512.CS1 maint: ref=harv (link)
- Callan, Michael Feeney (2004). Anthony Hopkins: A Three Act Life. London: Robson Books. pp. 98, 100, 105. ISBN 186105761X.CS1 maint: ref=harv (link)
- Wapshott, Nicholas (1984). Peter O'Toole: A Biography. Beaufort Books. p. 145. ISBN 9780825301964.CS1 maint: ref=harv (link)
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