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Ulster Cycle

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Topics in the Ulster Cycle
Ulster characters
Connacht characters
Ulster exiles
Other characters
Weapons
Places
Animals
Texts

The Ulster Cycle (Template:Lang-ga),[1] formerly known as the Red Branch Cycle, one of the four great cycles of Irish mythology, is a body of medieval Irish heroic legends and sagas of the traditional heroes of the Ulaid in what is now eastern Ulster and northern Leinster, particularly counties Armagh, Down and Louth, and taking place around or before the 1st century AD.

Ulster Cycle stories

The Ulster Cycle stories are set in and around the reign of King Conchobar mac Nessa, who rules the Ulaid from Emain Macha (now Navan Fort near Armagh). The most prominent hero of the cycle is Conchobar's nephew, Cú Chulainn. The Ulaid are most often in conflict with the Connachta, led by their queen, Medb, her husband, Ailill, and their ally Fergus mac Róich, a former king of the Ulaid in exile. The longest and most important story of the cycle is the Táin Bó Cúailnge or "Cattle Raid of Cooley", in which Medb raises an enormous army to invade the Cooley peninsula and steal the Ulaid's prize bull, Donn Cúailnge, opposed only by the seventeen-year-old Cú Chulainn. In the Mayo Táin, the Táin Bó Flidhais it is a white cow known as the 'Maol' that is the object of desire, for she can give enough milk at one milking to feed an army. Perhaps the best known story is the tragedy of Deirdre, source of plays by W. B. Yeats and J. M. Synge. Other stories tell of the births, courtships and deaths of the characters and of the conflicts between them.

The stories are written in Old and Middle Irish, mostly in prose, interspersed with occasional verse passages. They are preserved in manuscripts of the 12th to 15th centuries but, in many cases, are much older. The language of the earliest stories is dateable to the 8th century, and events and characters are referred to in poems dating to the 7th.[2] The tone is terse, violent, sometimes comic, and mostly realistic, although supernatural elements intrude from time to time. Cú Chulainn in particular has superhuman fighting skills, the result of his semi-divine ancestry, and when particularly aroused his battle frenzy or ríastrad transforms him into an unrecognisable monster who knows neither friend nor foe. Evident deities like Lugh, the Morrígan, Aengus and Midir also make occasional appearances.

Unlike the majority of early Irish historical tradition, which presents ancient Ireland as largely united under a succession of High Kings, the stories of the Ulster Cycle depict a country with no effective central authority, divided into local and provincial kingdoms often at war with each other. The civilisation depicted is a pagan, pastoral one ruled by a warrior aristocracy. Bonds between aristocratic families are cemented by fosterage of each other's children. Wealth is reckoned in cattle. Warfare mainly takes the form of cattle raids, or single combats between champions at fords. The characters' actions are sometimes restricted by religious taboos known as geasa.

The events of the cycle are traditionally supposed to take place around the time of Christ. The stories of Conchobar's birth and death are synchronised with the birth and death of Christ,[3] and the Lebor Gabála Érenn dates the Táin Bó Cúailnge and the birth and death of Cú Chulainn to the reign of the High King Conaire Mor, who it says was a contemporary of the Roman emperor Augustus (27 BC — AD 14).[4] Some stories, including the Táin, refer to Cairbre Nia Fer as the king of Tara, implying that no High King is in place at the time.

The presence of the Connachta as the Ulaid's enemies is an apparent anachronism: the Connachta were traditionally said to have been the descendants of Conn Cétchathach, who is supposed to have lived several centuries later. Later stories use the name Cóiced Ol nEchmacht as an earlier name for the province of Connacht to get around this problem. However, the chronology of early Irish historical tradition is an artificial attempt by Christian monks to synchronise native traditions with classical and biblical history, and it is possible that historical wars between the Ulaid and the Connachta have been chronologically misplaced.[5]

Some scholars of the 19th and early 20th centuries, such as Eugene O'Curry and Kuno Meyer, believed that the stories and characters of the Ulster Cycle were essentially historical; T. F. O'Rahilly was inclined to believe the stories were entirely mythical and the characters euhemerised gods; and Ernst Windisch thought that the cycle, while largely imaginary, contains little genuine myth.[6] Elements of the tales are reminiscent of classical descriptions of Celtic societies in Gaul, Galatia and Britain. Warriors fight with swords, spears and shields, and ride in two-horse chariots, driven by skilled charioteers drawn from the lower classes.[7] They take and preserve the heads of slain enemies,[8] and boast of their valour at feasts, with the bravest awarded the curadmír or "champion's portion", the choicest cut of meat.[9] Kings are advised by druids (Old Irish druí, plural druíd), and poets have great power and privilege. These elements led scholars such as Kenneth H. Jackson to conclude that the stories of the Ulster Cycle preserved authentic Celtic traditions from the pre-Christian Iron Age.[10] Other scholars have challenged that conclusion, stressing similarities with early medieval Irish society and the influence of classical literature,[11] but it is likely that the stories do contain genuinely ancient material.

It is probable that the oldest strata of tales are those involving the complex relationship between the Ulaid and the Érainn, represented in the Ulster Cycle by Cú Roí and the Clanna Dedad, and later by Conaire Mór. It was observed a century ago by Eoin MacNeill [12] and other scholars that the historical Ulaid, as represented by the Dál Fiatach, were apparently related to the Clanna Dedad. T. F. O'Rahilly later concluded that the Ulaid were in fact a branch of the Érainn.[13] A number of the Érainn appear to have been powerful Kings of Tara, with a secondary base of power at the now lost Temair Luachra "Tara of the Rushes" in West Munster, where some action in the Ulster Cycle takes place and may even have been transplanted from the midland Tara. Additionally it may be noteworthy that the several small cycles of tales involving the early dominance of the Érainn in Ireland generally predate the majority of the Ulster Cycle tales in content, if not in their final forms, and are believed to be of a substantially more pre-Christian character. Several of these do not even mention the famous characters from the Ulster Cycle, and those that do may have been slightly reworked after its later expansion with the Táin and rise in popularity.

Texts

Earliest strata
  • Conailla Medb míchuru "Medb has entered evil contracts" (7th-century poem attributed to Luccreth moccu Chiara)
  • The lost manuscript Cín Dromma Snechtai, associated with Bangor, is thought to have included versions of these five texts:
    • Compert Con Culainn "The Birth of Cú Chulainn"
    • Compert Conchobuir "The Birth of Conchobor"
    • Fíl and grían Glinne Aí
    • Forfess fer Falchae "Night-watch against the men of Falgae"
    • Verba Scathaige "The words of Scáthach"
  • Material related to Cú Roí, such as Amra Con Roí and Aided Con Roi
  • References in Old Irish law, e.g. Cethairslicht Athgabálae.

Here follows a list of tales which are assigned to the Ulster Cycle, although it does not claim to be exhaustive. The classification according to 'genre' followed here is merely a convenient tool to bring clarity to a large body of texts, but it is not the only possible one nor does it necessarily reflect contemporary approaches of classifying texts.

Compert Birth
Wooings and elopements
  • Aided Conrói maic Dáiri
  • Aithed Emere (le Tuir nGlesta) "The Elopement of Emer (with Tuir Glesta)"
  • Aislinge Óenguso "The Dream of Óengus"
  • Longes mac n-Uislenn "The Exile of the sons of Uisliu"
  • Oided mac n-Uisneg
  • Tochmarc Emire
  • Tochmarc Étaíne
  • Tochmarc Ferbe (or Fís Conchobair)
  • Tochmarc Luaine 7 aided Arthirne (second half of the 12th century)
  • Tochmarc Treblainne
Feasts
  • Da Gábail int sída "On the Taking of the (síd-)Mound"
  • Echtra Neraí
  • Scéla mucce maic Dathó "The Tale of Mac Da Thó's Pig"
  • Mesca Ulad "The Intoxication of the Ulstermen"
  • Fled Bricrenn "The Feast of Bricriu"
  • Fled Bricrenn 7 Longes mac n-Duil Dermait
  • Bruiden da Chocae "The Hostel of Da Choca"
  • Togal Bruidne Da Derga "The Destruction of Da Derga's Hostel"[14]
    • De Shíl Chonairi Móir "On the Descendants of Conaire Mór"
    • De Maccaib Conaire "On the sons of Conaire (Mór)"
Cath 'Battle'
  • Cath Airtig "The Battle of Airtech"
  • Cath Aenaig Macha "The Battle of the Assembly of Macha"
  • Cath Cumair "The Battle of Cumar" or Cath Atha Comair
  • Cath Findchorad "The Battle of Findchorad"
  • Cath Leitrich Ruide "The Battle of Leititr Ruide"
  • Cath Ruis na Ríg "The Battle of Rosnaree"
  • Cogadh Fheargusa agus Chonchobhair "The Battle of Fergus and Conchobor"
  • Forfess fer Falchae "Night-watch against the men of Falgae"
  • Comracc Con Chulainn re Senbecc "The Combat of Cú Chulainn with Senbecc"
  • Cathcharpat Serda "The Scythed Battle-Chariot"
Táin Bó 'Cattle-raid'
Remscéla (Fore-tales) to the Táin Bó Cúailnge
  • Ces Noínden, In Ceas Naigen
  • De Chophur in Dá Mucado
  • Echtra Nerai
  • see further: Táin Bó Cúailnge
Aided "Violent death"
  • Aided Chonchobuir "The Death of Conchobor"
  • Aided Áenfir Aífe "The Death of Aífe's Only Son"
  • Cuchulinn 7 Conlaech "Cú Chulainn and Conla"
  • Aided Con Culainn or Brislech Mór Maige Muirthemne
  • Aided Ceit maic Mágach "The Death of Cét mac Mágach"
  • Aided Cheltchair mac Uthechair "The Death of Celtchar mac Uthechair"
  • Aided Derbforgaill "The Death of Derbforgaill"
  • Aided Fergusa maic Roig "The Death of Fergus mac Róig"
  • Imthechta Tuaithe Luachra 7 Aided Fergusa "The Proceedings of the People of Luchra and the Death of Fergus (mac Léti)"
  • Aided Guill meic Garbada ocus Aided Gairb Glinne Ríge
  • Aided Laegairi Buadaig "The Death of Loegaire Buadach"
  • Goire Conaill Chernaig 7 Aided Aillela 7 Conall Chernaig "The Cherishing of Conall Cernach and the Deaths of Ailill and Conall Cernach"
  • Aided Meidbe "The Death of Medb"
  • Ferchuitred Medba, Cath Boinne
Miscellaneous
  • Verba Scathaige "The words of Scáthach"
  • Scéla Conchobair maic Nessa "The Story of Conchobor mac Nessa"
  • Siaburcharpat Con Culaind "Cú Chulainn's Phantom Chariot"
  • Foglaim Con Culainn "Cú Chulainn's Training"
  • Serglige Con Culainn "The Wasting Sickness of Cú Chulainn"
  • Immacaldam in dá thuarad "The Colloquy of the Two Sages"
  • Talland Étair "The Siege of Howth"
  • Cath Étair "The Battle of Howth"
  • Tromdámh Guaire (or Imthecht na Tromdáime)
  • Lánellach Tigi Rích 7 Ruirech "The Full Complement of the House of a King and an Overlord"
  • Fochonn Loingse Fergusa meic Róig "The cause of the exile of Fergus mac Róig"
  • Nede 7 Caier "Néde and Caier"
  • Echtra Fergusa maic Léti"The Adventures of Fergus mac Léti"

Texts in translation

Most of the important Ulster Cycle tales can be found in the following publications:

  • Thomas Kinsella, The Táin, Oxford University Press, 1969
  • Stephen Dunford, Táin Bó Flidhais or The Mayo Táin, Enniscrone, 2008
  • Jeffrey Gantz, Early Irish Myths and Sagas, Penguin, 1981
  • Tom Peete Cross & Clark Harris Slover, Ancient Irish Tales, Henry Holt & Company, 1936 (reprinted by Barnes & Noble, 1996)
  • John T Koch & John Carey, The Celtic Heroic Age, Celtic Studies Publications, 2000
  • Kuno Meyer, The Death-Tales of the Ulster Heroes, Todd Lecture Series, 1906
  • A H Leahy, Heroic Romances of Ireland, 2 vols, 1905–1906 (Online at Sacred Texts)

Online translations

Adaptations

The Ulster Cycle provided material for Irish writers of the Gaelic revival around the turn of the 20th century. Augusta, Lady Gregory's Cuchulain of Muirthemne (1902) retold most of the important stories of the cycle,[15] as did Eleanor Hull for younger readers in The Boys' Cuchulain (1904).[16] William Butler Yeats wrote a series of plays – On Baile's Strand (1904), Deirdre (1907), The Green Helmet (1910), At the Hawk's Well (1917), The Only Jealousy of Emer (1919) and The Death of Cuchulain (1939) – and a poem, Cuchulain's Fight with the Sea (1892), based on the legends, and completed the late John Millington Synge's unfinished play Deirdre of the Sorrows (1910), in collaboration with Synge's widow Molly Allgood.[17]

More recent literary adaptations include Rosemary Sutcliff's children's novel The Hound of Ulster (1963), Patricia Finney's novel A Shadow of Gulls (1977), and Vincent Woods' play A Cry from Heaven (2005). Cartoonist Patrick Brown is adapting the cycle as a webcomic, beginning with the story of Conchobar's mother Ness, now complete, and continuing with "The Cattle Raid of Cooley", adapting Táin Bó Cúailnge.[18] Oghme Comics also are in the process of adapting the story of Cúchulainn in graphic novel format, as a series of webcomics,[19] as well as Illustrations of Characters[20] from the Ulster cycle.

The dramatic musical program "Celtic Hero" in the Radio Tales series for National Public Radio, was based on the Ulster Cycle story Tochmarc Emire.

See also

References

Wikisource has original text related to this article:
Wikisource has original text related to this article:
  1. ^ Focal Project - National Terminology Database
  2. ^ Garret Olmsted, "The Earliest Narrative Version of the Táin: Seventh-century poetic references to Táin bó Cúailnge", Emania 10, 1992, pp. 5–17
  3. ^ Kuno Meyer, "Anecdota from the Stowe MS. No 992", Revue Celtique 6, 1884, pp. 173–183; Kuno Meyer, The Death Tales of the Ulster Heroes, Todd Lecture Series, 1906, pp. 2–21
  4. ^ R. A. Stewart Macalister, (ed & trans), Lebor Gabála Erenn: The Book of the Taking of Ireland Part V, Irish Texts Society, 1956, p. 301
  5. ^ Francis J. Byrne, Irish Kings and High Kings, Four Courts Press, 2001, p. 50.
  6. ^ T. F. O'Rahilly, Early Irish History and Mythology, Dublin Institute for Advanced Studies, 1946, pp. 269–271; Cecile O'Rahilly, Táin Bó Cualnge from the Book of Leinster, Dublin Institute for Advanced Studies, 1967, Introduction, p. ix
  7. ^ Compare Táin Bó Cúailnge from the Book of Leinster pp. 164–166 with Diodorus Siculus, Historical Library 5.29, Julius Caesar, Commentarii de bello Gallico 4.33
  8. ^ Compare The Tidings of Conchobar son of Ness §15 with Diodorus Siculus, Historical Library 5.29
  9. ^ Compare The Story of Mac Dá Thó's Pig and Bricriu's Feast with Athenaeus, Deipnosophists 4.40, Diodorus Siculus, Historical Library 5.28
  10. ^ Kenneth Hurlstone Jackson, The Oldest Irish Tradition: a Window on the Iron Age, Cambridge University Press, 1964
  11. ^ John T. Koch, "Windows on the Iron Age", Ulidia, December Publications, 1994, pp. 229–237; J. P. Mallory, "The World of Cú Chulainn: The Archaeology of Táin Bó Cúailnge", Aspects of the Táin, December Publications, 1992, pp. 103–153
  12. ^ Eoin MacNeill, "Early Irish Population Groups: their nomenclature, classification and chronology", in Proceedings of the Royal Irish Academy (C) 29. (1911): 59–114
  13. ^ T. F. O'Rahilly, Early Irish History and Mythology. Dublin Institute for Advanced Studies. 1946.
  14. ^ This king's saga may not be classified as a tale of the Ulster Cycle, but it does feature a number of Ulster heroes, such as Conall Cernach.
  15. ^ Lady Gregory's Cuchulain of Muirthemne
  16. ^ Eleanor Hull's The Boys' Cuchulain
  17. ^ J. M. Synge's Deirdre of the Sorrows
  18. ^ Patrick Brown's website featuring the Ulster Cycle webcomic
  19. ^ in two webcomics : OGME.com, the Epic of Cúchulainn and OGHME.com, Cúcuc Little Brute from the Iron Age.
  20. ^ Galleries of OGHME.com, Cetlic Heroes, Gods and Places.
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