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In April 2013, Bruno Mars announced that the tour would include Australia in February and March 2014.
In April 2013, Bruno Mars announced that the tour would include Australia in February and March 2014.
A promotional trailer and behind-the-scenes footage of the tour were released through Mars' official YouTube channel and website. As of September 10, 2013, the tour has grossed $40.5 million from the first 42 shows and dragged more than 565,000 fans, according to John Marx when interview by Billboard.<ref name=Tour>{{cite web|url=http://www.billboard.com/biz/articles/news/5687294/wmes-john-marx-on-bruno-mars-super-bowl-gig-sold-out-arena-tour-strategy|title=WME's John Marx on Bruno Mars' Super Bowl Gig, Sold-Out Arena Tour Strategy, Not Having Presales (Q&A)|author= Mitchell Peters|publisher=[[Prometheus Global Media]]|date=September 10, 2013|accessdate=September 10, 2013}}</ref>
A promotional trailer and behind-the-scenes footage of the tour were released through Mars' official YouTube channel and website. As of September 10, 2013, the tour has grossed $40.5 million from the first 42 shows and dragged more than 565,000 fans, according to John Marx when interview by Billboard.<ref name=Tour>{{cite web|url=http://www.billboard.com/biz/articles/news/5687294/wmes-john-marx-on-bruno-mars-super-bowl-gig-sold-out-arena-tour-strategy|title=WME's John Marx on Bruno Mars' Super Bowl Gig, Sold-Out Arena Tour Strategy, Not Having Presales (Q&A)|author= Mitchell Peters|publisher=[[Prometheus Global Media]]|date=September 10, 2013|accessdate=September 10, 2013}}</ref> The tour was ranked 23 among the ''Top 25 Tours of 2013'' being able to sellout 44 shows in 48, with a gross of $46,417,795 only in US.<ref name=Top 25 Tours of 2013>{{cite web|url=http://www.billboard.com/articles/list/5820092/top-25-tours-of-2013?list_page=1|title=|publisher=[[Prometheus Global Media]]|accessdate=December 13, 2013}}</ref>


==Background==
==Background==
Line 792: Line 792:
|- style
|- style
|colspan="2"|'''TOTAL'''
|colspan="2"|'''TOTAL'''
|'''467,413 / 467,864 (99%)'''
|'''742,430 / 744,530 (99%)'''
|'''$40,500,000'''<ref name=Tour/>
|'''$46,417,795'''<ref name=Top 25 Tours of 2013>
|}
|}


Revision as of 20:45, 13 December 2013

Moonshine Jungle Tour
World tour by Bruno Mars
LocationNorth America, Europe, Oceania, Asia
Associated albumUnorthodox Jukebox
Start dateJune 22, 2013
End dateSeptember 5, 2014
Legs3
No. of shows47 in North America
35 in Europe
10 in Oceania
11 in Asia
101 in Total
Bruno Mars concert chronology

The Moonshine Jungle Tour is the ongoing second concert tour by American singer-songwriter Bruno Mars in support of his second studio album, Unorthodox Jukebox.[1] The tour is set to begin on June 22, 2013 and will continue through March 16, 2014. A promotional trailer and behind-the-scenes footage of the tour were released through Mars' official YouTube channel and website.

In April 2013, Bruno Mars announced that the tour would include Australia in February and March 2014. A promotional trailer and behind-the-scenes footage of the tour were released through Mars' official YouTube channel and website. As of September 10, 2013, the tour has grossed $40.5 million from the first 42 shows and dragged more than 565,000 fans, according to John Marx when interview by Billboard.[2] The tour was ranked 23 among the Top 25 Tours of 2013 being able to sellout 44 shows in 48, with a gross of $46,417,795 only in US.Cite error: The <ref> tag has too many names (see the help page).

Background

After Matt Galle from Paradigm put "The Doo-Wops & Hooligans Tour" Marx was hired. Mars' team at WME includes, besides John Marx, Sara Newkirk Simon, Tony Goldring (international booking), Michele Bernstein and Ben Totis. Mars is managed by Brandon Creed, and a team at Creed company that includes Kevin Beisler and Rob Bonstein.[2]

On January 2012 it was decided that Bruno Mars would not play in any theaters or ballrooms like on the previous tour. This decision came from the success that Mars was expriencing not only for the sold out arenas but also due to the dynamic performances. John Marx, in an interview to Billboard confessed that the decision of making the "leap from smaller venues to arenas, it's never an easy one" and added "you take precautions to make sure that you don't leave any empty seats." since "Analytics only give you so much."[2]

At Billboard's Backstage, Mars manager, Brandon Creed said that Mars was more focused and excited than nervous. "He spends a lot of time rehearsing and preparing, and directing and doing choreography, everything," he said. "It's all him... He takes it from the past and brings it to today. Wait 'til you see the tour." He was really excited "We're going into rehearsals now, so I don't have much to share, but it's going to be... incredible," he said. "It's hectic, but it's amazing... It's a thrill to work with an artist so talented."[3]

The tour was first scheduled to take of in Feruary, however the record was late in coming even thought they had booked the tour in a year advance. Nevertheless, most artists decided to tour in the first quarter, instead of waitiong for summer. As a result, the tour was pushed to summertime.[2]

Since they didn't want to take risks or leaven emprty seats they started by looking at different types of Venus. John Marx shares that "We had, generally, three different configurations going before we even sold past the 180-degrees". Using five cities as "test" to see "how good it was selling" and if the prices of the tickets were too expensive.[2]

Marx expressed his opinion towards the mistake of schedulling tour cities by saying "Generally, the mistake people make is picking too many cities. Artists can generally play 24 dates and when you get beyond that sales start dropping off, and that’s when it gets a little bit dangerous." He added "We picked 44 dates, which is ambitious." There was a lot of work towards "how [they] opened up the venues", since they were "bullish" on what they tought they could sell. John explains:" We did go pretty deep into the markets. We could’ve easily done a second Chicago date, but we decided to go with Minneapolis instead, which sold out on the on sale"[2]

Accoding to Marx, tickets sales didn't spike after "Locked Out of Heaven" was a huge success, "It’s the type of song that really motivates people to purchase a ticket. It has that live element to it; it was a very active track." or even after the Grammy performance, since in Bruno case "everything was very consistent". Although the team tought it would spike sales, "In the pop world, they say, “Hit records cure cancer.” So they can do just about anything", concluded Marx.[2]

James Berry, monitor engineer for Bruno Mars, said the first time he took Bruno Mars gig over two/one year and half ago, Mars and the background singers were using a competitor's model as microphone. "I just knew there was a better microphone and capsule combination for him". Recalls, Berry. He also added" I began transitioning the background singers first, then worked with the front-of-house guy to get Bruno to try a Sennheiser microphone."

For wireless audio in the tour, the Bruno Mars production team has relied on Sennheiser. Wireless Touring Rig Derek Brener, front-of-house engineer, for three/one year and half ago, remembers a point where Mars' audio infrastructure took a huge step forward: "One of the main turning points was when James came in and said he would not use anything else but the Sennheiser wireless ­that’s when everything changed." Brener respects and trustes Berry's opinion since he has worked with Beyoncé, Weezer and lots of other great bands. Mars is very involved with Brener and Berry "on the way things sound and has very clear ideas on what he wants and what he expects". Nowadays, there is no discussion Mars wants Sennheiser and that what he gets wherever he is playing.[4]

Promotion

John Marx said that "We solicited all of the agencies and asked for everybody’s suggestions." towards who should be the opening act for Bruno's tour. Eventually, Bruno decided to pick Ellie Goulding, making everything easier since she is represented by WME. She was "seen" as some sales garanties for Bruno's tour.[2]

WME decided to announce the tour after the Grammys' performance. Although no details were given about the tour, then they fed it daily or weekly with new information regarding the tour. Two days after the performance they announced the cities and a few days later the dates and venues were announced. This made the tour different from the usual, since everything is announced together and at the very least "you go on sale later that week." and it was very unlikely to go on sales "two-and-a-half weeks later with the first round of dates."[2]

Following a performance at the iHeartRadio Music Festival in Las Vegas on Sept. 21, Mars will travel to the United Kingdom and Europe for a two-month arena tour. Mars also has a handful of Australian/New Zealand concerts scheduled for early 2014, and will play another 40 dates in North America beginning next June and ending up around mid-August (2014), as the fourth leg, according to Marx.[2]

Development

Even though WME schedules tour for acts like Lady Gaga, Usher, Peter Gabriel, Sheryl Crow and Justin Timberlake, John Marx confessed "that booking the Moonshine Jungle Tour was one of the most exciting experiences in his 37-year career in the touring space." and that was the reason behind him giving this interview he as he claims "I stopped giving interviews years ago, but I had to do this for Bruno, because he's that special". He finished his ideia by saying "This whole project has been exciting, unique and special."[2]

They decided to price each market differently. They had two markets P1 ($62 each ticket) and P2 ($130 or $140 each ticket). In the end, they had "four different price points" and "secondary cities where we had a less expensive ticket, we had maybe two or three different price points".[2] Although, John Marx claims that "when you go on sale is if it's selling front to back. If it isn't, you've obviously priced your tickets in the front too high", he finalized by saying "We didn't experience any of that."[2]

"Pretty much every local buyer called me after it went on sale and told us they thought the absence of any presale was a very strong contributing factor toward the overall success of this tour."

—John Marx.[2]

WME after reading the American Express and Citibank proposals decided not to do a presale. After talking with Mars' management it was set that there was not going to be a presale. This decision received negative views because "some people tought it was a good ideia but generally in the beginning everyone thought it was a terrible idea." He thinks all the buyers find this as a "very key element"[2]

When Marx was asked if could go back in the past and change anything what would he change, he answered "I hope this doesn't sound boastful, but everything came together perfectly on this tour" he added special thanks to The Smeezingtons for their writing, to the label Atlantic Records for "bringing the song home" since it worked well thanks to everyone's efforts.[2]

Marx believes that Mars came here to stay for the next years as an arena-headlining act "He is a certifiable, global phenomena that will find arenas a small venue in the years ahead. You’ll see this guy play wherever he wants to play." [2]

Critical response

Chris Richards' review for The Washington Post was glowing in its praise, "Sprawling video screens. Blasts of smoke, fire and confetti. A disco ball the size of a Toyota Prius." The performance of the singer who sold out Washington’s Verizon Center was "one of those rare, thrilling, upside-down pop concerts where instead of rigidly trying to recreate the high sheen of various hit singles, the singer takes complete control of the songbook, reshaping it at will. Which is to say, it was fantastic." The reviewer also metioned the wide ranges that Mars aprochs "hopscotched through Motown, new wave, late-’70s funk, mid-’90s R&B, flaunting a pop fluency that’s earned him a vast and diverse horde of admirers. You could see it in Saturday night’s audience — there were baby boomers, babies of boomers, babies of babies of boomers, and in Section 100, an actual baby." However he criticised the fact "he still needs to learn how to assert his personality through all of his genre-jumping time travel." and "Put the Hooligans, the name of the backing band, on that ticket stub, too."[5]

Writing for Billboard magazine, Jason Lipshutz felt that Bruno Mars' most impressive thing was the list of songs that was left out of the set list" during his performance. He wrote that "Mars' biggest asset as a performer has always been his ambidextrousness, and in his current stage show, the singer holds high notes, leads choreographed dances, plays electric guitar, plays acoustic guitar, plays drums, engages the crowd and even flirts with some ladies in the front row. He's a convincing "whole package" kind of pop artist, and like an ace Pixar movie with "in" jokes for parents, he expertly caters to his older and younger demographics at his live shows". He concluded his review with, "His pop tracks may not possess enriching messages, but his tirelessness and dedication must be appreciated when seen in person. And appreciate it they did: when all was said and done, the Wells Fargo Center in Philadelphia roared with a collective dizziness usually reserved for the all-too-occasional Flyers playoff win."[6]

Sarah Rodman of The Boston Globe gave the show, especially the overall performance of Bruno Mars and his band, a critically positive review, opening her article with "14,785 fans in attendance left with more than a few beads of perspiration on their brow hanks to the indefatigable singer-songwriter’s ecstatic approach to performing." His show in Boston was so energetic that "The energy never flagged as Mars displayed his flair for dramatics and classic showmanship, twisting, thrusting, and shimmying through retro soul jams". She adds "Mars has chosen his band wisely as they not only bring his music to life but match his enthusiasm and hit every step alongside the boss." She concluded the review by saying "Clearly, much work, planning, and rehearsal went in to the show, but Mars made it look easy."[7]

Jim Farber of New York Daily News praised the "show aimed to recreate a bygone era of flashy entertainment, a disco-age, tip-of-the-fedora to natty, '70s acts like The Jacksons, The Tramps and The Bee Gees." He described the music as "Befitting his Pacific rearing, Mars' music has an Island ease and warmth." Although he ended up by criticising the "inhabited the glad-handing part so winningly, it hardly seemed to matter that the show wasn’t big on risk or depth."[8]

Commercial performance

Due to high sales and consequently sold out of the concert at the Rose Bowl on July 28 of the Jay Z/Justin Timberlake, AEG was concerned about what that could affect Mars' show since July 28 was they oprion day (the second day at Staples), because he was going to perform at 27 and 28 July 2013. Furthermore, the Mars' show only went available to sell a week after the Jay Z/Justin Timberlake show.[2]

However, due to the high demands of tickets, virtually, it was decided to open a second date and put it immediately on sale. After the first show sould out in real time, the second was lit up and also "cleaned out". John Marx says "We left 20,000 people in the virtual waiting room that would’ve potentially bought other tickets. This could’ve easily gone, we believe, to three or maybe four days (at Staples Center). At the end of the day, we sold out 30,000 tickets and we were happy with that. We decided to close it at that." Marx confessed they had hold a second date in Toronto but they ended up by re-launching and putting on sale. They were able to sell 30,000 tickets in that city. They also added a second show in Denver at Red Rocks Amphitheatre (chosen by them), since the Pepsi Center didn't make justice to the singer. Both shows were sold out in that day (18,000 tickets purchased). All the dates on the American leg have been sold out, except in St. Louis (Scottrade Center), since it's capacity was increased to 16,000 and sold 14,000. Besides selling every date, "the stage was built so that we could have great sight lines with the hoped-for success we could open up into 240-degrees and maybe beyond." However, they ended up by opening and selling 270-degrees and consequently setting records in a lot of venues. "Painstaking care was given to making sure that all the seats we opened in those areas could have a good experience with the show." All the success of the opened seats was givin to their production manager, Joel Forman.[2]

Marx described the tickets sales as "When we went up, we generally went up and out. And on some of those dates that were a little bit slower, I don’t think anything went up with less than 7,000 tickets."[2]

The Australian leg, is very ambitious, and is now 80% sold out. "Most of the conts are in the 14,000 to 15,000 range and the grosses are all above $1 million per night." Adding that the dates only start in late February 2014. This represents "two Sydney dates, two Melbourne dates sold out". Besides this dates they will be adding more, right now, they have a total of nine dates on sale there.[2]

Opening acts

Setlist

File:BrunoMarsOnTour.jpg
Mars performing on the Moonshine Jungle Tour with two Hooligans.
File:BrunoMarsErwin.jpg
Mars performing on the Moonshine Jungle Tour.
North America Setlist
  1. "Moonshine"
  2. "Natalie"
  3. "Treasure"
  4. "Money (That's What I Want) / Billionaire"
  5. "Bam Bam" / "Show Me" /"Our First Time" / "Candy Rain" (cover) / "Pony" / "Ignition"
  6. "Marry You"
  7. "If I Knew"
  8. "Runaway Baby"
  9. "Nothin' on You"
  10. "When I Was Your Man"
  11. "Grenade"
  12. "Just the Way You Are"

Encore

  2. "Locked Out of Heaven"
  4. "Gorilla"
Europe Setlist
  1. "Moonshine"
  2. "Natalie"
  3. "Treasure"
  4. "Money (That's What I Want) / Billionaire / I Need a Dollar"
  5. "Bam Bam" / "Show Me" / "Our First Time" / "Pony" / "Ignition"
  6. "Marry You"
  7. "If I Knew" / "It Will Rain"
  8. "Runaway Baby"
  9. "The Lazy Song" or "Nothin' on You"
  10. "When I Was Your Man"
  11. "Grenade"
  12. "Just the Way You Are"

Encore

  2. "Locked Out of Heaven"
  4. "Gorilla"

Notes

Tour dates

Date City Country Venue
North America
June 22, 2013 Washington, D.C. United States Verizon Center
June 24, 2013 Philadelphia Wells Fargo Center
June 26, 2013 Boston TD Garden
June 27, 2013 Uncasville Mohegan Sun Arena
June 29, 2013 New York City Barclays Center
July 1, 2013 Newark Prudential Center
July 2, 2013 Pittsburgh Consol Energy Center
July 3, 2013 Toronto Canada Molson Canadian Amphitheatre
July 5, 2013 Montreal Bell Centre
July 6, 2013 Toronto Molson Canadian Amphitheatre
July 8, 2013[A] Quebec City Plains of Abraham
July 10, 2013 Columbus United States Value City Arena
July 11, 2013 Auburn Hills The Palace of Auburn Hills
July 13, 2013 Chicago United Center
July 14, 2013 St. Paul Xcel Energy Center
July 18, 2013 Edmonton Canada Rexall Place
July 20, 2013 Vancouver Rogers Arena
July 21, 2013 Seattle United States KeyArena
July 22, 2013 Portland Rose Garden Arena
July 24, 2013 Sacramento Sleep Train Arena
July 25, 2013 San Jose SAP Center at San Jose
July 27, 2013 Los Angeles Staples Center
July 28, 2013
July 30, 2013 San Diego Valley View Casino Center
July 31, 2013 Phoenix US Airways Center
August 2, 2013 West Valley City Maverik Center
August 3, 2013 Las Vegas MGM Grand Garden Arena
August 5, 2013 Morrison Red Rocks Amphitheatre
August 6, 2013
August 8, 2013 St. Louis Scottrade Center
August 9, 2013 Kansas City Sprint Center
August 10, 2013 Oklahoma City Chesapeake Energy Arena
August 12, 2013 Dallas American Airlines Center
August 14, 2013 Austin Frank Erwin Center
August 15, 2013 Houston Toyota Center
August 17, 2013 Nashville Bridgestone Arena
August 18, 2013 Louisville KFC Yum! Center
August 19, 2013 Indianapolis Bankers Life Fieldhouse
August 21, 2013 Charlotte Time Warner Cable Arena
August 22, 2013 Atlanta Phillips Arena
August 27, 2013 Orlando Amway Center
August 28, 2013 Tampa Tampa Bay Times Forum
August 30, 2013 Miami American Airlines Arena
September 1, 2013 San Juan Puerto Rico Coliseo de Puerto Rico José Miguel Agrelot
Europe
October 2, 2013 Belfast Northern Ireland Odyssey Arena
October 3, 2013 Dublin Ireland The O2
October 5, 2013 Manchester England Manchester Arena
October 6, 2013 Glasgow Scotland The Hydro
October 8, 2013 London England The O2 Arena
October 9, 2013
October 11, 2013 Birmingham National Indoor Arena
October 12, 2013 Sheffield Motorpoint Arena Sheffield
October 14, 2013 Paris France Palais Omnisports de Paris-Bercy
October 15, 2013 Amsterdam Netherlands Ziggo Dome
October 17, 2013 Antwerp Belgium Sportpaleis Antwerp
October 18, 2013 Esch-sur-Alzette Luxembourg Rockhal
October 20, 2013 Mannheim Germany SAP Arena
October 22, 2013 Stuttgart Hanns-Martin-Schleyer-Halle
October 23, 2013 Zurich Switzerland Hallenstadion
October 24, 2013 Vienna Austria Wiener Stadthalle
October 26, 2013 Milan Italy Mediolanum Forum
October 28, 2013 Berlin Germany O2 World Berlin
October 29, 2013 Hamburg O2 World Hamburg
October 31, 2013 Copenhagen Denmark Forum Copenhagen
November 2, 2013 Oslo Norway Oslo Spectrum
November 3, 2013 Stockholm Sweden Ericsson Globe
November 6, 2013 Prague Czech Republic O2 Arena
November 7, 2013 Budapest Hungary Papp László Sportaréna
November 11, 2013 Düsseldorf Germany ISS Dome
November 12, 2013 Munich Olympiahalle
November 14, 2013 Badalona Spain Palau Municipal d'Esports
November 15, 2013 Madrid Palacio Vistalegre
November 16, 2013 Lisbon Portugal MEO Arena
November 18, 2013 Marseille France Le Dôme de Marseille
November 19, 2013 Toulouse Le Zénith de Toulouse
November 21, 2013 London England The O2 Arena
November 22, 2013 Nottingham Capital FM Arena
November 24, 2013 Liverpool Echo Arena Liverpool
November 25, 2013 Newcastle Metro Radio Arena
Oceania
February 28, 2014 Perth Australia Perth Arena
March 2, 2014 Adelaide Adelaide Entertainment Centre
March 4, 2014 Melbourne Rod Laver Arena
March 5, 2014
March 7, 2014 Brisbane Brisbane Entertainment Centre
March 8, 2014 Sydney Sydney Entertainment Centre
March 10, 2014 Allphones Arena
March 11, 2014
March 15, 2014 Auckland New Zealand Vector Arena
March 16, 2014
Asia
March 20, 2014 Bangkok Thailand Impact Arena
March 22, 2014 Pasay Philippines Mall of Asia Arena
March 24, 2014 Jakarta Indonesia Mata Elang International Stadium
March 26, 2014 Singapore Singapore Singapore Indoor Stadium
March 29, 2014[12] Hong Kong Hong Kong AsiaWorld Arena
March 30, 2014
April 1, 2014 Taipei Taiwan Taipei World Trade Center
April 8, 2014 Seoul South Korea Olympic Gymnastics Arena
April 10, 2014 Osaka Japan Municipal Central Gymnasium
April 12, 2014 Tokyo Tokyo Messe
April 13, 2014
North America
September 2, 2014 Mexico City Mexico Mexico City Arena
September 3, 2014
September 5, 2014 Monterrey Arena Monterrey
September 6, 2014
Cancellations and rescheduled shows
July 7, 2013 Calgary, Alberta Scotiabank Saddledome Cancelled due to the 2013 Alberta floods.
Festivals and other miscellaneous performances
A This concert was part of "Quebec City Summer Festival"[13]

Box office score data

Venue City Tickets Sold / Available Gross Revenue
Verizon Center Washington, D.C. 15,404 / 15,404 (100%) $1,015,034
Wells Fargo Center Philadelphia 14,675 / 14,675 (100%) $1,116,984[14]
TD Garden Boston 14 ,267 /14,267 (100%) $1,030,157[14]
Mohegan Sun Arena Uncasville 5,390 / 5,390 (100%) $434,410
Barclays Center Brooklyn New York 15,204 / 15,204 (100%) $1,252,521[14]
Prudential Center Newark New Jersey 14,320 / 14,320 (100%) $1,247,263 [14]
United Center Chicago 16,278 / 16,278 (100%) $1,326,517[14]
Bell Centre Montreal 15,451 / 15,451 (100%) $881,513
Xcel Energy Center St. Paul 17,244 / 17,244(100%) $1,086,275
Schottenstein Center Columbus 13,497 / 13,497 (100%) $915,670[14]
Rexall Place Edmonton 14,240 / 14,240 (100%) $903,412[14]
Rogers Arena Vancouver 15,533 / 15,533 (100%) $1,106,306[14]
KeyArena Seattle 13,234 / 13,234 (100%) $923,591[14]
Rose Garden Portland 12,639 / 12,639 (100%) $819,834[14]
Staples Center Los Angeles 30,360 / 30,360 (100%) $2,734,649 [14]
MGM Grand Garden Las Vegas 13,850 / 13,850 (100%) $1,559,042 [14]
Valley View Casino Center San Diego 12,263 / 12,263 (100%) $800,820 [14]
CONSOL Energy Center Pittsburgh 12,582 / 12,582 (100%) $758,991 [14]
Maverik Center West Valley City 10,263 / 10,263 (100%) $702,566 [14]
Red Rocks Morrison 18,836 / 18,836 (100%) $1,164,434 [14]
Sprint Center Kansas City 14,492 / 14,492 (100%) $1,069,533 [14]
Scottrade Center St. Louis 13,947 / 13,947 (100%) $950,707 [14]
U.S. Airways Center Phoenix 14,654 / 14,654 (100%) $802,562 [14]
Chesapeake Oklahoma 13,179 / 13,179 (100%) $784,452 [14]
American Airlines Center Dallas 15,489 / 15,489 (100%) $1,016,202[14]
Toyota Center Houston 13,425 /13,425 (100%) $964,969[14]
Bridgestone Arena Nashville 14,828 / 14,828 (100%) $824,838
KFC Yum! Center Louisville 14,282 / 14,282 (100%) $951,382
Time Warner Cable Arena Charlotte 11,612 / 11,612 (100%) $671,936
Phillips Arena Atlanta 13,080 / 13,080 (100%) $906,482
Tampa Bay Times Forum Tampa 12,292 / 12,292 (100%) $797,952[14]
O2 World Berlin Berlin 14,146 / 14,146 (100%) $839,274[14]
O2 World Hamburg Hamburg 13,091 / 13,542 (96%) $741,753[14]
O2 Arena London London 34,777 / 35,242 (98%) $2,206,080[14]
Hallenstadion Zurich Zurich 13,490 / 13,490 (100%) $1,119,810[14]
TOTAL 742,430 / 744,530 (99%) $46,417,795<ref name=Top 25 Tours of 2013>

References

  1. ^ "Bruno Mars Unveils Massive 'Moonshine Jungle' World Tour". Billboard. February 20, 2013. Retrieved May 10, 2013.
  2. ^ a b c d e f g h i j k l m n o p q r s t u Mitchell Peters (September 10, 2013). "WME's John Marx on Bruno Mars' Super Bowl Gig, Sold-Out Arena Tour Strategy, Not Having Presales (Q&A)". Prometheus Global Media. Retrieved September 10, 2013.
  3. ^ "Bruno Mars Manager Brandon Creed on Mars' 'Incredible' Upcoming Tour". Billboard Staff. Prometheus Global Media. May 20, 2013. Retrieved September 14, 2013.
  4. ^ "Bruno Mars Tours With Sennheiser". 4rfv.co.uk. October 11, 2013. Retrieved November 2, 2013.
  5. ^ Chris Richards (June 23, 2013). "Bruno Mars is otherworldly in a genre-jumping show". The Washington Post. Retrieved June 28, 2013.
  6. ^ "Bruno Mars Romps Through 'Moonshine Jungle' Tour in Philadelphia: Live Review". Billboard. June 25, 2013. Retrieved June 25, 2013.
  7. ^ Sarah Rodman (June 27, 2013). "Bruno Mars exudes energy". The Boston Globe. Retrieved June 28, 2013.
  8. ^ Jim Farber (June 30, 2013). "Bruno's shining '70s show just Mars-velous during NYC stop". New York Daily News. Retrieved June 30, 2013.
  9. ^ a b "Bruno Mars announces tour with Ellie Goulding, Fitz & the Tantrums". MSN Entertainment. February 12, 2013. Retrieved May 10, 2013.
  10. ^ Mars, Bruno (August 2, 2013). "Mayer Hawthorne To Support Bruno Mars On His European Tour". Twitter. Retrieved August 2, 2013.
  11. ^ "Miguel To Support Bruno Mars On His Australian Tour". ARIA Charts. April 19, 2013. Retrieved May 10, 2013.
  12. ^ http://timable.com/event/196502
  13. ^ "POP BYTES: BRUNO MARS + WIZ KHALIFA TO PERFORM AT QUEBEC CITY SUMMER FESTIVAL 2013 + MORE". Pop Crush. April 24, 2013. Retrieved May 10, 2013.
  14. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa http://www.billboard.com/biz/current-boxscore
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