Enki

Enki (^DEN.KI(G)) was a deity in Sumerian mythology, later known as Ea in Babylonian mythology, originally chief god of the city of Eridu.

The exact meaning of his name is not sure: the common translation is "Lord of the Earth": the Sumerian en is translated as a title equivalent to "lord"; it was originally a title given to the High Priest; ki means "earth"; but there are theories that ki in this name has another origin, possibly kig of unknown meaning, or kur meaning "mound". The name Ea is possibly of Semitic origin and may be a derivation from the West-Semitic root *hyy meaning "life" in this case used for "spring", "running water."

His early history

The temple of Enki in the historic period, at Eridu, was the last of 18 temples, built on the same site. The smallest was the oldest, a small room resting on clean sand, dating to 5,000 years BC, and contained all of the features of later Mesopotamian temples; a niche, a forecourt, an altar, two platforms, an offering table, an external oven, and an Abzu or sacred pool of water. The remains of bones of freshwater fish suggest that a god of the fresh water was worshipped at the site from the beginning. Joan Oates, for instance has commented "It is extremely difficult to believe that the location of the temple, its cult, and even its architecture would have continued in an unbroken tradition from al-Ubaid, to Sumerian times if there had been at any time in this period a major change.".

Whether the divinity worshipped here was Enki, or merely a precursor (possibly the god Abzu) having similar attributes, is not now known. However, the title En, as used to refer to a high priest or priestess, does appear at the transition from the fourth to the third millennium BC, during the Jemdet Nasr period, and it is very probable that the god was referred to by his later name at least from this period onwards.

File:Enki4.jpg

Enki as portrayed in various cylinder seals, courtesy of the Trustees of the British Museum

His attributes

Enki was the deity of crafts (= gašam), water (=a, ab ), intelligence (= gestú(literally = "ear")) and creation (Nudimmud, from dim mud, "to engender", "to shape").

The main temple of Enki was called é-engur-a, the "house of the lord of deep waters"; or é-abzu, the "house of Abzu", the underground area of sweet waters (most probably the Sumerians' explaination of groundwater). It was in Eridu, which was then in the wetlands of the Euphrates valley not far from the Persian Gulf. He was the keeper of the holy powers called Me, the gifts of civilised living.

Enki is also the master shaper of the world, god of wisdom and of all magic. He is the lord of the Apsu (Akkadian, Abzu in Sumerian, hence perhaps the Greek and English word "abyss"), the freshwater ocean of groundwater under the earth.

Early royal inscriptions from the third millennium speak of "the reeds of Enki". Reeds were an important local building material, used for baskets and containers, and collected outside the city walls, where the dead or sick were often carried. This links Enki to the kur or underworld of Sumerian mythology.

His symbols included a goat and a fish, symbols at the opposite ends of the year (Pisces and Capricorn) which later combined into a single beast, the Capricorn, which became one of the signs of the zodiac.

Enki in Sumerian astronomy also represented the planet Mercury, known for its ability to shift rapidly, and its proximity to the Sun, Sumerian Utu, Akkadian Shamash, the god of Justice.

Enki's symbol is the caduceus (2 serpents on an eagle winged stick), one of the most ancient of symbols.

The caduceus connects Enki with Hermes in Greek mythology(and Poseidon in many ways); Moses (Numbers 21:8, 9) and Jesus Christ (who becomes The Caduceus - anyone who looks upon Him is healed, John 3:14).

Enki, the creator of Humankind

In Sumerian myth, Enki lay asleep in the depths of the primeval ocean, unable to hear the lament of the gods as they complained about the difficulty of cultivating wheat and making bread. Eventually the primeval sea, Nammu brought the gods' tears to Enki. Enki, as the god of wisdom, was expected to devise a solution, so he solicited Nammu and the birth-goddess Ninmah to use clay to form the first men, who would toil and farm so that the gods could relax. [7]

In later Akkadian or Babylonian Cosmology there were six generations of gods that led to the creation of the younger (Igigi) divinities of the Anunaki. In the seventh generation (Akkadian "Shappatu" hence the Hebrew Shabbath => English Sabbath), the younger gods went on strike, put down their tools and refused to keep the creation working. In the Babylonian creation myth the Enuma Elish, Abzu, the water lord, threatens to take back the creation with a universal flood, but Enki averts the threat by imprisoning Abzu beneath the Earth. Kingu, his son, informs his mother, Abzu's wife, the serpentine Tiamat (Ti = Life, Ama = mother, Biblical tehwom = the deeps), and in anger she threatens to take back the whole of creation. The gods gather in terror, but Enlil (his place in the Enuma Elish is later taken by Enki's son Marduk) subdues and slays Tiamat with the arrows of his winds which he shoots down her throat. Marduk, Enki's son, (earlier Enlil, Enki's half-brother), takes from Tiamat the Tablet of Destinies.

In the Sumerian poem 'Ninurta and the Turtle'[8] it is the god Enki, rather than Enlil, who holds the tablet. Both this poem and the Akkadian Anzû poem concern the theft of the tablet by the bird Imdugud (Sumerian) or Anzû (Akkadian). Supposedly, whoever possessed the tablets ruled the universe.

The tablet can be compared with the concept of the Me, divine decrees that are the special attribute of Enki.

But the problem created by the "strike of the gods" remains, how is creation to continue? Enki proposes that the gods make humankind as their servant, and give humans the task of keeping creation going. It is agreed, and Enki forms humanity out of the red earth (Hebrew Adamah), mingled with the red blood of the god Kingu, slain for his part in Tiamat's attack. Enlil fills his lungs with air (Hebrew ruach, Greek pneuma, Latin spiritus), and humans are alive. In this way, Humanity is given the task of maintaining the balance of nature and keeping the created order in place.

Another myth, "Enki and Adapa", tells of how humanity loses the chance at immortality. Adapa U-an (Berossus' Oannes), who is Abgallu (Ab = Water, Gal = Great, Lu = Man) (Akkadian Apkallu), Enki's advisor, to the first king of Eridu, Allulim, inadvertently breaks the wings of the South Wind, Ninlil (See Lilith) (Nin = Lady, Lil = Air), daughter of Anu (the Heavens) and wife to Enlil, king of the gods. In terror at the thought of their retribution, Adapa seeks the advice of Enki. Enki advises that Adapa make a deep and sincere atonement, but advises Adapa to eat nothing given to him by the gods, as he will probably be given the food of death, out of their anger at his deeds. Adapa takes Enki's advice, but the gods, so impressed by the sincerity of Adapa's sorrow and grief as to what he did, offered instead the fruit of immortality. Adapa remembering Enki's words, refuses, and so misses out on the chance of eternal life.

Enki, restorer of balance

Enki was not perfect, as god of water he had a penchant for beer and as god of semen he had a string of incestuous affairs. In the epic Enki and Ninhursag, he and his consort Ninhursag had a daughter Ninsar. When Ninhursag left him he came upon and then had intercourse with Ninsar (Lady Greenery) who gave birth to Ninkurra (Lady Fruitfulness or Lady Pasture).

A second time, he had intercourse with Ninkurra, who gave birth to Uttu (= Weaver or Spider).

A third time Enki succumbs to temptation, and attempts seduction of Uttu. Upset about Enki's reputation, Uttu consults Ninhursag, who, upset at the promiscuous nature of her spouse, advises Uttu to avoid the riverbanks. In another version of this myth Ninhursag takes Enki's semen and plants it in the earth where seven plants rapidly germinate. With his two-faced servant and steward Isimud, Enki finds the plants and immediately starts consuming their fruit. Unaccountably he falls ill in his jaw, his teeth, his mouth, his throat, his limbs and his rib. The gods are at a loss to know what to do, until Ninhursag's sacred fox fetches the goddess.

Ninhursag relents and takes Enki's Ab (water, or semen) into her body, and gives birth to gods of healing of each part of the body. The last one - Ninti, Sumerian = Lady Rib, is also a pun on Lady Life, a title of Ninhursag herself. The story symbolically reflects the way in which life is brought forth through the addition of water to the land, and once it grows, water is required to bring plants to fruit. It also counsels balance and responsibility, nothing to excess.

Ninti, is given the title of the mother of all living, and was a title given to the later Hurrian goddess Kheba. This is also the title given to Eve (= Hebrew Chavvah), the Aramaic Hawwah, who was supposedly made from the Rib of Adam, in a strange reflection of the Sumerian myth.

Enki confuses Earth's languages

In the Sumerian epic entitled Enmerkar and the Lord of Aratta, in a speech of Enmerkar, an incantation is pronounced that has a mythical introduction. Kramer's translation is as follows:

Once upon a time there was no snake, there was no scorpion,
There was no hyena, there was no lion,
There was no wild dog, no wolf,
There was no fear, no terror,
Man had no rival.

In those days, the lands of Subur (and) Hamazi,
Harmony-tongued Sumer, the great land of the decrees of princeship,
Uri, the land having all that is appropriate,
The land Martu, resting in security,
The whole universe, the people in unison
To Enlil in one tongue [spoke].

(Then) Enki, the lord of abundance (whose) commands are trustworthy,
The lord of wisdom, who understands the land,
The leader of the gods,
Endowed with wisdom, the lord of Eridu
Changed the speech in their mouths, [brought] contention into it,
Into the speech of man that (until then) had been one.

Enki, Champion of Humankind

According to Sumerian mythology, Enki also assisted humanity to survive the Deluge designed to kill them. In the Legend of Atrahasis, Enlil, the jealous king of the gods, sets out to eliminate humanity, whose noise is offensive to his ears. He successively sends drought, famine and plague to eliminate humanity, but Enki thwarts his half-brother's plans by teaching Atrahasis irrigation, granaries and medicine. Humans again proliferate a fourth time. Enraged Enlil, convenes a Council of Deities and gets them to promise not to tell humankind that he plans their total annihilation. Enki, doesn't tell Atrahasis, but tells of Enlil's plan to the walls of Atrahasis' reed hut, thus covertly rescuing the man Atrahasis, or Ziusudra by either instructing him to build some kind of a boat for his family, or by bringing him into the heavens in a magic boat. After the seven day Deluge, the flood hero, Utnapishtim, Atrahasis or Ziusudra frees a swallow, a raven and a dove in an effort to find if the flood waters have receded. On the boat landing, a sacrifice is organized to the gods. Enlil is angry his will has been thwarted yet again, and Enki is named as the culprit. As the god of what we would call ecology, Enki explains that Enlil is unfair to punish the guiltless Atrahasis for the sins of his fellows, and secures a promise that the gods will not eliminate humankind if they practice birth control and live within the means of the natural world. The threat is made, however, that if humans do not honour their side of the covenant the gods will be free to wreak havoc once again. This is apparently the oldest surviving source of the Noah's Ark biblical tale and other parallel Middle Eastern Deluge myths.

Enki and Inanna

In his connections with Inanna Enki shows other aspects of his non-Patriarchal nature. The myth Enki and Inanna tells the story of the young goddess of the É-anna temple of Uruk, who visits the senior god of Eridu, and is entertained by him in a feast. The seductive god plies her with beer, and the young goddess maintains her virtue, whilst Enki proceeds to get drunk. In generosity he gives her all the gifts of his Me, the gifts of civilised life. Next morning, with a hangover, he asks his servant Isimud for his Me to be informed that he has given them to Inanna. Upset at his actions he sends Galla demons to recover them. Inanna escapes her pursuers to arrive safely back at the quay at Uruk. Enki realises that he has been tricked in his hubris and accepts a peace treaty forever with Uruk.

Politically, this myth would seem to indicate events of an early period where political authority passed from Enki's city of Eridu to Inanna's Uruk.

In the myth of Inanna's descent, Inanna to console her grieving sister Ereshkigal, mourning the death of her husband Gugalana (Gu=Bull, Gal=Great, Ana=Heaven), slain by Gilgamesh and Enkidu, sets out to visit her sister. She tells her servant Ninshubur (Nin=Lady, Shubur=Evening}, a reference to Inanna's role as the evening star, that if she doesn't return in three days to get help from her father Anu, Enlil, king of the gods, or Enki. When she doesn't return, Ninshubur approaches Anu only to be told that he understands that his daughter is strong and can take care of herself. Enlil tells Ninshubur he is much too busy running the cosmos. Enki immediately expresses concern and dispatches his Galla demons, Galaturra or Kurgarra, sexless beings created from the dirt from beneath the god's finger-nails, to recover the young goddess. These beings may be the origin of the Greco-Roman Galli, androgynous beings of the third sex, similar to the American Indian berdache, who played an important part in early religious ritual.

In the story Inanna and Skukaletuda, Shukaletuda, the gardener, set by Enki to care for the date palm he had created, finds Inanna sleeping under the palm tree and rapes the goddess in her sleep. Awaking she discovers that she has been violated without her permission and seeks to punish the miscreant. Shukaletuda seeks protection from Enki whom Bottero believes to be his father. In classic Enkian fashion, the father advises Shukaletuda to hide in the city where Inanna will not be able to find him. Enki as the protector whoever comes to seek his help, and as the empowerer of Inanna, here challenges the young impetuous goddess to control her anger so as to be better able to function as a great judge.

Eventually after cooling her anger, she too seeks the help of Enki, as spokesperson of the "assembly of the gods", the Igigi and the Anunnaki. After presenting her case Enki sees that justice needs to be done and promises help, delivering knowledge of where the miscreant is hiding.

His portrayal

Enki was considered a god of life and replenishment, and was often depicted with two streams of water emanating from his shoulders, one the Tigris, the other the Euphrates. Alongside him were trees symbolising the male and female aspects of nature, each holding the male and female aspects of the 'Life Essence', which he, as apparent alchemist of the gods, would masterfully mix to create several beings that would live upon the face of the earth.

In character Enki is not a joker or trickster god, he is never a cheat, although fooled he is not a fool. Enki uses his magic for the good of others when called upon to help either a god, a goddess or a human. Enki is always true to his own essence as a masculine nurturer. He is fundamentally a trouble-shooter god, and avoids or disarms those who bring conflict and death to the world. He is the mediator whose compassion and sense of humour breaks and disarms the wrath of his stern half-brother, Enlil, king of the gods. He is the Challenger who tests the limits of Inanna in the myth Enki and Inanna and the Me and then concedes graciously his defeat by the young goddess of Love and War, by strengthening the bonds between Eridu and her city of Uruk. So he becomes the Empowerer of Inanna.

He is the lord of the Apsu (Akkadian, Abzu in Sumerian, hence Greek and English Abyss) , the fresh-water ocean of groundwater under the earth.

Enki has been said to be:

"The most complete and modern mirror of masculine wholeness in Mesopotamia and world religion. His values and attributes are timeless, and it is not surprising to see that He is one of the most beloved gods of Mesopotamia. How can He be so whole? Because in Him the passionate and joyous Lover, the Mystic, the Strategist, the Sorcerer, the Divine Manager, the Keeper of World Order and Rescuer of Humankind and Gods alike are all One.

Enki is ... the gallant, impetuous, energetic Lord of Wisdom, the Seeker after truth, and Master Adept in sorcery, enchantment and seduction." [9]

Enki's Influence

Enki and later Ea were apparently depicted, sometimes, like Adapa, as a man covered with the skin of a fish, and this representation, as likewise the name of his temple E-apsu, "house of the watery deep", points decidedly to his original character as a god of the waters (see Oannes). Of his cult at Eridu, which goes back to the oldest period of Mesopotamian history, nothing definite is known except that his temple was also associated with Ninhursag's temple which was called Esaggila = "the lofty sacred house" (E = house, Sag = sacred, Ila = High (or (Akkadian) = Ila (goddess))), a name shared with Marduk's temple in Babylon, pointing to a staged tower or ziggurat (as with the temple of Enlil at Nippur, which was known as Ekur ("Kur" = mountain "E" = house), and that incantations, involving ceremonial rites in which water as a sacred element played a prominent part, formed a feature of his worship. This seems also implicated in the epic of the hieros gamos or sacred marriage of Enki and Ninhursag, which seems an etiological myth of the fertilisation of the dry ground by the coming of irrigation water (from Sumerian = 'A, Ab' = water, or semen). The early inscriptions of Urukagina in fact go so far as to suggest that the divine pair, Enki and Ninki, were the progenators of seven pairs of gods, including Enki as god of Eridu, Enlil of Nippur and Su'en (or Sin) of Ur, and were themselves the children of An (sky, heaven) and Ki (earth) [10]. The pool of the Abzu at the front of his temple, was adopted also at the temple to Nanna (Akkadian Sin) the Moon, at Ur, and spread throughout the Middle East. It remains, as the sacred pool at Mosques, and as the Baptismal font in Christian Churches.

Whether Eridu at one time also played an important political role in Sumerian affairs is not certain, though not improbable. At all events the prominence of "Ea" led, as in the case of Nippur, to the survival of Eridu as a sacred city, long after it had ceased to have any significance as a political centre. Myths in which Ea figures prominently have been found in Assurbanipal's library, and in the Hattusas archive in Hittite Anatolia. As Ea, Enki had a wide influence outside of Sumeria, being equated with El (at Ugarit) and possibly Yah (at Ebla) in the Canaanite 'ilhm pantheon, he is also found in Hurrian and Hittite mythology, as a god of contracts, and is particularly favourable to humankind. Amongst the Western Semites it is thought that Ea was equated to the term *hyy (Life)[11], referring to Enki's waters as life giving. Enki/Ea is essentially a god of civilization, wisdom and culture. He was also the creator and protector of man, and of the world in general. Traces of this view appear in the Marduk epic celebrating the achievements of this god and the close connection between the Ea cult at Eridu and that of Marduk. The correlation between the two rise from two other important connections: (1) that the name of Marduk's sanctuary at Babylon bears the same name, Esaggila, as that of a temple in Eridu, and (2) that Marduk is generally termed the son of Ea, who derives his powers from the voluntary abdication of the father in favour of his son. Accordingly, the incantations originally composed for the Ea cult were re-edited by the priests of Babylon and adapted to the worship of Marduk, and, similarly, the hymns to Marduk betray traces of the transfer of attributes to Marduk which originally belonged to Ea.

It is, however, as the third figure in the triad (the two other members of which were Anu and Enlil) that Ea acquires his permanent place in the pantheon. To him was assigned the control of the watery element, and in this capacity he becomes the 'shar apsi', i.e. king of the Apsu or "the deep." The Apsu was figured as the abyss of water beneath the earth, and since the gathering place of the dead, known as Aralu, was situated near the confines of the Apsu, he was also designated as En-Ki, i.e. "lord of that which is below", in contrast to Anu, who was the lord of the "above" or the heavens. The cult of Ea extended throughout Babylonia and Assyria. We find temples and shrines erected in his honour, e.g. at Nippur, Girsu, Ur, Babylon, Sippar and Nineveh, and the numerous epithets given to him, as well as the various forms under which the god appears, alike bear witness to the popularity which he enjoyed from the earliest to the latest period of Babylonian-Assyrian history. The consort of Ea, known as Ninhursag, Ki, Uriash Damkina, "lady of that which is below," or Damgalnunna, "great lady of the waters," originally was fully equal with Ea but in more patriarchal Assyrian and Neo-Babylonian times plays a part merely in association with her lord. Generally, however, Enki seems to be a reflection of pre-patriarchal times, in which relations between the sexes were characterised by a situation of greater gender equality. In his character, he prefers persuasion to conflict, which he seeks to avoid if possible.

"Ea" and West Semitic deities

In 1964, a team of Italian archaeologists under the direction of Paolo Matthiae of the University of Rome La Sapienza performed a series of excavations of material from the third-millennium BCE city of Ebla. Much of the written material found in these digs was later translated by Dr. Giovanni Pettinato. Among other conclusions, he found a tendency among the inhabitants of Ebla to replace the name of El, king of the gods of the Canaanite Pantheon (found in names such as Mikael), with Yah (as in Mikiah). Jean Bottero and many others have suggested that Yah in this case is a West Semitic (Canaanite) way of saying Ea, Enki's Akkadian name.

Yah, Yahu, or Yaw becomes the god of the Waters, of Yamm (the Sea) and Nahar (the Rivers) in Levantine Mythology, contesting with the god Hadad, the storm god (the Canaanite divinity equivalent to Enlil), for supreme power. It has been suggested that this god - Canaanite Yah (Ea/Enki), unified with the Aramaic "Mother of all Living" - the goddess Hawwah (Akkadian Ninhursag), into a single androgynous creator divinity, may be the origin of the Tetragrammaton YHWH (Yahweh, from Yah and Hawwah). This would explain Yahweh's (and Jesus Christ's, in the later teachings of Christianity) role as creator, the god who made humankind, the god who confounded humanity's languages, and the god who saved Noah from the Great Flood, the god associated with the serpent on the pole, all attributes of Enki. Thus it may be that behind Yahweh himself, lies the nature and character of the earlier Sumerian god.

Some of this article was originally from the 1911 Encyclopædia Britannica.

Enki in popular culture

• In the science fiction book Snow Crash, by Neal Stephenson, Enki is portrayed as a proto-hacker or as Stephenson puts it "a neurolinguistic hacker"; his ability to manipulate people through language culminated in him introducing sentience to mankind.
• According to Zecharia Sitchin (q.v.), Enki was an alien genetic engineer responsible for the creation of mankind. His theories are not accepted by the majority of historians, mythologists and scientists.
• Norwegian black metal band Burzum wrote a song called "Ea, Lord of the Depths".
• In the Outlanders series novel Dragoneye by Mark Ellis aka James Axler, Enki appears as a crippled reptilian, the last of the Anunnaki.
• In the show and book Talking Cock, comedian Richard Herring describes Enki in detail, and repeatedly refers to him throughout.
• The largest Plumbing & Irrigation chain in Australia, Reece ,have introduced a range of irrigation products called "Enki", with the outlook of water saving.
• In the Doctor Who Virgin New Adventures novel Timewyrm: Genesys by John Peel, the Doctor takes the identity of Enki after being mistaken for the god by Gilgamesh.

References

• Jacobsen, Thorkild (1976) "Treasures of Darkness; A History of Mesopotamian Religion", (Yale University Press, London, New Heaven) ISBN 0-300-02291-3
• Bottero, Jean (2004) "Religion in Ancient Mesopotamia" (University Of Chicago Press) ISBN 0-226-06718-1
• Kramer, Samuel Noah (1998) "Sumerian Mythology: A Study of Spiritual and Literary Achievement in the Third Millennium B.C." (University of Pennsylvania Press; Revised edition) ISBN 0-8122-1047-6
• Kramer, S.N. and Maier, J.R. (1989) "Myths of Enki, the Crafty God" (Oxford)
• Galter, H.D. (1981) "Der Gott Ea/Enki in der akkadischen Überlieferung" (Graz)

See also

• Mesopotamian mythology
• Mesopotamia
• Ancient Near East
• Capricornus

External links

AncientNearEast.Net http://www.ancientneareast.net/religion_mesopotamian/gods/enki_ea.html

Peeter Espak, Ancient Near Eastern gods Enki and Ea: Diachronical Analysis of Texts and Images from the Earliest Sources to the Neo-Sumerian Period : master's thesis / http://www.utlib.ee/ekollekt/diss/mag/2006/b18272897/espakpeeter.pdf