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The lyrics also reflect desperation of the band's situation in 1979 struggling with high debt, without management and arguing with their record label over whether the ''London Calling'' album should be a single or double album. The lines referring to "''now don't look to us'' / ''All that phoney [[Beatlemania]] has bitten the dust''" reflects the concerns of the band over its situation after the [[punk rock]] boom in England in [[1977]] had ended.
The lyrics also reflect desperation of the band's situation in 1979 struggling with high debt, without management and arguing with their record label over whether the ''London Calling'' album should be a single or double album. The lines referring to "''now don't look to us'' / ''All that phoney [[Beatlemania]] has bitten the dust''" reflects the concerns of the band over its situation after the [[punk rock]] boom in England in [[1977]] had ended.


Musically, the song is far removed from their earlier style of frenzied punk rock I-IV-V-I [[chord progressions]], as best exemplified on songs like "Career Opportunities" and "I'm So Bored with the U.S.A.". The song is in a minor key &mdash; something The Clash had rarely used before &mdash; and the inherent dirge-like, apocalyptic feel is intensified by [[Topper Headon|Topper Headon's]] martial drumming without backbeat, in perfect synchrony with staccato guitar chords; [[Paul Simonon|Paul Simonon's]] haunting and pulsating bass line; the group's deliberate, mid-tempo pace; and Strummer's icy lyrics and baleful delivery. Strummer's [[wolf]]-like howls or perhaps [[Rooster]]-like crows, during the instrumental break, further fuel the atmosphere of [[desolation]] and [[paranoia]] implied throughout the song. Like many of the tracks on ''[[London Calling]]'' &mdash; including "The Card Cheat", "Revolution Rock", and "Jimmy Jazz" &mdash; the song doesn't end by resolving strongly to the tonic or fading out, as most [[rock and roll]] songs do. Instead, it breaks down eerily, with Joe Strummer's cryptic last words "I never felt so much a-like..." echoing over [[Pete Townshend]]-inspired [[Morse code]] feedback.<ref name="allmusic.com-London Calling-The_Clash-Song_Review" />
Musically, the song is far removed from their earlier style of frenzied punk rock I-IV-V-I [[chord progressions]], as best exemplified on songs like "Career Opportunities" and "I'm So Bored with the U.S.A.". The song is in a minor key &mdash; something The Clash had rarely used before &mdash; and the inherent dirge-like, apocalyptic feel is intensified by [[Topper Headon|Topper Headon's]] martial drumming without backbeat, in perfect synchrony with staccato guitar chords; [[Paul Simonon|Paul Simonon's]] haunting and pulsating bass line; the group's deliberate, mid-tempo pace; and Strummer's icy lyrics and baleful delivery. Strummer's [[wolf]]-like howls or perhaps [[Rooster]]-like crows, during the instrumental break, further fuel the atmosphere of [[desolation]] and [[paranoia]] implied throughout the song.{{or}} Like many of the tracks on ''[[London Calling]]'' &mdash; including "The Card Cheat", "Revolution Rock", and "Jimmy Jazz" &mdash; the song doesn't end by resolving strongly to the tonic or fading out, as most [[rock and roll]] songs do. Instead, it breaks down eerily, with Joe Strummer's cryptic last words "I never felt so much a-like..." echoing over [[Pete Townshend]]-inspired [[Morse code]] feedback.<ref name="allmusic.com-London Calling-The_Clash-Song_Review" />


"London Calling" was recorded at [[Wessex Studios]] located in a former church in [[Highbury]] in North London. This studio had already proved to be a popular location with [[The Sex Pistols]], [[the Pretenders]] and the [[Tom Robinson]] band. The single was produced by [[Guy Stevens]] and engineered by [[Bill Price (record producer)|Bill Price]].<ref name="Gilbert-Passion_Is_a_Fashion" /><ref name="songfacts.com-London_Calling_by_The_Clash_Songfacts" />
"London Calling" was recorded at [[Wessex Studios]] located in a former church in [[Highbury]] in North London. This studio had already proved to be a popular location with [[The Sex Pistols]], [[the Pretenders]] and the [[Tom Robinson]] band. The single was produced by [[Guy Stevens]] and engineered by [[Bill Price (record producer)|Bill Price]].<ref name="Gilbert-Passion_Is_a_Fashion" /><ref name="songfacts.com-London_Calling_by_The_Clash_Songfacts" />
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|quote=The Clash sell luxury goods By Rob Walker, 9/15/2002
|quote=The Clash sell luxury goods By Rob Walker, 9/15/2002
}}</ref>
}}</ref>
*In 2008 the song appeared in trailers for [[The Bank Job]].


== Notable appearances ==
== Notable appearances ==
In the [[Friends]] episode [[The One With Ross' Wedding]], London Calling is playing in the background as it shows a shot of the hotel the friends are staying at.
In the ''[[Friends]]'' episode [[The One With Ross' Wedding]], London Calling is playing in the background as it shows a shot of the hotel the friends are staying at.
*Joe Strummer later became a [[DJ]] for the BBC World Service, broadcasting in programmes entitled "Joe Strummer's London Calling" [http://www.bbc.co.uk/worldservice/arts/highlights/001013_strummer.shtml].
*Joe Strummer later became a [[DJ]] for the BBC World Service, broadcasting in programmes entitled "Joe Strummer's London Calling" [http://www.bbc.co.uk/worldservice/arts/highlights/001013_strummer.shtml].
*An earlier version of the song from ''[[The Vanilla Tapes]]'', with noticeably different lyrics, was released with the ''London Calling Legacy Edition'' in [[2004]].
*An earlier version of the song from ''[[The Vanilla Tapes]]'', with noticeably different lyrics, was released with the ''London Calling Legacy Edition'' in [[2004]].
*A live version of the song, recorded in [[Boston, Massachusetts|Boston]] on [[September 7]], [[1982]], was released on the 1999 album ''[[From Here to Eternity: Live]]''.
*A live version of the song, recorded in [[Boston, Massachusetts|Boston]] on [[September 7]], [[1982]], was released on the 1999 album ''[[From Here to Eternity: Live]]''.
*The song was shortly featured in the films ''[[Face (1997 film)|Face]]'' ([[1997]]), ''[[Bravo Two Zero (film)|Bravo Two Zero]]'' ([[1999]]), ''[[Billy Elliot]]'' ([[2000]]), ''[[Ma femme est une actrice]]'' ([[2001]]), ''[[Die Another Day]]'' ([[2002]]), '' [[What a Girl Wants (film)]]'' ([[2003]]) and [[28 Days Later]] ([[2003]]) (the song is also on the movie's soundtrack), as well as in an episode of ''[[Friends]]'' in the fourth season of the show.
*The song was shortly featured in the films ''[[Face (1997 film)|Face]]'' ([[1997]]), ''[[Bravo Two Zero (film)|Bravo Two Zero]]'' ([[1999]]), ''[[Billy Elliot]]'' ([[2000]]), ''[[Ma femme est une actrice]]'' ([[2001]]), ''[[Die Another Day]]'' ([[2002]]), ''[[What a Girl Wants (film)]]'' ([[2003]]) and ''[[28 Days Later]]'' ([[2003]]) (the song is also on the movie's soundtrack), as well as in an episode of ''[[Friends]]'' in the fourth season of the show.
*On [[March 30]], [[2006]], 23-year-old Harraj Mann, who is of Indian descent, was detained on [[terrorism]] suspicions at [[Durham Tees Valley Airport]] in Northern England as he tried to board a plane to London. The man had taken a cab to the airport and plugged his MP3 Player into the cab's stereo, where he played "London Calling" ("London calling to the faraway towns, now war is declared and battle come down") and [[Led Zeppelin]]'s "[[Immigrant Song]]". The lyrics aroused the driver's suspicions, and he alerted the authorities. The man was subsequently cleared, but he missed his flight. [http://news.bbc.co.uk/2/hi/uk_news/england/4879918.stm], [http://news.yahoo.com/s/ap_travel/20060410/ap_tr_ge/travel_brief_passenger_detained;_ylt=AiyfVGlxBq7Rbb1FORmewu6s0NUE;_ylu=X3oDMTA4NWZtdDlpBHNlYwMyNjgz]
*On [[March 30]], [[2006]], 23-year-old Harraj Mann, who is of Indian descent, was detained on [[terrorism]] suspicions at [[Durham Tees Valley Airport]] in Northern England as he tried to board a plane to London. The man had taken a cab to the airport and plugged his MP3 Player into the cab's stereo, where he played "London Calling" ("London calling to the faraway towns, now war is declared and battle come down") and [[Led Zeppelin]]'s "[[Immigrant Song]]". The lyrics aroused the driver's suspicions, and he alerted the authorities. The man was subsequently cleared, but he missed his flight. [http://news.bbc.co.uk/2/hi/uk_news/england/4879918.stm], [http://news.yahoo.com/s/ap_travel/20060410/ap_tr_ge/travel_brief_passenger_detained;_ylt=AiyfVGlxBq7Rbb1FORmewu6s0NUE;_ylu=X3oDMTA4NWZtdDlpBHNlYwMyNjgz]
*The Last episode of the hit teen drama series [[Instant Star]] has been named with the name of the song.
*The last episode of the teen drama series ''[[Instant Star]]'' has been named with the name of the song.


== Cover versions ==
== Cover versions ==
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*The [[Red Hot Chili Peppers]] often use the intro to the song as an intro to "[[Right On Time]]", as heard on Live at [[Slane Castle]] and at [[Oxegen]] 2006
*The [[Red Hot Chili Peppers]] often use the intro to the song as an intro to "[[Right On Time]]", as heard on Live at [[Slane Castle]] and at [[Oxegen]] 2006
*The German band [[Beatsteaks]] uses the intro as an intro to "Hello Joe", a tribute to Joe Strummer.
*The German band [[Beatsteaks]] uses the intro as an intro to "Hello Joe", a tribute to Joe Strummer.
*Canadian band the Rheostatics frequently covered this song live in concert.
*Canadian band the [[Rheostatics]] frequently covered this song live in concert.


== Sample ==
== Sample ==

Revision as of 20:44, 26 February 2008

"London Calling"
Song
B-side"Armagideon Time"

"London Calling" is the hit song from the double album London Calling by the U.K. punk rock band The Clash; it is also the album's first track. This apocalyptic, politically charged rant features the band's famous combination of reggae basslines and punk electric guitar and vocals.[1][2][3]

Writing and recording

The song was written by Joe Strummer and Mick Jones. The title alludes to the BBC World Service's station identification: "This is London calling ...", that was used during World War II, often in broadcasts to occupied countries.[1][4]

The lyrics reflect the concern felt by Strummer about world events with the reference to "a nuclear error" to the incident at Three Mile Island, which occurred earlier in 1979. Joe Strummer has said: "We felt that we were struggling about to slip down a slope or something, grasping with our fingernails. And there was no one there to help us."[4][3]

The line "London is drowning / And I live by the river" comes from concerns that if the River Thames flooded, most of central London would drown, something that led to the construction of the Thames Barrier.[4][3]

The lyrics also reflect desperation of the band's situation in 1979 struggling with high debt, without management and arguing with their record label over whether the London Calling album should be a single or double album. The lines referring to "now don't look to us / All that phoney Beatlemania has bitten the dust" reflects the concerns of the band over its situation after the punk rock boom in England in 1977 had ended.

Musically, the song is far removed from their earlier style of frenzied punk rock I-IV-V-I chord progressions, as best exemplified on songs like "Career Opportunities" and "I'm So Bored with the U.S.A.". The song is in a minor key — something The Clash had rarely used before — and the inherent dirge-like, apocalyptic feel is intensified by Topper Headon's martial drumming without backbeat, in perfect synchrony with staccato guitar chords; Paul Simonon's haunting and pulsating bass line; the group's deliberate, mid-tempo pace; and Strummer's icy lyrics and baleful delivery. Strummer's wolf-like howls or perhaps Rooster-like crows, during the instrumental break, further fuel the atmosphere of desolation and paranoia implied throughout the song.[original research?] Like many of the tracks on London Calling — including "The Card Cheat", "Revolution Rock", and "Jimmy Jazz" — the song doesn't end by resolving strongly to the tonic or fading out, as most rock and roll songs do. Instead, it breaks down eerily, with Joe Strummer's cryptic last words "I never felt so much a-like..." echoing over Pete Townshend-inspired Morse code feedback.[3]

"London Calling" was recorded at Wessex Studios located in a former church in Highbury in North London. This studio had already proved to be a popular location with The Sex Pistols, the Pretenders and the Tom Robinson band. The single was produced by Guy Stevens and engineered by Bill Price.[1][4]

Reissues

The single has several issues, all with different covers. Four are from 1979 (catalog number: 8087; S CBS 8087; 128087; S CBS 8087). In 1988 was released a special limited edition box set containing three tracks, "London Calling" in the side one, "Brand New Cadillac" and "Rudie Can't Fail" in the side two, a poster and two badges (catalog number: CLASH B2). Two were released by CBS Records in 1991 (catalog number: 656946; 31-656946-22) both with "Brand New Cadillac" in the B-side, the second one has an additional track in the side two "Return to Brixton (Jeremy Healy 7" Remix)(see the table below).[5]

Year B-side Format Label Country Note
1979 "Armagideon Time" 45 rpm 7" vinyl CBS S CBS 8087 UK Released on December 7, 1979; #2 for 1979, #37 overall.
1979 45 rpm 12" vinyl CBS 128087 UK
1979 Armagideon Time 45 rpm 7" vinyl CBS S CBS 8087 UK Alternate cover.
1979 Armagideon Time 45 rpm 7" vinyl CBS 8087 NL
1980 "London Calling" 45 rpm 7" vinyl Epic 50851 USA A-side: "Train in Vain (Stand by Me)"; Released on February 12, 1980; #3 for 1980, #17 overall.
1988
  1. Brand New Cadillac
  2. Rudie Can't Fail
45 rpm 7" vinyl CBS CLASH 2 UK Box Set; Limited Edition
1991
  1. "Brand New Cadillac"
  2. "Return to Brixton" (Jeremy Healy 7" Remix)
45 rpm 12" vinyl Columbia 31-656946-22 UK
1991 "Brand New Cadillac" 45 rpm 7" vinyl Columbia 656946 UK

Chart success and critical response

"London Calling" was released as the only single in the UK from the album and reached #11 in the charts in December 1979.[2] The song did not make the US charts as "Train in Vain" was released in a single and broke the band in the US reaching #23 on the pop charts.

"London Calling" was the first Clash song to chart elsewhere in the world reaching the top 40 in Australia. The success of the single and album was greatly helped by a memorable video shot by Don Letts showing the band playing the song on a boat (Festival Pier), next to Albert Bridge on the south side of the Tames, Battersea Park in a cold and rainy night at the beginning of December 1979.[6][7]

The single fell off the charts after 10 weeks, but later re-entered the chart twice, spending a total of fifteen non-consecutive weeks on the UK Singles Chart.

Over the years, "London Calling" has become regarded by many critics as the band's finest. In 2004, Rolling Stone rated the song as #15 in its list of the 500 Greatest Songs of All Time.[8][9] In 1989, the magazine also rated the album of the same name as the best album of the 1980s—although it was released in late 1979 in Britain, it came out in January, 1980 in the USA.

"London Calling" was also ranked #42 on VH1's "100 Greatest Songs of the '80s".[10]

A supergroup consisting of Bruce Springsteen, Elvis Costello, Dave Grohl, Steven Van Zandt, Pete Thomas, and Tony Kanal of No Doubt performed the song at the 2003 Grammy awards as a tribute after the death of Joe Strummer. Bruce Springsteen had earlier offered to join the band at the induction ceremony in 2002 for the Rock and Roll Hall of Fame but the band had refused to play at the ceremony claiming that they did not want to play at a function where seats were upwards of $1,000, and would rather play for their fans. Although it appears Strummer favored a reunion, any hopes of a reunion died with Joe.

Uses in advertising

  • The Clash turned down a request from British Telecom to use the song for an advertising campaign in the early 90's. [11]
  • In 2002, the band incurred criticism when they sold the rights to Jaguar for a car advertisement. In an interview posted on his website, Strummer explained the reasons for the deal. "Yeah. I agreed to that. We get hundreds of requests for that and turn 'em all down. But I just thought Jaguar . . . yeah. If you're in a group and you make it together, then everybody deserves something. Especially twenty-odd years after the fact."[12][13]
  • In 2008 the song appeared in trailers for The Bank Job.

Notable appearances

In the Friends episode The One With Ross' Wedding, London Calling is playing in the background as it shows a shot of the hotel the friends are staying at.

Cover versions

Sample

Charts

Chart Peak
position
Date
UK Singles Chart 11
U.S. Billboard Club Play Singles 30

Notes

  1. ^ a b c Gilbert, Pat (2005) [2004]. Passion Is a Fashion: The Real Story of The Clash (4th edition ed.). London: Aurum Press. pp. pp. 233, 235, 238, 257, 260, 267. ISBN 1845131134. OCLC 61177239. {{cite book}}: |access-date= requires |url= (help); |edition= has extra text (help); |pages= has extra text (help)
  2. ^ a b "BBC - Radio 2 - Sold On Song - Brits25 - London Calling" (SHTML). Radio 2, Sold On Song. bbc.co.uk. Retrieved 2007-12-31. a) Taken from the Clash's stunning 1979 double album, London Calling, the single showcased the bands' trademark fusion of reggae bass lines with punk guitar and vocals.
    b) Reaching number eleven in December 1979, the song was the only track to be released as a single from their acclaimed London Calling album.
  3. ^ a b c d Guarisco, Donald A. "London Calling - The Clash - Song Review". allmusic.com. Retrieved 2008-01-15.
  4. ^ a b c d "London Calling by The Clash Songfacts" (PHP). songfacts.com. Retrieved 2007-12-31.
  5. ^ "Albums by The Clash - Rate Your Music". rateyourmusic.com. Retrieved 2008-01-15.
  6. ^ Green (2003), pp. 15–17
  7. ^ Salewicz (2007), p. 276
  8. ^ "The RS 500 Greatest Songs of All Time". RollingStone. 2004-12-09. Retrieved 2007-11-22. 15. London Calling, The Clash
  9. ^ "London Calling The Clash". The RS 500 Greatest Songs of All Time. RollingStone. 2004-12-09. Retrieved 2007-11-22.
  10. ^ "VH1'S "100 GREATEST SONGS OF THE '80S"" (JHTML). VH1. 2006-10-24. Retrieved 2007-12-31. 42 The Clash / "London Calling" 1982
  11. ^ "The Uncut Crap - Over 56 Things You Never Knew About The Clash". NME. 3. London: IPC Magazines. March 16, 1991. ISSN 0028-6362. OCLC 4213418. British Telecom wanted to use "London Calling" for their last advertising campaign. They were told to bog off. {{cite journal}}: |access-date= requires |url= (help); Check date values in: |date= (help)
    Related news articles:
  12. ^ Vallen, Mark (2002). "ART FOR A CHANGE - London Calling". ART FOR A CHANGE. Retrieved 2007-12-31. Selling out the legacy of Punk - article by Mark Vallen, July 2002. {{cite web}}: Unknown parameter |month= ignored (help)
  13. ^ Walker, Rob (2002-09-15). "Boston Globe Online / Sunday - Focus / Brand new Jag". Boston Globe. Retrieved 2007-12-31. The Clash sell luxury goods By Rob Walker, 9/15/2002 {{cite web}}: Check |archiveurl= value (help)
  14. ^ Pagel, Bill. "Bob Dylan - Bob Links - London, England Set List - 11/21/05". Retrieved 2008-02-13. 16. London Calling (incomplete - 1 verse)
  15. ^ Pagel, Bill. "Bob Dylan - Bob Links - London, England Set List - 11/24/05". Retrieved 2008-02-13. 15. London Calling (incomplete)
  16. ^ Jarnow, Jesse (2005-11-22). ""london calling" - bob dylan". Jesse Jarnow's Frank and Earthy Blog. wunderkammern27.com. Retrieved 2008-02-13. Fly-by-night, lo-fi, punk-frickin'-rock recording of Dylan performing a solid minute of The Clash's "London Calling" yesterday in London.
  17. ^ Ketchell, James. "Rockbeatstone Magazine - Bob Dylan - Brixton Academy, London - Live Review" (PHP). Rockbeatstone Magazine. Retrieved 2008-02-13.

References