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| A-side = "[[Don't Be Cruel]]"
| A-side = "[[Don't Be Cruel]]"
| Released = July 13, 1956
| Released = July 13, 1956
| Format = [[Single (music)|single]]
| Format = [[Gramophone record|45 rpm, 78 rpm]] [[Single (music)|single]]
| Recorded = July 2, 1956, [[New York, New York|New York]]
| Recorded = July 2, 1956, [[New York, New York|New York]]
| Genre = [[Rock and roll]]
| Genre = [[Rock and roll]]

Revision as of 21:52, 26 May 2010

"Hound Dog"
Song
B-side"Nightmare" [1][2]

"Hound Dog" is a twelve-bar blues written by Jerry Leiber and Mike Stoller and originally recorded by Willie Mae "Big Mama" Thornton in 1952. Other early versions illustrate the differences among blues, country, and rock and roll in the mid 1950s. The 1956 remake by Elvis Presley is the best known version. This is the version that is #19 on Rolling Stone's list of The 500 Greatest Songs of All Time.[3] "Hound Dog" was also recorded by 5 country singers in 1953 alone, and over 26 times through 1964.[4] From the 1970s onward, the song has appeared, or is heard, as a part of the soundtrack in numerous motion pictures, most notably in blockbusters such as American Graffiti, Grease, Forrest Gump, Lilo & Stitch, A Few Good Men (film) and Indiana Jones and the Kingdom of the Crystal Skull.

Big Mama Thornton version

The blues singer Big Mama Thornton's biggest hit was Jerry Leiber and Mike Stoller's "Hound Dog", which she recorded in 1952. Thornton’s "Hound Dog" was the first record Leiber and Stoller produced themselves. They took over the session because their work had sometimes been misrepresented, and on this one they knew how they wanted the drums to sound; Johnny Otis was supposed to produce it, but they wanted him on drums.[5] Otis received a writing credit on all 6 of the 1953 pressings. This 1953 Peacock Records release (#1612) was number one on the Billboard rhythm and blues charts for seven weeks.[6]

Thornton gave this account of how the original was created to Ralph Gleason. “They were just a couple of kids, and they had this song written on the back of a paper bag.” She added a few interjections of her own, played around with the rhythm (some of the choruses have thirteen rather than twelve bars), and had the band bark and howl like hound dogs at the end of the song. In fact, she interacts constantly in a call and response fashion during a one minute long guitar "solo" by Pete Lewis . Her vocals include lines such as: "Aw, listen to that ole hound dog howl.. OOOOoooow", "Now wag your tail", and "Aw, get it, get it, get it".

Thornton's delivery has flexible phrasing making use of micro-inflections and syncopations. Over a steady backbeat, she starts out singing each line as one long upbeat. When the words change from "You ain't nothin' but a HOUND Dog", she begins to shift the downbeat around: You TOLD me you was high-class / but I can SEE through that, You ain't NOTHIN' but a hound dog. Each has a focal accent which is never repeated.[7]

The other musicians on this recording are Devonia Williams (piano), Albert Winston (bass), and Leard Bell (drums), and are listed as "Kansas City Bill & Orchestra".[8] Habanera and Habanera-mambo variations can be found in this recording.[9]

1953 country versions

Peacock released Thornton's version in March 1953. Five versions of the song were recorded on several different labels by "country" groups the very next month (April 1953):

Bernie Lowe, Freddie Bell and the Bellboys

File:Hound Dog Teen.jpg

Bernie Lowe suspected that "Hound Dog" could potentially have greater appeal, and asked Freddie Bell of Freddie Bell and the Bellboys to rewrite the lyrics to appeal to a broader radio audience. "Snoopin' round my door" was replaced with "cryin' all the time", and "You can wag your tail, but I ain't gonna feed you no more" was replaced by "You ain't never caught a rabbit, and you ain't no friend of mine." This new version of "Hound Dog" was recorded on Lowe's Teen Records in 1955 (TEEN 101 with "Move Me Baby" on the flip side,[3] two of four songs the group did with Lowe that year). The regional popularity of this release, along with the group's showmanship, yielded both a tour, and an engagement in the Las Vegas Sands Hotel's Silver Queen Bar.[10] [11] The Bellboys' Vegas version of the song was a comedy-burlesque with show-stopping va-va-voom choreography.[12]

Others were also performing the song at that time. Ralph Jones, who joined Bill Haley and His Comets in the fall of 1955.[13] told of performing the song when given the spotlight at live performances. "I used to do "Hound Dog". Haley would get mad at me if I'd do that. This was even before Presley did it. Haley didn't like those guys from Philadelphia that wrote the song."[14]

Elvis Presley TV performances and recording

"Hound Dog"
Song
A-side"Don't Be Cruel"

Elvis Presley's first, apparently not very successful, appearance in Las Vegas, as an “extra added attraction”, was in the Venus Room of the New Frontier from April 23 through May 6, 1956. Freddie Bell and the Bellboys were the hot act in town, and Elvis went to the Sands to take in their show. Elvis not only enjoyed the show, but also loved their reworking of 'Hound Dog' and asked Freddie if he had any objections to him recording his own version. By May 16 Elvis had added “Hound Dog” to his live performances. [15] [16] [17] The song was done as comic relief, and Presley based the lyrics, which he sometimes changed,[18] and "gyrations" on what he had seen at the Sands. The song always got a big reaction and became the standard closer.[19]

Drummer D.J. Fontana put it this way. "We took that from a band we saw in Vegas, Freddie Bell and the Bellboys. They were doing the song kinda like that. We went out there every night to watch them. He'd say: "Let's go watch that band. It's a good band! That's where he heard "Hound Dog", and shortly thereafter he said: "Let's try that song".[20]

Presley first performed "Hound Dog" to a nation wide television audience on The Milton Berle Show on June 5, 1956, his second appearance with Berle. By this time Scotty Moore had added a guitar solo, and DJ Fontana had added a hot drum roll between verses of the song. Presley appeared for the first time on national television sans guitar. Before his death, Berle told an interviewer that he had told Elvis to leave his guitar backstage. "Let 'em see you, son", advised Uncle Miltie.[21]

An upbeat version ended abruptly as Presley threw his arm back. Then began to vamp at half tempo, "You ain't-a nuthin' but a hound dog, cuh-crying all the time." "You ain't never caught a rabbit..." A final wave signaled the band to stop. Elvis pointed threateningly at the audience, and belted out, "You ain't no friend of mine." [22] Presley's movements during the performance were energetic and exaggerated. The reactions of young women in the studio audience were enthusiastic, as shown on the broadcast.[23][24]

Over 40,000,000 people saw the performance and the next day controversy exploded. Berle's network received many letters of protest. The various self appointed guardians of public morality attacked Elvis in the press.[25] TV critics began a merciless campaign against Elvis making statements that; he had a "caterwalling voice and nonsense lyrics", he was an "influence on juvenile deliquency", and began using the nickname "Elvis the Pelvis".

Elvis next appeared on national television singing "Hound Dog" on the July 1 Steve Allen Show. Steve Allen wrote: "When I booked Elvis, I naturally had no interest in just presenting him vaudeville-style and letting him do his spot as he might in concert. Instead we worked him into the comedy fabric of our program...We certainly didn't inhibit Elvis' then-notorious pelvic gyrations, but I think the fact that he had on formal evening attire made him, purely on his own, slightly alter his presentation." [26] [27] As Allen was notoriously contemptuous of rock 'n' roll music and songs such as Hound Dog, he smirkingly presented Elvis "with a roll that looks exactly like a large roll of toilet paper with, says Allen, the 'signatures of eight thousand fans' "[28] and the singer had to wear a tuxedo while singing an abbreviated version of Hound Dog to an actual top hat-wearing basset hound.[29] Although by most accounts Presley was a good sport about it, according to Scotty Moore, the next morning they were all angry about their treatment the previous night.[30]

The morning after the "Steve Allen Show" performance, the studio version was recorded for RCA Victor by Elvis' regular band of Scotty Moore on lead guitar (with Elvis usually providing rhythm guitar), Bill Black on bass, D.J. Fontana on drums and backing vocals from the Jordanaires. Presley recorded this version along with "Don't Be Cruel" and "Any Way You Want Me" on July 2, 1956 at RCA's New York City studio. The producing credit was given to RCA's Steve Sholes, however the studio recordings reveal that Elvis produced the songs (as well as most of the RCA recording sessions) himself, which is verified by the band members. Presley insisted on getting the song exactly the way he wanted it, recording 31 takes of the song.[31]

Don't Be Cruel (G2WW-5936) was the flip side of the "Hound Dog" single (G2WW-5935),[32] released on July 13, 1956. Both sides of the record topped the charts independently, a rare feat. The single also topped all three extant Billboard charts: pop, country & western, and rhythm & blues, the first record in history to do so.

On September 9, with the song topping the US charts, Presley performed an abbreviated version of "Hound Dog" on the Ed Sullivan Show hosted by Charles Laughton. After performing "Ready Teddy", he introduced the song with the following statement, “Friends, as a great philosopher once said...” Elvis's first time on the Sullivan show was an event that drew some 60 million TV viewers. During his second Sullivan Show appearance, October 28, he introduced the song thusly (although unable to keep a straight face). “Ladies and gentlemen, could I have your attention please. Ah, I’d like to tell you we’re going to do a sad song for you. This song here is one of the saddest songs we’ve ever heard. It really tells a story friends. Beautiful lyrics. It goes something like this.” He then launched into a full version of the song. Elvis was shown in full during this performance.[33] Again, Presley drew more than 60 million viewers.

Presley's "Hound Dog" sold over 4 million copies in the United States on its first release. It was his best selling single and starting in July 1956, it spent a record eleven weeks at #1. It stayed in the #1 spot until it was replaced by "Love Me Tender", also recorded by Elvis.

In March, 2005, Q magazine placed Presley's version at number 55 in its list of the Q Magazine's 100 Greatest Guitar Tracks. Rolling Stone magazine ranked it #19 on their list of the 500 Greatest Songs of All Time- the highest ranked of Presley's eleven entries.

In popular culture

  • The song appears in the 2005 Elvis Presley biopic Elvis, where it shows him performing the song at The Milton Berle Show.
  • In the 1994 film Forrest Gump, Forrest remembers a time where a man stays at his home and brings a guitar with him. Forrest dances to his playing of this song. It is shows in the next scene that this man was indeed Mr. Elvis Presley. This scene also suggests that Forrest's peculiar dancing (due to the braces he wears on his legs) inspired Elvis's famous dance.

Subsequent versions of "Hound Dog"

A partial list of “cover” versions of Hound Dog includes: [4]

References

  1. ^ bigmama
  2. ^ University of Mississippi - The Department of Archives and Special Collections
  3. ^ "The RS 500 Greatest Songs of All Time". RollingStone.com. Retrieved 2007-06-02.
  4. ^ Ho (RCS Song Titles Index)
  5. ^ Classical Net Review - Clarke - The Rise and Fall of Popular Music
  6. ^ Billboard.com
  7. ^ Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon. Robert Fink. American Music. Summer 1998. page 173.
  8. ^ http://dram.nyu.edu/dram/note.cgi?id=1768
  9. ^ The Use of Habanera Rhythm in Rockabilly Music. Roy Brewer. American Music. 17(3) September 1999. page 316.
  10. ^ Frankie Brent
  11. ^ La Rue's, Sands, The Venetian
  12. ^ Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon. Robert Fink. American Music. Summer 1998. page 168.
  13. ^ http://thegardnerfamily.org/haley/discography/recordings.html retrieved 12.21.2009
  14. ^ Bill Haley: The Daddy of Rock and Roll. John Swenson. 1982. Stein and Day. page 64. ISBN 0-8128-2909-3
  15. ^ Elvis live 1956
  16. ^ http://www.lvstriphistory.com/ie/fron1950.htm
  17. ^ RAB Hall of Fame: Bill Black
  18. ^ [1] Interview with D.J. Fontana
  19. ^ Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon. Robert Fink. American Music. Summer 1998. pages 168, 169.
  20. ^ Interview with D.J. Fontana
  21. ^ The Blue Moon Boys: The Story of Elvis Presley's Band. Ken Burke and Dan Griffin. 2006. Chicago Review Press. page 52. ISBN 1-55652-614-8
  22. ^ The Blue Moon Boys: The Story of Elvis Presley's Band. Ken Burke and Dan Griffin. 2006. Chicago Review Press. page 53. ISBN 1-55652-614-8
  23. ^ See complete Milton Berle Show Hound Dog footage with original music.
  24. ^ Elvis '56 DVD
  25. ^ Key Terms in Popular Music and Culture by Bruce Horner, Thomas Swiss page 195 ISBN 0631212647
  26. ^ Steve Allen Comedy Show
  27. ^ [2] Allen can be heard talking about the incident at this BBC site.
  28. ^ See Dundy, Elaine, Elvis and Gladys (University Press of Mississippi, 2004), p.259.
  29. ^ See Austen, Jake, TV-A-Go-Go: Rock on TV from American Bandstand to American Idol (2005), p.13.
  30. ^ Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon. Robert Fink. American Music. Summer 1998. page 169.
  31. ^ BBC Song Library website
  32. ^ Elvis Presley: RCA Victor 6604
  33. ^ The Ed Sullivan Shows DVD SOFA ENTERTAINMENT, INC.

External links

Preceded by Billboard R&B National Best Sellers number-one single
(Big Mama Thornton version)
April 18, 1953 		Succeeded by
"I'm Mad" by Willie Mabon and His Combo
Preceded by Cash Box magazine best selling record chart #1 record
August 18, 1956–September 8, 1956 		Succeeded by
Preceded by
"Honky Tonk" (Part 1 & 2) by Bill Doggett
 Billboard R&B Best Sellers in Stores number-one single with "Don't Be Cruel"
September 15, 1956 		Succeeded by
"Honky Tonk" (Part 1 & 2) by Bill Doggett
Preceded by C&W Best Sellers in Stores
number one single by Elvis Presley with "Don't Be Cruel"
September 15, 1956 		Succeeded by
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