Metalcore
 |
| Metalcore | |
|---|---|
| Stylistic origins | Hardcore punk Heavy metal |
| Cultural origins | late 1980s North America |
| Typical instruments | Vocals − Guitar − Bass guitar − Drums (double bass) |
| Subgenres | |
| Moshcore − Mathcore (complete list) | |
| Fusion genres | |
| Deathcore - Melodic Metalcore | |
| Other topics | |
| Breakdown | |
Metalcore is a musical fusion genre that incorporates elements of heavy metal, hardcore punk, and, in recent years, Alternative metal and melodic death metal. The term is a portmanteau of metal and hardcore punk. Due to the rise in popularity in the United States during the early 2000s, the genre is also described as the New Wave of American Heavy Metal (as an allusion to the New Wave of British Heavy Metal of the late 1970s).
Through the 1990s, metalcore was mostly an underground phenomenon, but from roughly 2004 to the present, many bands have appeared on the Billboard album charts.
Origin and development
Crossover thrash, a thrash metal and hardcore punk fusion genre pioneered by Dirty Rotten Imbeciles and Suicidal Tendencies[1], had an influence on many bands in the New York hardcore scene, and would help shape the metalcore genre in its early years. However, early metalcore bands, unlike those of the crossover thrash genre, were often less metallic, with a sound rooted in hardcore punk, not thrash metal. First wave metalcore bands included New York's Madball (which was formed by members of Agnostic Front), Judge, and Biohazard.[2]
In the 1990's a new wave of metalcore bands came out. Some of these include Earth Crisis, Zao and training for utopia.
In Scandinavia, parallel to the development of early 1990s metalcore, melodic death metal would arise. This classic metal-influenced death metal subgenre would incorporate melodic guitar hooks, polyphonic melodies, and high-pitched, guttural vocals. At the Gates, Dark Tranquillity, In Flames, and Carcass are considered influential melodic death metal bands. These bands and melodic death metal itself would be influential to the sound of metalcore.
In the mid 2000s, metalcore emerged as a commercial force, with several independent metal labels, including Century Media and Metal Blade, signing metalcore bands. By 2004, metalcore had become popular enough that Killswitch Engage's The End of Heartache[3] and Shadows Fall's The War Within[4] debuted at numbers 21 and 20, respectively, on the Billboard album chart. Hatebreed and Lamb of God have also charted, with Lamb of God's Sacrament (2006) breaking the Billboard 200's top 10.[5][6][7] Metalcore bands have also received prominent slots at Ozzfest, Download Festival, and Warped Tour.
Styles of metalcore
Although hardcore punk and thrash metal are prominent influences, metalcore bands have been known to incorporate traits of groove metal, alternative metal, death metal, grindcore, post-hardcore and some emo influences. Metalcore subgenres and fusion genres include:
Moshcore
Moshcore is a subgenre of metalcore characterized by breakdowns and staccato, hardcore punk-based riffing. Hatebreed and Bury Your Dead are well-known bands in this genre.
Deathcore
Deathcore is an amalgamation of two musical styles: metalcore and death metal. While similar to the more abrasive death metal of recent years, deathcore's aesthetics and following are more closely related to metalcore. While remaining a subgenre of metalcore, deathcore is heavily influenced by death metal in its speed, heaviness, and approach to chromatic, heavily palm muted riffing, dissonance, and frequent key changes. Though the lyrics are not always in the death metal vein, growls, pig-like squeals, and shrieks predominate, with metalcore vocals rarely being used. Job for a Cowboy's Doom EP and Despised Icon are examples of deathcore. It's often criticized within the metal community as "false metal".
Mathcore
Mathcore is a style of metalcore recognized for a high level of technical musicianship. The music is usually filled with discordant, technical riffing, and complex time signatures and song structures. Songs played by bands of this style tend to vary from mere seconds in length to over 15 minutes and rarely feature a conventional verse-chorus song structure.
See also
- Thrash metal
- Groove metal
- Death metal
- Melodic death metal
- Hardcore punk
- Punk metal
- Grindcore
- Extreme metal
References
- ^ Christe, Ian: Sound of the Beast: The Complete Headbanging History of Heavy Metal (2003), p. 184
- ^ The History of Rock Music: 1990-1999
- ^ The End of Heartache at Billboard.com
- ^ [1] at Blabbermouth.net
- ^ Supremacy at Billboard.com
- ^ Perseverance at Billboard.com
- ^ Sacrament at Billboard.com
