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The Eight Immortals (Chinese: 八仙; pinyin: Bāxiān; Wade–Giles: Pa¹-hsien¹) are a group of legendary xian ("immortals") in Chinese mythology. Each immortal's power can be transferred to a vessel (法器) that can bestow life or destroy evil. Together, these eight vessels are called the "Covert Eight Immortals" (暗八仙). Most of them are said to have been born in the Tang or Song Dynasty. They are revered by the Taoists and are also a popular element in secular Chinese culture. They are said to live on a group of five islands in the Bohai Sea, which includes Mount Penglai.
The Immortals are:
- He Xiangu (何仙姑), generally seen as the only female of the group, often depicted holding a lotus flower.
- Cao Guojiu (曹國舅), related to a Song dynasty emperor before he became an immortal.
- Li Tieguai (李鐵拐), considered to be mentally disturbed and associated with medicine and easing the suffering of the sick and needy, identified by his iron crutch and Calabash bottle.
- Lan Caihe (藍采和), an immortal of ambiguous gender considered the patron of florists and gardeners.
- Lü Dongbin (呂洞賓), a scholar and poet considered to be the leader of the Eight Immortals.
- Han Xiangzi (韓湘子), a flute artist.
- Zhang Guolao (張果老), a fangshi associated with old age.
- Zhongli Quan (鍾離權), associated with death and the power to create silver and gold, often depicted holding a fan.
The tradition of depicting humans who have become immortals is an ancient practice in Chinese art, and when religious Taoism gained popularity, it quickly picked up this tradition with its own immortals. While cults dedicated to various Taoist immortals date back to the Han dynasty, the popular and well-known Eight Immortals first appeared in the Jin dynasty. The art of the Jin tombs of the 12th and 13th centuries depicts a group of eight Taoist immortals in wall murals and sculptures. They officially became known as the Eight Immortals in the writings and works of art of the Taoist group known as the Complete Realization (Quanshen). The most famous art depiction of the Eight Immortals from this period is a mural of them in the Eternal Joy Temple (Yongle Gong) at Ruicheng.
The Eight Immortals are considered to be signs of prosperity and longevity, so they are popular themes in ancient and medieval art. They were frequent adornments on celadon vases. They were also common in sculptures owned by the nobility. Their most common appearance, however, was in paintings. Many silk paintings, wall murals, and wood block prints remain of the Eight Immortals. They were often depicted either together in one group, or alone to give more homage to that specific immortal.
An interesting feature of early Eight Immortal artwork is that they are often accompanied by jade hand maidens, commonly depicted servants of the higher ranked deities, or other images showing great spiritual power. This shows that early on, the Eight Immortals quickly became eminent figures of the Taoist religion and had great importance. We can see this importance is only heightened in the Ming and Qing dynasties. During these dynasties, the Eight Immortals were very frequently associated with other prominent spiritual deities in artwork. There are numerous paintings with them and the Three Stars (the gods of longevity, prosperity, and good fortune) together. Also, other deities of importance, such as the Queen Mother of the West, are commonly seen in the company of the Eight Immortals.
The artwork of the Eight Immortals is not limited to paintings or other visual arts. They are quite prominent in written works too. Authors and playwrights wrote numerous stories and plays on the Eight Immortals. One famous story that has been rewritten many times and turned into several plays (the most famous written by Mu Zhiyuan in the Yuan Dynasty) is The Yellow-Millet Dream, which is the story of how Lǚ Dòngbīn met Zhongli Quan and began his path to immortality.
- The Yueyang Tower by Ma Zhiyuan
- The Bamboo-leaved Boat (竹葉船; zhú yè chuán) by Fan Zi'an (范子安; fàn zǐ ān)
- The Willow in the South of the City (城南柳; chéng nán liǔ) by Gu Zijing (谷子敬; gǔ zǐ jìng)
- The most significant is The Eight Immortals Depart and Travel to the East (八仙出處東遊記; bā xiān chū chù dōng yoú jì) by Wu Yuantai (吳元泰; wú yuán taì) in the Ming Dynasty.
- There is another work, also made during the Ming (c. 14th-15th centuries), by an anonymous writer, called The Eight Immortals Cross the Sea (八仙過海; bā xiān guò hǎi). It is about the Immortals on their way to attend the Conference of the Magical Peach (蟠桃會; pán taó huì) when they encounter an ocean. Instead of relying on their clouds to get them across, Lü Dongbin suggested that they each should exercise their unique powers to get across. Derived from this, the Chinese proverb "The Eight Immortals cross the sea, each reveals its divine powers" (八仙過海，各顯神通; bā xiān guò hǎi, gè xiǎn shén tōng) indicates the situation that everybody shows off their skills and expertise to achieve a common goal.
In qigong and martial arts
Furthermore, they have been linked to the initial development of qigong exercises such as the Eight Piece Brocade. There are some Chinese martial arts styles named after them, which use fighting techniques that are attributed to the characteristics of each immortal. Some drunken boxing styles make extensive use of the Eight Immortals archetypes for conditioning, qigong/meditation and combat training. One subsection of BaYingQuan drunken fist training includes methodologies for each of the eight immortals.
Established in the Song Dynasty, the Xi'an temple Eight Immortals Palace (八仙宮), formerly Eight Immortals Nunnery (八仙庵), is where statues of the Immortals can be found in the Hall of Eight Immortals (八仙殿). There are many other shrines dedicated to them throughout China and Taiwan. In Singapore, the Xian'gu Temple (仙姑殿) has the Immortal Woman He from the group as its focus of devotion.
Depictions in popular culture
In modern China, the Eight Immortals are still a popular theme in artwork. Paintings, pottery, and statues are still common in households across China and are even gaining some popularity worldwide.
Several movies about the Eight Immortals have been produced in China in recent years.
In Jackie Chan's film Drunken Master, there are eight "drunken" Chinese martial arts forms that are said to be originated from the Eight Immortals. At first, the protagonist did not want to learn the Immortal Woman He form because he saw it as a feminine form, but he eventually created his own version of that form.
The 1998–99 Singaporean television series Legend of the Eight Immortals was based on stories of the Eight Immortals and adapted from the novel Dong You Ji.
The Eight Immortals play an important part in the plot of the video game Fear Effect 2.
In the Andy Seto graphic novel series Saint Legend, the Eight Immortals reappear to protect the Buddhist faith from evil spirits set on destroying it.
In the Immortal Iron Fist comic book, there are seven supreme kung fu practitioners, called the Seven Immortal Weapons. They each hail from other-dimensional cities and must fight for their city's chance to appear on Earth. Aside from being named the "Immortal" Weapons, the most overt reference to the Eight Immortals is that one Immortal Weapon, Fat Cobra, hails from and represents a city called "Peng Lai Island".
In the roleplaying game Feng Shui, the Eight Immortals appear in the sourcebook Thorns of the Lotus.
The Eight Immortals played a role in the animated show Jackie Chan Adventures. In the show, the Immortals were said to be the ones who defeated the Eight Demon Sorcerers and sealed them away in the netherworld using items that symbolized their powers. They then crafted the Pan'ku box as a key to opening the portals that lead into the demons' prison. Later on in the series, the items the Immortals used to seal away the demons the first time are revealed to have absorbed some of the demons' chi and become the targets of Drago, the son of Shendu (one of the Demon Sorcerers), to enhance his own powers.
In The Forbidden Kingdom, Jackie Chan plays the character Lu Yan, who is supposed to be one of the Eight Immortals, as revealed by the director in the movie's special feature, The Monkey King and The Eight Immortals.
In the Tales of the Dragon expansion for Age of Mythology, the Eight Immortals are hero units for the Chinese.
In The Iron Druid Chronicles, Zhang Guolao joins the party journeying to Asgard to slay Thor in vengeance for the Norse gods crimes. Zhang Guolao's grudge stems from Thor killing his donkey in a trick.
- Ho, Kwok Man (1990). The Eight Immortals of Taoism: Legends and Fables of Popular Taoism. Translated and edited by Joanne O'Brien. New York: Penguin Books. p. 1. ISBN 9780452010703.
- "Li T'ieh-kuai". Encyclopædia Britannica Online. Encyclopædia Britannica. 2008. Retrieved 26 October 2008.
- National Geographic Society (U.S.). National Geographic Essential Visual History of World Mythology. National Geographic Books, 2008. Page 340.
- Dorothy Perkins. Encyclopedia of China: History and Culture. Page 140.
- Valery M. Garrett. A Collector's Guide to Chinese Dress Accessories. Times Books International, 1997. Page 32.
- Little, Stephen (2000). Taoism and the Arts of China. The Art Institute of Chicago. pp. 313, 319–334. ISBN 978-0520227842.
- Werner, E. T. C. (1922). Myths & Legends of China. New York: George G. Harrap & Co. Ltd. Retrieved 2007-03-14. (Project Gutenberg eText 15250)
- Olson, Stuart Alve (2002). Qigong Teachings of a Taoist Immortal: The Eight Essential Exercises of Master Li Ching-Yun. Bear & Company. ISBN 0-89281-945-6.
- Leung, TingAlve (July 2000). The Drunkard Kung Fu and Its Application. Leung Ting Co. ISBN 962-7284-08-4.
- "Drunken Eight Immortals Internal Kung Fu".
- Lai, T. C., The Eight Immortals (Swindon Book Co., 1972).
- Mantak Chia, Johnathon Dao, The Eight Immortal Healers: Taoist Wisdom for Radiant Health (Simon and Schuster).
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