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===Punk and hardcore genres===
===Punk and hardcore genres===
Punk in Singapore is shit.
A popular band in Singapore is an all-malay punk band Rancour which have gained popularity and musical success in a Malay "battle of the bands" programme called "Anugerah Band". Canadian Hardcore Punk band [[Comeback Kid]] and American Hardcore punk band [[Sick of It All]] have played in Singapore before. Screamo is less popular but is still known in the music scene with Japanese screamo band [[Envy]] having a maintainable fan base in Singapore. [[Emo]] is less common but there are still bands who have or are still playing of that genre.


===Heavy metal===
===Heavy metal===

Revision as of 07:49, 1 October 2010

Singapore has an urban musical scene, and is a center for rock, punk and other genres in the region. The 1960s produced bands like The Quests, who had hits like "Shanty", "Don't Play That Song", "Jesamine" and "Mr Rainbow"; as well as other pop-rock bands including The Thunderbirds, The Trailers, The Western Union Band, October Cherries and The Silver Strings. Folk music includes the ethnic Chinese, Malay and Tamil sounds.

The launch of the nation's arts centre, Esplanade - Theatres on the Bay, has served to focus the island's classical music making. It is now the venue for the Singapore Symphony Orchestra's subscription and gala concerts. In addition, the arts centre has ensured a representation of classical music from the four primary cultures in the land. In particular, the regular festivals of Hua Yi, Pesta Raya and Kalaa Utsavam ensure that interpreters of these different repertories are heard on a regular basis.

Folk music

Peranakan

Peranakan folk music is noted for its fusion of English in Malay-inspired tunes, largely because the Peranakans themselves are often conversant in both languages. Contemporary tunes continue to be composed based on the Peranakan culture, such as "Bunga Sayang", a theme song from Dick Lee's musical "Kampung Amber". The song became an often-sung staple of the National Day Parade, and gained international exposure when it was performed for the opening ceremony of the 117th IOC Session at the Esplanade.

Pop and rock music

Singapore's pop scene began in 1960, when the Blue Diamonds performed, and really launched after Cliff Richard & the Shadows arrived a year later, thus launching the beat boom. Like much of the world, the British Invasion began in 1963, led by The Beatles. Some bands remained instrumental, while others incorporated singers. Soon, British R&B became popular, and spawned a local Malay variety. Pop stars of the 1960s included Naomi & the Boys, D'4 Ever, Antarctics, Mike Ibrahim & the Nite Walkers, Swallows, Ismail Haron & the Guys and Les Kafila's.

In the late 1970s and early 1980s saw the rise of rock bands such as Sweet Charity fronted by the charismatic vocalist Ramli Sarip. The band had such an influence in the Singapore and Malaysia music scene that it later led to a rock explosion in the mid 1980s.

The 1990s produced bands with alternative and indie influences such as Concave Scream, Humpback Oak, The Padres, Oddfellows, Livionia, with the band KICK!, signed to the Pony Canyon label, making a strong wave in the POP scene with a slew of radio hits & a strong fan base.

Punk and hardcore genres

Punk in Singapore is shit.

Heavy metal

Heavy metal has a small but not insignificant presence in Singapore's music scene. Popular bands like Slayer, Dream Theater and Helloween have played in Singapore to receptive crowds, usually at an open field at Fort Canning Park. Weekly small scale to medium scale gigs are held almost weekly at locations such as BlackHole212 or Substation.

There have also been many notable local metal bands in the growing underground scene.

Special mention includes:

Metal bands in Singapore run the gamut and include bands from many varying subgenres. However it is not uncommon for bands from the more underground genres to view bands from more mainstream genres with disdain.

Unfortunately, there is little support for metal in Singapore's mainstream media. However, Metal music of this generation are lucky to be featured occasionally on Brader Bo's show, Vicious Volume of RIA 89.7fm. Oshiego was also featured in Lime Magazine's 30 Hottest Local Acts, a compilation CD, with the song Now Suffer originally from the titular EP.[4] hI

Heavy Metal Tribune Logo
Heavy Metal Tribune.

The local Heavy Metal scene is Singapore is not daunted by the lack of support from the local mainstream media, and has established its own ways of disseminating information by utilizing popular internet based social mediums such as Facebook, Twitter and Blogger. One self-proclaimed notable organisation is Heavy Metal Tribune, which features many local metal acts as well as others from other parts of the world, mainly to allow each regions to reach out to one another, while providing local metalheads to know what they are up against, as well as encourage support for it's scenester creator who has been trying to whip it up for years.

Heavy Metal Tribune also provided gig organisers with a platform to publicise their events, via their Facebook wall or its weekly 'newsletter'.

List of Singapore metal bands

Bands and Soloists

Alternative and indie rock music influenced bands in the 1990s such as Concave Scream, Humpback Oak, The Padres, Oddfellows, and Livionia. In the Pop/Rock genres were "KICK!", Lizard's Convention & Radio Active.

Recently, alternative, metal, grindcore, punk rock and rock acts from Singapore who may have gained some profile in countries other than the city-state of Singapore include Firebrands, Stompin' Ground, Ling Kai, Inch Chua, Ronin, Anna Judge April, Electrico, Force Vomit, 4-Sides, Vermillion, West Grand Boulevard, Plainsunset, Etc, Caracal, Popland, The Great Spy Experiment, Sky In Euphoria, Rancor, Saw Loser (formerly known as Fucked Up White Jelly), Mattrepex (Power Metal) , A Vacant Affair (Post-hardcore band), For Better Endings (Experimental Hardcore band) , death metal, Meza Virs blackened death metal and Rudra who are significant for creating the genre "Vedic Metal".

National Day songs

Of particular note to the Singaporean music scene is what are often collectively known as National Day Songs (国庆主题歌). Written as part of Singapore's nation-building efforts, they either incorporate local folk songs (such as "Chan Mali Chan"), contemporary songs ("The Magic Is You"), or are specifically composed around a particular theme for the National Day Parade which is held every year on August 9.

In 1984, Stand Up for Singapore, was initially created for the sole purpose of celebrating Singapore's achievements in 25 years of self-government. Commissioned by the Ministry of Culture and composed by Hugh Harrison, the song struck a chord with Singaporeans, especially when they heard it performed by the New York Philharmonic Orchestra, and so the first 'official' National Day Song was born. The government, realizing just how much the public enjoyed singing as a way of celebrating, commissioned a new song for 1986. As a result, Count on me Singapore, also composed by Hugh Harrison, arranged by Jeremy Monteiro and performed by Clement Chow, became the 2nd 'official' National Day Song. The trend continued the next year, 1987, with We are Singapore, again composed by Hugh Harrison and arranged by Jeremy Monteiro. Then, in 1990 with the addition of One People, One Nation, One Singapore composed by Jeremy Monteiro with lyrics by Jim Aitchison for the nation's Silver Jubilee - 25 years of independence, the list of 'official' National Day Songs topped out at four.

Since 1998, National Day Songs have become less 'grandiose' and more popular in nature being composed for and sung by selected local artists and sometimes even included in their albums to be marketed overseas.

Other community-building songs:

An ad-hoc offshoot of these National Day Songs are the songs specially composed for groundbreaking events. A prominent example was the song Moments of Magic, written by Hype Records CEO Ken Lim specially for Singapore's millennium celebrations towards the end of 1999. It was performed by three notable singers - Fann Wong, Tanya Chua and Elsa Lin. The music video was directed by Singapore filmmaker Eric Khoo.

See also

References

  1. ^ http://repository.nie.edu.sg/jspui/bitstream/10497/970/1/VedicMetal.pdf
  2. ^ Drummer KEVIN TALLEY To Guest On ABSENCE OF THE SACRED Album
  3. ^ http://www.thegauntlet.com/article/1225/17781/Earache-Records-signs-Wormrot.html
  4. ^ http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendId=31929599&blogId=360668631
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