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Mikhalkov was born into the distinguished, artistic Mikhalkov family. His great grandfather was the imperial governor of [[Yaroslavl]], whose mother was a [[Galitzine]] princess. Nikita's father, [[Sergei Mikhalkov]], is best known as writer of children's literature although he also wrote the lyrics to the [[National Anthem of the Soviet Union|Soviet and Russian national anthems]]. Nikita's mother, the poetess Natalia Konchalovskaya, was the daughter of the [[avant-garde]] artist [[Pyotr Konchalovsky]] and granddaughter of another outstanding painter, [[Vasily Surikov]]. Nikita's older brother is the filmmaker [[Andrei Konchalovsky]], primarily known for his collaboration with [[Andrei Tarkovsky]] and his own Hollywood action movies, such as ''[[Runaway Train (film)|Runaway Train]]''.
Mikhalkov was born into the distinguished, artistic Mikhalkov family. His great grandfather was the imperial governor of [[Yaroslavl]], whose mother was a [[Galitzine]] princess. Nikita's father, [[Sergei Mikhalkov]], is best known as writer of children's literature although he also wrote the lyrics to the [[National Anthem of the Soviet Union|Soviet and Russian national anthems]]. Nikita's mother, the poetess Natalia Konchalovskaya, was the daughter of the [[avant-garde]] artist [[Pyotr Konchalovsky]] and granddaughter of another outstanding painter, [[Vasily Surikov]]. Nikita's older brother is the filmmaker [[Andrei Konchalovsky]], primarily known for his collaboration with [[Andrei Tarkovsky]] and his own Hollywood action movies, such as ''[[Runaway Train (film)|Runaway Train]]''.


==Biography==
==Biograp==
===Early acting career===
===Early acting career===
[[Image:Shagayu.jpg|thumb|200px|Nikita Mikhalkov on the 1964 film poster for ''[[I Step Through Moscow]]''.]]
[[Image:Shagayu.jpg|thumb|200px|Nikita Mikhalkov on the 1964 film poster for ''[[I Step Through Moscow]]''.]]
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Mikhalkov's next film, ''[[Urga (film)|Urga]]'' ([[1992]], a.k.a. ''Close to Eden''), set in the little known world of the [[Mongols]], received the [[Golden Lion]] at the [[Venice Film Festival]] and was nominated for the [[Academy Award for Best Foreign Language Film]]. Mikhalkov's ''Anna: 6-18'' ([[1993]]) documents his daughter Anna as she grows from childhood to maturity.
Mikhalkov's next film, ''[[Urga (film)|Urga]]'' ([[1992]], a.k.a. ''Close to Eden''), set in the little known world of the [[Mongols]], received the [[Golden Lion]] at the [[Venice Film Festival]] and was nominated for the [[Academy Award for Best Foreign Language Film]]. Mikhalkov's ''Anna: 6-18'' ([[1993]]) documents his daughter Anna as she grows from childhood to maturity.


Mikhalkov's most famous production to date, ''[[Burnt by the Sun]]'' (1994), was steeped in the nervous atmosphere of [[Stalin]]ist purges. The film received the [[Grand Prix (Cannes Film Festival)|Grand Prize]] at Cannes and the [[Academy Award for Best Foreign Language Film]], among many other honours. As of [[2000]], ''Burnt by the Sun'' was the top grossing movie to come out of [[Eastern Europe]]. Filming for a sequel is under way.
Mikhalkov's most famous production to date, ''[[Burnt by the Sun]]'' (1994), was steeped in the nervous atmosphere of [[Stalin]]ist purges. The film received the [[Grand Prix (Cannes Film Festival)|Grand Prize]] at Cannes and the [[Academy Award for Best Foreign Language Film]], among many other honours. As of [[2000]], ''Burnt by the Sun'' was the top grossing movie to come out of [[Eastern Europe]]. Filmin for a sequel is under way.


===Recent career===
===Recent career===

Revision as of 09:25, 23 May 2008

Nikita Mikhalkov
File:Mikhalkov.jpg
Nikita Mikhalkov in the 2005 Fandorin movie The Councillor of State.
Born
Nikita Sergeyevich Mikhalkov-Konchalovsky

Nikita Sergeyevich Mikhalkov (Russian: Никита Сeргеевич Михалков; born October 21, 1945, in Moscow) is a Russian filmmaker and actor.

The Mikhalkov family

Mikhalkov was born into the distinguished, artistic Mikhalkov family. His great grandfather was the imperial governor of Yaroslavl, whose mother was a Galitzine princess. Nikita's father, Sergei Mikhalkov, is best known as writer of children's literature although he also wrote the lyrics to the Soviet and Russian national anthems. Nikita's mother, the poetess Natalia Konchalovskaya, was the daughter of the avant-garde artist Pyotr Konchalovsky and granddaughter of another outstanding painter, Vasily Surikov. Nikita's older brother is the filmmaker Andrei Konchalovsky, primarily known for his collaboration with Andrei Tarkovsky and his own Hollywood action movies, such as Runaway Train.

Biograp

Early acting career

Nikita Mikhalkov on the 1964 film poster for I Step Through Moscow.

Mikhalkov studied acting at the children's studio of the Moscow Art Theatre and later at the Schukin School of the Vakhtangov Theatre. While still a student, he appeared in Georgi Daneliya's film I Step Through Moscow (1964) and his brother Andrei Konchalovsky's film Home of the Gentry (1969). He was soon on his way to becoming a star of the Soviet stage and cinema.

Begins directing

While continuing to pursue his acting career, he entered VGIK, the state film school in Moscow, where he studied directing under filmmaker Mikhail Romm, teacher to his brother and Andrei Tarkovsky. He directed his first short film in 1968, I'm Coming Home, and another for his graduation, A Quiet Day at the End of the War in 1970. Mikhalkov had appeared in over twenty films, including his brother's Uncle Vanya (1972), before he co-wrote, directed and starred in his first feature, At Home Among Strangers in 1974, a Red Western set just after the 1920s civil war in Russia.

Gains international reputation

File:Svoj mikhalkov.jpg
Still from the Ostern At Home among Strangers, showing the actor/director Nikita Mikhalkov as the bandit Shurik

Mikhalkov established an international reputation with his second feature, A Slave of Love (1976). Set in 1917, it followed the efforts of a film crew to make a silent melodrama in a resort town while the Revolution rages around them. The film, based upon the last days of Vera Kholodnaya, was highly acclaimed upon its release in the U.S.

Mikhalkov's next film, An Unfinished Piece for Player Piano (1977) was adapted by Mikhalkov from Chekhov's early play, Platonov, and won the first prize at the San Sebastian Film Festival. In 1978, while starring in his brother's epic film Siberiade, Mikhalkov made Five Evenings, a love story about a couple separated by World War II, who meet again after eighteen years. Mikhalkov's next film, Oblomov (1980), with Oleg Tabakov in the title role, is based on Ivan Goncharov's classic novel about a lazy young nobleman who refuses to leave his bed. Family Relations (1981) is a comedy about a provincial woman in Moscow dealing with the tangled relationships of her relatives. Without Witnesses (1983) tracks a long night's conversation between a woman (Irina Kupchenko) and her ex-husband (Mikhail Ulyanov) when they are accidentally locked in a room.

In the early 1980s, Mikhalkov resumed his acting career, appearing in Eldar Ryazanov's immensely popular Station for Two (1982) and A Cruel Romance (1985). At that period, he also played Henry Baskerville in the Soviet screen version of The Hound of the Baskervilles. He also starred in many of his own films, including At Home Among Strangers, A Slave of Love, An Unfinished Piece for Player Piano and Burnt by the Sun.

International success

File:Siberianbarber.jpg
Nikita Mikhalkov as Tsar Alexander III in the movie The Barber of Siberia (1998).

Incorporating several short stories by Chekhov, Dark Eyes (1987) stars Marcello Mastroianni as an old man who tells a story of a romance he had when he was younger, a woman he has never been able to forget. The film was highly praised, and Mastroianni received the Best Actor Prize at the Cannes Film Festival and an Academy Award nomination for his performance.

Mikhalkov's next film, Urga (1992, a.k.a. Close to Eden), set in the little known world of the Mongols, received the Golden Lion at the Venice Film Festival and was nominated for the Academy Award for Best Foreign Language Film. Mikhalkov's Anna: 6-18 (1993) documents his daughter Anna as she grows from childhood to maturity.

Mikhalkov's most famous production to date, Burnt by the Sun (1994), was steeped in the nervous atmosphere of Stalinist purges. The film received the Grand Prize at Cannes and the Academy Award for Best Foreign Language Film, among many other honours. As of 2000, Burnt by the Sun was the top grossing movie to come out of Eastern Europe. Filmin for a sequel is under way.

Recent career

Mikhalkov used the critical and financial triumph of Burnt by the Sun to raise $25,000,000 for his most epic venture to date, The Barber of Siberia (1998). The film, which opened the 1998 Cannes Film Festival, was designed as a patriotic extravaganza for domestic consumption. It featured Julia Ormond and Oleg Menshikov, who regularly appears in Mikhalkov's films, in the leading roles. The director himself appeared as Tsar Alexander III of Russia.

The movie received the Russia State Prize and spawned rumours about Mikhalkov's presidential ambitions. The director, however, chose to administrate the Russian cinema industry. Despite much opposition from rival directors, he was elected the President of the Russian Society of Cinematographists and has managed the Moscow Film Festival since 2000. He also set the Russian Academy Golden Eagle Award in opposition to the traditional Nika Award.

In 2005, Mikhalkov resumed his acting career, starring in three brand-new movies - The Councillor of State, a Fandorin mystery film which broke the Russian box-office records, Zhmurki, a noir-drenched comedy about the Russian Mafia and Krzysztof Zanussi's Persona non grata.

As of October 2006, Mikhalkov is in Serbia, giving moral and ethic support to Serbia's sovereignty over Kosovo [citation needed], its southern province under UN administration whose ethnic Albanian population seeks independence.

On September 8, 2007, Mikhalkov’s film 12, a modern adaptation of Sidney Lumet's court drama Twelve Angry Men, has received a special Golden Lion for the “consistent brilliance” of its work and was praised by many critics at the Venice Film Festival. Recently he took on a role of the executive producer of an epic movie 1612.

On January 22, 2008, Mikhalkov's film '12' was named as a nominee for the 2008 Academy Awards. Commenting on the nomination, Mikhalkov said, ""I am overjoyed that the movie has been noticed in the United States and, what's more, was included in the shortlist of five nominees. This is a significant event for me."

Personal life

Mikhalkov's first wife was a renowned Russian actress Anastasiya Vertinskaya, whom he married on March 6, 1967. They had a son, Stepan Mikhalkov, born in September 1966.

With his second wife, former model Tatyana, he had son Artem (born December 8, 1975) and daughters Anna (born 1974) and Nadya (born September 27, 1986).

Political Views

Mikhalkov is actively involved in Russian politics. He is known for his Russian nationalist, Orthodox views. In March 2008 came to Serbia to support Tomislav Nikolic who was running for Serb president. Mikhalkov took part in the meeting of "Nomocanon", an Serb youth organization which denies war crimes committed by Serbs in 1992-99, and spoke there about "war against Orthodoxy", he called Orthodoxy "the main force which opposes cultural and intellectual McDonalds". In response to that somebody has asked Mikhalkov: "What is then better, McDonalds or Stalinism?" Mikhalkov answered: "That depends on a person". [1]

Mikhalkov has been a strong supporter of Russian president Vladimir Putin. In October 2007, Mikhalkov, who produced a television program for Putin's 55th birthday, cosigned an open letter asking Putin not to step down after the expiry of his term in office.[1]

Filmography

Director

Actor (selected)

References

  1. ^ Sympathy for the devil, By Alexei Bayer. Published in The Moscow Times on March 24 2008; accessed March 24 2008.

Bibliography

  • National Identity, Cultural Authority, and the Post-Soviet Blockbuster: Nikita Mikhalkov and Aleksei Balabanov

by Susan Larsen in Slavic Review Vol. 62, No. 3 (Autumn, 2003), pp. 491-511

External links