Wikipedia:Main Page history/2020 March 14
From today's featured articleMuhammad III (1257–1314) was the Nasrid ruler of the Emirate of Granada in Al-Andalus on the Iberian Peninsula from 1302 until 1309. He built upon the military successes of his father Muhammad II against Castile, and expanded Granada's territory by capturing Bedmar in 1303. A treaty with Castile the following year recognised Granada's conquests in return for Muhammad's pledge of fealty and tribute to King Ferdinand IV. In 1306, Muhammad conquered Ceuta in North Africa, putting Granada in control of both sides of the Strait of Gibraltar. He built the Alhambra's Great Mosque (destroyed in the sixteenth century by Philip II), a nearby public bathhouse and the Partal Palace (pictured). Poor sight eventually forced him to rely heavily on his advisors, especially Ibn al-Hakim al-Rundi, his vizier, who became the de facto ruler. Muhammad was deposed in a palace coup when Granada was on the verge of a new war against Castile, Aragon, and the Marinids. (Full article...)
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On this dayMarch 14: New Year's Day (Sikhism); White Day in parts of East Asia; Pi Day
Matilda of Ringelheim (d. 968) · Ferdinand Hodler (b. 1853) · S. Truett Cathy (b. 1921) |
Today's featured picture
Les Troyens is a French grand opera in five acts by Hector Berlioz, with a libretto written by the composer himself based on Virgil's Aeneid. The score was composed between 1856 and 1858, but Berlioz did not live long enough to see the work performed in its entirety. However, the last three acts, substantially abridged, were performed during his lifetime under the title Les Troyens à Carthage by Léon Carvalho's company, the Théâtre Lyrique, in Paris in 1863. For this performance, Berlioz added an orchestral introduction and a prologue. He was not happy with the result, noting bitterly that he had agreed to let Carvalho do it "despite the manifest impossibility of his doing it properly. He had just obtained an annual subsidy of a hundred thousand francs from the government. Nonetheless the enterprise was beyond him. His theater was not large enough, his singers were not good enough, his chorus and orchestra were small and weak." This picture shows the cover of the "second version, second issue" of the vocal score for Les Troyens à Carthage, published in 1863. Illustration credit: Antoine Barbizet; restored by Adam Cuerden |
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