The Omen

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This article is about the 1976 film. For the remake, see The Omen (2006 film).
The Omen
Omen ver4.jpg
Theatrical release poster by Tom Jung
Directed by Richard Donner
Produced by Harvey Bernhard
Written by David Seltzer
Starring Gregory Peck
Lee Remick
David Warner
Billie Whitelaw
Music by Jerry Goldsmith
Cinematography Gilbert Taylor
Edited by Stuart Baird
Distributed by 20th Century Fox
Release dates
  • June 6, 1976 (1976-06-06) (UK)
  • June 25, 1976 (1976-06-25) (US)
Running time 111 minutes
Country United States
United Kingdom
Language English
Budget $2.8 million[1]
Box office $60,922,980[2]

The Omen is a 1976 British/American suspense horror film directed by Richard Donner. The film stars Gregory Peck, Lee Remick, David Warner, Harvey Spencer Stephens, Billie Whitelaw, Patrick Troughton, Martin Benson and Leo McKern. It is the first film in The Omen series and was scripted by David Seltzer.


Robert Thorn (Gregory Peck), an American diplomat stationed in Rome, learns his son died during birth. Unknown to his sedated wife, Katherine (Lee Remick), Robert adopts an orphaned newborn at the suggestion of the hospital's Catholic priest, Father Spiletto (Martin Benson). Naming him Damien, Robert and Katherine raise the boy. Five years later, Robert is named United States Ambassador to the United Kingdom; and he and Katherine settle in a large estate just outside London. However, a series of disturbing events begin with the suicide of the estate's nanny (Holly Palance) during Damien's (Harvey Spencer Stephens) birthday party.

Soon after, Robert receives a visit from a priest named Father Brennan (Patrick Troughton), who came from Rome to warn the Ambassador of his son's mysterious origins. However, despite Brennan's attempts to reveal the identity of Damien's birth mother, Robert is irritated, believing the priest is mentally disturbed and having him removed from the building. At that time, Keith Jennings (David Warner), a press photographer who had also attended Damien's birthday party and had witnessed the hanging, takes some pictures of the priest. Upon being developed, they show scratches or shadowlines running through the image of the priest.

The Thorns later learn that Ms. Baylock (Billie Whitelaw), claiming that "the agency" sent her after reading about the suicide in the newspapers, to replace the previous nanny. Soon after, with the Rottweiler present at the previous nanny's death adopted by Ms. Baylock without the Thorns' consent, strange events occur with Damien violently lashing out while the family attempts to attend the church for a wedding ceremony and then the boy and Katherine being attacked by baboons at the Winchester Safari Park as the animals are unnerved by Damien's presence. The ordeal makes Katherine fearful of Damien.

The next day, Robert is confronted by Brennan who pleads him to give him five minutes of his time in the park. Once the two are alone, Jennings taking of a picture of them prior, Brennan tells Robert that Damien is the Antichrist and will kill Katherine and her unborn child before killing Robert once he inherits the ambassador's political power and wealth. Brennan explains that Damien must die and a man called Bugenhagen in Megiddo can assist. After being rebuked, Brennan is killed during a sudden lightning storm when he is impaled by a lightning rod thrown from the roof of a church he attempted to seek sanctuary in.

Upon returning home, Robert is delighted to learn Katherine is pregnant. But Katherine wants an abortion, claiming that she feels overwhelmed and more than a little threatened by Damien. Soon after, while Robert is away, Ms. Baylock allows Damien to work himself into a frenzy on his tricycle, before sending him speeding through the estate while Katherine is standing on a stool. This causes an accident that leaves Katherine severely injured with a miscarriage. Ending up in the hospital, Katherine tells Robert she has miscarried and begs him to not let Damien kill her. Returning home, Robert receives a call from Jennings and learns of Father Brennan's death while Jenning explains he previously noticed the odd shadow-lines in photographs of the nanny and of Father Brennan that seem to predict their bizarre deaths. When they meet, Jennings shows Robert the photos and tells him he also believes that Damien is a threat and that he wants to help Robert find Damien's biological mother, revealing a photo of himself with the same shadowlines covering his neck.

The two men travel to Rome to investigate Damien's birth, learning the hospital where Damien was delivered had burned to the ground with its hospital records destroyed and most of the staff on duty died in the fire. The only survivor was the Father Spiletto, who was present at both Damien's birth and the death of the Thorns' biological child. On the way to the rural monastery that Spiletto remained at after the fire, Robert and Jennings discuss biblical passages with the latter reiterating Father Brennan's belief that Damien is the Antichrist, whose coming and rise to political power are being supported by conspiring Satanists. The two meet Father Spiletto, the man disfigured from the fire and revealed to have fallen from grace. Stricken mute and not expected to survive, Spiletto writes the name of an ancient Etruscan cemetery where Damien's biological mother is buried. There they find the grave of Damien's "mother," revealed to be the skeletal remains of a jackal.

In the neighboring tomb, Robert discovers the corpse of a child with a shattered skull: the remains of his own child who was murdered at birth so that Damien could take his place. Robert and Jennings are then attacked by a pack of wild dogs, similar to ones seen near the Thorn's mansion, barely escaping the dogs unscathed. After making a call to Katherine to leave the country, Robert learns that his wife has died (after Mrs. Baylock secretly pushed her out of the upper-story hospital window). Soon after, Robert and Jennings travel to Megiddo to meet Karl Bugenhagen (Leo McKern), an archaeologist and exorcist. Robert then receives instructions that he must kill Damien on consecrated ground with seven sacrificial daggers. Bugenhagen also tells Robert, who is appalled by the idea to murder a child, to examine Damien for a birthmark in the shape three sixes to confirm him as the Antichrist. However, Robert refuses to kill his son and throws the daggers on the ground. Jennings tries to retrieve the daggers to do the deed himself, but is decapitated by a sheet of window glass sliding off a truck.

Agonized by Jennings's death, Robert resolves to end the madness as he arrives home and manages to subdue Mrs. Baylock's Rottweiler. Robert then enters Damien's room, finding the 666 birthmark on the boy's scalp before being attacked by Mrs. Baylock and managing to kill her. He then loads Damien in the car and drives off to the nearest church to kill the screaming child. Unfortunately, Robert's erratic driving and excessive speed attract the attention of the police, and they arrive at the church and fire upon Robert as he raises the first dagger to stab Damien. Having survived the ordeal, Damien is in the custody of the President of the United States as he attends Robert and Katherine's funeral.



The Omen
Soundtrack album by Jerry Goldsmith
Released 1976
Genre Film music
Length 34:16
Label 20th Century Fox
Producer Jerry Goldsmith
listen to a clip from the soundtrack of "The Omen".

Problems playing this file? See media help.

An original score for the film, including the movie's theme song "Ave Satani," was composed by Jerry Goldsmith, for which he received the only Oscar of his long career. The score features a strong choral segment, with a foreboding Latin chant. The refrain to the chant is, "Sanguis bibimus, corpus edimus, tolle corpus Satani" (ungrammatical Latin for, "We drink the blood, we eat the flesh, raise the body of Satan"; note that the correct Latin would be, "Sanguinem bibimus, corpus edimus, tolle corpus Satani"), interspersed with cries of "Ave Satani!" and "Ave Versus Christus" (Latin, "Hail, Satan!" and "Hail, Antichrist!"). Aside from the choral work, the score includes lyrical themes portraying the pleasant home life of the Thorn family, which are contrasted with the more disturbing scenes of the family's confrontation with evil.

  1. "Ave Satani" – 2:32
  2. "New Ambassador" – 2:33
  3. "Killer's Storm" – 2:51
  4. "Sad Message" – 1:42
  5. "Demise of Mrs. Baylock" – 2:52
  6. "Don't Let Him" – 2:48
  7. "Piper Dreams" – 2:39
  8. "Fall" – 3:42
  9. "Safari Park" – 2:04
  10. "Dog's Attack" – 5:50
  11. "Homecoming" – 2:43
  12. "Altar" – 2:00

On October 9, 2001, a deluxe version of the soundtrack was released with eight additional tracks.

  1. "Ave Satani" – 2:35
  2. "On This Night" – 2:36
  3. "The New Ambassador" – 2:34
  4. "Where Is He?" – :56
  5. "I Was There" – 2:27
  6. "Broken Vows" – 2:12
  7. "Safari Park" – 3:24
  8. "A Doctor, Please" – 1:44
  9. "The Killer Storm" – 2:54
  10. "The Fall" – 3:45
  11. "Don't Let Him" – 2:49
  12. "The Day He Died" – 2:14
  13. "The Dog's Attack" – 5:54
  14. "A Sad Message" – 1:44
  15. "Beheaded" – 1:49
  16. "The Bed" – 1:08
  17. "666" – :44
  18. "The Demise of Mrs. Baylock" – 2:54
  19. "The Altar" – 2:07
  20. "The Piper Dreams" – 2:41


Box office performance[edit]

The Omen was released following a successful $2.8 million marketing campaign inspired by the one from Jaws one year prior, with two weeks of sneak previews, a novelization by screenwriter David Seltzer, and the logo with "666" inside the film's title as the centerpiece of the advertisement.[3] The film was a massive commercial success in the United States. It grossed $4,273,886 in its opening weekend and $60,922,980 domestically on a tight budget of $2.8 million.[4][5] The film was the fifth highest grossing movie of 1976.

Critical reception[edit]

The Omen received mostly positive reviews from critics and is considered by many as one of the best films of 1976, as well as one of the best horror films ever made.[6][7][8] The film holds an 85% "Certified Fresh" rating on the review aggregate website Rotten Tomatoes.[9] The movie boasted a particularly disturbing scene, in which a character willingly and joyfully hangs herself at a birthday party attended by young children. It also features a violent decapitation scene (caused by a horizontal sheet of plate glass), one of mainstream Hollywood's first: "If there were a special Madame Defarge Humanitarian Award for best decapitation," wrote Kim Newman in Nightmare Movies (1988), "this lingering, slow-motion sequence would get my vote."

On the flip side, The Omen appeared in the 1978 book The Fifty Worst Films of All Time by Harry Medved (co-author of the Golden Turkey Awards) and Randy Dreyfuss.

The Omen received recognition from the American Film Institute. It was ranked number 81 on 100 Years... 100 Thrills, a list of America's most heart-pounding films[10] and the score by Jerry Goldsmith was nominated for AFI's 100 Years of Film Scores.[11] The film was ranked #16 on Bravo's 100 Scariest Movie Moments.[12] Similarly, the Chicago Film Critics' Association named it the 31st scariest film ever made.[13]

Awards and nominations[edit]

The film received numerous accolades for its acting, writing, music and technical achievements. Jerry Goldsmith won the Academy Award for Best Original Score and received an additional nomination for Best Original Song for "Ave Satani". Goldsmith's score was also nominated for a Grammy award for Best Album of Original Score Written for a Motion Picture. Billie Whitelaw was nominated for a BAFTA film award for Best Supporting Actress for her performance. She was also awarded the Evening Standard British Film Award for Best Actress. The film also received recognition by the Hollywood Foreign Press Association. Harvey Stephens was nominated for a Golden Globe for Best Acting Debut – Male. David Seltzer's original screenplay was nominated by the Writers Guild of America for Best Drama Written Directly for the Screen and for the Edgar Allan Poe Award for Best Motion Picture. The film was nominated for the Saturn Award for Best Horror Film and Gregory Peck received the Saturn Award for Best Actor in a Horror Film. Gilbert Taylor won the Best Cinematography Award from the British Society of Cinematographers.[14]


The film was spoofed in Mad Magazine #189, March 1977,[15] as "The Ominous"—written by Dick DeBartolo with art by Harry North—and on Saturday Night Live as "The Ointment". In 1998, Damien appeared in an episode of South Park, confronting Jesus Christ, but he makes friends with the gang, except Eric Cartman. In its tenth season, South Park also used an excerpt from Goldsmith's score at the end of the episode "Tsst".[16] The novel Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch by Neil Gaiman and Terry Pratchett satirizes the apocalypse and several events of the film, including the baby swap.

International versions[edit]

Outside the United States, The Omen was titled into their languages. The Spanish-speaking countries used the title La profecía. Italian versions title it Il presagio, while the DVD title adds to such a title (in the form of Omen - Il presagio.) The German version of the film is titled Das Omen. The title Pretkazanje was used in the Croatian-speaking countries. De vervloeking is the Flemish version, shown in Belgium. Tegnet is in the Danish language and was used for the Denmark release. The titles Ennustus (Finnish) and Spådom (Swedish) are versions that circulated in Finland. La malédiction was used as the French title in France, Luxembourg and the Canadian province of Quebec. Sweden, Japan and Poland simply showed it under Omen. It was released in Turkey as Kehanet and Ómen in Hungary. Zenklas was the title used in Lithuania. In Brazil, it's called A Profecia; in Portugal, O Génio do Mal.[17]


  • David Seltzer, The Omen. (Futura, 1976).
  • Joseph Howard, Damien: Omen II. (Futura, 1978).
  • Gordon McGill, Omen III: The Final Conflict. (Futura, 1980).
  • Gordon McGill, Omen IV: Armageddon 2000. (Futura, 1983).
  • Gordon McGill, Omen V: The Abomination. (Futura, 1985).

Both The Omen and its novelization were written by David Seltzer (the book preceded the movie by two weeks as a marketing gimmick). For the book, Seltzer augmented some plot points and character backgrounds, and changed minor details (such as character names — Holly becomes Chessa Whyte, Keith Jennings becomes Huber Jennings, Father Brennan becomes Father Edgardo Emilio Tassone, et cetera). The second and third novels were more direct adaptations of those films' screenplays. Gordon McGill retroactively changed the time period of The Omen to the 1950s, in order to make The Final Conflict (featuring an adult Damien) take place explicitly in the 1980s.

Although neither the first Omen movie nor its novelisation mention what year the story takes place in dialogue, in the scene where Katherine and Damien visit the safari park the tax disc on their car can be clearly seen to state it expires in August 1976. With the majority of the events of the film taking place immediately before and after Damien's fifth birthday party, this would place his birth at 6am on the 6th of June 1971. Filming began in October 1975 and wrapped in late-January 1976.

The fourth novel, Omen IV: Armageddon 2000, was entirely unrelated to the fourth movie, but continued the story of Omen III following the one-night stand between Damien Thorn and Kate Reynolds in that film. This affair included an act of sodomy and thence Kate gave rectal "birth" to another diabolical entity called "the Abomination" in the Omen IV novel. This novel attempted to address the apparent contradiction of whether the Antichrist could be slain by just one of the "Seven Sacred Daggers of Megiddo" as premised in Omen III, or only by all of them as stated in the first book and film. According to Omen IV, one dagger could kill Damien's body but not his soul, which complies loosely with the explanation given in the original film. Damien's acolyte Paul Buher (played by Robert Foxworth in the second movie) is a major character in the fourth book and achieves redemption in its climax.

Omen V: The Abomination begins with a "memorial" listing all of the characters who had been killed throughout the saga up to that point, and cements Damien's life in the period of 1950–1982. The novel closes with the chronicle of Damien's life about to be written by the character Jack Mason. Its last few lines are identical to the beginning of David Seltzer's novel, thus bringing the story full circle.

See also[edit]


  1. ^ Aubrey Solomon, Twentieth Century Fox: A Corporate and Financial History, Scarecrow Press, 1989 p258
  2. ^ "The Omen, Box Office Information". Box Office Mojo. Retrieved January 23, 2012. 
  3. ^ Wyatt, Justin (1998). "Chapter 3: From Roadshowing to Saturation Release: Majors, Independents, and Marketing/ Distribution Innovations". In Lewis, Jon. The new American cinema. Duke University Press. pp. 79–80. ISBN 0-8223-2115-7. 
  4. ^ "Box Office Information for The Omen". Box Office Mojo. Retrieved May 21, 2010. 
  5. ^ "Box Office and Business Information for The Omen". Retrieved May 21, 2010. 
  6. ^ "The Greatest Films of 1976". AMC Retrieved May 21, 2010. 
  7. ^ "The Best Movies of 1976 by Rank". Retrieved May 21, 2010. 
  8. ^ "Most Popular Feature Films Released in 1976". Retrieved May 22, 2010. 
  9. ^ "The Omen Movie Reviews, Pictures". Rotten Tomatoes. Retrieved May 21, 2010. 
  10. ^ "AFI's 100 Years... 100 Thrills". American Film Institute. Retrieved May 21, 2010. 
  11. ^ AFI's 100 Years of Film Scores Ballot
  12. ^ "Bravo's The 100 Scariest Movie Moments". Archived from the original on October 30, 2007. Retrieved May 21, 2010. 
  13. ^ "Chicago Critics’ Scariest Films". Retrieved May 21, 2010. 
  14. ^ "The Omen: Award Wins and Nominations". Retrieved May 21, 2010. 
  15. ^ "Mad Magazine #189 at". 
  16. ^
  17. ^ The Omen at the Internet Movie Database

External links[edit]