Marilyn Monroe

Marilyn Monroe
File:MMONROE1.jpg Monroe in a promotional still from 1953
Born	Norma Jeane Mortenson
Resting place	Corridor of Memories, #24, Westwood Village Memorial Park Cemetery, Los Angeles, California 34.058695°N 118.440768°W / 34.058695; -118.440768
Other names	Norma Jeane Baker
Occupation(s)	actress, model, singer, comedienne
Years active	1962
Spouse(s)	James Dougherty (June 19, 1942-September 13, 1946) Joe DiMaggio (January 14, 1954-October 27, 1954) Arthur Miller (June 29, 1956-January 20, 1961)
Website	http://www.marilynmonroe.com/

Marilyn Monroe (born Norma Jeane Mortenson June 1 1926 – August 5 1962), was a Golden Globe award winning American actress, model, Hollywood icon, and sex symbol. She was known for her comedic skills and screen presence. Monroe became one of the most popular movie stars of the 1950s and early 1960s. During the later stages of her career, she worked towards serious roles and her fame surpassed that of any other entertainer of her time.

Her premature death was classified as a "probable suicide." Many individuals including Jack Clemmons, the first LAPD Police officer to arrive at the death scene believed that she was murdered. She is the only woman on the Forbes top earning dead celebrities list.

Childhood

Family and early life

Main article: Childhood of Marilyn Monroe

Marilyn Monroe was born Norma Jeane Mortenson in the charity ward of the Los Angeles County Hospital. According to biographer Fred Lawrence Guiles, her grandmother, Della Monroe Grainger, had her baptized Norma Jeane Baker by Aimee Semple McPherson. Although she took a stagename of Marilyn Monroe in 1946, she did not legally change her name to Marilyn Monroe until February 23, 1956. Her mother was Gladys Pearl (Monroe) Baker. Monroe's birth father was never identified. For many years it was believed that Gladys's second husband Martin Edward Mortenson (1897-1981) was Monroe's father. His name was listed on her birth certificate. However this has been disputed with Monroe herself believing a salesman named Charles Stanley Gifford was her father. Whatever the case, Marilyn had no father in her life.

Foster homes

Mentally unstable and unable to care for Monroe, Gladys placed her with foster parents Albert and Ida Bolender of Hawthorne, California, where she lived until she was seven. In her autobiography My Story, Monroe states she believed Albert was a woman.

One day, Gladys announced that she had bought a house. A few months after they had moved in, Gladys suffered a breakdown. In My Story, Monroe recalls her mother "screaming and laughing" as she was forcibly removed to the State Hospital in Norwalk. According to My Sister Marilyn, Gladys's brother, Marion, hanged himself upon his release from an asylum, and Della's father did the same in a fit of depression.

Norma Jeane was declared a ward of the state, and Gladys' best friend, Grace McKee (later Goddard) became her guardian. After McKee married in 1935, Norma Jeane was sent to the Los Angeles Orphans Home (later renamed Hollygrove), and then to a succession of foster homes.

The Goddards were about to move to the east coast and could not take Monroe. Grace approached the mother of a neighbor boy, James Dougherty, about the possibility of her son marrying the girl. They married weeks after she turned 16, so that Norma Jeane would not have to return to an orphanage or foster care. Monroe stated in her autobiography that she did not feel like a wife; instead she enjoyed playing with the neighborhood children until her husband would call her home for the evening. The marriage would last until 1946 when Monroe decided to pursue her career.

Career

Early years

Mrs. Norma Jeane Dougherty, YANK Magazine, 1945

While her husband was in the Merchant Marine during World War II, Norma Jeane Dougherty moved in with her mother-in-law where she started working in the Radioplane Company factory owned by Hollywood actor Reginald Denny. Her job required spraying airplane parts with fire retardant and inspecting parachutes. Army photographer David Conover was scouting local factories, taking photos for a YANK magazine article about women contributing to the war effort. He saw her potential as a model, and she was soon signed by The Blue Book modeling agency. Shortly after signing with the agency, Monroe had her hair cut, straightened, and lightened to golden blonde. She began taking drama classes and singing classes.

She became one of Blue Book's most successful models, appearing on dozens of magazine covers. In 1946, she came to the attention of talent scout Ben Lyon. He arranged a screen test for her with 20th Century Fox. She was offered a standard six-month contract with a starting salary of $125 per week.

Lyon suggested she adopt Marilyn (after the famous actress Marilyn Miller) as her stage name, since Norma Jeane was not considered commercial enough. For her last name, she took her mother's maiden name. Thus, the 20-year-old Norma Jeane Baker became Marilyn Monroe. During her first six months at Fox, Monroe was given no work, but Fox renewed her contract and she was given minor appearances in Scudda Hoo! Scudda Hay! and Dangerous Years, both released in 1947. In Scudda Hoo!, her part was edited out of the film except for a quick glimpse of her face when she speaks two words. Fox decided not to renew her contract. Monroe returned to modelling and began to network and make contacts in Hollywood. She posed for nude photographs which were later featured in the first issue of Playboy.

In 1948, during a six-month stint at Columbia Pictures, she starred in Ladies of the Chorus. The low-budget musical was not a success and Monroe was dropped yet again. She met one of Hollywood's top agents, Johnny Hyde, who had Fox re-sign her after MGM turned her down. Darryl F. Zanuck, the vice-president of Fox, was not convinced of Monroe's potential, but because of Hyde's persistence, she gained supporting parts in the Marx Brothers film Love Happy (1949), and in Fox's All About Eve and MGM's The Asphalt Jungle (both 1950). Even though the roles were small, moviegoers as well as critics took notice. Hyde also arranged for her to have minor plastic surgery on her nose and chin, adding that to earlier dental surgery.

The next two years were filled with inconsequential roles in standard fare such as We're Not Married! and Love Nest. However, RKO executives used her to boost box office potential of the Fritz Lang production Clash by Night. After the film performed well, Fox employed a similar tactic, and she was cast as the ditzy receptionist with Cary Grant and Ginger Rogers in Howard Hawks's slapstick comedy Monkey Business. Critics no longer ignored her, and both films' success at the box office was partly attributed to Monroe's growing popularity.

Fox finally gave her a starring role in 1952 with Don't Bother to Knock, in which she portrayed a deranged babysitter who attacks the little girl in her care. It was a cheaply made B-movie, and although the reviews were mixed, they claimed that it demonstrated Monroe's ability and confirmed that she was ready for more leading roles. Her performance in the film has since been noted as one of the finest of her career.

Stardom

Monroe in Niagara

Monroe proved she could carry a big-budget film when she starred in Niagara in 1953. Movie critics focused on Monroe's connection with the camera as much as on the sinister plot. She played an unbalanced woman planning to murder her husband.

Playboy playmate

Marilyn Monroe
File:Pb1253.jpg
Succeeded by	Margie Harrison
Personal details
Height	5 ft 5½ in

Around this time, the nude photos of Monroe began to surface, taken by photographer Tom Kelley during her unemployment. Prints were bought by Hugh Hefner and, in December 1953, appeared in the first edition of Playboy. To the dismay of Fox, Monroe decided to publicly admit it was indeed her in the pictures. When a journalist asked her what she wore in bed she replied, "Chanel no.5". When asked what she had on during the photo shoot, she replied, "The radio".

A-list actress

Over the following months, Gentlemen Prefer Blondes and How to Marry a Millionaire cemented Monroe's status as an A-list actress, and she became one of the world's biggest movie stars. The lavish Technicolor comedy films established Monroe's "dumb blonde" on-screen persona.

In Gentlemen Prefer Blondes, Monroe's turn as gold-digging showgirl Lorelei Lee won her rave reviews, and the scene where she sang "Diamonds Are a Girl's Best Friend" has inspired the likes of Madonna, Kylie Minogue and Geri Halliwell. In the Los Angeles premiere of the film, Monroe and co-star Jane Russell pressed their foot- and handprints in the cement in the forecourt of Grauman's Chinese Theatre.

In How to Marry a Millionaire, Monroe was teamed up with Lauren Bacall and Betty Grable. She played a short-sighted dumb blonde, and even though the role was stereotypical, critics took note of her comedic timing.

Her next two films, the western River of No Return and the musical There's No Business Like Show Business, were not successful. Monroe tired of the roles that Zanuck assigned her. After completing work on The Seven Year Itch in early 1955, she broke her contract and fled Hollywood to study acting with Lee Strasberg at the Actors Studio in New York. Fox would not accede to her contract demands and insisted she return to work on productions she considered inappropriate, such as The Girl in Pink Tights (which was never filmed), The Girl in the Red Velvet Swing, and How to Be Very, Very Popular.

Marilyn Monroe Productions

Once in New York Monroe set up her own production company, Marilyn Monroe Productions, with fashion photographer Milton H. Greene.

As The Seven Year Itch raced to the top of the box office in the summer of 1955, and with Fox starlets Jayne Mansfield and Sheree North failing to click with audiences, Zanuck admitted defeat and Monroe returned to Hollywood. A new contract was drawn up, giving Monroe approval of the director as well as the option to act in other studios' projects.

The first film to be made under the contract and production company was Bus Stop, directed by Joshua Logan. She played Chérie, a saloon bar singer who falls in love with a cowboy. Monroe deliberately appeared badly made-up and unglamorous. She was nominated for a Golden Globe for the performance and was praised by critics. Bosley Crowther of The New York Times proclaimed: "Hold on to your chairs, everybody, and get set for a rattling surprise. Marilyn Monroe has finally proved herself an actress." In his autobiography, Movie Stars, Real People and Me, director Joshua Logan wrote: "I found Marilyn to be one of the great talents of all time... She struck me as being a much brighter person than I had ever imagined, and I think that was the first time I learned that intelligence and, yes brilliance have nothing to do with education."

Monroe in a promotional still for The Prince and the Showgirl, 1957.

The second movie filmed under her production company was The Prince and the Showgirl co-starring Laurence Olivier. Olivier, who directed the movie, said Monroe was "a brilliant comedienne, which to me means she is also an extremely skilled actress" However, he became furious at her habit of being late to the set, as well as her dependency on her drama coach Paula Strasberg. Monroe's performance was hailed by critics, especially in Europe, where she was handed the David di Donatello, the Italian equivalent of the Academy Award, as well as the French Crystal Star Award. She was also nominated for the British BAFTA award.

Later years

In 1959, she scored the biggest hit of her career starring alongside Jack Lemmon and Tony Curtis in Billy Wilder's Some Like It Hot. After shooting finished, Wilder publicly blasted Monroe for her difficult on-set behavior. Soon, however, Wilder's attitude softened, and he hailed her as a great comedienne. Some Like It Hot is consistently rated as one of the best films ever made. Monroe's performance earned her a Golden Globe for best actress in musical or comedy.

After Some Like It Hot, Monroe shot Let's Make Love directed by George Cukor and co-starring Yves Montand. Monroe was forced to shoot the picture because of her obligations to Twentieth Century-Fox. While the film was not a commercial or critical success, it included one of Monroe's legendary musical numbers, Cole Porter's "My Heart Belongs to Daddy".

Arthur Miller wrote what became her and her co-star Clark Gable's last completed film, The Misfits. The exhausting shoot took place in the hot Nevada desert. Monroe, Gable and Montgomery Clift delivered performances that are considered excellent by contemporary movie critics. Tabloid magazines blamed Gable's death of a heart attack on Monroe, citing her tardiness and quoting Gable's widow Kay Spreckels Gable, who claimed that her husband did his own stunt work out of the frustration of waiting for Monroe. Exacerbating the situation was Gable's advanced age, plus long history of alcohol and tobacco use. Monroe was invited by Kay to the baptismal ceremony for her and Clark's son John Clark Gable. She attended.

In 1961, some of the most famous photographs of Monroe were taken by Douglas Kirkland as a feature for the 25th anniversary issue of LOOK magazine.

Monroe returned to Hollywood to resume filming on the George Cukor comedy Something's Got to Give, a never-finished film that has become legendary for problems on the set and proved a costly debacle for Fox. In May 1962, she made her last significant public appearance, singing Happy Birthday, Mr. President at a televised birthday party for President John F. Kennedy.

After shooting what was claimed to have been the first ever nude scene by a major motion picture actress, Monroe's attendance on the set became even more erratic. On June 1, her thirty-sixth birthday, she attended a charity event at Dodger Stadium.

Financially strained by the production costs of Cleopatra, starring Elizabeth Taylor, Fox dropped Monroe from the film and replaced her with Lee Remick. However, co-star Dean Martin, who had a clause in his contract giving him an approval over his co-star, was unwilling to work with anyone but Monroe. She was rehired.

Monroe conducted a lengthy interview with Life, in which she expressed how bitter she was about Hollywood labeling her as a dumb blonde and how much she loved her audience. She also did a photo shoot for Vogue and began discussing a future film project with Gene Kelly and Frank Sinatra, according to the Donald Spoto biography.

She was planning to star in a biopic of Jean Harlow as well as starring alongside Jack Lemmon in Irma La Douce, a Billy Wilder comedy that eventually starred Shirley MacLaine. Other projects under consideration were What a Way to Go! (in which Shirley MacLaine replaced her), Kiss Me, Stupid, a comedy starring Dean Martin and Kim Novak, and a musical version of A Tree Grows In Brooklyn.

Before the shooting of Something's Got to Give resumed, Monroe was found dead in her Los Angeles home on the morning of August 5 1962. She remains one of the 20th century's legendary public figures and archetypal Hollywood movie stars.

Marriages and Relationships

James Dougherty

Monroe married James Dougherty on June 19 1942. In The Secret Happiness of Marilyn Monroe and To Norma Jeane with Love, Jimmie, he claimed they were in love, but dreams of stardom lured her away. In 1953 he wrote a piece called "Marilyn Monroe Was My Wife" for Photoplay, in which he claimed that he left her. In the 2004 documentary Marilyn's Man, Dougherty made three new claims: he was her Svengali and invented the "Marilyn Monroe" persona, studio executives forced her to divorce him, and that he was her only true love.

He remarried in 1947. The August 6 1962 New York Times reported that, on being informed of her death, he replied "I'm sorry," and continued his LAPD patrol. He did not attend Monroe's funeral.

His sister wrote in the December 1952 Modern Screen Magazine that Dougherty left Monroe because she wanted to pursue modeling. He admitted to A&E Network that his mother asked him to marry her and told Lifetime in 1996 that he cut off her allotment after being served with divorce papers.

Joe DiMaggio

In 1951, Joe DiMaggio saw a picture of Monroe with two Chicago White Sox players but did not ask the man who arranged the stunt to set up a date until 1952. She wrote in My Story that she did not want to meet him, fearing a stereotypical jock. They eloped at San Francisco's City Hall on January 14 1954. During the honeymoon, they visited Japan, and she was asked to visit Korea. She performed ten shows over four days in freezing temperatures for over 100,000 servicemen. Biographers have noted that DiMaggio, who stayed in Japan, was not pleased with his wife's decision during what he wanted to be an intimate trip.

File:MMONROE2.jpg

Marilyn Monroe and Joe DiMaggio in an undated photo. Template:Unverifiedimage

Back home, she wrote him a letter about her dreams for their future, dated February 28 1954:

"My Dad, I don't know how to tell you just how much I miss you. I love you till my heart could burst... I want to just be where you are and be just what you want me to be... I want someday for you to be proud of me as a person and as your wife and as the mother of the rest of your children (two at least! I've decided)..."

— Marilyn Monroe

DiMaggio biographer Maury Allen quoted New York Yankees PR man Arthur Richman that DiMaggio told him everything went wrong from the trip to Japan on. On September 14 1954, Monroe filmed the iconic skirt-blowing scene for The Seven Year Itch in front of New York's Trans-Lux Theater. Bill Kobrin, then Fox's east coast correspondent, told the June 26 2006 Palm Springs Desert Sun that it was Billy Wilder's idea to turn it into a media circus: "... every time her dress came up and the crowd started to get excited, DiMaggio just blew up." The couple later had a "yelling battle" in the theater lobby. She filed for divorce on grounds of mental cruelty 274 days after the wedding.

Years later, she turned to him for help. In February 1961, her psychiatrist arranged for her to be admitted to the Payne Whitney Psychiatric Clinic, where, according to Donald Spoto, she was placed in the ward for the most seriously disturbed. Unable to check herself out, she called DiMaggio, who secured her release. She later joined him in Florida. Their "just good friends" claim did not stop rumors of remarriage. Archive footage shows Bob Hope jokingly dedicating Best Song nominee The Second Time Around to them at the 1960 Academy Awards telecast. The two conceived a child, but it was stillborn.

According to Maury Allen, on August 1 1962, DiMaggio — alarmed by how his ex-wife had fallen in with people such as Frank Sinatra and his "Rat Pack" — quit his job with a PX supplier to ask her to remarry him.

After her death, he claimed her body and arranged her funeral, barring Hollywood's elite. For 20 years, he had a dozen red roses delivered to her crypt three times a week. Unlike her other two husbands, he never talked about her publicly, wrote a tell-all, or remarried.

Arthur Miller

File:Miller and Monroe.jpg

Miller and Monroe at a press conference after their wedding

On June 29 1956, Monroe married playwright Arthur Miller, whom she first met in 1951, in a civil ceremony in White Plains, New York. City Court Judge Seymour Robinowitz presided over the hushed ceremony in the law office of Sam Slavitt (the wedding had been kept secret from both the press and the public). In reflecting on his courtship of Monroe, Miller wrote, "She was a whirling light to me then, all paradox and enticing mystery, street-tough one moment, then lifted by a lyrical and poetic sensitivity that few retain past early adolescence". Nominally raised as a Christian, she converted to Judaism before marrying Miller. After she finished shooting The Prince and the Showgirl with Laurence Olivier, the couple returned to the United States from England and discovered she was pregnant. However, she suffered from endometriosis, and the pregnancy was found to be ectopic. A subsequent pregnancy ended in miscarriage.

Miller's screenplay for The Misfits, a story about a despairing divorcée, was meant to be a Valentine gift for his wife, but by the time filming started in 1960 their marriage was beyond repair. A Mexican divorce was granted on January 24 1961. On February 17 1962, Miller married Inge Morath, one of the Magnum photographers recording the making of The Misfits.

In January 1964, Miller's play After The Fall opened, featuring a beautiful and devouring shrew named Maggie. The similarities between Maggie and Monroe did not go unnoticed by audiences and critics (including Helen Hayes). Simone Signoret noted in her autobiography the morbidity of Miller and Elia Kazan resuming their professional association "over a casket". In interviews and in his autobiography, Miller insisted that Maggie was not based on Monroe. However, he never pretended that his last Broadway-bound work, Finishing the Picture, was not based on the making of The Misfits. He appeared in the documentary The Century of the Self lamenting the psychological work being done on her before her death.

The Kennedys

It has been claimed that Monroe was involved with either Robert Kennedy, John F. Kennedy, or both. Jeanne Carmen, who claims to have been a friend of Monroe's, has said she dated both, though she only loved Robert. Carmen also believes at least one of the Kennedys was responsible for her death. Joe DiMaggio told both his son and attorney that "the Kennedys killed her."

Death and aftermath

Main article: Death of Marilyn Monroe

LAPD police sergeant Jack Clemmons received a call at 4:25AM on August 5 1962 from Dr. Hyman Engelberg proclaiming that Marilyn Monroe was dead at her home in Brentwood, Los Angeles, California. Sergeant Clemmons was the first Police officer to arrive at the death scene. Many questions remain unanswered about the circumstances of her death and the time-line Monroe's body was found.

The official cause of her death was classified as a case of "acute barbiturate poisoning" by Dr. Thomas Noguchi of the Los Angeles County Coroners office. Eight milograms of chloral hydrate and 4.5 milograms of Nembutal were found in her system after the autopsy. Her death was classified as "probable suicide", but because of a lack of evidence they could not classify her death as suicide or homicide. Also, some conspiracy theories involve John and Robert Kennedy with her death, while other theories suggest CIA or mafia complicity. As a side note, toxicology tests revealed that Monroe also had a slight iron deficiency in her blood.

On August 8 1962, Monroe was interred in a crypt at Corridor of Memories, #24, at the Westwood Village Memorial Park Cemetery in Los Angeles, California. Lee Strasberg delivered the eulogy.

Over 40 years after her death Forbes.com compiled a survey titled "Highest-Earning Dead Celebrities," which compared the money the celebrities' estates earn annually from sales. Monroe ranked 9th, as the only woman on the list.

Administration of estate

In her will, Monroe left Lee Strasberg 75 percent of the residuary of the estate. She expressed her desire that Strasberg, or, if he predeceased her, her executor, "distribute [her personal effects] among my friends, colleagues and those to whom I am devoted."

Strasberg willed his portion to his widow, Anna. She declared she would never sell Monroe's personal items after successfully suing Odyssey Auctions in 1994 to prevent the sale of items which were withheld by Monroe's former business manager, Inez Melson. However, in October 1999 Christie's auctioned the bulk of the items Monroe willed to Strasberg, netting US$12.3 million.

Anna Strasberg is currently in litigation against the children of four photographers to determine rights of publicity, which permits the licensing of images of deceased personages for commercial purposes. The decision as to whether Monroe was a resident of California, where she died, or New York, where her will was probated, is worth millions.

On May 4 2007, a federal judge in New York ruled that Monroe's rights of publicity ended upon her death, thus allowing the family of photographer Sam Shaw to sell photos of Monroe.

Quotes

I think that when you are famous every weakness is exaggerated. (...) Goethe said, "Talent is developed in privacy," you know? And it's really true. (...) Creativity has got to start with humanity and when you're a human being, you feel, you suffer. You're gay, you're sick, you're nervous or whatever.

Say goodbye to Pat, say goodbye to the president, and say goodbye to yourself, because you're a nice guy.[...]I'll see, I'll see.

I don't know who invented high heels, but all women owe him a lot.

I believe that everything happens for a reason. People change so that you can learn to let go, things go wrong so that you appreciate them when they go right, you believe lies so you eventually learn to trust no one but yourself, and sometimes good things fall apart, so that better things can fall together.

Quotes About Marilyn

"Everything Marilyn does is different from any other woman, strange and exciting, from the way she talks to the way she uses that magnificent torso."

"She can make any move, any gesture, almost unsufferably suggestive."

"She wasn't disciplined, and she was often late but there was a sort of magic about her which we all recognized at once."

"Nobody discovered her, she earned her own way to stardom."

"If it hadn't been for her friends she might still be alive."

Filmography

Year	Film	Role	Salary	Adjusted for inflation (2007)
1947	Dangerous Years	Evie
	Scudda Hoo! Scudda Hay!	Girl in canoe/Girl exiting church	$150/week	$1400/week
	Green Grass of Wyoming
	Ladies of the Chorus	Peggy Martin
1949	Love Happy	Grunion's client
1950	A Ticket to Tomahawk	Clara
	The Asphalt Jungle	Angela Phinlay	$1,050	$9,100
	The Fireball	Polly
	All About Eve	Miss Caswell	$500/week, with one-week guarantee	$4,300/week
	Right Cross	Dusky Ledoux
1951	Home Town Story	Iris Martin
	As Young as You Feel	Harriet
	Love Nest	Roberta 'Bobby' Stevens
	Let's Make It Legal	Joyce Mannering
1952	Clash by Night	Peggy
	We're Not Married!	Annabel Jones Norris	$750/week	$5,900/week
	Don't Bother to Knock	Nell Forbes
	Monkey Business	Miss Lois Laurel
	O. Henry's Full House	Streetwalker
1953	Niagara	Rose Loomis
	Gentlemen Prefer Blondes	Lorelei Lee	$1,250/week	$9800/week
	How to Marry a Millionaire	Pola Debevoise
1954	River of No Return	Kay Weston
	There's No Business Like Show Business	Vicky Hoffman/Vicky Parker
1955	The Seven Year Itch	The Girl	$1,500/week	$12,000/week
1956	Bus Stop	Cherie
1957	The Prince and the Showgirl	Elsie Marina
1959	Some Like It Hot	Sugar Cane Kowalczyk	$200,000 plus 10% gross over $4 million	$1,400,000 +10% gross over $29m
1960	Let's Make Love	Amanda Dell/Delson
1961	The Misfits	Roslyn Taber	$250,000	$1,700,000
1962	Something's Got to Give	Ellen Wagstaff Arden	$100,000	$690,000

Awards and nominations

• 1952 Photoplay Award: Special Award
• 1953 Golden Globe Henrietta Award: World Film Favorite Female.
• 1953 Photoplay Award: Most Popular Female Star
• 1956 BAFTA Film Award nomination: Best Foreign Actress for The Seven Year Itch
• 1956 Golden Globe nomination: Best Motion Picture Actress in Comedy or Musical for Bus Stop
• 1958 BAFTA Film Award nomination: Best Foreign Actress for The Prince and the Showgirl
• 1958 David di Donatello Award (Italian): Best Foreign Actress for The Prince and the Showgirl
• 1959 Crystal Star Award (French): Best Foreign Actress for The Prince and the Showgirl
• 1960 Golden Globe, Best Motion Picture Actress in Comedy or Musical for Some Like It Hot
• 1962 Golden Globe, World Film Favorite: Female
• Star on the Hollywood Walk of Fame 6104 Hollywood Blvd.
• 1999 she was ranked as the sixth greatest female star of all time by the American Film Institute in their list AFI's 100 Years... 100 Stars.

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See also

• Death of Marilyn Monroe
• Marilyn Monroe in popular culture
• Berniece Baker Miracle, her half-sister
• Look alike contest Monroe's popularity as a costume
• Mark Bellinghaus Monroe memorabilia collector and activist

Notes

"Here I am Mother" the real story of Marilyn Monroe by Nancy Miracle.

References

• Baty, S. Paige (1995). American Monroe: The Making of a Body Politic. University of California Press. ISBN 0-520-08806-9. Examines Monroe's stature as an icon.
• Belmont, Georges (2000). Marilyn Monroe and the Camera. Te Neues Publishing Company. ISBN 3-8238-5467-4. Monroe's "love affair" with the camera.
• Churchwell, Sarah (2004). The Many Lives of Marilyn Monroe. Metropolitan Books. ISBN 0-8050-7818-5. Explores Western Civilization's fixation with Monroe.
• Cunningham, Ernest W. (1997). The Ultimate Marilyn. Renaissance Books. ISBN 1-58063-003-0. A compendium of facts, fantasies and scandals about Marilyn Monroe.
• Gilmore, John (2007). Inside Marilyn Monroe: A Memoir. Ferine Books. ISBN 0-9788968-0-7. Examination of Monroe's personal and professional life.
• Guiles, Fred Lawrence (1993). Norma Jean: The Life of Marilyn Monroe. Paragon House Publishers. ISBN 1-55778-583-X. Reissue of a biography cited in this article.
• Mailer, Norman (1973). Marilyn: A Biography. Grosset & Dunlap. ISBN 0-448-01029-1. His controversial take on Monroe.
• My Sister Marilyn, Miracle, Berniece Baker and Mona Raw Baker. Publisher: Algonquin Books; first edition (1994) Hardcover: 238 pages ISBN 1565120701
• Monroe, Marilyn (2000). My Story. Cooper Square Press. ISBN 0-8154-1102-2. Reprint of her memoirs, ghost-written by Ben Hecht; introduction by Andrea Dworkin.
• Rollyson, Carl E. (1993). Marilyn Monroe: A Life of the Actress. Da Capo Press. ISBN 0-306-80542-1. Scholarly look at her films.
• Spoto, Donald (2001). Marilyn Monroe: The Biography. Cooper Square Press. ISBN 0-8154-1183-9. Biography cited in this article.
• Smith, Matthew (2004). Marilyn's Last Words: Her Secret Tapes and Mysterious Death. Carroll & Graf Publishers. ISBN 0-7867-1380-1. Alleged transcripts of Monroe's therapy sessions.
• Taylor, Roger G. (2006). Marilyn in Art. Chaucer Press. ISBN 1-904957-02-1. Examines Monroe's influence on numerous artists.
• Vitacco-Robles, Gary (2003). Cursum Perficio: Marilyn Monroe's Brentwood Hacienda: The Story of Her Final Months. IUniverse. ISBN 0-595-01082-2
• Victor, Adam (1999). The Complete Marilyn Monroe. Thames and Hudson Ltd. ISBN 0-500-01978-9.
• Steinem, Gloria (1988). Marilyn: Norma Jeane, photos by George Barris. Signet. (1988) ISBN 0451155963
• Evans, Mike (2004). Marilyn: The Ultimate Book. MQ Publications. ASIN B000FL52LG.
• Clayton, Marie (2004). Marilyn Monroe: Unseen Archives. Barnes & Noble Inc. ISBN 0-7607-4673-7.

External links

• The Official Website of Marilyn Monroe
• The Marilyn Monroe Information Center by Filmhistorian Dr. phil. Peter Schnug
• The Marilyn Monroe Collection
• Marilyn Monroe's 1952 interview with Parade
• Marilyn Monroe at IMDb
• Marilyn Monroe at the TCM Movie Database
• Holding A Good Thought For Marilyn - Virtual Tour of Marilyn Monroe's Brentwood Hacienda
• Marilyn Monroe's grave site
• Marilyn Monroe, Frank Sinatra, Joe DiMaggio and the 1954 "Wrong Door Raid."
• Images taken at Niagara Falls during the filming of the movie Niagara Niagara Falls Public Library (Ont.)
• Marilyn Monroe Collectibles Feature
• Married to Marilyn by Norman Mailer from The New York Review of Books
• New York Times, August 6, 1962
• The Marilyn Pages