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{{Use dmy dates|date=March 2017}}
{{Use dmy dates|date=March 2017}}
{{Infobox album
{{Infobox album
| name = Amarte es un placer
| name = Amarte Es un Placer
| type = [[Studio album]]
| type = [[Studio album]]
| artist = [[Luis Miguel]]
| artist = [[Luis Miguel]]
| cover = Amarteesunplacer.jpg
| cover = Amarteesunplacer.jpg
| alt = A man with a serious expression is wearing a black suit and tie is facing the camera with his face is tilting right
| alt = A man with a serious expression is wearing a black suit and tie is facing the camera with his face is tilting right
| released = {{start date|1999|9|13|df=yes}}
| released = {{start date|1999|09|13|df=yes}}
| recorded =
| recorded =
| venue =
| venue =
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| Name = Amarte Es un Placer
| Name = Amarte Es un Placer
| Type = [[Studio album]]
| Type = [[Studio album]]
| single 1 = [[Sol, arena y mar]]
| single 1 = [[Sol, Arena y Mar]]
| single 1 date = 19 July 1999
| single 1 date = 19 July 1999
| single 2 = [[O o ninguna]]
| single 2 = [[O o Ninguna]]
| single 2 date = 6 September 1999
| single 2 date = 6 September 1999
| single 3 = [[Dormir contigo]]
| single 3 = [[Dormir Contigo]]
| single 3 date = January 2000
| single 3 date = January 2000
| single 4 = [[Amarte es un placer (song)|Amarte es un placer]]
| single 4 = [[Amarte Es un Placer (song)|Amarte Es un Placer]]
| single 4 date = 2000
| single 4 date = 2000
}}
}}
}}
}}
'''''Amarte es un placer''''' ({{lang-en|italic=yes|Loving You Is a Pleasure}}<ref name="promis"/>) is the thirteenth [[studio album]] by Mexican singer [[Luis Miguel]]. It was released by record label [[WEA Latina]] on 13 September 1999. Produced by Miguel, it is a [[pop music|pop]] album with [[Rhythm and blues|R&B]], [[pop ballad]], and [[jazz]] influences. Miguel was more involved with the songwriting on this record than on earlier albums, and was assisted by other composers including Arturo Pérez, [[Armando&nbsp;Manzanero]], and [[Juan Carlos Calderón]]. Despite the popularity of his contemporaries such as [[Ricky Martin]] and [[Enrique Iglesias]] [[crossover music|crossing over]] to the English-language market, Miguel preferred at the time to sing and record in Spanish.
'''''Amarte Es un Placer''''' ({{lang-en|italic=yes|Loving You Is a Pleasure}}<ref name="promis"/>) is the thirteenth [[studio album]] by Mexican singer [[Luis Miguel]]. It was released by record label [[WEA Latina]] on 13 September 1999. Produced by Miguel, it is a [[pop music|pop]] album with [[Rhythm and blues|R&B]], [[pop ballad]], and [[jazz]] influences. Miguel was more involved with the songwriting on this record than on earlier albums, and was assisted by other composers including Arturo Perez, [[Armando&nbsp;Manzanero]], and [[Juan Carlos Calderón]]. Despite the popularity of his contemporaries such as [[Ricky Martin]] and [[Enrique Iglesias]] [[crossover music|crossing over]] to the English-language market, Miguel preferred at the time to sing and record in Spanish.


Four singles were released to promote the album: "[[Sol, arena y Mar]]", "[[O Tú o Ninguna]]", "[[Dormir Contigo]]", and the [[Amarte Es un Placer (song)|title track]]. Miguel embarked on the [[Amarte Es Un Placer Tour]], performing in Spain, South America, Mexico, and the United States, which lasted from September 1999 into May&nbsp;2000; it became the highest-grossing tour by a Spanish-speaking recording artist at the time.
Four singles were released to promote the album: "[[Sol, Arena y Mar]]", "[[O Tú o Ninguna]]", "[[Dormir Contigo]]", and the [[Amarte Es un Placer (song)|title track]]. Miguel embarked on the [[Amarte Es Un Placer Tour]], performing in Spain, South America, Mexico, and the United States, which lasted from September 1999 into May&nbsp;2000; it became the highest-grossing tour by a Spanish-speaking recording artist at the time.


''Amarte Es un Placer'' debuted at number one in Spain and on the [[Top Latin Albums|''Billboard'' Top Latin Albums]] chart in the United States. It was certified gold in the United States, and achieved multi-platinum status in Argentina, Chile, Mexico, and Spain. The album had sold more than three million copies as of 2007. On its release, the record received mixed reviews from [[music journalism|music critics]]; several praised the production as well as Miguel's vocals and the compositions, but others felt it did not differ from his earlier recordings and found the music outdated. Miguel received several accolades, including the [[Latin Grammy Award]]s for [[Latin Grammy Award for Album of the Year|Album of the Year]] and [[Latin Grammy Award for Best Pop Vocal Album|Best Pop Vocal Album]] and a [[Grammy Award|Grammy]] nomination for [[Grammy Award for Best Latin Pop Album|Best Latin Pop Performance]].
''Amarte Es un Placer'' debuted at number one in Spain and on the [[Top Latin Albums|''Billboard'' Top Latin Albums]] chart in the United States. It was certified gold in the United States, and achieved multi-platinum status in Argentina, Chile, Mexico, and Spain. The album had sold more than three million copies as of 2007. On its release, the record received mixed reviews from [[music journalism|music critics]]; several praised the production as well as Miguel's vocals and the compositions, but others felt it did not differ from his earlier recordings and found the music outdated. Miguel received several accolades, including the [[Latin Grammy Award]]s for [[Latin Grammy Award for Album of the Year|Album of the Year]] and [[Latin Grammy Award for Best Pop Vocal Album|Best Pop Vocal Album]] and a [[Grammy Award|Grammy]] nomination for [[Grammy Award for Best Latin Pop Album|Best Latin Pop Performance]].
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==Background==
==Background==
[[File:Mariah Carey11 Edwards Dec 1998.jpg|thumb|upright=.6|Miguel stated that the music on ''Amarte Es un Placer'' reflect his emotions at the time of recording. He hinted that the album's title was based on his then-relationship with Mariah Carey (pictured in 1998).|alt=A woman wearing a dress is facing left and holding a microphone.]]
[[File:Mariah Carey11 Edwards Dec 1998.jpg|thumb|upright=.6|Miguel stated that the music on ''Amarte Es un Placer'' reflect his emotions at the time of recording. He hinted that the album's title was based on his then-relationship with Mariah Carey (pictured in 1998).|alt=A woman wearing a dress is facing left and holding a microphone.]]
In 1997, Luis Miguel released his twelfth studio album ''[[Romances (Luis Miguel album)|Romances]]'', the third record in his ''Romance'' series, in which he performs covers of classic Latin&nbsp;American [[bolero]]s.<ref>{{cite book|last1=Morales|first1=Ed|title=The Latin Beat: The Rhythms And Roots Of Latin Music From Bossa Nova To Salsa And Beyond|year=2003|publisher=Da Capo Press|location=Cambridge, Massachusetts|isbn=0-306-81018-2|page=155}}</ref> It sold more than 4.5 million copies and won the [[Grammy Award for Best Latin Pop Album|Grammy Award for Best Latin Pop Performance]] in 1998.<ref name="Sticks">{{cite journal| last = Lewellyn| first = Howell| date = 2 October 1999| title = Miguel Proudly Sticks To Spanish On 'Amarte' From WMI| journal = Billboard| publisher = Nielsen Business Media, Inc.| volume = 111| issue = 40| page = 24| url =https://books.google.com/books?id=cggEAAAAMBAJ&lpg=PP1&pg=PA24#v=onepage&q&f=false| accessdate = 10 August 2011}}</ref><ref>{{cite web|title=The 1998 Grammy Award Winners|url=https://query.nytimes.com/gst/fullpage.html?res=9B0DE1DD103EF935A15751C0A96E958260|date=26 February 1998|work=[[The New York Times]]|publisher=[[The New York Times Company]]|accessdate=19 February 2011}}</ref> To promote ''Romances'', he embarked on a tour of the United States, Latin America, and Spain lasting more than a year.<ref name="terra">{{cite web|title=''Biografía de Luis Miguel'' |url=http://www.terra.com.mx/articulo.aspx?articuloid=972048|language=Spanish|work=[[Terra Networks]]|publisher=[[Telefónica]]|date=5 October 2010|accessdate=19 April 2011|archiveurl=https://www.webcitation.org/6orqJLPeR|archivedate=10 March 2017}}</ref> By 1998, Miguel was among the most bestselling [[Latin music (genre)|Latin]] artists internationally with his albums having sold more than 35 million copies worldwide.<ref name="cobo">{{cite news|url=http://nl.newsbank.com/nl-search/we/Archives|last1=Cobo|first1=Leila|authorlink1=Leila Cobo|title=D''arkness Falls Once Again for Reznor''|work=[[Miami Herald]]|publisher=[[The McClatchy Company]]|date=24 September 1999|subscription=yes}}</ref> On October 1998, Mexican composer [[Armando Manzanero]], who worked with Miguel on the ''Romance'' albums, confirmed that he was assisting with Miguel on a new project.<ref>{{cite news|title=''Armando Manzanero asesora a Luis Miguel en su nuevo álbum''|url=http://h.elsiglodetorreon.com.mx/Repository/getFiles.asp?Style=OliveXLib:LowLevelEntityToSaveGifMSIE_ELSIGLO&Type=text/html&Locale=spanish-skin-custom&Path=EDT/1998/10/20&ChunkNum=-1&ID=Ar03103&PageLabel=61|accessdate=14 May 2018|work=[[El Siglo de Torreón]]|date=20 October 1998|page=61|language=Spanish}}</ref> After an absence of two years from the music business, Miguel announced on 19 July 1999 that he would release a new album by September.<ref name="elsalvador">{{cite news|title=''Lanzan Sol, arena y mar''|url=http://archivo.elsalvador.com/noticias/EDICIONESANTERIORES/julio20/ESPECTACULOS/espec3.html|accessdate=17 February 2017|work=[[El Diario de Hoy]]|date=20 July 1999|language=Spanish}}</ref> He indicated the upcoming album would be a return to pop recordings as opposed to the bolero cover versions he had recorded on the ''Romance'' series.<ref name="regreso">{{cite news|title=''Luis Miguel de regreso''|work=[[El Informador (Mexico)|El Informador]]|date=21 July 1999|page=3-G|language=Spanish}}</ref> The album's title, ''Amarte Es un Placer'', was announced on 17 August 1999.<ref>{{cite news|title=Lo último de Luis Miguel|url=http://www.eltiempo.com/archivo/documento/MAM-956013|accessdate=17 February 2017|work=[[El Tiempo (Colombia)|El Tiempo]]|date=17 August 1999|language=Spanish}}</ref>
In 1997, Luis Miguel released his twelfth studio album ''[[Romances (Luis Miguel album)|Romances]]'', the third record in his ''Romance'' series, in which he performs covers of classic Latin&nbsp;American [[bolero]]s.<ref>{{cite book|last1=Morales|first1=Ed|title=The Latin Beat: The Rhythms And Roots Of Latin Music From Bossa Nova To Salsa And Beyond|year=2003|publisher=Da Capo Press|location=Cambridge, Massachusetts|isbn=0-306-81018-2|page=155}}</ref> It sold more than 4.5 million copies and won the [[Grammy Award for Best Latin Pop Album|Grammy Award for Best Latin Pop Performance]] in 1998.<ref name="Sticks">{{cite journal| last = Lewellyn| first = Howell| date = 2 October 1999| title = Miguel Proudly Sticks To Spanish On 'Amarte' From WMI| journal = Billboard| publisher = Nielsen Business Media, Inc.| volume = 111| issue = 40| page = 24| url =https://books.google.com/books?id=cggEAAAAMBAJ&lpg=PP1&pg=PA24#v=onepage&q&f=false| accessdate = 10 August 2011}}</ref><ref>{{cite web|title=The 1998 Grammy Award Winners|url=https://query.nytimes.com/gst/fullpage.html?res=9B0DE1DD103EF935A15751C0A96E958260|date=26 February 1998|work=[[The New York Times]]|publisher=[[The New York Times Company]]|accessdate=19 February 2011}}</ref> To promote ''Romances'', he embarked on a tour of the United States, Latin America, and Spain lasting more than a year.<ref name="terra">{{cite web|title=Biografía de Luis Miguel |url=http://www.terra.com.mx/articulo.aspx?articuloid=972048|language=Spanish|work=[[Terra Networks]]|publisher=[[Telefónica]]|date=5 October 2010|accessdate=19 April 2011|archiveurl=https://www.webcitation.org/6orqJLPeR|archivedate=10 March 2017}}</ref> By 1998, Miguel was among the most bestselling [[Latin music (genre)|Latin]] artists internationally with his albums having sold more than 35 million copies worldwide.<ref name="cobo">{{cite news|url=http://nl.newsbank.com/nl-search/we/Archives|last1=Cobo|first1=Leila|authorlink1=Leila Cobo|title=Darkness Falls Once Again for Reznor|work=[[Miami Herald]]|publisher=[[The McClatchy Company]]|date=24 September 1999|subscription=yes}}</ref> On October 1998, Mexican composer [[Armando Manzanero]], who worked with Miguel on the ''Romance'' albums, confirmed that he was assisting with Miguel on a new project.<ref>{{cite news|title=Armando Manzanero asesora a Luis Miguel en su nuevo álbum|url=http://h.elsiglodetorreon.com.mx/Repository/getFiles.asp?Style=OliveXLib:LowLevelEntityToSaveGifMSIE_ELSIGLO&Type=text/html&Locale=spanish-skin-custom&Path=EDT/1998/10/20&ChunkNum=-1&ID=Ar03103&PageLabel=61|accessdate=14 May 2018|work=[[El Siglo de Torreón]]|date=20 October 1998|page=61|language=Spanish}}</ref> After an absence of two years from the music business, Miguel announced on 19 July 1999 that he would release a new album by September.<ref name="elsalvador">{{cite news|title=Lanzan 'Sol, arena y mar'|url=http://archivo.elsalvador.com/noticias/EDICIONESANTERIORES/julio20/ESPECTACULOS/espec3.html|accessdate=17 February 2017|work=[[El Diario de Hoy]]|date=20 July 1999|language=Spanish}}</ref> He indicated the upcoming album would be a return to pop recordings as opposed to the bolero cover versions he had recorded on the ''Romance'' series.<ref name="regreso">{{cite news|title=Luis Miguel de regreso|work=[[El Informador (Mexico)|El Informador]]|date=21 July 1999|page=3-G|language=Spanish}}</ref> The album's title, ''Amarte Es un Placer'', was announced on 17 August 1999.<ref>{{cite news|title=Lo último de Luis Miguel|url=http://www.eltiempo.com/archivo/documento/MAM-956013|accessdate=17 February 2017|work=[[El Tiempo (Colombia)|El Tiempo]]|date=17 August 1999|language=Spanish}}</ref>


Miguel held a press conference at the [[Las Ventas]] building in Madrid, Spain on the album's launch date of 13 September 1999.<ref>{{cite news|title=''Presentó su nuevo disco''|work=El Informador|date=15 September 1999|page=3-G|language=Spanish}}</ref> Miguel confirmed that it was the first album where he was more involved in the tracks' composition: "Here something special was done, probably because I had more time to write a few things," he added.<ref name="vista">{{cite journal|last1=Roiz|first1=Carmen Teresa|title=Amarte es un placer|journal=[[ImpreMedia|Vista]]|volume=14–15|page=29|publisher=[[Cedar Fort, Inc.|Horizon Publishers]]}}</ref> When asked why he opted not to record an English-language album as other Latin acts such as [[Enrique Iglesias]] and [[Ricky Martin]] had successfully done, Miguel replied: "I think that Spanish is a good language. I like my language and I really feel proud of it. I'm not saying that I won't do it in the future, sing in English, I mean. But it's just that it's not the right time for me. Why should I do it, just because everybody else is doing it?"<ref name="vista"/> He was also asked about the lack of a duet with his then-girlfriend, American singer [[Mariah Carey]], to which he responded that he does not like to involve his personal life with his career; he did add that the music he performs is based on his feelings at the time, and hinted that the album's title was influenced by his relationship with Carey.<ref name="vista"/><ref>{{cite news|last1=Tapia|first1=Inma|title=Luis Miguel: "sigo siendo un solitario"|url=http://www.panamaamerica.com.pa/content/luis-miguel-sigo-siendo-un-solitario|accessdate=25 December 2017|work=Panamá América|date=10 October 1999|language=Spanish}}</ref>
Miguel held a press conference at the [[Las Ventas]] building in Madrid, Spain on the album's launch date of 13 September 1999.<ref>{{cite news|title=Presentó su nuevo disco|work=El Informador|date=15 September 1999|page=3-G|language=Spanish}}</ref> Miguel confirmed that it was the first album where he was more involved in the tracks' composition: "Here something special was done, probably because I had more time to write a few things," he added.<ref name="vista">{{cite journal|last1=Roiz|first1=Carmen Teresa|title=Amarte Es un Placer|journal=[[ImpreMedia|Vista]]|volume=14–15|page=29|publisher=[[Cedar Fort, Inc.|Horizon Publishers]]}}</ref> When asked why he opted not to record an English-language album as other Latin acts such as [[Enrique Iglesias]] and [[Ricky Martin]] had successfully done, Miguel replied: "I think that Spanish is a good language. I like my language and I really feel proud of it. I'm not saying that I won't do it in the future, sing in English, I mean. But it's just that it's not the right time for me. Why should I do it, just because everybody else is doing it?"<ref name="vista"/> He was also asked about the lack of a duet with his then-girlfriend, American singer [[Mariah Carey]], to which he responded that he does not like to involve his personal life with his career; he did add that the music he performs is based on his feelings at the time, and hinted that the album's title was influenced by his relationship with Carey.<ref name="vista"/><ref>{{cite news|last1=Tapia|first1=Inma|title=Luis Miguel: "sigo siendo un solitario"|url=http://www.panamaamerica.com.pa/content/luis-miguel-sigo-siendo-un-solitario|accessdate=25 December 2017|work=Panamá América|date=10 October 1999|language=Spanish}}</ref>


As well as co-writing several of the record's tracks, Miguel was assisted by other composers including Manzanero, [[Juan Carlos Calderón]], and Arturo&nbsp;Perez.<ref name="regreso"/><ref name="shuster"/> Recording took place at the [[A&M Studios]], [[Cello Studios]], [[Ocean Way Recording]], Watersound, and the [[Record Plant]] in Hollywood, California with Miguel handling the productions himself.<ref name="liner">{{Cite AV media notes |title=Amarte Es un Placer |year=1999 |first=Luis |last=Miguel |author-link=Luis Miguel |pages=1, 8 |type=Album liner notes |publisher=WEA Latina, a division of Warner Music Group |id=3984 29288-2 |location=United States}}</ref><ref name="guerra"/>
As well as co-writing several of the record's tracks, Miguel was assisted by other composers including Manzanero, [[Juan Carlos Calderón]], and Arturo&nbsp;Perez.<ref name="regreso"/><ref name="shuster"/> Recording took place at the [[A&M Studios]], [[Cello Studios]], [[Ocean Way Recording]], Watersound, and the [[Record Plant]] in Hollywood, California with Miguel handling the productions himself.<ref name="liner">{{Cite AV media notes |title=Amarte Es un Placer |year=1999 |first=Luis |last=Miguel |author-link=Luis Miguel |pages=1, 8 |type=Album liner notes |publisher=WEA Latina, a division of Warner Music Group |id=3984 29288-2 |location=United States}}</ref><ref name="guerra"/>
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==Composition==
==Composition==
{{Listen
{{Listen
|filename=Luis Miguel - O tu O Ninguna.ogg
|filename=Luis Miguel - O Tu O Ninguna.ogg
|title=Luis Miguel "O o ninguna"
|title=Luis Miguel "O o Ninguna"
|description=A 19 second sample of Miguel's "O Tú o Ninguna", which was composed by Juan Carlos Calderón. The ''Orange County Register'' editor Daniel Chang describes it as a "tender bolero that defines Miguel's signature style of heart-melting charm and warmth."<ref name="chang"/>
|description=A 19 second sample of Miguel's "O Tú o Ninguna", which was composed by Juan Carlos Calderón. The ''Orange County Register'' editor Daniel Chang describes it as a "tender bolero that defines Miguel's signature style of heart-melting charm and warmth."<ref name="chang"/>
|format=[[Ogg]]
|format=[[Ogg]]
|filename2=Luis Miguel - Te Propongo Esta Noche.ogg
|filename2=Luis Miguel - Te Propongo Esta Noche.ogg
|title2=Luis Miguel "Te propongo esta noche"
|title2=Luis Miguel "Te Propongo Esta Noche"
|description2=A 30 second sample of Miguel's "Te Propongo Esta Noche", an uptempo song recorded for the album. Ramiro Burr of the ''San Antonio Express-News'' writes that it "brims with marvelous horns and sweeping vocal harmonies".<ref name="burr"/>
|description2=A 30 second sample of Miguel's "Te Propongo Esta Noche", an uptempo song recorded for the album. Ramiro Burr of the ''San Antonio Express-News'' writes that it "brims with marvelous horns and sweeping vocal harmonies".<ref name="burr"/>
|format2=[[Ogg]]
|format2=[[Ogg]]
}}
}}
''Amarte es un placer'' is a [[pop music|pop]] album composed of twelve [[love song]]s, consisting mainly of orchestrated [[Pop ballads|romantic ballads]]&nbsp;— and several uptempo numbers.<ref name="promis"/><ref name="guerra"/> Unlike his previous pop record ''[[Nada Es Igual... (Luis Miguel album)|Nada Es Igual...]]'' (1996), which featured [[dance-pop|dance music]] and [[hip-hop]] influences, ''Amarte Es un Placer'''s emphasis is on [[adult contemporary music]].<ref name="promis"/> The opening track, "Tu mirada" is a [[rock ballad]] with a guitar solo.<ref name="torres"/> Manzanero composed three ballads for the album: "Soy yo", "Dormir contigo", and "Ese momento".<ref name="torres"/> "Ese momento" deals with a "narrative account of the instance when two bodies merge in fiery passion".<ref name="tarradell"/> On "Dormir Contigo", the protagonist talks about the joy of sleeping with his love interest.<ref name="cobo"/> {{nowrap|"Sol, arena y mar"}} is a [[horn instrument|horn]]-driven uptempo track with [[jazz]] influences which describes the "pain of separation" of a love that "disappeared as quickly as the foam at the seashore".<ref name="tarradell"/><ref name="wave">{{cite news|last1=Burr|first1=Ramiro|title=Luis Miguel set to make waves|work=[[San Antonio Express-News]]|publisher=[[Hearst Corporation]]|date=22 August 1999}}</ref>
''Amarte Es un Placer'' is a [[pop music|pop]] album composed of twelve [[love song]]s, consisting mainly of orchestrated [[Pop ballads|romantic ballads]]&nbsp;— and several uptempo numbers.<ref name="promis"/><ref name="guerra"/> Unlike his previous pop record ''[[Nada Es Igual... (Luis Miguel album)|Nada Es Igual...]]'' (1996), which featured [[dance-pop|dance music]] and [[hip-hop]] influences, ''Amarte Es un Placer'''s emphasis is on [[adult contemporary music]].<ref name="promis"/> The opening track, "Tu Mirada" is a [[rock ballad]] with a guitar solo.<ref name="torres"/> Manzanero composed three ballads for the album: "Soy Yo", "Dormir Contigo", and "Ese Momento".<ref name="torres"/> "Ese Momento" deals with a "narrative account of the instance when two bodies merge in fiery passion".<ref name="tarradell"/> On "Dormir Contigo", the protagonist talks about the joy of sleeping with his love interest.<ref name="cobo"/> {{nowrap|"Sol, Arena y Mar"}} is a [[horn instrument|horn]]-driven uptempo track with [[jazz]] influences which describes the "pain of separation" of a love that "disappeared as quickly as the foam at the seashore".<ref name="tarradell"/><ref name="wave">{{cite news|last1=Burr|first1=Ramiro|title=Luis Miguel set to make waves|work=[[San Antonio Express-News]]|publisher=[[Hearst Corporation]]|date=22 August 1999}}</ref>


"Quiero" is an [[Rhythm and blues|R&B]] "[[Groove (music)|groove]]" track which incorporates [[string (music)|strings]] on its [[crescendo]], a [[saxophone]] solo, and [[brass instrument]]s.<ref name="cobo"/>&nbsp; "Tú, Sólo Tú" is a [[disco]]-influenced mid-tempo "groove" song.<ref name="cobo"/><ref name="torres"/> "Dímelo en un beso" is a pop ballad which also incorporates disco music.<ref name="cobo"/><ref name="chang"/> {{nowrap|"O o ninguna"}} is a [[bolero]] composed by Calderón, while "No me fío"&nbsp; is reminiscent of a 1980s power ballad.<ref name="promis"/><ref name="chang"/> {{nowrap|"Te propongo esta noche"}}, the album's only dance number,<ref name="promis"/> begins as a "smooth" R&B track until it changes to percussion-driven [[Electronic dance music|club music]] halfway through the song.<ref name="guerra"/><ref name="tarradell"/> The album closes with the title track which features "dramatic orchestral sweeps" on the tune.<ref name="burr">{{cite news|last1=Burr|first1=Ramiro|title=Ingles? Pop star Luis Miguel says he'll stick in Spanish|work=San Antonio Express-News|date=24 October 1999|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref> The song caused a controversy when Mexican composer Marcos Lifshitz accused Calderón and Miguel of plagiarizing his composition {{nowrap|"Siento nuestro aliento"}} which he wrote in 1997. A court ruled in favor of Lifshitz and ordered Miguel and his record label to pay 40 percent of the song's royalties as compensation.<ref name="plagio"/>
"Quiero" is an [[Rhythm and blues|R&B]] "[[Groove (music)|groove]]" track which incorporates [[string (music)|strings]] on its [[crescendo]], a [[saxophone]] solo, and [[brass instrument]]s.<ref name="cobo"/>&nbsp; "Tú, Sólo Tú" is a [[disco]]-influenced mid-tempo "groove" song.<ref name="cobo"/><ref name="torres"/> "Dímelo en un Beso" is a pop ballad which also incorporates disco music.<ref name="cobo"/><ref name="chang"/> {{nowrap|"O o Ninguna"}} is a [[bolero]] composed by Calderón, while "No Me Fío"&nbsp; is reminiscent of a 1980s power ballad.<ref name="promis"/><ref name="chang"/> {{nowrap|"Te Propongo Esta Noche"}}, the album's only dance number,<ref name="promis"/> begins as a "smooth" R&B track until it changes to percussion-driven [[Electronic dance music|club music]] halfway through the song.<ref name="guerra"/><ref name="tarradell"/> The album closes with the title track which features "dramatic orchestral sweeps" on the tune.<ref name="burr">{{cite news|last1=Burr|first1=Ramiro|title=Ingles? Pop star Luis Miguel says he'll stick in Spanish|work=San Antonio Express-News|date=24 October 1999|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref> The song caused a controversy when Mexican composer Marcos Lifshitz accused Calderón and Miguel of plagiarizing his composition {{nowrap|"Siento nuestro aliento"}} which he wrote in 1997. A court ruled in favor of Lifshitz and ordered Miguel and his record label to pay 40 percent of the song's royalties as compensation.<ref name="plagio"/>


==Singles==
==Singles==
"Sol, arena y mar" was released as the first single from ''Amarte es un placer'' on 19 July 1999.<ref name="elsalvador"/> It peaked at number three on the [[Hot Latin Songs|''Billboard'' Hot Latin Songs]] in the United States.<ref name="latinsongs">{{cite web|url={{BillboardURL|artist=Luis Miguel|chartnum=363}}|title=Luis Miguel: Chart history – Hot Latin Songs|website=Billboard|publisher=Prometheus Global Media|accessdate=6 March 2017}}</ref> A remix of the song by American [[disc jockey|DJ]] Danny Saber was also released as a single;<ref>{{cite web|title=El 'placer' de estar 'vivo'|url=http://www.terra.com.mx/entretenimiento/articulo/46125/El+Placer+de+estar+Vivo.htm&paginaid=1|website=[[Terra Networks]]|publisher=[[Telefónica]]|accessdate=7 March 2017|language=Spanish}}</ref> it peaked at number two in Spain.<ref>{{cite web|title=Luis Miguel – Sol, arena y mar|url=http://www.spanishcharts.com/showitem.asp?interpret=Luis+Miguel&titel=Sol%2C+arena+y+mar&cat=s|website=[[Productores de Música de España]]|publisher=Hung Media|accessdate=7 March 2017|language=Spanish}}</ref> "O o ninguna" was released as the album's second single on 6 September 1999,<ref name="Sticks"/> and it reached the top of the Hot Latin Songs chart in the US.<ref name="latinsongs"/> A [[music video]] for the track was filmed in San Francisco, directed by Rebecca Blake.<ref name="terra"/> The third single, "Dormir contigo", was released in January 2000 and peaked at number 11 on the Hot Latin Songs chart.<ref>{{cite news|title=Continúa Maná su lucha por un mundo mejor|url=http://archivo.eluniversal.com.mx/espectaculos/3062.html|accessdate=7 March 2017|work=[[El Universal (Mexico City)|El Universal]]|date=3 January 2000|language=Spanish}}</ref><ref name="latinsongs"/> In the same month, the music video for the fourth single, "Amarte es un placer", was filmed in {{nowrap|Bel-Air, California,}} directed by Alberto Tolot.<ref name="terra"/> The title track peaked at number six on the Hot Latin Songs chart.<ref name="latinsongs"/>
"Sol, Arena y Mar" was released as the first single from ''Amarte Es un Placer'' on 19 July 1999.<ref name="elsalvador"/> It peaked at number three on the [[Hot Latin Songs|''Billboard'' Hot Latin Songs]] in the United States.<ref name="latinsongs">{{cite web|url={{BillboardURL|artist=Luis Miguel|chartnum=363}}|title=Luis Miguel: Chart history – Hot Latin Songs|website=Billboard|publisher=Prometheus Global Media|accessdate=6 March 2017}}</ref> A remix of the song by American [[disc jockey|DJ]] Danny Saber was also released as a single;<ref>{{cite web|title=El 'Placer' de estar 'Vivo'|url=http://www.terra.com.mx/entretenimiento/articulo/46125/El+Placer+de+estar+Vivo.htm&paginaid=1|website=[[Terra Networks]]|publisher=[[Telefónica]]|accessdate=7 March 2017|language=Spanish}}</ref> it peaked at number two in Spain.<ref>{{cite web|title=Luis Miguel – Sol, arena y mar|url=http://www.spanishcharts.com/showitem.asp?interpret=Luis+Miguel&titel=Sol%2C+arena+y+mar&cat=s|website=[[Productores de Música de España]]|publisher=Hung Media|accessdate=7 March 2017|language=Spanish}}</ref> "O o Ninguna" was released as the album's second single on 6 September 1999,<ref name="Sticks"/> and it reached the top of the Hot Latin Songs chart in the US.<ref name="latinsongs"/> A [[music video]] for the track was filmed in San Francisco, directed by Rebecca Blake.<ref name="terra"/> The third single, "Dormir Contigo", was released in January 2000 and peaked at number 11 on the Hot Latin Songs chart.<ref>{{cite news|title=Continúa Maná su lucha por un mundo mejor|url=http://archivo.eluniversal.com.mx/espectaculos/3062.html|accessdate=7 March 2017|work=[[El Universal (Mexico City)|El Universal]]|date=3 January 2000|language=Spanish}}</ref><ref name="latinsongs"/> In the same month, the music video for the fourth single, "Amarte Es un Placer", was filmed in {{nowrap|Bel-Air, California,}} directed by Alberto Tolot.<ref name="terra"/> The title track peaked at number six on the Hot Latin Songs chart.<ref name="latinsongs"/>


==Promotion==
==Promotion==
{{main article|Amarte es un placer Tour}}
{{main article|Amarte Es Un Placer Tour}}
To promote ''Amarte es un placer'', Luis Miguel began his [[Amarte es un placer Tour]] on 9 September 1999 in [[Gijón]], Spain.<ref>{{cite news|title=Luis Miguel inicia en Gijón la gira de su disco 'Amarte es un placer'|url=http://elpais.com/diario/1999/09/10/cultura/936914415_850215.html|accessdate=8 March 2017|work=[[El País]]|date=10 September 1999|language=Spanish}}</ref> In Madrid, he performed three sold-out shows,<ref name="Sticks"/> and spent a month touring in Spain. His performances in Barcelona, Marbella, and Tenerife were among the country's highest grossing shows of 1999.<ref>{{cite book|last1=García|first1=Manuel Cuadrado|last2=Contrí|first2=Gloria Berenguer|title=El consumo de servicios culturales|publisher=ESIC Editorial|isbn=978-84-7356-302-4|page=99|url=https://books.google.com/books?id=EJAbasAWh7IC&lpg=PP1&pg=PA99#v=onepage&q&f=false|language=Spanish|year=1999}}</ref> Miguel then toured South America where he performed in Argentina, Brazil, Chile, Uruguay, and Venezuela.<ref name="terra"/><ref>{{cite news|title=''A solas con Luis Miguel''|url=http://www.clarin.com/extrashow/solas-luis-miguel_0_r1jZg32e0tl.html|accessdate=8 March 2017|work=[[Clarín (Argentine newspaper)|Clarín]]|date=19 September 1999|language=Spanish}}</ref> In Argentina, he drew more than 50,000 attendees at his concerts,<ref>{{cite news|title=''El huracán Luismi incluyó un encuentro con Zulemita''|url=https://www.pagina12.com.ar/1999/99-11/99-11-06/pag26.htm|accessdate=8 March 2017|work=[[Página/12]]|publisher=Editorial La Página|date=6 November 1999|language=Spanish}}</ref> and more than 101,800 spectators attended his eight shows in Chile, the largest audiences of the year for an artist.<ref name="chilesales">{{cite journal|title=Chilean Locals, Colombian Giveaways & Argentine Expansion|url=https://books.google.com/books?id=CQ4EAAAAMBAJ&lpg=PA7&pg=PA48-IA2#v=onepage&q&f=false|journal=Billboard|date=19 February 2000|volume=112|issue=8|page=LM-6|accessdate=8 March 2017|publisher=Nielsen Business Media|issn=0006-2510}}</ref> The first leg of the tour ended on 15 December 1999 in Maracaibo, Venezuela.<ref>{{cite journal|title=Tour Dates|journal=Billboard|date=28 August 1999|page=1|url=https://books.google.com/books?id=nggEAAAAMBAJ&lpg=PP1&pg=PP2#v=onepage&q&f=false|accessdate=8 March 2017|publisher=Nielsen Business Media|issn=0006-2510}}</ref> A concert was planned for the [[SAP Center|San Jose Arena]] in California on New Year's Eve, but was canceled because the gross income would not meet Miguel's requirements.<ref>{{cite news|last1=Slambrouck|first1=Paul Van|title=This New Year's Eve, many won't party like it's 1999|url=http://www.csmonitor.com/1999/1220/p2s2.html|accessdate=8 March 2017|work=[[Christian Science Monitor]]|date=20 December 1999}}</ref>
To promote ''Amarte Es un Placer'', Luis Miguel began his [[Amarte Es Un Placer Tour]] on 9 September 1999 in [[Gijón]], Spain.<ref>{{cite news|title=Luis Miguel inicia en Gijón la gira de su disco 'Amarte es un placer'|url=http://elpais.com/diario/1999/09/10/cultura/936914415_850215.html|accessdate=8 March 2017|work=[[El País]]|date=10 September 1999|language=Spanish}}</ref> In Madrid, he performed three sold-out shows,<ref name="Sticks"/> and spent a month touring in Spain. His performances in Barcelona, Marbella, and Tenerife were among the country's highest grossing shows of 1999.<ref>{{cite book|last1=García|first1=Manuel Cuadrado|last2=Contrí|first2=Gloria Berenguer|title=El consumo de servicios culturales|publisher=ESIC Editorial|isbn=978-84-7356-302-4|page=99|url=https://books.google.com/books?id=EJAbasAWh7IC&lpg=PP1&pg=PA99#v=onepage&q&f=false|language=Spanish|year=1999}}</ref> Miguel then toured South America where he performed in Argentina, Brazil, Chile, Uruguay, and Venezuela.<ref name="terra"/><ref>{{cite news|title=A solas con Luis Miguel|url=http://www.clarin.com/extrashow/solas-luis-miguel_0_r1jZg32e0tl.html|accessdate=8 March 2017|work=[[Clarín (Argentine newspaper)|Clarín]]|date=19 September 1999|language=Spanish}}</ref> In Argentina, he drew more than 50,000 attendees at his concerts,<ref>{{cite news|title=El huracán Luismi incluyó un encuentro con Zulemita|url=https://www.pagina12.com.ar/1999/99-11/99-11-06/pag26.htm|accessdate=8 March 2017|work=[[Página/12]]|publisher=Editorial La Página|date=6 November 1999|language=Spanish}}</ref> and more than 101,800 spectators attended his eight shows in Chile, the largest audiences of the year for an artist.<ref name="chilesales">{{cite journal|title=Chilean Locals, Colombian Giveaways & Argentine Expansion|url=https://books.google.com/books?id=CQ4EAAAAMBAJ&lpg=PA7&pg=PA48-IA2#v=onepage&q&f=false|journal=Billboard|date=19 February 2000|volume=112|issue=8|page=LM-6|accessdate=8 March 2017|publisher=Nielsen Business Media|issn=0006-2510}}</ref> The first leg of the tour ended on 15 December 1999 in Maracaibo, Venezuela.<ref>{{cite journal|title=Tour Dates|journal=Billboard|date=28 August 1999|page=1|url=https://books.google.com/books?id=nggEAAAAMBAJ&lpg=PP1&pg=PP2#v=onepage&q&f=false|accessdate=8 March 2017|publisher=Nielsen Business Media|issn=0006-2510}}</ref> A concert was planned for the [[SAP Center|San Jose Arena]] in California on New Year's Eve, but was canceled because the gross income would not meet Miguel's requirements.<ref>{{cite news|last1=Slambrouck|first1=Paul Van|title=This New Year's Eve, many won't party like it's 1999|url=http://www.csmonitor.com/1999/1220/p2s2.html|accessdate=8 March 2017|work=[[Christian Science Monitor]]|date=20 December 1999}}</ref>


Miguel commenced the second leg of his tour at the [[Centennial Garden]] in Bakersfield, California on 1 February 2000.<ref>{{cite news|last1=Burr|first1=Ramiro|title=Luis Miguel, Anthony U.S.-bound|work=San Antonio Express-News|publisher=Hearst Corporation|date=16 January 2000|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref><ref>{{cite journal|last1=Navarro|first1=Juan Manuel|title=Propone evolucionar|journal=Gente|date=30 January 2000|language=Spanish}}</ref> Two days later, he performed at the [[Universal Amphitheatre]] in {{nowrap|Los Angeles, California}} for five consecutive nights drawing more than 24,000 spectators. In the same month, he performed four shows at [[Radio City Music Hall]] in New York City and grossed $1.4&nbsp;million.<ref name="top">{{cite journal|url=https://books.google.com/books?id=nA4EAAAAMBAJ&lpg=PA7&pg=PA46#v=onepage&q&f=false|last1=Lannert|first1=John|title=Ricky, Micky Top of Office|journal=Billboard|date=18 March 2000|volume=112|issue=12|page=46|accessdate=9 March 2017|publisher=Nielsen Business media|issn=0006-2510}}</ref> He also appeared in Minneapolis on 12 February and in Fairfax on 14 February.<ref name="orpheum">{{cite news|last1=Bream|first1=Jon|title=Luis Miguel's steamy ballads, indoor fireworks heat up the Orpheum|url=https://www.highbeam.com/doc/1G1-62422975.html|accessdate=9 March 2017|work=[[Star Tribune]]|date=13 February 2000|subscription=yes}}</ref><ref>{{cite news|title=Plan Ahead|url=https://www.highbeam.com/doc/1P2-508078.html|accessdate=9 March 2017|work=[[The Washington Post]]|publisher=Nash Holdings|date=14 January 2000|subscription=yes}}</ref> Following his concerts at Radio City Music, Miguel performed 21 consecutive shows at the [[National Auditorium]] in Mexico City beginning on 24 February; beating the previous record of 20 set by Mexican group [[Timbiriche]], and set the record for most attendees with an overall count of 255,000 patrons.<ref name="nacion">{{cite news|title=Luis Miguel tras récord|url=http://wvw.nacion.com/viva/2000/marzo/18/espec3.html|accessdate=9 March 2017|work=[[La Nación (San José)|La Nación]]|publisher=Grupo Nación|date=18 March 2000|language=Spanish}}</ref> The concerts drew more than 255,000 attendees, another record for the artist.<ref name="nacion"/>
Miguel commenced the second leg of his tour at the [[Centennial Garden]] in Bakersfield, California on 1 February 2000.<ref>{{cite news|last1=Burr|first1=Ramiro|title=Luis Miguel, Anthony U.S.-bound|work=San Antonio Express-News|publisher=Hearst Corporation|date=16 January 2000|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref><ref>{{cite journal|last1=Navarro|first1=Juan Manuel|title=Propone evolucionar|journal=Gente|date=30 January 2000|language=Spanish}}</ref> Two days later, he performed at the [[Universal Amphitheatre]] in {{nowrap|Los Angeles, California}} for five consecutive nights drawing more than 24,000 spectators. In the same month, he performed four shows at [[Radio City Music Hall]] in New York City and grossed $1.4&nbsp;million.<ref name="top">{{cite journal|url=https://books.google.com/books?id=nA4EAAAAMBAJ&lpg=PA7&pg=PA46#v=onepage&q&f=false|last1=Lannert|first1=John|title=Ricky, Micky Top of Office|journal=Billboard|date=18 March 2000|volume=112|issue=12|page=46|accessdate=9 March 2017|publisher=Nielsen Business media|issn=0006-2510}}</ref> He also appeared in Minneapolis on 12 February and in Fairfax on 14 February.<ref name="orpheum">{{cite news|last1=Bream|first1=Jon|title=Luis Miguel's steamy ballads, indoor fireworks heat up the Orpheum|url=https://www.highbeam.com/doc/1G1-62422975.html|accessdate=9 March 2017|work=[[Star Tribune]]|date=13 February 2000|subscription=yes}}</ref><ref>{{cite news|title=Plan Ahead|url=https://www.highbeam.com/doc/1P2-508078.html|accessdate=9 March 2017|work=[[The Washington Post]]|publisher=Nash Holdings|date=14 January 2000|subscription=yes}}</ref> Following his concerts at Radio City Music, Miguel performed 21 consecutive shows at the [[National Auditorium]] in Mexico City beginning on 24 February; beating the previous record of 20 set by Mexican group [[Timbiriche]], and set the record for most attendees with an overall count of 255,000 patrons.<ref name="nacion">{{cite news|title=Luis Miguel tras récord|url=http://wvw.nacion.com/viva/2000/marzo/18/espec3.html|accessdate=9 March 2017|work=[[La Nación (San José)|La Nación]]|publisher=Grupo Nación|date=18 March 2000|language=Spanish}}</ref> The concerts drew more than 255,000 attendees, another record for the artist.<ref name="nacion"/>


Miguel returned to touring in the United States on 24 March 2000, performed in several cities including Miami,<ref>{{cite news|title=La voz y el estilo de Luis Miguel Complacen a sus devotos admiradores|last=Niurka|first=Norma|work=El Nuevo Herald|publisher=The McClatchy Company|date=28 March 2000|language=Spanish|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref> Chicago,<ref>{{cite news|last1=Emerick|first1=Laura|title=Luis Miguel at the United Center|url=https://www.highbeam.com/doc/1P2-4533960.html|accessdate=9 March 2017|work=[[Chicago Sun-Times]]|publisher=[[Sun-Times Media Group]]|date=30 March 2000|subscription=yes}}</ref> Atlantic City,<ref>{{cite news|title=It's No Joke, There's a Ton of Headliners This Week|work=[[The Press of Atlantic City]]|publisher=Abarta|date=31 March 2000|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref> and Houston.<ref name="branches">{{cite news|last1=Clark|first1=Michael D.|title=Luis Miguel branches out for avid fans|work=[[Houston Chronicle]]|publisher=Hearst Corporation|date=12 April 2000}}</ref> He later presented five shows in Monterrey, Mexico from 13 to 17 April 2000,<ref>{{cite news|title=Premian a Luis Miguel por récord de conciertos|url=http://archivo.eluniversal.com.mx/espectaculos/4873.html|accessdate=9 March 2017|work=[[El Universal (Mexico City)|El Universal]]|date=21 March 2000|language=Spanish}}</ref><ref>{{cite journal|last1=Lannert|first1=John|title=Top Acts Set For Latin Awards Show|journal=Billboard|date=22 April 2000|volume=112|issue=17|page=49|url=https://books.google.com/books?id=8A4EAAAAMBAJ&lpg=PA7&pg=PA49#v=onepage&q&f=false|accessdate=9 March 2017|publisher=Nielsen Business Media|issn=0006-2510}}</ref> and after a few more performances in the US, ended the tour in San Diego on 6 May 2000.<ref>{{cite journal|title=Boxscore Top 10 Concert Grosses|journal=Billboard|date=27 May 2000|volume=112|issue=22|page=18|url=https://books.google.com/books?id=WQ8EAAAAMBAJ&lpg=PP1&pg=PA18#v=onepage&q&f=false|accessdate=10 March 2017|publisher=Nielsen Business Media|issn=0006-2510}}</ref><ref>{{cite journal|last1=Lannert|first1=John|title=WEA Latina Stars Hit Road|journal=Billboard|date=4 March 2000|volume=112|issue=10|page=59|url=https://books.google.com/books?id=fw4EAAAAMBAJ&lpg=PA1&pg=PA59#v=onepage&q&f=false|accessdate=10 March 2017}}</ref>&nbsp; Miguel had the 23rd {{nowrap|highest-grossing}} tour in the country with more than $15.7 million earned from his 44 shows in the US.<ref>{{cite journal|last1=Cobo|first1=Leila|title=Latin Sales Show Slow, Steady Rise|journal=Billboard|date=30 December 2000|volume=112|issue=53|page=56|url=https://books.google.com/books?id=ehEEAAAAMBAJ&lpg=PP1&pg=RA1-PA56#v=onepage&q&f=false|accessdate=10 March 2017|publisher=Nielsen Media Business|issn=0006-2510}}</ref> The tour was recognized by the [[William Morris Agency]] as the highest-grossing tour by a {{nowrap|Spanish-speaking}} artist.<ref>{{cite book|last1=Candelaria|first1=Cordelia|authorlink=Cordelia Candelaria |editor1-last=Candelaria|editor1-first=Cordelia|editor2-last=García|editor2-first=Peter J.|editor3-last=Aldama|editor3-first=Arturo J.|title=Encyclopedia of Latino Popular Culture in the United States|volume=2|date=2004|publisher=Greenwood Press|location=Westport, CT|isbn=978-0-313-32215-0|page=552|url=https://books.google.com/books?id=3uD6PKXl3q4C&lpg=PP1&pg=PA552#v=onepage&q&f=false}}</ref>
Miguel returned to touring in the United States on 24 March 2000, performed in several cities including Miami,<ref>{{cite news|title=La Voz y El Estilo de Luis Miguel Complacen a sus Devotos Admiradores|last=Niurka|first=Norma|work=El Nuevo Herald|publisher=The McClatchy Company|date=28 March 2000|language=Spanish|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref> Chicago,<ref>{{cite news|last1=Emerick|first1=Laura|title=Luis Miguel at the United Center|url=https://www.highbeam.com/doc/1P2-4533960.html|accessdate=9 March 2017|work=[[Chicago Sun-Times]]|publisher=[[Sun-Times Media Group]]|date=30 March 2000|subscription=yes}}</ref> Atlantic City,<ref>{{cite news|title=It's No Joke, There's a Ton of Headliners This Week|work=[[The Press of Atlantic City]]|publisher=Abarta|date=31 March 2000|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref> and Houston.<ref name="branches">{{cite news|last1=Clark|first1=Michael D.|title=Luis Miguel branches out for avid fans|work=[[Houston Chronicle]]|publisher=Hearst Corporation|date=12 April 2000}}</ref> He later presented five shows in Monterrey, Mexico from 13 to 17 April 2000,<ref>{{cite news|title=Premian a Luis Miguel por récord de conciertos|url=http://archivo.eluniversal.com.mx/espectaculos/4873.html|accessdate=9 March 2017|work=[[El Universal (Mexico City)|El Universal]]|date=21 March 2000|language=Spanish}}</ref><ref>{{cite journal|last1=Lannert|first1=John|title=Top Acts Set For Latin Awards Show|journal=Billboard|date=22 April 2000|volume=112|issue=17|page=49|url=https://books.google.com/books?id=8A4EAAAAMBAJ&lpg=PA7&pg=PA49#v=onepage&q&f=false|accessdate=9 March 2017|publisher=Nielsen Business Media|issn=0006-2510}}</ref> and after a few more performances in the US, ended the tour in San Diego on 6 May 2000.<ref>{{cite journal|title=Boxscore Top 10 Concert Grosses|journal=Billboard|date=27 May 2000|volume=112|issue=22|page=18|url=https://books.google.com/books?id=WQ8EAAAAMBAJ&lpg=PP1&pg=PA18#v=onepage&q&f=false|accessdate=10 March 2017|publisher=Nielsen Business Media|issn=0006-2510}}</ref><ref>{{cite journal|last1=Lannert|first1=John|title=WEA Latina Stars Hit Road|journal=Billboard|date=4 March 2000|volume=112|issue=10|page=59|url=https://books.google.com/books?id=fw4EAAAAMBAJ&lpg=PA1&pg=PA59#v=onepage&q&f=false|accessdate=10 March 2017}}</ref>&nbsp; Miguel had the 23rd {{nowrap|highest-grossing}} tour in the country with more than $15.7 million earned from his 44 shows in the US.<ref>{{cite journal|last1=Cobo|first1=Leila|title=Latin Sales Show Slow, Steady Rise|journal=Billboard|date=30 December 2000|volume=112|issue=53|page=56|url=https://books.google.com/books?id=ehEEAAAAMBAJ&lpg=PP1&pg=RA1-PA56#v=onepage&q&f=false|accessdate=10 March 2017|publisher=Nielsen Media Business|issn=0006-2510}}</ref> The tour was recognized by the [[William Morris Agency]] as the highest-grossing tour by a {{nowrap|Spanish-speaking}} artist.<ref>{{cite book|last1=Candelaria|first1=Cordelia|authorlink=Cordelia Candelaria |editor1-last=Candelaria|editor1-first=Cordelia|editor2-last=García|editor2-first=Peter J.|editor3-last=Aldama|editor3-first=Arturo J.|title=Encyclopedia of Latino Popular Culture in the United States|volume=2|date=2004|publisher=Greenwood Press|location=Westport, CT|isbn=978-0-313-32215-0|page=552|url=https://books.google.com/books?id=3uD6PKXl3q4C&lpg=PP1&pg=PA552#v=onepage&q&f=false}}</ref>


Miguel was accompanied by a 13-piece band during his tour which included horns, keyboards, guitars, and three female backup singers.<ref name="orpheum"/><ref name="unlucky">{{cite news|last1=Tarradell|first1=Mario|title=Unlucky in Love – Fan might have caught Luis Miguel on bad night|accessdate=10 March 2017|work=The Dallas Morning News|url=http://nl.newsbank.com/nl-search/we/Archives|publisher=A. H. Belo Corporation|date=20 April 2000|subscription=yes}}</ref> His hour-and-a-half show consisted mainly of pop songs and ballads from ''Amarte Es un Placer'' and his earlier career, as well as [[medley (music)|medley]]s of boleros from the ''Romance''-themed albums.<ref>{{cite news|last1=Carbrera|first1=Cloe|title=Ballad king stirs up fan frenzy|work=[[The Tampa Tribune]]|publisher=Tampa Media Group|date=28 March 2000|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref> During his concerts in Monterrey, he was joined by Cutbert Pérez's band Mariachi 2000 and performed live covers of Mario De Jesús Báez's "Y" and [[Rubén Fuentes]] "La Bikina".<ref>{{cite news|title=Luis Miguel se presenta Vivo|work=El Informador|date=17 September 2000|page=11-D|language=Spanish}}</ref> The shows included a large live-screen behind the stage and featured fireworks and confetti.<ref name="orpheum"/>
Miguel was accompanied by a 13-piece band during his tour which included horns, keyboards, guitars, and three female backup singers.<ref name="orpheum"/><ref name="unlucky">{{cite news|last1=Tarradell|first1=Mario|title=Unlucky in Love – Fan might have caught Luis Miguel on bad night|accessdate=10 March 2017|work=The Dallas Morning News|url=http://nl.newsbank.com/nl-search/we/Archives|publisher=A. H. Belo Corporation|date=20 April 2000|subscription=yes}}</ref> His hour-and-a-half show consisted mainly of pop songs and ballads from ''Amarte Es un Placer'' and his earlier career, as well as [[medley (music)|medley]]s of boleros from the ''Romance''-themed albums.<ref>{{cite news|last1=Carbrera|first1=Cloe|title=Ballad king stirs up fan frenzy|work=[[The Tampa Tribune]]|publisher=Tampa Media Group|date=28 March 2000|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref> During his concerts in Monterrey, he was joined by Cutbert Pérez's band Mariachi 2000 and performed live covers of Mario De Jesús Báez's "Y" and [[Rubén Fuentes]] "La Bikina".<ref>{{cite news|title=Luis Miguel se presenta Vivo|work=El Informador|date=17 September 2000|page=11-D|language=Spanish}}</ref> The shows included a large live-screen behind the stage and featured fireworks and confetti.<ref name="orpheum"/>
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Jon Bream commented in the ''[[Star Tribune]]'' that Miguel's presentation in Minneapolis was "one of the most ambitious concert spectacles ever presented at the theater" and that the singer had a "captivating presence", but added that Miguel's music was "not particularly distinctive". He likened Miguel's uptempo songs to [[Earth, Wind & Fire]] albeit without the "rhythmic and jazzy sophistication", considered his ballads to be "conservative pop, bathed in synthesized strings with Chicago-like horn filigree," and felt let down by Miguel's choice to perform his boleros in medleys.<ref name="orpheum"/>
Jon Bream commented in the ''[[Star Tribune]]'' that Miguel's presentation in Minneapolis was "one of the most ambitious concert spectacles ever presented at the theater" and that the singer had a "captivating presence", but added that Miguel's music was "not particularly distinctive". He likened Miguel's uptempo songs to [[Earth, Wind & Fire]] albeit without the "rhythmic and jazzy sophistication", considered his ballads to be "conservative pop, bathed in synthesized strings with Chicago-like horn filigree," and felt let down by Miguel's choice to perform his boleros in medleys.<ref name="orpheum"/>


On 24 October 2000, [[Warner Music Latina|WEA]] released the ''[[Vivo (Luis Miguel album)|Vivo]]'' live album and video from Miguel's concerts in Monterrey.<ref>{{cite news |title= Luis Miguel más vivo que nunca |work= [[La Opinión]]|publisher=[[ImpreMedia]] |date= 28 September 2000 |language= Spanish |subscription=yes |url= http://nl.newsbank.com/nl-search/we/Archives}}</ref> AllMusic editor Perry Seibert gave the video album two-out-of-five stars&nbsp; and criticized its lack of subtitles, closed captions, and supplemental materials, but stated that it should not "dissuade fans of Latino music from checking out this entertaining DVD from Warner Bros".<ref>{{cite web|last1=Seibert|first1=Peter|title=Vivo [Video/DVD] – Luis Miguel|url=http://www.allmusic.com/album/vivo-video-dvd-mw0001166265|website=[[AllMusic]]|publisher=Rovi Corporation|accessdate=10 March 2017}}</ref>
On 24 October 2000, [[Warner Music Latina|WEA]] released the ''[[Vivo (Luis Miguel album)|Vivo]]'' live album and video from Miguel's concerts in Monterrey.<ref>{{cite news|title=Luis Miguel más Vivo que nunca|work=[[La Opinión]]|publisher=[[ImpreMedia]]|date=28 September 2000|language=Spanish|subscription=yes|url=http://nl.newsbank.com/nl-search/we/Archives}}</ref> AllMusic editor Perry Seibert gave the video album two-out-of-five stars&nbsp; and criticized its lack of subtitles, closed captions, and supplemental materials, but stated that it should not "dissuade fans of Latino music from checking out this entertaining DVD from Warner Bros".<ref>{{cite web|last1=Seibert|first1=Peter|title=Vivo [Video/DVD] – Luis Miguel|url=http://www.allmusic.com/album/vivo-video-dvd-mw0001166265|website=[[AllMusic]]|publisher=Rovi Corporation|accessdate=10 March 2017}}</ref>


==Critical reception==
==Critical reception==
{{Album ratings
{{Album ratings
|rev1 = [[AllMusic]]
|rev1 = [[AllMusic]]
|rev1score = {{Rating|2.5|5}}<ref name="promis">{{cite web|last1=Promis|first1=Jose F.|title=''Amarte es un placer – Luis Miguel''|url=http://www.allmusic.com/album/amarte-es-un-placer-mw0000246391|website=AllMusic|publisher=Rovi Corporation|accessdate=8 February 2017}}</ref>
|rev1score = {{Rating|2.5|5}}<ref name="promis">{{cite web|last1=Promis|first1=Jose F.|title=Amarte Es un Placer – Luis Miguel|url=http://www.allmusic.com/album/amarte-es-un-placer-mw0000246391|website=AllMusic|publisher=Rovi Corporation|accessdate=8 February 2017}}</ref>
|rev2 = ''[[Houston Chronicle]]''
|rev2 = ''[[Houston Chronicle]]''
|rev2score = {{rating|2.5|4}}<ref name="guerra">{{cite news|last1=Guerra|first1=Joey|title=Universal Appeal – 3 new CDs capitalize on fascination with Latin music sounds|work=Houston Chronicle|publisher=[[Hearst Corporation]]|date=27 September 1999|subscription=yes|url=http://nl.newsbank.com/nl-search/we/Archives}}</ref>
|rev2score = {{rating|2.5|4}}<ref name="guerra">{{cite news|last1=Guerra|first1=Joey|title=Universal Appeal – 3 new CDs capitalize on fascination with Latin music sounds|work=Houston Chronicle|publisher=[[Hearst Corporation]]|date=27 September 1999|subscription=yes|url=http://nl.newsbank.com/nl-search/we/Archives}}</ref>
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}}
}}


On its release, ''Amarte es un placer'' was met with mixed reviews from music critics. [[AllMusic]] editor Jose F. Promis gave it two-and-a-half out of five stars,&nbsp; noting that from the title "one can deduce that the material consists of romantic music, mostly in the form of ballads". He felt that the horn sections on "Sol, arena y mar"&nbsp; and "Quiero"&nbsp; gave the songs a "jazzy, sophisticated, adult-leaning feel" and called {{nowrap|"Te propongo esta noche"}} "one of the album's most interesting songs". He criticized the inclusion of "overblown ballads", citing "No Me Fío" as an example. Promis called the production "flawless" and concluded that ballads are "what the fans have come to expect" from Miguel.<ref name="promis"/> John Lannert of ''[[Billboard (magazine)|Billboard]]'' magazine was not impressed with the record; he panned "Sol, arena y mar" as a "vapid, uptempo dance number". While Lannert regarded "Soy Yo" and "Dormir&nbsp;contigo" as a "pair of moving romantic ballads" that could help the disc stay on top of the ''Billboard'' Latin charts, he opined that it was time for Miguel to record an English-language disc and have Carey and her producers assist with the album.<ref>{{cite journal|last1=Lannert|first1=John|title=Reviews & Previews|journal=Billboard|date=18 September 1999|volume=111|issue=38|page=25|publisher=Nielsen Business Media|issn=0006-2510}}</ref> Roger Catlin of the ''[[Hartford Courant]]'' felt that when the ballads "pile on", it was like a "[[Telemundo]] soap-opera overkill". Nonetheless, Catlin praised Miguel's "timing" on the uptempo songs and said his vocals makes the dance tunes more "exciting".<ref>{{cite news|last1=Catlin|first1=Roger|title=New Latin Invasion: Anthony, Miguel|work=[[Hartford Courant]]|publisher=tronc|date=7 October 1999|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref>
On its release, ''Amarte Es un Placer'' was met with mixed reviews from music critics. [[AllMusic]] editor Jose F. Promis gave it two-and-a-half out of five stars,&nbsp; noting that from the title "one can deduce that the material consists of romantic music, mostly in the form of ballads". He felt that the horn sections on "Sol, Arena y Mar"&nbsp; and "Quiero"&nbsp; gave the songs a "jazzy, sophisticated, adult-leaning feel" and called {{nowrap|"Te Propongo Esta Noche"}} "one of the album's most interesting songs". He criticized the inclusion of "overblown ballads", citing "No Me Fío" as an example. Promis called the production "flawless" and concluded that ballads are "what the fans have come to expect" from Miguel.<ref name="promis"/> John Lannert of ''[[Billboard (magazine)|Billboard]]'' magazine was not impressed with the record; he panned "Sol, Arena y Mar" as a "vapid, uptempo dance number". While Lannert regarded "Soy Yo" and "Dormir&nbsp;Contigo" as a "pair of moving romantic ballads" that could help the disc stay on top of the ''Billboard'' Latin charts, he opined that it was time for Miguel to record an English-language disc and have Carey and her producers assist with the album.<ref>{{cite journal|last1=Lannert|first1=John|title=Reviews & Previews|journal=Billboard|date=18 September 1999|volume=111|issue=38|page=25|publisher=Nielsen Business Media|issn=0006-2510}}</ref> Roger Catlin of the ''[[Hartford Courant]]'' felt that when the ballads "pile on", it was like a "[[Telemundo]] soap-opera overkill". Nonetheless, Catlin praised Miguel's "timing" on the uptempo songs and said his vocals makes the dance tunes more "exciting".<ref>{{cite news|last1=Catlin|first1=Roger|title=New Latin Invasion: Anthony, Miguel|work=[[Hartford Courant]]|publisher=tronc|date=7 October 1999|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref>


''Houston Chronicle'' critic Joey Guerra gave the album two-and-a-half out of four stars, and he was underwhelmed with the production for sounding like Miguel's previous recordings. He recognized that Miguel was capable of handling love songs because of his "rich, deep voice" on songs such as "Tu&nbsp;mirada", "Soy yo", and "O o ninguna", but felt that Miguel "runs into trouble" on the dance tracks as he did on his prior albums. He chided "Sol, Arena y Mar" for its "tepid mix of blaring horns and uninspired lyrics" and said the other uptempo songs "don't fare any better"; he criticized the over usage of horns on every fast-paced track as "dated" and "repetitive".<ref name="guerra"/> Mario Tarradell of ''[[The Dallas Morning News]]'' wrote a more positive review of the album. He complimented "Te propongo esta noche" and lauded the ballads such as "Dormir&nbsp;contigo" and "Ese momento" as "sensual and solemn". Tarradell closed his review by calling ''Amartes es un placer'' an "enjoyable balance between high-brow ballads and hardwood workouts".<ref name="tarradell">{{cite news|last1=Tarradell|first1=Mario|title=On 'Fragile', Reznor borrows from the past|work=[[The Dallas Morning News]]|publisher=[[A. H. Belo Corporation]]|date=26 September 1999|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref> ''[[Miami Herald]]'' editor [[Leila Cobo]] was disappointed with the record. She expressed that while Miguel's vocals are still "dazzling", the production sounded "dated". She found "Tú, solo " and "Dímelo en un beso" to be "discoish duds that lack the oomph to get you on the dance floor". Cobo also commented the tracks suffer from a lack of "strong hooks or melodies" despite Miguel having the ability to "elevate pretty much any style". Even so, Cobo praised "Dormir contigo" for its "few memorable lyrics" and "No me fío" for its arrangements.<ref name="cobo"/>
''Houston Chronicle'' critic Joey Guerra gave the album two-and-a-half out of four stars, and he was underwhelmed with the production for sounding like Miguel's previous recordings. He recognized that Miguel was capable of handling love songs because of his "rich, deep voice" on songs such as "Tu&nbsp;Mirada", "Soy Yo", and "O o Ninguna", but felt that Miguel "runs into trouble" on the dance tracks as he did on his prior albums. He chided "Sol, Arena y Mar" for its "tepid mix of blaring horns and uninspired lyrics" and said the other uptempo songs "don't fare any better"; he criticized the over usage of horns on every fast-paced track as "dated" and "repetitive".<ref name="guerra"/> Mario Tarradell of ''[[The Dallas Morning News]]'' wrote a more positive review of the album. He complimented "Te Propongo Esta Noche" and lauded the ballads such as "Dormir&nbsp;Contigo" and "Ese Momento" as "sensual and solemn". Tarradell closed his review by calling ''Amartes Es un Placer'' an "enjoyable balance between high-brow ballads and hardwood workouts".<ref name="tarradell">{{cite news|last1=Tarradell|first1=Mario|title=On 'Fragile', Reznor borrows from the past|work=[[The Dallas Morning News]]|publisher=[[A. H. Belo Corporation]]|date=26 September 1999|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref> ''[[Miami Herald]]'' editor [[Leila Cobo]] was disappointed with the record. She expressed that while Miguel's vocals are still "dazzling", the production sounded "dated". She found "Tú, Sólo " and "Dímelo en un Beso" to be "discoish duds that lack the oomph to get you on the dance floor". Cobo also commented the tracks suffer from a lack of "strong hooks or melodies" despite Miguel having the ability to "elevate pretty much any style". Even so, Cobo praised "Dormir Contigo" for its "few memorable lyrics" and "No Me Fío" for its arrangements.<ref name="cobo"/>


Fred Shuster of the ''[[Los Angeles Daily News]]'' rated the record three out of the four&nbsp;stars and complimented the arrangements which he found to be "gorgeous". He felt the best tracks were the ones that Miguel co-wrote and highlighted "Sol, arena y mar" and "O o ninguna" as standouts.<ref name="shuster"/> The ''[[Los Angeles Times]]'' critic Ernesto Lechner gave the album two-and-a-half out of four stars,&nbsp; lamenting that it "continues Latin pop's disheartening search for the glossiest production imaginable". He found the ballads to be "drenched in orchestral accompaniment," although he commended Manzanero's compositions. Regardless, Lechner opined that the uptempo tracks "lack the sophistication that defines most pop today".<ref name="lechner"/> Richard Torres, who wrote a more favorable review of the album for ''[[Newsday]]'', stated that ''Amarte es un placer'' continues Miguel's talent of infusing "lushly orchestrated torch songs with genuine passion". He praised Miguel's vocals for being able to convey the "giddy rush of romance followed by the ache of love lost". He also admired the dance tunes for their musical styles and proclaimed the songs penned by Manaznero to be the best tracks.<ref name="torres">{{cite news|last1=Torres|first1=Richard|title=Sonidos Latinos Latin Sounds – Luis Miguel: Sophisticated and Soulful|work=[[Newsday]]|date=3 October 1999|page=D27|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref>
Fred Shuster of the ''[[Los Angeles Daily News]]'' rated the record three out of the four&nbsp;stars and complimented the arrangements which he found to be "gorgeous". He felt the best tracks were the ones that Miguel co-wrote and highlighted "Sol Arena y Mar" and "O o Ninguna" as standouts.<ref name="shuster"/> The ''[[Los Angeles Times]]'' critic Ernesto Lechner gave the album two-and-a-half out of four stars,&nbsp; lamenting that it "continues Latin pop's disheartening search for the glossiest production imaginable". He found the ballads to be "drenched in orchestral accompaniment," although he commended Manzanero's compositions. Regardless, Lechner opined that the uptempo tracks "lack the sophistication that defines most pop today".<ref name="lechner"/> Richard Torres, who wrote a more favorable review of the album for ''[[Newsday]]'', stated that ''Amarte Es un Placer'' continues Miguel's talent of infusing "lushly orchestrated torch songs with genuine passion". He praised Miguel's vocals for being able to convey the "giddy rush of romance followed by the ache of love lost". He also admired the dance tunes for their musical styles and proclaimed the songs penned by Manaznero to be the best tracks.<ref name="torres">{{cite news|last1=Torres|first1=Richard|title=Sonidos Latinos Latin Sounds – Luis Miguel: Sophisticated and Soulful|work=[[Newsday]]|date=3 October 1999|page=D27|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref>


Daniel Chang of the ''[[Orange County Register]]'' rated the album three-and-a-half out of five stars&nbsp; and touted the delivery of Miguel's voice as well as the songs which help him convey his message. Chang stated that "Even on weaker numbers, Miguel makes it work.".<ref name="chang"/> ''[[The San Diego Union-Tribune]]'' editor Ernesto Portillo, Jr. gave the disc three out of four stars. While he regarded {{nowrap|"Sol, Arena y Mar"}} as a "jaunty pop tune that sounds vaguely like previous Miguel horn-driven numbers," he felt that Miguel excelled best on the ballads citing "Soy Yo" as precedent. He called the record the best outside of the ''Romance'' series.<ref name="portillo"/> Eliseo Cardona writing for ''[[El Nuevo Herald]]'' noted that even though Miguel's musical style does not evolve, he still retains the finesse required to produce an album, and remarked that the jazz elements and the symphony work well on the album.<ref>{{cite news|last1=Cardona|first1=Eliseo|title=Amarte Es Un Placer – Luis Miguel (WEA)|work=[[El Nuevo Herald]]|publisher=The McClatchy Company|date=16 September 1999|language=Spanish|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref>
Daniel Chang of the ''[[Orange County Register]]'' rated the album three-and-a-half out of five stars&nbsp; and touted the delivery of Miguel's voice as well as the songs which help him convey his message. Chang stated that "Even on weaker numbers, Miguel makes it work.".<ref name="chang"/> ''[[The San Diego Union-Tribune]]'' editor Ernesto Portillo, Jr. gave the disc three out of four stars. While he regarded {{nowrap|"Sol, Arena y Mar"}} as a "jaunty pop tune that sounds vaguely like previous Miguel horn-driven numbers," he felt that Miguel excelled best on the ballads citing "Soy Yo" as precedent. He called the record the best outside of the ''Romance'' series.<ref name="portillo"/> Eliseo Cardona writing for ''[[El Nuevo Herald]]'' noted that even though Miguel's musical style does not evolve, he still retains the finesse required to produce an album, and remarked that the jazz elements and the symphony work well on the album.<ref>{{cite news|last1=Cardona|first1=Eliseo|title=Amarte Es Un Placer – Luis Miguel (WEA)|work=[[El Nuevo Herald]]|publisher=The McClatchy Company|date=16 September 1999|language=Spanish|url=http://nl.newsbank.com/nl-search/we/Archives|subscription=yes}}</ref>


==Accolades==
==Accolades==
At the [[42nd Annual Grammy Awards]] in 2000, ''Amarte es un placer'' received a nomination for [[Grammy Award for Best Latin Pop Album|Best Latin Pop Performance]],<ref name="Grammy2000">{{cite news|title=A Complete List of the Nominees|url=http://articles.latimes.com/2000/jan/05/entertainment/ca-50778/4|accessdate=17 July 2015|date=5 January 2000|page=4|work=Los Angeles Times|publisher=Tribune Publishing}}</ref> which went to ''Tiempos'' by [[Rubén Blades]].<ref>{{cite news|url=http://articles.baltimoresun.com/2000-02-24/features/0002240196_1_vocal-performance-rock-vocal-pop-vocal|title=Grammy winners|work=[[The Baltimore Sun]]|publisher=Tribune Company|date=24 February 2000|accessdate=21 November 2013}}</ref> At the {{nowrap|[[1st Annual Latin Grammy Awards|inaugural Latin Grammy Awards]]}} in the same year, Miguel won the [[Latin Grammy Award]] for [[Latin Grammy Award for Album of the Year|Album of the Year]], [[Latin Grammy Award for Best Pop Vocal Album|Best Pop Vocal Album]], and [[Latin Grammy Award for Best Male Pop Vocal Album|Best Male Pop Vocal Performance]] (for "Tu Mirada").<ref>{{cite web|url=http://www.mtv.com/news/articles/1431652/santana-luis-miguel-man225-lead-latin-grammy-winners.jhtml|title=Santana, Luis Miguel, Maná Lead Latin Grammy Winners|last=Basham|first=David|work=[[MTV]]|publisher=[[Viacom Media Networks]]|date=14 September 2000|accessdate=21 November 2013}}</ref> Miguel did not attend the award ceremony and declined an invitation to perform.<ref name="billboardmag2">{{cite journal| last = Cobo| first = Leila| date = 30 September 2000| title = Touring Revives a Grammyless Vives| journal = Billboard| publisher = Nielsen Business Media| volume = 112| issue = 40| page = 43| url = https://books.google.com/books?id=NBAEAAAAMBAJ&lpg=PP1&pg=PA44#v=onepage&q&f=false| accessdate =29 April 2011}}</ref> At the [[Premio Lo Nuestro 2000|12th Annual Lo Nuestro Awards]], it was nominated for [[Lo Nuestro Award for Pop Album of the Year|Pop Album of the Year]],<ref name="Nominees-2000">{{cite news | last = Anchea| first = Maximo | title = ''El 5 de mayo entregan Premio Lo Nuestro a Musica Latina en Miami''| language = Spanish | newspaper = [[The Jersey Journal|El Nuevo Hudson]]| date = 27 April 2000 | publisher =[[Advance Publications]]| subscription = yes|url=http://nl.newsbank.com/nl-search/we/Archives}}</ref> but lost to ''[[Supernatural (Santana album)|Supernatural]]'' by [[Santana (band)|Santana]].<ref name="Winners-archive">{{cite web |url=http://i.univision.com/contentuvn/rinconlatino/plnuestro/images/index_historia.swf|title=''Lo Nuestro – Historia'' |language=Spanish |work=[[Univision]] |publisher=[[Univision Communications]]|accessdate=8 March 2014|archiveurl=https://web.archive.org/web/20150626102925/http://i.univision.com/contentuvn/rinconlatino/plnuestro/images/index_historia.swf|archivedate=26 June 2015}}</ref>
At the [[42nd Annual Grammy Awards]] in 2000, ''Amarte Es un Placer'' received a nomination for [[Grammy Award for Best Latin Pop Album|Best Latin Pop Performance]],<ref name="Grammy2000">{{cite news|title=A Complete List of the Nominees|url=http://articles.latimes.com/2000/jan/05/entertainment/ca-50778/4|accessdate=17 July 2015|date=5 January 2000|page=4|work=Los Angeles Times|publisher=Tribune Publishing}}</ref> which went to ''Tiempos'' by [[Rubén Blades]].<ref>{{cite news|url=http://articles.baltimoresun.com/2000-02-24/features/0002240196_1_vocal-performance-rock-vocal-pop-vocal|title=Grammy winners|work=[[The Baltimore Sun]]|publisher=Tribune Company|date=24 February 2000|accessdate=21 November 2013}}</ref> At the {{nowrap|[[1st Annual Latin Grammy Awards|inaugural Latin Grammy Awards]]}} in the same year, Miguel won the [[Latin Grammy Award]] for [[Latin Grammy Award for Album of the Year|Album of the Year]], [[Latin Grammy Award for Best Pop Vocal Album|Best Pop Vocal Album]], and [[Latin Grammy Award for Best Male Pop Vocal Album|Best Male Pop Vocal Performance]] (for "Tu Mirada").<ref>{{cite web|url=http://www.mtv.com/news/articles/1431652/santana-luis-miguel-man225-lead-latin-grammy-winners.jhtml|title=Santana, Luis Miguel, Maná Lead Latin Grammy Winners|last=Basham|first=David|work=[[MTV]]|publisher=[[Viacom Media Networks]]|date=14 September 2000|accessdate=21 November 2013}}</ref> Miguel did not attend the award ceremony and declined an invitation to perform.<ref name="billboardmag2">{{cite journal| last = Cobo| first = Leila| date = 30 September 2000| title = Touring Revives a Grammyless Vives| journal = Billboard| publisher = Nielsen Business Media| volume = 112| issue = 40| page = 43| url = https://books.google.com/books?id=NBAEAAAAMBAJ&lpg=PP1&pg=PA44#v=onepage&q&f=false| accessdate =29 April 2011}}</ref> At the [[Premio Lo Nuestro 2000|12th Annual Lo Nuestro Awards]], it was nominated for [[Lo Nuestro Award for Pop Album of the Year|Pop Album of the Year]],<ref name="Nominees-2000">{{cite news | last = Anchea| first = Maximo | title = El 5 de mayo entregan Premio Lo Nuestro a Musica Latina en Miami| language = Spanish | newspaper = [[The Jersey Journal|El Nuevo Hudson]]| date = 27 April 2000 | publisher =[[Advance Publications]]| subscription = yes|url=http://nl.newsbank.com/nl-search/we/Archives}}</ref> but lost to ''[[Supernatural (Santana album)|Supernatural]]'' by [[Santana (band)|Santana]].<ref name="Winners-archive">{{cite web |url=http://i.univision.com/contentuvn/rinconlatino/plnuestro/images/index_historia.swf|title=Lo Nuestro – Historia |language=Spanish |work=[[Univision]] |publisher=[[Univision Communications]]|accessdate=8 March 2014|archiveurl=https://web.archive.org/web/20150626102925/http://i.univision.com/contentuvn/rinconlatino/plnuestro/images/index_historia.swf|archivedate=26 June 2015}}</ref>


At the 2000 [[Billboard Latin Music Awards|''Billboard'' Latin Music Awards]], the album won the award for Pop Album of the Year by a Male Artist.<ref name="billboardawards">{{cite journal|url=https://books.google.com/books?id=EA8EAAAAMBAJ&lpg=PP1&pg=RA1-PA16#v=onepage&q&f=false|title=Catch Some Rising Stars: Artist Showcases Offer a Glimpse Into The Future of Latin Music|last=Lannert|first=John|work=Billboard|publisher=Prometheus Global Media|volume=112|issue=18|page=16|date=29 April 2000|accessdate=9 May 2012}}</ref> Miguel received two nominations at the 2000 El Premio de la Gente in the categories of Male Pop Artist or Group and Album of the Year;<ref>{{cite news|last1=Burr|first1=Ramiro|title=Top Latin performers nominated for Ritmo awards|url=http://airwolf.lmtonline.com/quepasa/archive/081800/pasa1.pdf|accessdate=18 February 2017|work=[[Laredo Morning Times]]|publisher=Hearst Corporation|date=18 August 2000|page=8D|deadurl=yes|archiveurl=https://web.archive.org/web/20170310211236/http://airwolf.lmtonline.com/quepasa/archive/081800/pasa1.pdf|archivedate=10 March 2017|df=dmy-all}}</ref> he lost both awards to ''[[MTV Unplugged (Maná album)|MTV Unplugged]]'' by [[Maná]].<ref>{{cite news|title=Son by Four, Mana and Chayanne Among Winners At Ritmo Latino Music Awards – El premio de la gente|url=http://www.prnewswire.com/news-releases/son-by-four-mana-and-chayanne-among-winners-at-ritmo-latino-music-awards---el-premio-de-la-gente-75136392.html|work=[[Telemundo]]|publisher=[[PR Newswire]]|date=20 October 2000|accessdate=18 February 2017}}</ref> In Argentina, he was nominated for Best Male Latin Artist and {{nowrap|Best Latin Album}} for ''Amarte Es un Placer'' at the 2000 [[Premios Gardel]] and awarded Best Latin Album at the 1999 Premios Amigo in Spain.<ref>{{cite news|title=Sabina, Shakira, Luis Miguel y Ricky Martin, por el Gardel|url=http://archivo.eluniversal.com.mx/espectaculos/4609.html|accessdate=18 February 2017|work=[[El Universal (Mexico City)|El Universal]]|date=10 March 2000|language=Spanish}}</ref><ref>{{cite news|last1=Jarque|first1=Fietta|title=Chayanne lidera el éxito de la música latina con dos premios Amigo|url=http://elpais.com/diario/1999/11/05/cultura/941756409_850215.html|accessdate=18 February 2017|work=[[El País]]|publisher=[[PRISA]]|date=5 November 1999|language=Spanish}}</ref> The record was nominated in the category of {{nowrap|Best Pop Album}} by a Male Artist at the 1999 Premios Globos which was awarded to Ricky Martin's [[Ricky Martin (1999 album)|self-titled album]].<ref>{{cite web|title=Premios Global Nominees|url=http://www.lamusica.com:80/premios.htm|website=LaMusica.com|accessdate=7 September 2017|archiveurl=https://web.archive.org/web/19991013062528/http://www.lamusica.com/premios.htm|archivedate=13 October 1999|deadurl=yes|df=dmy-all}}</ref>
At the 2000 [[Billboard Latin Music Awards|''Billboard'' Latin Music Awards]], the album won the award for Pop Album of the Year by a Male Artist.<ref name="billboardawards">{{cite journal|url=https://books.google.com/books?id=EA8EAAAAMBAJ&lpg=PP1&pg=RA1-PA16#v=onepage&q&f=false|title=Catch Some Rising Stars: Artist Showcases Offer a Glimpse Into The Future of Latin Music|last=Lannert|first=John|work=Billboard|publisher=Prometheus Global Media|volume=112|issue=18|page=16|date=29 April 2000|accessdate=9 May 2012}}</ref> Miguel received two nominations at the 2000 El Premio de la Gente in the categories of Male Pop Artist or Group and Album of the Year;<ref>{{cite news|last1=Burr|first1=Ramiro|title=Top Latin performers nominated for Ritmo awards|url=http://airwolf.lmtonline.com/quepasa/archive/081800/pasa1.pdf|accessdate=18 February 2017|work=[[Laredo Morning Times]]|publisher=Hearst Corporation|date=18 August 2000|page=8D|deadurl=yes|archiveurl=https://web.archive.org/web/20170310211236/http://airwolf.lmtonline.com/quepasa/archive/081800/pasa1.pdf|archivedate=10 March 2017|df=dmy-all}}</ref> he lost both awards to ''[[MTV Unplugged (Maná album)|MTV Unplugged]]'' by [[Maná]].<ref>{{cite news|title=Son by Four, Mana and Chayanne Among Winners At Ritmo Latino Music Awards – El Premio De La Gente|url=http://www.prnewswire.com/news-releases/son-by-four-mana-and-chayanne-among-winners-at-ritmo-latino-music-awards---el-premio-de-la-gente-75136392.html|work=[[Telemundo]]|publisher=[[PR Newswire]]|date=20 October 2000|accessdate=18 February 2017}}</ref> In Argentina, he was nominated for Best Male Latin Artist and {{nowrap|Best Latin Album}} for ''Amarte Es un Placer'' at the 2000 [[Premios Gardel]] and awarded Best Latin Album at the 1999 Premios Amigo in Spain.<ref>{{cite news|title=Sabina, Shakira, Luis Miguel y Ricky Martin, por el Gardel|url=http://archivo.eluniversal.com.mx/espectaculos/4609.html|accessdate=18 February 2017|work=[[El Universal (Mexico City)|El Universal]]|date=10 March 2000|language=Spanish}}</ref><ref>{{cite news|last1=Jarque|first1=Fietta|title=Chayanne lidera el éxito de la música latina con dos premios Amigo|url=http://elpais.com/diario/1999/11/05/cultura/941756409_850215.html|accessdate=18 February 2017|work=[[El País]]|publisher=[[PRISA]]|date=5 November 1999|language=Spanish}}</ref> The record was nominated in the category of {{nowrap|Best Pop Album}} by a Male Artist at the 1999 Premios Globos which was awarded to Ricky Martin's [[Ricky Martin (1999 album)|self-titled album]].<ref>{{cite web|title=Premios Global Nominees|url=http://www.lamusica.com:80/premios.htm|website=LaMusica.com|accessdate=7 September 2017|archiveurl=https://web.archive.org/web/19991013062528/http://www.lamusica.com/premios.htm|archivedate=13 October 1999|deadurl=yes|df=dmy-all}}</ref>


==Commercial performance==
==Commercial performance==
''Amarte Es un Placer'' was released commercially on 13 September 1999.<ref name="Sticks"/> In the United States, the record debuted on top of the [[Billboard Top Latin Albums|''Billboard'' Top Latin Albums]] the week of 2 October 1999 succeeding ''[[Bailamos Greatest Hits]]'' by [[Enrique Iglesias]].<ref>{{cite web|title=Latin Albums: The Week of October 2, 1999|url=http://www.billboard.com/charts/latin-albums/1999-10-02|website=Billboard|publisher=Prometheus Global Media|accessdate=7 March 2017|date=2 October 1999}}</ref> The disc spent nine weeks in this position and was later replaced by ''[[Desde un Principio: From the Beginning]]'' by [[Marc Anthony]].<ref name="latinalbums99">{{cite web|title=Top Latin Albums – 1999 Archive|url=http://www.billboard.com/archive/charts/1999/latin-albums|website=Billboard|publisher=Prometheus Global Media|accessdate=3 March 2017}}</ref> It peaked at number 36 on the [[Billboard 200|''Billboard'' 200]] chart, his highest debut position outside of the ''Romance'' albums, and sold more than 35,000 copies within its first week.<ref>{{cite journal| last = Lannert| first = John| date = 2 October 1999| title = Chart Notes, Retail| journal = Billboard| publisher = Nielsen Business Media, Inc.| volume = 111| issue = 40| page = 52| url =https://books.google.com/books?id=cggEAAAAMBAJ&lpg=PP1&pg=PA52#v=onepage&q&f=false| accessdate = 10 August 2011}}</ref> It ended 1999 as the fifteenth bestselling Latin album in the US and was certified [[music recording certification|gold]] by the [[Recording Industry Association of America]] for shipping 500,000 copies.<ref name="yearend1999"/>{{Certification Cite Ref|region=United States|title=Amarte Es Un Placer|artist=Luis Miguel|type=album|award=Gold|accessdate=7 March 2017}}
''Amarte Es un Placer'' was released commercially on 13 September 1999.<ref name="Sticks"/> In the United States, the record debuted on top of the [[Billboard Top Latin Albums|''Billboard'' Top Latin Albums]] the week of 2 October 1999 succeeding ''[[Bailamos Greatest Hits]]'' by [[Enrique Iglesias]].<ref>{{cite web|title=Latin Albums: The Week of October 2, 1999|url=http://www.billboard.com/charts/latin-albums/1999-10-02|website=Billboard|publisher=Prometheus Global Media|accessdate=7 March 2017|date=2 October 1999}}</ref> The disc spent nine weeks in this position and was later replaced by ''[[Desde un Principio: From the Beginning]]'' by [[Marc Anthony]].<ref name="latinalbums99">{{cite web|title=Top Latin Albums – 1999 Archive|url=http://www.billboard.com/archive/charts/1999/latin-albums|website=Billboard|publisher=Prometheus Global Media|accessdate=3 March 2017}}</ref> It peaked at number 36 on the [[Billboard 200|''Billboard'' 200]] chart, his highest debut position outside of the ''Romance'' albums, and sold more than 35,000 copies within its first week.<ref>{{cite journal| last = Lannert| first = John| date = 2 October 1999| title = Chart Notes, Retail| journal = Billboard| publisher = Nielsen Business Media, Inc.| volume = 111| issue = 40| page = 52| url =https://books.google.com/books?id=cggEAAAAMBAJ&lpg=PP1&pg=PA52#v=onepage&q&f=false| accessdate = 10 August 2011}}</ref> It ended 1999 as the fifteenth bestselling Latin album in the US and was certified [[music recording certification|gold]] by the [[Recording Industry Association of America]] for shipping 500,000 copies.<ref name="yearend1999"/>{{Certification Cite Ref|region=United States|title=Amarte Es Un Placer|artist=Luis Miguel|type=album|award=Gold|accessdate=7 March 2017}}


In Spain, the disc debuted on top of the Spanish albums chart and was certified 6× platinum by the [[Productores de Música de España]] for shipping 600,000 copies.<ref name="spanishchart"/><ref name="spaincert"/> In Argentina, ''Amarte Es un Placer'' peaked at number six on the Argentina albums chart and was certified 5× platinum for shipping 300,000 copies.<ref name="argentinechart"/><ref name="argcert"/> In Chile, it was certified double platinum and was the second bestselling album of the year in the country.<ref name="chilesales"/><ref name="chilecert"/> In Mexico, it was certified 5× platinum by the [[Asociación Mexicana de Productores de Fonogramas y Videogramas]].{{Certification Cite Ref|region=Mexico|title=Amarte Es Un Placer|artist=Luis Miguel|type=album|award=Platinum|number=5|relyear=1999|accessdate=7 March 2017}} ''Amarte es un placer'' had sold more than three million copies worldwide as of 2007.<ref name="plagio">{{cite web|title=''Condenan a Luis Miguel por plagio de canción''|url=http://peopleenespanol.com/article/condenan-luis-miguel-por-plagio-de-cancion/|website=[[People en Español]]|publisher=[[Time Inc.|Time]]|accessdate=7 March 2017|language=Spanish|date=3 May 2007}}</ref>
In Spain, the disc debuted on top of the Spanish albums chart and was certified 6× platinum by the [[Productores de Música de España]] for shipping 600,000 copies.<ref name="spanishchart"/><ref name="spaincert"/> In Argentina, ''Amarte Es un Placer'' peaked at number six on the Argentina albums chart and was certified 5× platinum for shipping 300,000 copies.<ref name="argentinechart"/><ref name="argcert"/> In Chile, it was certified double platinum and was the second bestselling album of the year in the country.<ref name="chilesales"/><ref name="chilecert"/> In Mexico, it was certified 5× platinum by the [[Asociación Mexicana de Productores de Fonogramas y Videogramas]].{{Certification Cite Ref|region=Mexico|title=Amarte Es Un Placer|artist=Luis Miguel|type=album|award=Platinum|number=5|relyear=1999|accessdate=7 March 2017}} ''Amarte Es un Placer'' had sold more than three million copies worldwide as of 2007.<ref name="plagio">{{cite web|title=Condenan a Luis Miguel por plagio de canción|url=http://peopleenespanol.com/article/condenan-luis-miguel-por-plagio-de-cancion/|website=[[People en Español]]|publisher=[[Time Inc.|Time]]|accessdate=7 March 2017|language=Spanish|date=3 May 2007}}</ref>


==Track listing==
==Track listing==
Line 119: Line 119:
{{Track listing
{{Track listing
|
|
| title1 = Tu mirada
| title1 = Tu Mirada
| length1 = 4:09
| length1 = 4:09
| lyrics1 = Alejandro Asensi
| lyrics1 = Alejandro Asensi
| music1 = {{hlist|Luis Miguel|Francisco Loyo}}
| music1 = {{hlist|Luis Miguel|Francisco Loyo}}
| title2 = Soy yo
| title2 = Soy Yo
| length2 = 3:55
| length2 = 3:55
| lyrics2 = [[Armando Manzanero]]
| lyrics2 = [[Armando Manzanero]]
| music2 = Manzanero
| music2 = Manzanero
| title3 = [[Sol, arena y mar]]
| title3 = [[Sol, Arena y Mar]]
| length3 = 3:18
| length3 = 3:18
| music3 = {{hlist|F. Loyo|Salo Loyo}}
| music3 = {{hlist|F. Loyo|Salo Loyo}}
| lyrics3 = {{hlist|Miguel|Arturo Perez}}
| lyrics3 = {{hlist|Miguel|Arturo Perez}}
| title4 = [[O o ninguna]]
| title4 = [[O o Ninguna]]
| length4 = 3:16
| length4 = 3:16
| lyrics4 = [[Juan Carlos Calderón]]
| lyrics4 = [[Juan Carlos Calderón]]
Line 139: Line 139:
| music5 = F. Loyo
| music5 = F. Loyo
| lyrics5 ={{hlist|Miguel|Roland Kortbawi|Asensi}}
| lyrics5 ={{hlist|Miguel|Roland Kortbawi|Asensi}}
| title6 = [[Dormir contigo]]
| title6 = [[Dormir Contigo]]
| length6 = 4:15
| length6 = 4:15
| music6 = Manzanero
| music6 = Manzanero
| lyrics6 = Manzanero
| lyrics6 = Manzanero
| title7 = Dímelo en un beso
| title7 = Dímelo en un Beso
| length7 = 4:36
| length7 = 4:36
| music7 = {{hlist|F. Loyo|Victor Loyo}}
| music7 = {{hlist|F. Loyo|Victor Loyo}}
| lyrics7 = {{hlist|Miguel|S. Loyo}}
| lyrics7 = {{hlist|Miguel|S. Loyo}}
| title8 = No me fío
| title8 = No Me Fío
| length8 = 3:45
| length8 = 3:45
| lyrics8 = Calderón
| lyrics8 = Calderón
| music8 = Calderón
| music8 = Calderón
| title9 = Te propongo esta noche
| title9 = Te Propongo Esta Noche
| length9 = 6:11
| length9 = 6:11
| music9 = {{hlist|Miguel|Calderón}}
| music9 = {{hlist|Miguel|Calderón}}
| lyrics9 = {{hlist|Miguel|Calderón|Perez|Asensi}}
| lyrics9 = {{hlist|Miguel|Calderón|Perez|Asensi}}
| title10 = Tú, sólo
| title10 = Tú, Sólo
| length10 = 4:19
| length10 = 4:19
| music10 = Miguel
| music10 = Miguel
| lyrics10 = {{hlist|Miguel|Perez}}
| lyrics10 = {{hlist|Miguel|Perez}}
| title11 = Ese momento
| title11 = Ese Momento
| length11 = 3:49
| length11 = 3:49
| music11 = Manzanero
| music11 = Manzanero
| lyrics11 = Manzanero
| lyrics11 = Manzanero
| title12 = [[Amarte es un placer (song)|Amarte es un placer]]
| title12 = [[Amarte Es un Placer (song)|Amarte Es un Placer]]
| length12 = 3:31
| length12 = 3:31
| lyrics12 = Calderón
| lyrics12 = Calderón
Line 170: Line 170:


==Personnel==
==Personnel==
Adapted from AllMusic and the ''Amarte es un placer'' liner notes:<ref name="liner"/><ref>{{cite web|title=Amarte es un placer&nbsp;— Credits|url=http://www.allmusic.com/album/amarte-es-un-placer-mw0000246391/credits|accessdate=10 March 2017|work=AllMusic|publisher=Rovi Corporation}}</ref>
Adapted from AllMusic and the ''Amarte Es un Placer'' liner notes:<ref name="liner"/><ref>{{cite web|title=Amarte Es Un Placer&nbsp;— Credits|url=http://www.allmusic.com/album/amarte-es-un-placer-mw0000246391/credits|accessdate=10 March 2017|work=AllMusic|publisher=Rovi Corporation}}</ref>


===Performance credits===
===Performance credits===
Line 188: Line 188:
*Will Wheaton
*Will Wheaton
*Terry Wood
*Terry Wood
*María del Rey
*Maria del Rey


'''[[Concert master]]s'''
'''[[Concert master]]s'''
Line 195: Line 195:


'''[[Drum kit|Drums]]'''
'''[[Drum kit|Drums]]'''
*Vinnie Colaiuta ("Quiero", "Tú, sólo , "No me fío")
*Vinnie Colaiuta ("Quiero", "Tú, Sólo , "No Me Fío")
*Victor Loyo ("Dímelo en un beso", "Ese momento", "Sol, arena y mar", "Te propongo esta noche", "Tu mirada", "Dormir contigo", "O o ninguna", "Soy yo")
*Victor Loyo ("Dímelo en un Beso", "Ese Momento", "Sol, Arena y Mar", "Te Propongo Esta Noche", "Tu Mirada", "Dormir Contigo", "O o Ninguna", "Soy Yo")


'''[[Guitar]]s'''
'''[[Guitar]]s'''
*[[Paul Jackson, Jr.]] ("Quiero", "Tú, sólo ", "Dímelo en un beso", "Sol, arena y mar", "Te propongo esta noche")
*[[Paul Jackson, Jr.]] ("Quiero", "Tú, Sólo ", "Dímelo en un Beso", "Sol Arena y Mar", "Te Propongo Esta Noche")
*[[Michael Landau]] ("Tu mirada", "Dormir contigo", No me fío", "O o ninguna")
*[[Michael Landau]] ("Tu Mirada", "Dormir Contigo", No Me Fío", "O o Ninguna")


'''[[Keyboard instrument|Keyboard]]s'''
'''[[Keyboard instrument|Keyboard]]s'''
*[[Robbie Buchanan ]]("Dormir contigo", "Soy yo", No me fío", "O o ninguna", "Amarte es un placer")
*[[Robbie Buchanan ]]("Dormir Contigo", "Soy Yo", No Me Fío", "O o Ninguna", "Amarte Es un Placer")
*Michael Colombier ("Ese momento")
*Michael Colombier ("Ese Momento")
*Francisco Loyo ("Quiero", Tú, Sólo ", "Dímelo en un beso", "Sol, arena y mar", "Te propongo esta noche", "Tu mirada")
*Francisco Loyo ("Quiero", Tú, Sólo ", "Dímelo en un Beso", "Sol, Arena y Mar", "Te Propongo Esta Noche", "Tu Mirada")


'''[[Music director#Orchestra|Orchestra director]]'''
'''[[Music director#Orchestra|Orchestra director]]'''
*Pablo Aguirre ("No me fío" "O o ninguna")
*Pablo Aguirre ("No Me Fío" "O o Ninguna")
*Michel Colombier ("Ese momento", "Amarte es un placer")
*Michel Colombier ("Ese Momento", "Amarte Es un Placer")
*Larry Rench
*Larry Rench
*Bill Ross ("Dormir contigo" "Soy yo")
*Bill Ross ("Dormir Contigo" "Soy Yo")


'''[[Percussion instrument|Percussion]]'''
'''[[Percussion instrument|Percussion]]'''
*Tom Aros ("Tú, Sólo ", "Dímelo en un beso", "Te propongo esta noche")
*Tom Aros ("Tú, Sólo ", "Dímelo en un Beso", "Te Propongo Esta Noche")
*[[Luis Conte]] ("Quiero", "Sol, arena y mar")
*[[Luis Conte]] ("Quiero", "Sol Arena y Mar")


'''[[Viola]]'''
'''[[Viola]]'''
Line 351: Line 351:
==Certifications==
==Certifications==
{{Certification Table Top}}
{{Certification Table Top}}
{{Certification Table Entry|region=Argentina|title=Amarte es un placer|artist=Luis Miguel|type=album|award=Platinum|number=5|relyear=1999|certref=<ref name="argcert">{{cite web|url=http://www.capif.org.ar/Default.asp?PerDesde_MM=0&PerDesde_AA=0&PerHasta_MM=0&PerHasta_AA=0&interprete=&album=&LanDesde_MM=1&LanDesde_AA=1980&LanHasta_MM=12&LanHasta_AA=2010&Galardon=O&Tipo=1&ACCION2=+Buscar+&ACCION=Buscar&CO=5&CODOP=ESOP |archiveurl=https://web.archive.org/web/20110706084844/http://www.capif.org.ar/Default.asp?PerDesde_MM=0&PerDesde_AA=0&PerHasta_MM=0&PerHasta_AA=0&interprete=&album=&LanDesde_MM=1&LanDesde_AA=1980&LanHasta_MM=12&LanHasta_AA=2010&Galardon=O&Tipo=1&ACCION2=%2BBuscar%2B&ACCION=Buscar&CO=5&CODOP=ESOP |archivedate=6 July 2011 |title=''Discos de oro y platino'' |accessdate=4 November 2012 |publisher=[[Cámara Argentina de Productores de Fonogramas y Videogramas]] |language=Spanish |deadurl=yes |df= }}</ref>}}
{{Certification Table Entry|region=Argentina|title=Amarte Es Un Placer|artist=Luis Miguel|type=album|award=Platinum|number=5|relyear=1999|certref=<ref name="argcert">{{cite web|url=http://www.capif.org.ar/Default.asp?PerDesde_MM=0&PerDesde_AA=0&PerHasta_MM=0&PerHasta_AA=0&interprete=&album=&LanDesde_MM=1&LanDesde_AA=1980&LanHasta_MM=12&LanHasta_AA=2010&Galardon=O&Tipo=1&ACCION2=+Buscar+&ACCION=Buscar&CO=5&CODOP=ESOP |archiveurl=https://web.archive.org/web/20110706084844/http://www.capif.org.ar/Default.asp?PerDesde_MM=0&PerDesde_AA=0&PerHasta_MM=0&PerHasta_AA=0&interprete=&album=&LanDesde_MM=1&LanDesde_AA=1980&LanHasta_MM=12&LanHasta_AA=2010&Galardon=O&Tipo=1&ACCION2=%2BBuscar%2B&ACCION=Buscar&CO=5&CODOP=ESOP |archivedate=6 July 2011 |title=Discos de oro y platino |accessdate=4 November 2012 |publisher=[[Cámara Argentina de Productores de Fonogramas y Videogramas]] |language=Spanish |deadurl=yes |df= }}</ref>}}
{{certification Table Entry|region=Chile ([[IFPI]])|award=Platinum|number=2|relyear=1999|certref=<ref name="chilecert">{{cite news|title=''Luis Miguel grabó nuevo álbum y se estresó: se relaja con Sofía Vergara'' |url=http://www.lacuarta.com/diario/2000/08/27/27.21.4a.ESP.LMIGUEL.html |accessdate=5 February 2017 |work=[[La Cuarta]] |publisher=[[Copesa]] |date=27 August 2000 |archiveurl=https://web.archive.org/web/20150820020204/http://www.lacuarta.com/diario/2000/08/27/27.21.4a.ESP.LMIGUEL.html |archivedate=20 August 2015 |language=Spanish |deadurl=yes |df= }}</ref>|salesamount=83,462|salesref=<ref name="chilesales"/>}}
{{certification Table Entry|region=Chile ([[IFPI]])|award=Platinum|number=2|relyear=1999|certref=<ref name="chilecert">{{cite news|title=Luis Miguel grabó nuevo álbum y se estresó: se relaja con Sofía Vergara |url=http://www.lacuarta.com/diario/2000/08/27/27.21.4a.ESP.LMIGUEL.html |accessdate=5 February 2017 |work=[[La Cuarta]] |publisher=[[Copesa]] |date=27 August 2000 |archiveurl=https://web.archive.org/web/20150820020204/http://www.lacuarta.com/diario/2000/08/27/27.21.4a.ESP.LMIGUEL.html |archivedate=20 August 2015 |language=Spanish |deadurl=yes |df= }}</ref>|salesamount=83,462|salesref=<ref name="chilesales"/>}}
{{Certification Table Entry|region=Mexico|title=''Amarte es un placer''|artist=Luis Miguel|type=album|award=Platinum|number=5|relyear=1999|accessdate=7 March 2017}}
{{Certification Table Entry|region=Mexico|title=Amarte Es Un Placer|artist=Luis Miguel|type=album|award=Platinum|number=5|relyear=1999|accessdate=7 March 2017}}
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{{Certification Table Entry|region=United States|title=''Amarte es un placer''|artist=Luis Miguel|type=album|award=Gold|accessdate=7 March 2017}}
{{Certification Table Entry|region=United States|title=Amarte Es Un Placer|artist=Luis Miguel|type=album|award=Gold|accessdate=7 March 2017}}
{{Certification Table Bottom|nosales=yes}}
{{Certification Table Bottom|nosales=yes}}



Revision as of 13:53, 22 May 2018

Amarte Es un Placer
A man with a serious expression is wearing a black suit and tie is facing the camera with his face is tilting right
Studio album by
Released13 September 1999 (1999-09-13)
StudioA&M Studios
Cello Studios
Ocean Way Recording
Watersound
Record Plant
(Hollywood, California)
Genre
Length49:40
LanguageSpanish
LabelWEA Latina
ProducerLuis Miguel
Luis Miguel chronology
Romances
(1997)
Amarte Es un Placer
(1999)
Vivo
(2000)
Singles from Amarte Es un Placer
  1. "Sol, Arena y Mar"
    Released: 19 July 1999
  2. "O Tú o Ninguna"
    Released: 6 September 1999
  3. "Dormir Contigo"
    Released: January 2000
  4. "Amarte Es un Placer"
    Released: 2000

Amarte Es un Placer (English: Loving You Is a Pleasure[1]) is the thirteenth studio album by Mexican singer Luis Miguel. It was released by record label WEA Latina on 13 September 1999. Produced by Miguel, it is a pop album with R&B, pop ballad, and jazz influences. Miguel was more involved with the songwriting on this record than on earlier albums, and was assisted by other composers including Arturo Perez, Armando Manzanero, and Juan Carlos Calderón. Despite the popularity of his contemporaries such as Ricky Martin and Enrique Iglesias crossing over to the English-language market, Miguel preferred at the time to sing and record in Spanish.

Four singles were released to promote the album: "Sol, Arena y Mar", "O Tú o Ninguna", "Dormir Contigo", and the title track. Miguel embarked on the Amarte Es Un Placer Tour, performing in Spain, South America, Mexico, and the United States, which lasted from September 1999 into May 2000; it became the highest-grossing tour by a Spanish-speaking recording artist at the time.

Amarte Es un Placer debuted at number one in Spain and on the Billboard Top Latin Albums chart in the United States. It was certified gold in the United States, and achieved multi-platinum status in Argentina, Chile, Mexico, and Spain. The album had sold more than three million copies as of 2007. On its release, the record received mixed reviews from music critics; several praised the production as well as Miguel's vocals and the compositions, but others felt it did not differ from his earlier recordings and found the music outdated. Miguel received several accolades, including the Latin Grammy Awards for Album of the Year and Best Pop Vocal Album and a Grammy nomination for Best Latin Pop Performance.

Background

A woman wearing a dress is facing left and holding a microphone.
Miguel stated that the music on Amarte Es un Placer reflect his emotions at the time of recording. He hinted that the album's title was based on his then-relationship with Mariah Carey (pictured in 1998).

In 1997, Luis Miguel released his twelfth studio album Romances, the third record in his Romance series, in which he performs covers of classic Latin American boleros.[2] It sold more than 4.5 million copies and won the Grammy Award for Best Latin Pop Performance in 1998.[3][4] To promote Romances, he embarked on a tour of the United States, Latin America, and Spain lasting more than a year.[5] By 1998, Miguel was among the most bestselling Latin artists internationally with his albums having sold more than 35 million copies worldwide.[6] On October 1998, Mexican composer Armando Manzanero, who worked with Miguel on the Romance albums, confirmed that he was assisting with Miguel on a new project.[7] After an absence of two years from the music business, Miguel announced on 19 July 1999 that he would release a new album by September.[8] He indicated the upcoming album would be a return to pop recordings as opposed to the bolero cover versions he had recorded on the Romance series.[9] The album's title, Amarte Es un Placer, was announced on 17 August 1999.[10]

Miguel held a press conference at the Las Ventas building in Madrid, Spain on the album's launch date of 13 September 1999.[11] Miguel confirmed that it was the first album where he was more involved in the tracks' composition: "Here something special was done, probably because I had more time to write a few things," he added.[12] When asked why he opted not to record an English-language album as other Latin acts such as Enrique Iglesias and Ricky Martin had successfully done, Miguel replied: "I think that Spanish is a good language. I like my language and I really feel proud of it. I'm not saying that I won't do it in the future, sing in English, I mean. But it's just that it's not the right time for me. Why should I do it, just because everybody else is doing it?"[12] He was also asked about the lack of a duet with his then-girlfriend, American singer Mariah Carey, to which he responded that he does not like to involve his personal life with his career; he did add that the music he performs is based on his feelings at the time, and hinted that the album's title was influenced by his relationship with Carey.[12][13]

As well as co-writing several of the record's tracks, Miguel was assisted by other composers including Manzanero, Juan Carlos Calderón, and Arturo Perez.[9][14] Recording took place at the A&M Studios, Cello Studios, Ocean Way Recording, Watersound, and the Record Plant in Hollywood, California with Miguel handling the productions himself.[15][16]

Composition

Amarte Es un Placer is a pop album composed of twelve love songs, consisting mainly of orchestrated romantic ballads — and several uptempo numbers.[1][16] Unlike his previous pop record Nada Es Igual... (1996), which featured dance music and hip-hop influences, Amarte Es un Placer's emphasis is on adult contemporary music.[1] The opening track, "Tu Mirada" is a rock ballad with a guitar solo.[19] Manzanero composed three ballads for the album: "Soy Yo", "Dormir Contigo", and "Ese Momento".[19] "Ese Momento" deals with a "narrative account of the instance when two bodies merge in fiery passion".[20] On "Dormir Contigo", the protagonist talks about the joy of sleeping with his love interest.[6] "Sol, Arena y Mar" is a horn-driven uptempo track with jazz influences which describes the "pain of separation" of a love that "disappeared as quickly as the foam at the seashore".[20][21]

"Quiero" is an R&B "groove" track which incorporates strings on its crescendo, a saxophone solo, and brass instruments.[6]  "Tú, Sólo Tú" is a disco-influenced mid-tempo "groove" song.[6][19] "Dímelo en un Beso" is a pop ballad which also incorporates disco music.[6][17] "O Tú o Ninguna" is a bolero composed by Calderón, while "No Me Fío"  is reminiscent of a 1980s power ballad.[1][17] "Te Propongo Esta Noche", the album's only dance number,[1] begins as a "smooth" R&B track until it changes to percussion-driven club music halfway through the song.[16][20] The album closes with the title track which features "dramatic orchestral sweeps" on the tune.[18] The song caused a controversy when Mexican composer Marcos Lifshitz accused Calderón and Miguel of plagiarizing his composition "Siento nuestro aliento" which he wrote in 1997. A court ruled in favor of Lifshitz and ordered Miguel and his record label to pay 40 percent of the song's royalties as compensation.[22]

Singles

"Sol, Arena y Mar" was released as the first single from Amarte Es un Placer on 19 July 1999.[8] It peaked at number three on the Billboard Hot Latin Songs in the United States.[23] A remix of the song by American DJ Danny Saber was also released as a single;[24] it peaked at number two in Spain.[25] "O Tú o Ninguna" was released as the album's second single on 6 September 1999,[3] and it reached the top of the Hot Latin Songs chart in the US.[23] A music video for the track was filmed in San Francisco, directed by Rebecca Blake.[5] The third single, "Dormir Contigo", was released in January 2000 and peaked at number 11 on the Hot Latin Songs chart.[26][23] In the same month, the music video for the fourth single, "Amarte Es un Placer", was filmed in Bel-Air, California, directed by Alberto Tolot.[5] The title track peaked at number six on the Hot Latin Songs chart.[23]

Promotion

To promote Amarte Es un Placer, Luis Miguel began his Amarte Es Un Placer Tour on 9 September 1999 in Gijón, Spain.[27] In Madrid, he performed three sold-out shows,[3] and spent a month touring in Spain. His performances in Barcelona, Marbella, and Tenerife were among the country's highest grossing shows of 1999.[28] Miguel then toured South America where he performed in Argentina, Brazil, Chile, Uruguay, and Venezuela.[5][29] In Argentina, he drew more than 50,000 attendees at his concerts,[30] and more than 101,800 spectators attended his eight shows in Chile, the largest audiences of the year for an artist.[31] The first leg of the tour ended on 15 December 1999 in Maracaibo, Venezuela.[32] A concert was planned for the San Jose Arena in California on New Year's Eve, but was canceled because the gross income would not meet Miguel's requirements.[33]

Miguel commenced the second leg of his tour at the Centennial Garden in Bakersfield, California on 1 February 2000.[34][35] Two days later, he performed at the Universal Amphitheatre in Los Angeles, California for five consecutive nights drawing more than 24,000 spectators. In the same month, he performed four shows at Radio City Music Hall in New York City and grossed $1.4 million.[36] He also appeared in Minneapolis on 12 February and in Fairfax on 14 February.[37][38] Following his concerts at Radio City Music, Miguel performed 21 consecutive shows at the National Auditorium in Mexico City beginning on 24 February; beating the previous record of 20 set by Mexican group Timbiriche, and set the record for most attendees with an overall count of 255,000 patrons.[39] The concerts drew more than 255,000 attendees, another record for the artist.[39]

Miguel returned to touring in the United States on 24 March 2000, performed in several cities including Miami,[40] Chicago,[41] Atlantic City,[42] and Houston.[43] He later presented five shows in Monterrey, Mexico from 13 to 17 April 2000,[44][45] and after a few more performances in the US, ended the tour in San Diego on 6 May 2000.[46][47]  Miguel had the 23rd highest-grossing tour in the country with more than $15.7 million earned from his 44 shows in the US.[48] The tour was recognized by the William Morris Agency as the highest-grossing tour by a Spanish-speaking artist.[49]

Miguel was accompanied by a 13-piece band during his tour which included horns, keyboards, guitars, and three female backup singers.[37][50] His hour-and-a-half show consisted mainly of pop songs and ballads from Amarte Es un Placer and his earlier career, as well as medleys of boleros from the Romance-themed albums.[51] During his concerts in Monterrey, he was joined by Cutbert Pérez's band Mariachi 2000 and performed live covers of Mario De Jesús Báez's "Y" and Rubén Fuentes "La Bikina".[52] The shows included a large live-screen behind the stage and featured fireworks and confetti.[37]

Of Miguel's performances in Los Angeles, The Orange County Register editor Daniel Chang commented that he "delivered a classy show that was as much fun to watch as it was to hear". Chang noted that Miguel "emotes a contagious energy through dramatic facial expressions, fetal-position-like contortions and physical outbursts in time with the music" and complimented his dance moves and the visual sets.[53] Regarding his concert in Houston, Michael D. Clark of the Houston Chronicle said that Miguel "proved, once again, that it isn't necessary to change languages to reach U.S. audiences". He observed that Miguel seemed "determined to balance the upbeat with the overwrought" in contrast to his previous concerts, which were dominated by ballads. Clark was disappointed that the boleros were sung in medleys which did not allow any of them to stand out.[43]

Jon Bream commented in the Star Tribune that Miguel's presentation in Minneapolis was "one of the most ambitious concert spectacles ever presented at the theater" and that the singer had a "captivating presence", but added that Miguel's music was "not particularly distinctive". He likened Miguel's uptempo songs to Earth, Wind & Fire albeit without the "rhythmic and jazzy sophistication", considered his ballads to be "conservative pop, bathed in synthesized strings with Chicago-like horn filigree," and felt let down by Miguel's choice to perform his boleros in medleys.[37]

On 24 October 2000, WEA released the Vivo live album and video from Miguel's concerts in Monterrey.[54] AllMusic editor Perry Seibert gave the video album two-out-of-five stars  and criticized its lack of subtitles, closed captions, and supplemental materials, but stated that it should not "dissuade fans of Latino music from checking out this entertaining DVD from Warner Bros".[55]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[1]
Houston Chronicle[16]
Los Angeles Daily News[14]
Los Angeles Times[56]
Orange County Register[17]
The San Diego Union-Tribune[57]

On its release, Amarte Es un Placer was met with mixed reviews from music critics. AllMusic editor Jose F. Promis gave it two-and-a-half out of five stars,  noting that from the title "one can deduce that the material consists of romantic music, mostly in the form of ballads". He felt that the horn sections on "Sol, Arena y Mar"  and "Quiero"  gave the songs a "jazzy, sophisticated, adult-leaning feel" and called "Te Propongo Esta Noche" "one of the album's most interesting songs". He criticized the inclusion of "overblown ballads", citing "No Me Fío" as an example. Promis called the production "flawless" and concluded that ballads are "what the fans have come to expect" from Miguel.[1] John Lannert of Billboard magazine was not impressed with the record; he panned "Sol, Arena y Mar" as a "vapid, uptempo dance number". While Lannert regarded "Soy Yo" and "Dormir Contigo" as a "pair of moving romantic ballads" that could help the disc stay on top of the Billboard Latin charts, he opined that it was time for Miguel to record an English-language disc and have Carey and her producers assist with the album.[58] Roger Catlin of the Hartford Courant felt that when the ballads "pile on", it was like a "Telemundo soap-opera overkill". Nonetheless, Catlin praised Miguel's "timing" on the uptempo songs and said his vocals makes the dance tunes more "exciting".[59]

Houston Chronicle critic Joey Guerra gave the album two-and-a-half out of four stars, and he was underwhelmed with the production for sounding like Miguel's previous recordings. He recognized that Miguel was capable of handling love songs because of his "rich, deep voice" on songs such as "Tu Mirada", "Soy Yo", and "O Tú o Ninguna", but felt that Miguel "runs into trouble" on the dance tracks as he did on his prior albums. He chided "Sol, Arena y Mar" for its "tepid mix of blaring horns and uninspired lyrics" and said the other uptempo songs "don't fare any better"; he criticized the over usage of horns on every fast-paced track as "dated" and "repetitive".[16] Mario Tarradell of The Dallas Morning News wrote a more positive review of the album. He complimented "Te Propongo Esta Noche" and lauded the ballads such as "Dormir Contigo" and "Ese Momento" as "sensual and solemn". Tarradell closed his review by calling Amartes Es un Placer an "enjoyable balance between high-brow ballads and hardwood workouts".[20] Miami Herald editor Leila Cobo was disappointed with the record. She expressed that while Miguel's vocals are still "dazzling", the production sounded "dated". She found "Tú, Sólo Tú" and "Dímelo en un Beso" to be "discoish duds that lack the oomph to get you on the dance floor". Cobo also commented the tracks suffer from a lack of "strong hooks or melodies" despite Miguel having the ability to "elevate pretty much any style". Even so, Cobo praised "Dormir Contigo" for its "few memorable lyrics" and "No Me Fío" for its arrangements.[6]

Fred Shuster of the Los Angeles Daily News rated the record three out of the four stars and complimented the arrangements which he found to be "gorgeous". He felt the best tracks were the ones that Miguel co-wrote and highlighted "Sol Arena y Mar" and "O Tú o Ninguna" as standouts.[14] The Los Angeles Times critic Ernesto Lechner gave the album two-and-a-half out of four stars,  lamenting that it "continues Latin pop's disheartening search for the glossiest production imaginable". He found the ballads to be "drenched in orchestral accompaniment," although he commended Manzanero's compositions. Regardless, Lechner opined that the uptempo tracks "lack the sophistication that defines most pop today".[56] Richard Torres, who wrote a more favorable review of the album for Newsday, stated that Amarte Es un Placer continues Miguel's talent of infusing "lushly orchestrated torch songs with genuine passion". He praised Miguel's vocals for being able to convey the "giddy rush of romance followed by the ache of love lost". He also admired the dance tunes for their musical styles and proclaimed the songs penned by Manaznero to be the best tracks.[19]

Daniel Chang of the Orange County Register rated the album three-and-a-half out of five stars  and touted the delivery of Miguel's voice as well as the songs which help him convey his message. Chang stated that "Even on weaker numbers, Miguel makes it work.".[17] The San Diego Union-Tribune editor Ernesto Portillo, Jr. gave the disc three out of four stars. While he regarded "Sol, Arena y Mar" as a "jaunty pop tune that sounds vaguely like previous Miguel horn-driven numbers," he felt that Miguel excelled best on the ballads citing "Soy Yo" as precedent. He called the record the best outside of the Romance series.[57] Eliseo Cardona writing for El Nuevo Herald noted that even though Miguel's musical style does not evolve, he still retains the finesse required to produce an album, and remarked that the jazz elements and the symphony work well on the album.[60]

Accolades

At the 42nd Annual Grammy Awards in 2000, Amarte Es un Placer received a nomination for Best Latin Pop Performance,[61] which went to Tiempos by Rubén Blades.[62] At the inaugural Latin Grammy Awards in the same year, Miguel won the Latin Grammy Award for Album of the Year, Best Pop Vocal Album, and Best Male Pop Vocal Performance (for "Tu Mirada").[63] Miguel did not attend the award ceremony and declined an invitation to perform.[64] At the 12th Annual Lo Nuestro Awards, it was nominated for Pop Album of the Year,[65] but lost to Supernatural by Santana.[66]

At the 2000 Billboard Latin Music Awards, the album won the award for Pop Album of the Year by a Male Artist.[67] Miguel received two nominations at the 2000 El Premio de la Gente in the categories of Male Pop Artist or Group and Album of the Year;[68] he lost both awards to MTV Unplugged by Maná.[69] In Argentina, he was nominated for Best Male Latin Artist and Best Latin Album for Amarte Es un Placer at the 2000 Premios Gardel and awarded Best Latin Album at the 1999 Premios Amigo in Spain.[70][71] The record was nominated in the category of Best Pop Album by a Male Artist at the 1999 Premios Globos which was awarded to Ricky Martin's self-titled album.[72]

Commercial performance

Amarte Es un Placer was released commercially on 13 September 1999.[3] In the United States, the record debuted on top of the Billboard Top Latin Albums the week of 2 October 1999 succeeding Bailamos Greatest Hits by Enrique Iglesias.[73] The disc spent nine weeks in this position and was later replaced by Desde un Principio: From the Beginning by Marc Anthony.[74] It peaked at number 36 on the Billboard 200 chart, his highest debut position outside of the Romance albums, and sold more than 35,000 copies within its first week.[75] It ended 1999 as the fifteenth bestselling Latin album in the US and was certified gold by the Recording Industry Association of America for shipping 500,000 copies.[76][77]

In Spain, the disc debuted on top of the Spanish albums chart and was certified 6× platinum by the Productores de Música de España for shipping 600,000 copies.[78][79] In Argentina, Amarte Es un Placer peaked at number six on the Argentina albums chart and was certified 5× platinum for shipping 300,000 copies.[80][81] In Chile, it was certified double platinum and was the second bestselling album of the year in the country.[31][82] In Mexico, it was certified 5× platinum by the Asociación Mexicana de Productores de Fonogramas y Videogramas.[83] Amarte Es un Placer had sold more than three million copies worldwide as of 2007.[22]

Track listing

All tracks produced by Luis Miguel.[15]

No.TitleLyricsMusicLength
1."Tu Mirada"Alejandro Asensi
  • Luis Miguel
  • Francisco Loyo
4:09
2."Soy Yo"Armando ManzaneroManzanero3:55
3."Sol, Arena y Mar"
  • Miguel
  • Arturo Perez
  • F. Loyo
  • Salo Loyo
3:18
4."O Tú o Ninguna"Juan Carlos CalderónCalderón3:16
5."Quiero"
  • Miguel
  • Roland Kortbawi
  • Asensi
F. Loyo4:36
6."Dormir Contigo"ManzaneroManzanero4:15
7."Dímelo en un Beso"
  • Miguel
  • S. Loyo
  • F. Loyo
  • Victor Loyo
4:36
8."No Me Fío"CalderónCalderón3:45
9."Te Propongo Esta Noche"
  • Miguel
  • Calderón
  • Perez
  • Asensi
  • Miguel
  • Calderón
6:11
10."Tú, Sólo Tú"
  • Miguel
  • Perez
Miguel4:19
11."Ese Momento"ManzaneroManzanero3:49
12."Amarte Es un Placer"CalderónCalderón3:31

Personnel

Adapted from AllMusic and the Amarte Es un Placer liner notes:[15][84]

Performance credits

Bass

  • Jerry Hey
  • Gary Grant
  • Dan Higgins
  • Bill Reichenbach
  • Chuck Findley

Chorus

  • Carlos Murguia
  • Natisse Jones
  • Kenny O'Brien-Paez
  • Giselda Vatcky
  • Will Wheaton
  • Terry Wood
  • Maria del Rey

Concert masters

  • Bruce Dukov
  • Ralph Morrison

Drums

  • Vinnie Colaiuta ("Quiero", "Tú, Sólo Tú, "No Me Fío")
  • Victor Loyo ("Dímelo en un Beso", "Ese Momento", "Sol, Arena y Mar", "Te Propongo Esta Noche", "Tu Mirada", "Dormir Contigo", "O Tú o Ninguna", "Soy Yo")

Guitars

  • Paul Jackson, Jr. ("Quiero", "Tú, Sólo Tú", "Dímelo en un Beso", "Sol Arena y Mar", "Te Propongo Esta Noche")
  • Michael Landau ("Tu Mirada", "Dormir Contigo", No Me Fío", "O Tú o Ninguna")

Keyboards

  • Robbie Buchanan ("Dormir Contigo", "Soy Yo", No Me Fío", "O Tú o Ninguna", "Amarte Es un Placer")
  • Michael Colombier ("Ese Momento")
  • Francisco Loyo ("Quiero", Tú, Sólo Tú", "Dímelo en un Beso", "Sol, Arena y Mar", "Te Propongo Esta Noche", "Tu Mirada")

Orchestra director

  • Pablo Aguirre ("No Me Fío" "O Tú o Ninguna")
  • Michel Colombier ("Ese Momento", "Amarte Es un Placer")
  • Larry Rench
  • Bill Ross ("Dormir Contigo" "Soy Yo")

Percussion

  • Tom Aros ("Tú, Sólo Tú", "Dímelo en un Beso", "Te Propongo Esta Noche")
  • Luis Conte ("Quiero", "Sol Arena y Mar")

Viola

  • Bob Becker
  • Denyse Buffum
  • Carole Castillo
  • Brian Dembow
  • Suzanna Giordano
  • Mimi Granat
  • John Hayhurst
  • Carrie Holzman

Violin

  • Richard Altenbach
  • Jenny Bellusci
  • Becky Bunnell
  • Darius Campo
  • Mario DeLeon
  • Joel Deroiuin
  • Bruce Dukov
  • Dave Ewart
  • Mike Ferrill
  • Kirstin Fife
  • Berj Garabedian
  • Carmen Garabedian
  • Pam Gates
  • Julie Gigante
  • Endre Granat
  • Alan Grunfeld
  • Clayton Haslop
  • Gwenn Heller
  • Lilly Ho Chen
  • Pat Johnson
  • Karen Jones
  • Peter Kent
  • Ezra Kliger
  • Razdan Kuyumjian
  • Natalie Leggett
  • Brian Leonard
  • Constance Meyer
  • Horia Moroaica
  • Sid Page
  • Katia Popov
  • Barbra Porter
  • Debbie Price
  • Rachel Purkin
  • Kathleen Robertson
  • Gil Romero
  • Jay Rosen
  • Marc Sazer
  • Kwihee Shamban
  • Daniel Shindaryov
  • Leonardo Suarz-Paz
  • Lesa Terry
  • Olivia Tsui
  • Mari Tsumura
  • Margaret Wooten
  • Ken Yereke
  • Tiffany Yi Hu

Additional musicians

Technical credits

  • Alejandro Asensi – executive producer
  • Carlos Castro – additional recording
  • Jeri and John Heiden – graphic design
  • Francisco Loyo – production assistant
  • Luis Miguel – producer
  • Armando Manzanero – music assistance
  • Rafa Sardina – audio engineer and mixing
  • Al Schmitt – string recordings
  • John Sorenson – audio engineer and mixing ("Dímelo en un Beso", "Tú, Sólo Tú")
  • Shair Sutcliffe – production coordinator
  • Alberto Tolot – photography

Charts

Certifications

Region Certification Certified units/sales
Argentina (CAPIF)[81] 5× Platinum 300,000^
Chile (IFPI)[82] 2× Platinum 83,462[31]
Mexico (AMPROFON)[83] 5× Platinum 750,000^
Spain (PROMUSICAE)[79] 6× Platinum 600,000^
United States (RIAA)[77] Gold 500,000^

^ Shipments figures based on certification alone.

See also

References

  1. ^ a b c d e f g Promis, Jose F. "Amarte Es un Placer – Luis Miguel". AllMusic. Rovi Corporation. Retrieved 8 February 2017.
  2. ^ Morales, Ed (2003). The Latin Beat: The Rhythms And Roots Of Latin Music From Bossa Nova To Salsa And Beyond. Cambridge, Massachusetts: Da Capo Press. p. 155. ISBN 0-306-81018-2.
  3. ^ a b c d Lewellyn, Howell (2 October 1999). "Miguel Proudly Sticks To Spanish On 'Amarte' From WMI". Billboard. 111 (40). Nielsen Business Media, Inc.: 24. Retrieved 10 August 2011.
  4. ^ "The 1998 Grammy Award Winners". The New York Times. The New York Times Company. 26 February 1998. Retrieved 19 February 2011.
  5. ^ a b c d "Biografía de Luis Miguel". Terra Networks (in Spanish). Telefónica. 5 October 2010. Archived from the original on 10 March 2017. Retrieved 19 April 2011.
  6. ^ a b c d e f Cobo, Leila (24 September 1999). "Darkness Falls Once Again for Reznor". Miami Herald. The McClatchy Company. {{cite news}}: Unknown parameter |subscription= ignored (|url-access= suggested) (help)
  7. ^ "Armando Manzanero asesora a Luis Miguel en su nuevo álbum". El Siglo de Torreón (in Spanish). 20 October 1998. p. 61. Retrieved 14 May 2018.
  8. ^ a b "Lanzan 'Sol, arena y mar'". El Diario de Hoy (in Spanish). 20 July 1999. Retrieved 17 February 2017.
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