Pornography in Japan

Japanese pornography has some unique features which separate it from pornography in other cultures, especially Western pornography. The most common theme in Japanese porn are schoolgirls, who are sexually submissive and often bound. It is quite common and frequently translated and exported to Western cultures because of its large spectrum of themes and media. Japanese erotica has a reputation in the West as being sado-masochistic and youth-centered.

History

The concept of "pornography" may have emerged in the Edo period when every form of popular culture flourished. All forms of pornography flourished with the sole exception of figures and statues. This does not mean there were no works of erotica; these early works were by highly literate nobles and were often considered works of art. Both Japanese mythology and Shinto have few references to sexuality. An act of intercourse was an act of happiness without guilt or sin.

In the Edo period, pornography flourished due to the unique characteristic of the city of Edo. In this period, men (who were the only consumers of pornographic material at that time) made up well over 60% of the population. These men came from all over Japan to work, and remained there for years before returning to their hometown to marry (or to their wives), having learned valuable skills like reading, writing, and crafts. The disproportionate population balance and excess of young males demanded means to fulfil their sexual needs. State controlled prostitutions like Yoshiwara were one answer, and pornography was another.

There were many pornographic materials. Shunga or pornographic wood-block pictures were printed with all imaginable situations. These were often made into a book with sentences to describe their situations as well as to offer brief descriptions of a scene. Near the end of the Edo period when foreigners became widely known and seen, even interracial sex acts with foreign males were drawn and sold. The actual use of shunga was not simple. Less explicit books with kimono covering most of the body were used for sex education, while some were probably used for masturbation and others were even viewed with a lover. In many places, these shunga were packed by parents of the wife for use in her marriage. In 1788, a shunga book Haikai Yobukodori had a single picture on each page with lengthy descriptions attached. These shunga were rented from a rental book shop. In 1808, there were 656 shops in Edo, 300 shops in Osaka. This means that there was about one shop for every 1500 people in Edo. Much softer materials were also available. There were wood-block pictures of celebrities like kabuki actors and geisha both completely clothed in kimono.

After the Meiji restoration in the second half of the 19th century, the publication of pornographic materials declined under governmental pressure. It was still the early 20th century and the government feared that such an openly sexual culture could be seen as a sign of backwardness by European countries. The shunga production stopped and they were exported as "erotic arts" at a bargain price to any buyer from abroad. Pornographic novels were still produced underground as the language barrier would prevent them from becoming widely known abroad. Pornographic arts were still produced but by a general consensus rather than an enforcement and these came to be viewed as low arts.

In the late Taisho period and early Showa period, an artistic movement called Eroguronansensu, lit. erotic-grotesque-nonsense, occurred influenced by decadence works of Europe. These words were used because they had an air of a new and modern feeling. Until the 1950s, pornography were still very limited in production. Open sexual expressions were permitted in novels and manga but a strict control was applied on photographs and films. During World War II, pornographic materials were banned altogether.

Influenced by magazines like Playboy, pornographic magazines were printed soon after World War II. These magazines quickly branched to cover all genres and featured pornographic novels as well as pictures. Playboy itself, however, did not succeed in Japan. Its articles were about the American lifestyle; women were mostly non-Asian, interviews were with people largely unknown in Japan, and fashion and sport were about American ones. Instead, it spawned a fetish and a genre known as Yomono, lit. Western things. Playboy revamped its articles and style in the early 2000s in Japan by having Japanese writers write exclusively about Japan and dropping most of the original content.

In the early 1960s, several movie studios began producing "pink movies" to be exclusively viewed in an adult-only movie theater. With censorship laws prohibiting genitals from being seen but otherwise free to express anything, these movies quickly diversified to fill all genres, including rape and bondage. Throughout the 1960s, the "pink films" were mainly produced by low-budget, independent filmmakers such as Koji Wakamatsu. In 1971, the major studio Nikkatsu entered the pink film genre with its higher production values through its Roman porno (lit. romantic porno) series. From the 1960s to the late 1980s, ambiguous censorship laws resulted in hundreds of cases regarding erotica and pornography. At midnight, television stations mostly aired soft-core pornographic movies until their ratings dropped due to the pornographic movies.

Homosexually-oriented magazines began to appear, starting with Barazoku in 1971, which continued publishing until 2004. Homosexual magazines tend to be tailored to particular segments of the population, such as Badi which features younger adult males, Samson, devoted to chubby men, and G-men, featuring muscular men. The websites of these magazines also feature videos produced featuring these respective body types.

The proliferation of pornographic videos in the 1980s commonly called AV, short for adult video, eventually crashed the market for pornographic movie theaters. Rental video stores offered pornography at a price far below that of movie theaters. Because most Japanese families now had at least two television sets and VCRs, more videos were sold. It is rumored, but not supported, that VHS became popular over Betamax format because large numbers of AV were released in VHS format. Few AVs were sold in laserdisc format, but VCDs and later DVDs were used to distribute AV.

In 1983, the Nintendo Family Computer was released and a few pornographic games quickly followed. However, Nintendo wanted these machines to be family oriented and pornographic games were locked out of the market. Computer games with no limitation on content except for censorship laws became a popular way to distribute pornographic games. Early VCDs and DVDs were viewed on personal computers. Because so few Japanese people saw any reason to play games on these platforms, as opposed to video game consoles, playing computer games was sometimes viewed as being synonymous with playing Bishōjo games.

In the late 1980s, the Dōjinshi market expanded. It is estimated that about half of this market consists of pornography. Copyright problems plague the market, yet the dōjinshi market was a common place for one to start before making a debut in a professional magazine. Yaoi began in the dōjinshi market. From the mid 1990s, the dōjinshi market also began making and selling pornographic games.

In 1980s, magazines oriented towards a mature male audience began to offer more explicit content. This was not immediately a major social issue because magazines oriented towards a mature female audience already existed and their content was in some ways more explicit.

According to a United Kingdom government adviser, two-thirds of pedophilic images on the Internet in the late 1990s may have come from Japan. Since the law against child pornography in 1999, it has dropped towards 2%.

Laws and movements

Japanese pornography has diversified to fill a vast number of categories and needs, with some themes being so obscure that the appeals and differences are too subtle for anyone but the most devoted to recognize. These diversities occurred because of three major reasons: to entertain by developing new methods of expression, to fill niche markets, and to work around censorship laws. Neither religious conservatism nor feminism had been a powerful factor in pornography in Japan.

Censorship laws

The religious and social taboo against nudity has historically been weaker in Japan than in the West: "pillow books" detailing sexual acts were widely sold in the Edo era, and women and men routinely worked in the nude and bathed in public up to, and even after, the Meiji Restoration. While in Western society nudity has typically been a taboo, that idea entered Japan only after Meiji-era and how deep that idea is rooted is argued. Extreme public nudity, such as showing the genital area, would nevertheless be prosecuted in Japan (except in public baths). Oddly enough, Japan has only had one or two nudist beaches, and these were private.

In Japan, it is illegal for any commercial work to display the human vulva and phallus in an explicit manner. This law dates back to the Meiji period, and has never been amended. There are illegal photobooks on sale in Japan, called binibon because of their shrink-wrapping. However, it is not uncommon for pictorial magazines to depict nude women with their genitalia airbrushed over in black, and video pornography routinely depicts explicit sex scenes with the participants' genitalia obscured by mosaics. Until 1991, the entire pubic region, including hair, was deemed obscene and unpublishable. The publication of Kishin Shinoyama's Waterfruit book marked the first widely distributed publication to feature pubic hair. Many video production companies belong to ethical associations which provide guidance on what is acceptable and what not. Biderin is the oldest and the most strict. In 2007, the police have started to prosecute webmasters who allow uncensored pictures on their sites.

It is also illegal to bring pornographic material into Japan, and customs agents are known for checking videotapes in international mail and hand baggage. Extreme cases, like multiple offenders or attempts at commercial importation, could be punished by fines but most merely have their contraband confiscated. Applications of this law did not change in recent years, but more offenders are caught in recent years as checks became tighter to prevent the drug trade and terrorism.

There is also a thriving genre of underground pornography in Japan (called urabon) that ignores these censorship laws: it has become especially prevalent on the Internet, as there are no mechanisms in place to prevent its transmission from Japanese nationals to the outside world. On November 1, 1999, Japan introduced laws to outlaw child pornography in an attempt to converge with the U.S. and other western countries. Since then, 'child' pornography has been limited to lolicon.

Religion and pornography

Religions are not a factor in regulations of pornography nor defining of immorality in Japan. It is instead defined by a consensus. This is due to the fact that the separation of religion and state was complete before the proliferation of pornography. In the Edo period, Tokugawa shogunate limited religions' activities to organizing ceremonies such as funerals and marriages. This is because during the Sengoku period, religions like Buddhism and Christianity served as ideological backbones to rebellions. The shogunate recognized the danger of religious fanaticism and stopped a participation of religious leaders in policy making.

Child Pornography

Japan was slow in updating its child pornography laws to bring them into line with those of the West. It was only in 2003 that Japan caught up, with the passage of new laws that made it illegal to produce, distribute, sell, possess or trade in child pornography.

"Lolicon" is the slang term used in reference to the child porn industry. It is short for "Lolita Complex", or "Lolita Icon".Today it is still a very lucrative industry with the Japan Times reporting an estimated 3 million photo books sold in 2006-07.

Figures for the total value of the Japanese child pornography industry are hard to come by, but annual sales of manga alone in 2000 amounted to over US$5.5 billion, nearly one quarter of the total sales of all published material in Japan.

It is estimated that 30-40% of manga contains sexual themes or content, much of it representing schoolgirls of elementary or junior high school age in themes including rape, sado-masochism and bondage.

The age of consent in Japan is 13.

Culture

There is a pornographic culture just as there is a culture for foods or sports. Not all cultural aspects are equally represented, some are simply illegal or taboo in other countries. An expression of sexuality is more widely accepted in the mainstream media. Thus in many cases, scenes acceptable to Japanese audiences are unacceptable in other countries. Ribaldry is quite common even in child oriented materials and expressions that in most other cultures would not be acceptable for general audiences are shown without a warning. For example, in an early chapter of Dragon Ball, to find an invisible opponent, Muten-Rôshi is shown Bulma's bared breast, eliciting a fountaining nose bleed that drenches the invisible man.

Japanese erotica has many of the same themes as its western counterpart such as heterosexual and homosexual intercourse, group sex, and sexual bondage. Similarly to western erotica the Japanese version may also portray various sexual fetishes such as foot fetishism, or a focus on a certain type of clothing such as uniforms or costumes as anime, manga or video game characters. (See cosplay for more details, note that the term cosplay itself does not relate to pornography)

The Dream of the Fisherman's Wife by Hokusai.

Many genres of Japanese erotica evolved because of censorship laws. Tentacle rape, an animated portrayal of rape fantasies involving a human female and a science fiction-like creature originated in the Edo era. The Dream of the Fisherman's Wife, a wood print of a woman in a sexual act with a giant octopus is one example of tentacle rape. It emerged as an alternative to depicting the penis in the 1980s, and it became famous for its depiction in the anime, Legend of the Overfiend.

Dōjin and parodies

Main article: Dōjinshi

Dōjinshi, "fan works", are widely known as pornographic imitations of popular anime, games and manga. They are technically a violation of copyright law and can be prosecuted if the owner of copyrighted material chooses to have them prosecuted. But in many cases, owners officially ignore their existence. This attitude is at odds with the concept of copyright. However, this practice is common as it is a good way to measure how large the core of consumers are, the number of dōjinshi published is representative of the number of consumers who would spend liberally on the title, increase and decrease shows rise of interest and its decline.

It is increasingly common for original dōjinshi to portray underage characters; in the United States, this is known as lolicon, a contracted form of "lolita complex."

Anime

Main article: H anime

Animated erotica (known in the West as hentai, but in Japan as 'adult anime') is a popular genre in Japan and generally maintains the same style of animation seen in other popular forms of Japanese animation (anime). Many of these anime are originally a game, a manga, or a novel.

Games

Main articles: Bishojo game and H game

Adult oriented games are a popular genre for computer games in Japan, comprising some 25% of all software titles published annually. The genre is somewhat unknown outside Japan because of several problems, cultural and translational, but their artworks are well known on internet websites often illegally copied and shown as "adult anime pictures". Known as "bishojo games" or "pretty girl games" (alternately spelled "bishoujo") in Japanese, the games are known under several names used by English fans, including PC dating-sim game, hentai game/H game, and so on. Companies such as Peach Princess, JAST USA and G-Collections are translating dating sims and visual novels into English for the fledgling market outside of Japan. Adult video games in Japan are rated "Z" by the CERO, from now on.

Internet

Fanfictions, commonly found in websites, are not limited to fictitious characters and often use real live people as well, though these works would make little sense to those who do not see Japanese TV programs. Dōjinshi writers typically use the internet to market their products by offering previews of new works, a secret address where buyers can find additional works, and a sample of their games. They also recruit new writers and artists online. Several exclusively adult oriented search engines exist to let someone find a site they are looking for, without having to search through commercial websites that list all keywords. Many works of dōjinshi are featured in websites that collect the art and let people look for free.

Many websites feature seasonal greeting pictures, often pornographic, from linked sites and friends who frequent their sites. A typical Christmas greeting picture on such sites features a santa-girl in various stages of undressing. The twelve zodiac animals of Chinese astrology offer challenging and entertaining examples of Catgirl.

Magazines

Magazines are, along with videos, popular media for pornographic materials. Unless a magazine contains pornographic manga or pictures, there is a no age requirement for its purchase. Many non-pornographic magazines have some glamour photography and as long as women are in something more than a swimsuit, it is considered a non-pornographic photograph. Several non-pornographic magazines have some nude photographs of women as a part of their articles but as long as they have an artistic quality and do not show men, it is not considered pornographic. Furthermore, a female and male doll may be partially clothed or even nude as long as it is a work of art and is not in an act of sex.

Confessional writings by both genders are a popular topic in men's and pornographic magazines. Quite often, these writings are fictional stories written by professional authors. Other popular topics in men's and pornographic magazines are erotic manga and novels, reviews of pornographic videos, and reports of sex services.

Women's magazines also have most of the writings of men's and pornographic magazines. Except for a few glamour photographs of men (who are usually clothed), they lack graphic pornographic contents. Few, if any, of magazines targeted for women are considered pornographic or have an age requirement as they lack any graphic content .

Manga

See also: Josei, Seinen, and H Manga

Manga with a pornographic content target both male and female audiences and both male and female mangaka (manga authors) write pornographic works.

The dividing line for manga on what is pornography and what is not, can be summed up by a simple rule: that which requires age verification to purchase is pornography, and that which does not require an age verification are not pornography. Pornographic manga are often sealed, so that one cannot take a peek and most of such manga are sold in an adult oriented store. The general attitude to pornography is closer to that of literature. If a sex scene has relevance in the progression of the storyline and not simply an attempt to offer sex for sex's sake, it is not considered pornography. However, this would be unacceptable in most cultures and it breaks many of censorship codes and laws outside of Japan.

A manga that does not target mature audiences may also have a page or two of what looks similar to glamour photography. These nude or semi-nude scenes with objects or hands covering breast and genital area are called a "service scene". These scenes are often a part of comical sequence.

Video

Pornographic video (called "adult video" or "AV" in Japan or sometimes "Japanese adult video" or "JAV" outside of it) covers wide themes and its only limit is censorship laws. It is predominantly male oriented. This has led to popular beliefs that many females who appear in AV are forced by yakuza for an outstanding debt or that Japanese women appear in these videos because they are masochistic.

Many videos have a title that may suggest that they use minors or the actual recording of a crime, but no titles that are circulated with the approval of Eirin, a self-censor organization of productions, breaks any laws. A common ploy is to have a part of a title replaced with a character, or to use a phonetically similar neologism. For example, a video about "19 years old girls Sex Party" may be sold with a title like "1X years old Girls Sex Party!". The word Joshikosei (女子高生) can be lit. The term "High school girl" cannot be used as it would suggest a girl of 17 years or younger, who cannot act in a pornographic video. The homonymic neologism Joshikosei (女子校生) which can mean a female student is used in many titles to promote the product without breaking censorship laws. This fact may be seen in popular places of Japan such as Akihabara or Den Den Town at Tokyo and Osaka respectively.

Japanese AV also caters to many more fetishes than might be imagined (or thought legal) by non-Japanese. Schoolgirl or uniform themed AV dovetails with the aforementioned 'non-consensual' genre—rape (レイプ, reipu)—are common. SM, rope bondage, bestiality, virgins (or at least ones with the girl bleeding from her vagina), internal male climax or cream-pies (中出し, nakadashi), lesbians (レズ, rezu), along with more eccentric fetishes (soap, office ladies, game shows) are all covered. Instead of using the term 'high school girl' the generic label 'schoolgirl' is used (although Attacker's Shark label has a long-running schoolgirl rape series titled Hi-School Girl Confinement and Rape in Turn, at least in the earlier entries of the series).

Impacts on other cultures

Copyright infringement has created a problem in places where legal copies are purchased such as Asia, U.S. and Europe. To avoid spending money on hiring translators for conversations that often precedes an act of sex, it has become normal to cut and piece together a video filled with various scenes of sex and nothing else. Further, to avoid the need for explaining a scene, especially on infringing copies in countries where violence in pornography is heavily censored, videos with simulated rape scenes became a niche of Japanese pornography. What resulted was that outside of Japan, Japanese pornography came to be synonymous with violence in sex, with those watching believing that such fantasies are disproportionately represented in Japan .

The West

Animated "hentai" pornography, especially of the more extreme sorts, is often regarded as one of Japan's major cultural exports by North Americans and Europeans. Hardcore pornography is the most popular, and Japanese pornography is widely regarded as being violent and extreme. On the other hand, softcore pornography and idol artbooks have a small and separate following.

Types of publications

Magazines

• Actress (Riidosha)
• Action Camera Stinger (Wani Shuppan)
• Bejean (Eichi Shuppan) - big seller
• Beppin School (Eichi Shuppan)
• Best Video (Sanwa Shuppan)
• Don't (Sun shuppan)
• Dr. Piccaso (Eichi Shuppan)
• Gokuh (Eichi Shuppan)
• Cream (Wailea Shuppan)
• Nessha Booi (Tokyo Sanseisha)
• Nyan Nyan Club (Core Magazine)
• Shuukan Playboy (Shuueisha) - big seller
• Uoo! (Sun Shuppan)
• Urecco (Mirion Shuppan)
• The Best Magazine (KK Best Sellers)

Publishers

• Akaneshinsha
• Asukii
• Bauhaus
• Bunkasha
• Core Magazine
• C's Publishing
• Eichi Publishing
• France shoin
• Futabasha
• Futami Shobou
• Issuisya
• John Howard Xtreme Publishing
• Kaimeikan
• Kasakura Publishing
• Kindai Eigasha
• Kousaisyobo
• myway Publishing
• Oakla Publishing
• oks-online
• Odysseus Publishing
• Saibunkan Shuppan
• Sakuramomo Syobo
• Sanwa Erotica
• Shinchosha
• Shinkosha Publishing
• Shobunkan
• Softmagic
• Studio Pot
• Taiyō Publishing
• Take Shobou
• Terra Publications
• Tokyo Sanseisha
• Tsukasa Shobou
• Wailea Publishing
• Wani Bukkusu
• Wanimagazine
• Yaziyo

Studios

• Arisu Japan
• Atlas 21
• Bauhaus
• Big Morkal
• Garomage - nude photography videos
• Giga
• h.m.p.[7] - publishes Tiffany label
• Indies Media
• Japan Home Video
• Japanese 18
• Kasakura Shuppansha
• Kuki[8]- major studio
• Kurisutaru Eizou
• Lahaina Tokai
• Moodyz
• Next 11
• Reddo Totsugekitai
• S1 No.1 Style
• SexiA [9]
• Shai Kikaku
• Soft On Demand - former indie studio turned major, I Energy is one of their labels
• Take Shobou
• Total Media Agency
• Uchu Kikaku - major studio associated with Eichi Shuppan publishers
• Yellow Box

Personalities

• Ai Iijima
• Aika Miura
• Anna Ohura
• Azumi Kawashima
• Bunko Kanazawa
• Chocoball Mukai
• Keiko Nakazawa
• Sakura Sena
• Sora Aoi
• Maria Ozawa
• Yuka Koide
• Hikaru Koto

See also Category:Japanese porn stars

Genres

• Bukkake
• Futanari
• Gokkun
• Group sex
  • Gang bang
• Hamedori
• Japanese bondage
• Lotion play
• Sexual fetishism
  • Foot fetishism
• Roshutsu
• Tamakeri
• Zenra
• Nakadashi

See also

• Chronology of adult videos in Japan
• Eirin
• Hadaka Apron
• List of Japanese sex terms
• Pornography in the United States
• European pornography

Further reading

• Constantine, Peter (2004). Japan's Sex Trade: A Journey Through Japan's Erotic Subcultures. Tokyo: Yen Books. ISBN 4-900737-00-3. {{cite book}}: Check |last= value (help)
• Weisser, Thomas, and Yuko Mihara Weisser. Japanese Cinema Encyclopedia: The Sex Films. Miami: Vital Books, 1998. ISBN 1889288527.

External links

• "The Emergence of Japanese Pornography into the United States", by Christina Kinney. Paper, 14 December 1999.
• Japan: From xyclopedia - "the history of pornography and sexual expression" in Japanese film.
• "Pornography, Rape and Sex Crimes in Japan", by Milton Diamond, Ayako Uchiyama. International Journal of Law and Psychiatry 22(1): 1–22. 1999.
• "Why is Japanese Porn Censored?" A Japan Probe article (January 31, 2006 2:51 am).
• "A Star is Porn", by Kjell Fornander. Tokyo Journal, July 1992. An overview of the Japanese pornographic film and video industry.
• "Obscenity and Article 175 of the Japanese Penal Code: A Short Introduction to Japanese Censorship", by Joaquín da Silva.
• Anti Japanese Pornography (pro-censorship)