A. R. Rahman
A. R. Rahman |
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Padma Shri Allah Rakha Rahman (Tamil: ஏ.ஆர்.ரகுமான்; born January 6, 1966 as A. S. Dileep Kumar in Chennai, Tamil Nadu, India) is an Indian film composer, record producer and musician awarded 2 Academy Awards in 2009. His work has garnered considerable acclaim and a large global fan base since his film scoring career began in the early 1990s. He has won many awards, including four National Film Awards, a BAFTA Award, Golden Globe and two Academy Awards. He is the first Indian to win two Academy Awards and the first Indian musician to win an Academy Award.
Working in several of India's various film industries, international cinema and theatre, by 2003, Rahman, in a career spanning over a decade, has sold more than 100 million records of his film scores and soundtracks worldwide,[1] and sold over 200 million cassettes[2] making him one of the world's all-time top selling recording artists.
His acclaimed music compositions have led to references to him as the "Mozart of Madras" and several Tamil commentators have given him the title Isai Puyal (Tamil: இசைப் புயல்; English: Music Storm).
Biography
Early life and influences
A. R. Rahman was born to a Tamil Hindu family. His father R. K. Shekhar, was a composer and conductor for Malayalam films. Rahman lost his father when he was 9 years old, and his family rented out musical equipment as a source of income. He converted to Islam from Hinduism in 1989 along with his sisters. During these formative years, Rahman served as a keyboard player and an arranger in bands such as "Roots", with childhood friend and percussionist Sivamani, John Anthony, Suresh Peters, JoJo and Raja.[3] Rahman is the founder of the Chennai-based rock group, "Nemesis Avenue".[4] He played the keyboard and piano, the synthesizer, the harmonium and the guitar. His curiosity in the synthesizer, in particular increased because, he says, it was the “ideal combination of music and technology".[5] He began early training in music under Master Dhanraj. At the age of 11, he joined, as a keyboardist, the troupe of Ilaiyaraaja,[5] one of many composers to whom musical instruments belonging to Rahman's father were rented. Rahman later played in the orchestra of M. S. Viswanathan and Ramesh Naidu, accompanied Zakir Hussain, Kunnakudi Vaidyanathan and L. Shankar on world tours and obtained a scholarship to the Trinity College, Oxford[1], where he graduated with a degree in Western classical music.[6]
Summary of career
Film scoring and soundtracks
In 1992, Rahman began his own music recording and mixing studio attached to the backyard of his house called the Panchathan Record Inn, which was developed into India's most advanced recording studio.[7] He initially composed music jingles for advertisements, Indian Television channels and music scores in documentaries, among other projects. In 1992, he was approached by film director Mani Ratnam to compose the score and soundtrack for Ratnam's Tamil film Roja.[7] The debut led Rahman to receive the Rajat Kamal award for Best Music Director at the National Film Awards, the first time ever by a first-time film composer. Rahman has since then gone on to win the award three more times (for his scores for Minsaara Kanavu (Electric Dreams, Tamil) in 1997, Lagaan (Tax, Hindi) in 2002, Kannathil Muthamittal (A peck on the Cheek, Tamil) in 2003, the most ever by any composer.[8]
Roja's score met with high sales and acclaim, in its original and dubbed versions, bringing about a marked change in film music at the time, and Rahman followed this with successful scores for Tamil–language films of the Chennai film industry including Ratnam's politically charged Bombay, the urbanite Kadhalan, Bharathiraaja's Karuththamma, the saxophonic Duet, Indira, and the romantic comedies Mr. Romeo and Love Birds, which gained him considerable notice.[9][10] His fanbase in Japan increased with Muthu 's success there.[11] His soundtracks gained him recognition in the Tamil Nadu film industry and across the world for his stylistic versatality in his pieces including in Western classical, Carnatic, Tamil traditional/folk, jazz, reggae and rock music.[12][13][14] The Bombay Theme—from Ratnam's Bombay,—would later reappear in Deepa Mehta's Fire and various compilations and media. Rangeela, directed by Ram Gopal Varma, marked Rahman's debut for Hindi-language films made in the Mumbai film industry. Many successful scores for films including Dil Se and the percussive Taal followed.[15][16] Sufi mysticism would form the basis of Chaiyya Chaiyya from the former and the composition "Zikr" from his score of the film Netaji Subhas Chandra Bose: The Forgotten Hero for which he created large orchestral and choral arrangements.[3] Musical cues in scores for Sangamam and Iruvar employed Carnatic vocals and instruments such as the veena with leads of rock guitar and jazz.[17] In the 2000s Rahman created hit scores for Rajiv Menon's Kandukondain Kandukondain, Alaipayuthey, Ashutosh Gowariker's Swades and Rang De Basanti.[18] The Rang De Basanti soundtrack had two of its tracks considered for an Academy Award for Best Original Song nomination.[19] He also composed songs with Hindustani motifs for Water (2005).
Rahman has worked with Indian poets and lyricists such as Gulzar, Mehboob, Vairamuthu and Vaali. His collaborations with some film directors have always resulted in successful soundtracks, particularly with the director Mani Ratnam who he has worked with since Roja, all of which have been hits, and the director S. Shankar in the films Gentleman, Kadhalan, Indian, Jeans, Mudhalvan, Nayak, Boys and Sivaji.[20]
Rahman attached and opened a developed extension studio to his Panchathan Record Inn in 2005 called AM Studios in Kodambakkam, Chennai — considered to be the most developed, equipped and high tech studio in Asia.[21][22] In 2006, Rahman launched his own music label, KM Music.[23] Its first release was his score to the film Sillunu Oru Kaadhal. Rahman scored the Mandarin language picture Warriors of Heaven and Earth in 2003 after researching and utilizing Chinese and Japanese classical music, and co-scored the Shekhar Kapoor helmed Elizabeth: The Golden Age in 2007. His compositions have been reused in scores within India[24] and have made appearances in Inside Man, Lord of War and The Accidental Husband. In 2008, he scored the Slumdog Millionaire soundtrack, for which he won two Academy Awards and many other awards. He became the first Indian to win two Academy Awards.
Other works
Rahman has been involved in several projects aside from film. He made an album Vande Mataram (1997) on India's 50th anniversary of independence to commercial success.[25][26] He followed it up with an album for the Bharat Bala–directed video Jana Gana Mana, a conglomeration of performances by many leading exponents/artists of Indian classical music. Rahman has written jingles for ads and composed several orchestrations for athletic events, T.V. and internet media publications, documentaries and short films.
In 1999 Rahman, along with choreographers Shobhana and Prabhu Deva Sundaram and a Tamil cinema dancing troupe performed with Michael Jackson in Munich, Germany, for his "Michael Jackson and Friends Concert." In 2002, he composed his maiden stage production Bombay Dreams (2002) following a commission from musical theatre composer Andrew Lloyd Webber, a success in London's West End. With Finnish folk music band Värttinä, he wrote the music for The Lord of the Rings theatre production and in 2004, Rahman composed the piece "Raga's Dance" for Vanessa-Mae's album Choreography.[8]
In the last six years, Rahman has performed three successful world tours of his concerts to audiences in Singapore, Australia, Malaysia, Dubai, UK, Canada, the US (Hollywood Bowl and 3d tour) and India.[8] He has been collaborating with Karen David for her upcoming studio album. A two-disc soundtrack, Introducing A. R. Rahman (2006) featuring 25 pieces he composed from his Tamil film scores was released in May 2006. His latest non-film album, Connections was launchedcbg fgbf on 12th December, 2008.
Music style and impact
Skilled in Carnatic music,[27] Western classical, Hindustani music and the Qawwali style of Nusrat Fateh Ali Khan, Rahman has been noted to write film songs that amalgamate elements of these music systems and other genres, layering instruments from differing music idioms in an improvisatory manner.[3] Symphonic orchestral themes have accompanied his scores, where he has employed leitmotif. In the 1980s, Rahman recorded and played arrangements on mono, synonymous with the era of predecessors such as K. V. Mahadevan and Vishwanathan–Ramamoorthy, but later his methodology changed. Rahman worked and experimented on fusing traditional instruments with new electronic sounds and technology.[3]
His interest and outlook in music stems from his love of experimentation.[6] Rahman's compositions, in the vein of past and contemporary Chennai film composers, bring out auteuristic uses of counterpoint, orchestration and the human voice, evolving Indian pop music with unique timbres, forms and instrumentation. By virtue of these qualities, broad ranging lyrics and his syncretic style, his themes appeal to several sections of Indian society.[28]
His first soundtrack Roja was listed in TIME's "Top 100 Movie Soundtracks of All Time" in 2005. Film critic Richard Corliss felt the "astonishing debut work parades Rahman's gift for alchemizing outside influences until they are totally Tamil, totally Rahman."[29] Rahman's initial global reach is attributed to the South Asian diaspora. Described as one of the most innovative composers to ever work in the industry, his unique style and immense success transformed film music in the 1990s prompting several film producers to take film music more seriously.[30]
The director Baz Luhrmann notes
"I had come to the music of A. R. Rahman through the
emotional and haunting score of Bombay and the wit and celebration of Lagaan. But the more of AR's music I encountered the more I was to be amazed at the sheer diversity of styles: from swinging brass bands to triumphant anthems; from joyous pop to West-End musicals. Whatever the style, A. R. Rahman's music always possesses a profound sense of humanity and spirit, qualities that inspire me the
most.[31]
The famous composer Hans Zimmer says about A. R. Rahman “Like any good artist, A.R. is not a traditionalist, he’s a revolutionary. He uses all the revolutionary things that come from all over the world in his stuff … hip-hop beats, electronics .. and there’s an incredible inquisitiveness and playfulness in his music, Plus he writes a bloody good tune ,,, and at the end of the day it comes down to can the guy write a tune or not and obviously he can”.
Awards
Rahman is the 1995 recipient of the Mauritius National Award and the Malaysian Award for contributions to music. He was nominated for a Laurence Olivier Award for his first West-End production. A four time National Film Award winner and conferred the Padma Shri from the Government of India, Rahman has received six awards for Best Music at the Tamil Nadu State Film Awards and eleven awards for his scores at the Filmfare and Filmfare Awards South each. In 2006, he received an honorary award from Stanford University for contributions to global music.[32] In 2008, for his score of Slumdog Millionaire, Rahman won two Academy Awards in 2008-2009, the Critics' Choice Award, the Golden Globe,[33] and the BAFTA Award.
Personal life
He has three children, Khadijah, Rahima and Aman. Rahman is related to the southern Indian actor Rashin Rahman. Rahman is the uncle of composer G. V. Prakash Kumar
Social service
Rahman is involved in various charitable causes. In 2004, he was appointed as the Global Ambassador of the Stop TB Partnership, a project by WHO.[8] He has shown support to charities including Save the Children, India, and worked with Cat Stevens / Yusuf Islam for his song "Indian Ocean" . The song featured a-ha keyboard player Magne Furuholmen and Travis drummer, Neil Primrose. The proceeds of the song went towards helping orphans in Banda Aceh, one of the areas worst affected by the 2004 Indian Ocean Tsunami. He also supports charities such as Save the Children and has also produced the single "We Can Make It Better" by Don Asian alongside Mukhtar Sahota.[34] In 2008, Rahman opened his KM Music Conservatory partnered with Audio Media Education facility to tutor and train aspiring musicians in vocals, instruments, music technology and sound design. The conservatory – with preeminent musicians on its panel and a newly founded symphony orchestra – is located near his studio in Kodambakkam, Chennai, offering courses at Beginners, Foundation and Diploma level.[35] Rahman composed the theme music for a short film for The Banyan in 2006, in aid of destitute women in Chennai. In 2008, Rahman, along with percussionist Sivamani created a song titled "Jiya Se Jiya", inspired by the Free Hugs Campaign and promoted it through a video shot in various cities in India.
Filmography
As Music director
Notes
References
External links
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- 1967 births
- Living people
- A. R. Rahman
- Indian musicians
- Indian Muslims
- Indian film score composers
- 20th-century classical composers
- 21st-century classical composers
- Bollywood playback singers
- Kollywood playback singers
- Indian film singers
- Indian male singers
- Padma Shri recipients
- Best Original Music Score Academy Award winners
- Filmfare Awards winners
- National Film Award winners
- Tamil musicians
- Tamil film score composers
- People from Chennai
- Converts to Islam