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Agent Carter (TV series)

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Agent Carter
Genre
Created by
Based on
Starring
ComposerChristopher Lennertz
Country of originUnited States
Original languageEnglish
No. of seasons1
No. of episodes2 (list of episodes)
Production
Executive producers
Running time40 – 42 minutes
Production companies
Original release
NetworkABC
ReleaseJanuary 6, 2015 (2015-01-06) –
present (present)
Related

Marvel's Agent Carter, or simply Agent Carter, is an American television series created for ABC by Christopher Markus and Stephen McFeely, inspired by the films Captain America: The First Avenger and Captain America: The Winter Soldier, and the Marvel One-Shot short film of the same name.[2] It is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films of the franchise.

The series features the Marvel Comics character Peggy Carter, with Hayley Atwell reprising her role from the film series, as she must balance doing administrative work and going on secret missions for Howard Stark while trying to navigate life as a single woman in 1940s America. Several characters from Marvel Cinematic Universe films, Marvel One-Shots, and other Marvel Cinematic Universe television series appear throughout the series. It is produced by ABC Studios and Marvel Television, with Tara Butters, Michele Fazekas, and Chris Dingess serving as showrunners.

The series was officially ordered on May 8, 2014, and debuted on January 6, 2015, during the season two mid-season break of Marvel's Agents of S.H.I.E.L.D.

Premise

In 1946, Peggy Carter must balance the routine office work she does for the Strategic Scientific Reserve (S.S.R) while secretly assisting Howard Stark, who finds himself framed for supplying deadly weapons to the top bidder. Carter is assisted by Stark's butler, Edwin Jarvis, to find those responsible and dispose of the weapons.[2][3]

Cast and characters

Main

An officer with the Strategic Scientific Reserve.[2] Atwell said it was "thrilling" to explore "the backdrop of this male-dominated world, where women are still in the workforce, unspoken for and struggling to find a place outside the home" and how it affects Carter, who must deal with this along with the missions she receives.[4] Butters has said that "her superpower is the fact that other people underestimate her. And she often uses that to her advantage, because she doesn’t have superstrength."[5] Speaking about the influence that the apparent death of Steve Rogers has on Peggy, Atwell explained that "It's only been a year and she's grieving him and I think what keeps her going is he was the greatest person she ever knew – even before he took the serum and became Captain America. She knew his character and she saw a kindred spirit in him. So I think she's grieving the loss of him but she's also determined to make sure that his work wasn't in vain. That gives her a tremendous amount of determination to carry on despite the obstacles that she comes across."[6]
Howard Stark's butler and ally to Carter,[7] who will eventually be a tutor to Tony Stark and inspire his J.A.R.V.I.S. artificial intelligence.[8] Atwell referred to Carter's relationship with Jarvis as the series' "comic relief", and said "they’re forced together. He’s been told that he has to work with her and be available to her. But I think, from her point of view, she doesn’t need any help. But she needs someone who is in contact with Howard to help kind of run this mission. So they have this very witty banter back and forth ... They both have that wit and that satire. Their language is a game of chess".[6]
A war veteran and agent with the S.S.R.[9][10] described as chauvinistic and "chest-puffing".[5][11] Murray compared the character to Indiana Jones, and stated that "he's working his way up to become the head of the S.S.R. His goal in life is to just be great at his job. So he has a large chip on his shoulder, which gives him an attitude."[10]
A war veteran who is an agent with the S.S.R. and experiences prejudice due to his crippled leg, allowing him to relate to Carter.[9][12][11] Considering a potentially romantic relationship between Sousa and Carter, Gjokaj said, "I think there’s definitely a situation where … if she hadn’t dated Captain America, he might ask her out for a drink. It’s like if your new girlfriend dated Ryan Gosling. It’s going to make you sweat a bit."[13]

Recurring

Guest

Stan Lee will have a cameo in the fourth episode of the series,[27] and Carter's husband will also be explored.[4] Chris Evans appears as Steve Rogers / Captain America via archive footage from Captain America: The First Avenger.[28]

Episodes

No. Title Directed by Written by Original air date U.S. viewers
(millions)
1"Now is Not the End"Louis D'EspositoChristopher Markus & Stephen McFeelyJanuary 6, 2015 (2015-01-06)6.91[29]
In 1946, Peggy Carter, mourning the apparent death of her lover Steve Rogers, returns to work for the Strategic Science Reserve in New York City. The S.S.R. investigates industrialist Howard Stark, who has disappeared, for apparently selling weapons to US enemies. Stark secretly reaches out to Carter, and asks her to help him clear his name. Before he leaves, he tells her about his formula for molecular nitramine that is going to be sold at a club. Infiltrating the club in disguise, Carter learns that the formula has been weaponized. Carter shows a nitramine bomb to Stark Industries scientist Dr. Anton Vanko, who deduces that it came from a Roxxon Oil refinery. Carter and Stark's butler, Edwin Jarvis, investigate the refinery, where they encounter Leet Brannis. Brannis, who works for "Leviathan", escapes with a truck full of the nitramine weapons. Before leaving, Brannis drops a weapon that destroys the entire building as Carter and Jarvis escape.
2"Bridge and Tunnel"Joseph V. RussoEric PearsonJanuary 6, 2015 (2015-01-06)6.91[29]
Carter searches for the truck with the weapons, and learns of its location. The S.S.R. agents interrogate Miles Van Ert, the Roxxon scientist who made the weapons, and learn of the truck's location as well. Carter and Jarvis arrive first, and find Brannis. They are attacked by a man who works for Leviathan, the organization that Brannis has betrayed. Carter fights the man, who still manages to mortally wound Brannis. The truck careens off a cliff, and the weapons inside implode. Before he dies, Brannis draws a symbol in the dirt. S.S.R. agents Dooley, Thompson, and Sousa later arrive to find woman's footprints and a hotel key. Meanwhile, Agent Krzemenski, sifting through the remains of the Roxxon refinery, finds the license plate for Stark's car that Jarvis was using.
3"Time and Tide"[30]Scott WinantAndi BushellJanuary 13, 2015 (2015-01-13)TBD
4"The Blitzkrieg Button"[23]Stephen CraggBrant EnglesteinJanuary 27, 2015 (2015-01-27)TBD

Production

Development

Initial ideas for a series began in July 2013 by Louis D'Esposito, after the screening of the Agent Carter One-Shot at San Diego Comic-Con International.[5] By September 2013, Marvel Television was developing a series inspired by the short film, featuring Peggy Carter, and was in search of a writer for the series.[31] In January 2014, ABC Entertainment Group president Paul Lee confirmed that the show was in development, and added that Tara Butters and Michele Fazekas would act as the series' showrunners;[32] Chris Dingess also serves as a showrunner.[13] In March 2014, Christopher Markus and Stephen McFeely stated that they envisioned the series, which had not yet been greenlit, as a limited series of approximately 13 episodes[33] By April 2014, there were indications that the series would be ordered straight to series, bypassing a pilot order, and would air between the late 2014 and early 2015 portions of Agents of S.H.I.E.L.D., if that series got a second season renewal.[34]

On May 8, 2014, ABC officially ordered the series,[35] and later confirmed that Agent Carter would air between the 2014 finale and 2015 premiere of Agents of S.H.I.E.L.D., beginning January 6, 2015.[36][37] Later in May, star Hayley Atwell stated that the series would consist of eight episodes.[38] Executive producers for the series include Butters, Fazekas, Markus, McFeely, Dingess, Kevin Feige, Louis D'Esposito, Alan Fine, Joe Quesada, Stan Lee, and Jeph Loeb.[3] At San Diego Comic-Con 2014, D'Esposito revealed that Captain America: The First Avenger director Joe Johnston was interested in directing episode four;[39] however, the episode was directed by Stephen Cragg.[23] In January 2015, Fazekas and Butters confirmed that the series was not intended to be a miniseries, and that a second season is possible, and that it would not necessarily be limited to eight episodes.[40]

Writing

It's a really rich period in history, where this giant opposition we had going for 10 years with the Nazis is gone, and we're not completely positive what the rules are anymore. Who gets the scientists? Who gets the secrets? It's all on the table. Everyone developed these skills in World War II. People became spies, people became murderers. And suddenly the war was over, and they came back, and it's like, 'Wow, I know how to do some shit. Now, what do I do with this?' It's nice to play with that assortment of characters. An office, basically full of people who just came back from the war. There's no telling what any of them experienced last year," with McFeely adding, "We have a tendency to think of history as this fixed thing–'Oh, that's right. Good guys won, 1945. Then it was the '50s.'–It's just not the case. Everything was up for grabs for quite a while, and murky. We didn't know we really won.

—Christopher Markus on exploring the dynamic of characters set in the 1940s.[4]

By January 2014, a script for the pilot was written by Markus and McFeely, writers on the Captain America films.[32] They stated in March that the series would be set in 1946, occurring in the middle of the timeline established in the One-Shot, and would focus on one case for Carter. Additional seasons would then advance a year and examine a new case.[33] In July, Butters and Fazekas revealed that writing for the rest of the series would begin in August 2014.[41] The showrunners turned to several different influences outside of Marvel in developing the series, including Raiders of the Lost Ark, L.A. Confidential, and the works of author James Ellroy.[13]

In July 2014, Fazekas stated that it was "fabulous from a writing perspective" to have an eight episode order, as "it's a really nice number where you can plan it and know where you're heading... They're all they're [sic] own stories and they all have their own drive, but it's sort of building toward a big thing at the end of the eight episodes."[41] Elaborating on this, Atwell said, "it’s incredibly tight, the script, which is great. It’s fast moving and fast paced but luckily because it’s not stretched out of 22 episodes, nothing is diluted. Every line is vital to not only moving the story and the action [along] but also developing the characters. So you get to know these characters incredibly quickly. You get to know who you should be trusting, who you shouldn’t be, and then it takes you on this adventure with a lot of surprises and twists and turns which are a surprise to Peggy and they’ll also be a surprise to the audience."[6]

On the future of the series and leading to the character seen in The Winter Soldier, Atwell said, "I think the great thing about the fact that I’ve already played her at the end of her life means that we know… That’s what’s great about the situation we have now, is that we have an opportunity, if the show does go into second and third and fourth and fifth [seasons], we know that we can explore all of these aspects of her character because we know she lives such a long life and she’s had a fulfilled life. I think what’s going to start happening in Season 1 is seeds are going to be planted as to what happens in her personal life – and yet it’s still open to the possibility of new men coming into her life, deepening relationships with the men that we discover in Season 1. Obviously, the era is 1946 but in the second, third, fourth, fifth season – if it goes onto that – we can explore different time periods. We can explore the late forties, the early fifties, the sixties, the seventies, the eighties, up until present day, so it’s very exciting because of that."[6]

Fazekas has said that the series is free to deviate from its comic origins, for example "if we're using a minor character or a bad guy from an old comic book, we don't have to adhere to what that character was in that comic book from 1945. Because there are so many different iterations of a specific character, you can't be true to every single one."[40]

Casting

Hayley Atwell reprises her film role as Peggy Carter, the titular character of the television series.

Actress Hayley Atwell, who portrayed Carter in Captain America: The First Avenger, Captain America: The Winter Soldier and the Agent Carter short film, expressed interest in returning as the character,[42] before Lee confirmed her involvement in January 2014.[32] In August 2014, Chad Michael Murray and Enver Gjokaj were cast as S.S.R. agents Jack Thompson and Daniel Sousa, respectively.[9] In September 2014, James D'Arcy was cast as Edwin Jarvis,[7] while Shea Whigham was cast as S.S.R. chief Roger Dooley.[14]

In March 2014, Markus and McFeely stated that Howard Stark would be a recurring character, contingent on Dominic Cooper's involvement.[33] In June 2014, Atwell confirmed that Cooper would be involved with the series.[16] Kyle Bornheimer, Meagen Fay, Lyndsy Fonseca, and Bridget Regan also recur as Ray Krzeminski,[15] Miriam Fry,[18][19] Angie Martinelli,[20][11] and Dottie Underwood,[21][22] respectively, throughout the series.

In November 2014, it was announced that Costa Ronin would portray a younger version of Anton Vanko,[26] who was portrayed in Iron Man 2 by Yevgeni Lazarev.[43] Chris Evans appears as Steve Rogers / Captain America via archive footage from The First Avenger.[28] Neal McDonough reprises his role of Timothy "Dum Dum" Dugan from previous MCU films, One-Shots, and television series.[25][44][45]

Filming

Filming took place in Los Angeles in late September[41][13] and early October 2014.[46]

Music

In June 2014, Christopher Lennertz, who composed the music for the Agent Carter One-Shot, talked about potentially working on the series, saying, D'Esposito "told me last summer at Comic-Con that there was a possibility this was going to become a series. And he said that if he was going to be involved, he wanted me to be involved, too. So ... I can’t say anything more than that. But, there is a series, and Lou is the producer, and he may be directing some of the shows. I hope to be doing it".[47] In September 2014, Lennertz officially signed on to compose for the series.[48]

Marvel Cinematic Universe tie-ins

In July 2014, Fazekas talked about how the series would relate to the One-Shot, saying, "The short really is the basis for the series. [Carter]'s working at S.S.R., post-war... If you think of the short as sort of the end of the series, the series would be leading up to that moment where she gets assigned to S.H.I.E.L.D." On the characters appearing in the series, Fazekas stated that she did not "know how much of the short will live in this series", with Butters adding, "I think obviously there'll be some exciting people that you've seen before and new characters that populate her world. But what I like about [Carter] so much is it's very much a Marvel property. It will have all those things you saw in the short, but we will really get to explore the emotional character".[41] On the series relationship with the films, Fazekas said "Because Peggy comes from their movies, Louis D'Esposito and Kevin Feige are very invested in this and they've been really collaborative and very generous with their world."[40]

Release

Broadcast

Agent Carter airs on ABC in the United States,[35] and on CTV in Canada.[49] Channel 4, the station that airs Agents of S.H.I.E.L.D. in the United Kingdom, has stated that they do not "have any current plans for Agent Carter."[50]

Marketing

Footage from the first episode shown at New York Comic Con on October 10, 2014,[46] and later shown in ABC's one-hour television special, Marvel 75 Years: From Pulp to Pop!, which aired in November 2014.[51] The first teaser for the series was debuted during Agents of S.H.I.E.L.D. on October 28, 2014, with the tagline "Sometimes the best man for the job ... is a woman." Though the trailer itself was received positively, the tagline was criticized as "awful" and "ridiculous",[52] and Alan Sepinwall of HitFix said "I get that one of the themes of the show will be Peggy dealing with the sexism of the time, but these ads exist in 2014, not 1945. Please find a new tagline."[53]

Reception

Ratings

No. Title Air date Rating/share
(18–49)
Viewers
(millions)
DVR
(18–49)
DVR viewers
(millions)
Total
(18–49)
Total viewers
(millions)
1 "Now is Not the End" January 6, 2015 1.9/6 6.91[29] TBD TBD TBD TBD
2 "Bridge and Tunnel" January 6, 2015 1.9/6 6.91[29] TBD TBD TBD TBD
3 "Time and Tide" January 13, 2015 TBD TBD TBD TBD TBD TBD
4 "The Blitzkrieg Button" January 27, 2015 TBD TBD TBD TBD TBD TBD

Critical response

The review aggregator website Rotten Tomatoes reported a 97% approval rating with an average rating of 7.9/10 based on 30 reviews. The website's consensus reads, "Focusing on Peggy Carter as a person first and an action hero second makes Marvel's Agent Carter a winning, stylish drama with bursts of excitement and an undercurrent of cheeky fun".[54] Metacritic, which uses a weighted average, assigned a score of 73 out of 100 based on 23 reviews, indicating "generally favorable reviews."[55]

References

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