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African literature

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African literature is literature from Africa, either oral ("orature") or written in African and Afro-Asiatic languages. Examples of pre-colonial African literature can be traced back to at least the fourth century AD. The best-known is the Kebra Negast, or "Book of Kings."

A common theme during the colonial period is the slave narrative, often written in English or French for western audiences. Among the first pieces of African literature to receive significant worldwide critical acclaim was Things Fall Apart, by Chinua Achebe, published in 1958. African literature in the late colonial period increasingly feature themes of liberation and independence.

Post-colonial literature has become increasingly diverse, with some writers returning to their native languages. Common themes include the clash between past and present, tradition and modernity, self and community, as well as politics and development. On the whole, female writers are today far better represented in African literature than they were prior to independence. The internet has also changed the landscape of African literature, leading to the rise of digital reading and publishing platforms such as OkadaBooks.

Overview

As George Joseph notes in his chapter on African Literature in Understanding Contemporary Africa, whereas European views of literature stressed a separation of art and content, African awareness is inclusive and "literature" can also simply mean an artistic use of words for the sake of art alone. Traditionally, Africans do not radically separate art from teaching. Rather than write or sing for beauty in itself, African writers, taking their cue from oral literature, use beauty to help communicate important truths and information to society. An object is considered beautiful because of the truths it reveals and the communities it helps to build.[1]

Oral literature

Oral literature (or orature, the term coined by Ugandan scholar Pio Zirimu[2]) may be in prose or verse. The prose is often mythological or historical and often includes tales of the trickster character. Storytellers in Africa sometimes use call-and-response techniques to tell their stories. Poetry describes a narrative poem based upon a short and a ribald anecdote and is often sung, through: narrative epic, occupational verse, ritual verse, praise poems of rulers and other prominent people. Praise singers, bards sometimes known as "griots", tell their stories with music.[3] Also recited, often sung, are love songs, work songs, children's songs, along with epigrams, proverbs and riddles. These oral traditions exist in many languages including Fula, Swahili, Hausa, and Wolof.[4]

In Algeria, oral poetry was an important part of Berber traditions when the majority of the population was illiterate. These poems, called Isefra, were used for aspects of both religious and secular life. The religious poems included devotions, prophetic stories, and poems honoring saints. The secular poetry could be about celebrations like births and weddings, or accounts of heroic warriors.[5] As another example, in Mali, oral literature or folktales continue to be broadcast on the radio in the native language Booma.[6]

Precolonial literature

Examples of pre-colonial African literature are numerous. In Ethiopia, there is a substantial literature written in Ge'ez going back at least to the fourth century AD; the best-known work in this tradition is the Kebra Negast, or "Book of Kings." One popular form of traditional African folktale is the "trickster" story, in which a small animal uses its wits to survive encounters with larger creatures. Examples of animal tricksters include Anansi, a spider in the folklore of the Ashanti people of Ghana; Ijàpá, a tortoise in Yoruba folklore of Nigeria; and Sungura, a hare found in central and East African folklore.[7] Other works in written form are abundant, namely in North Africa, the Sahel regions of west Africa and on the Swahili coast. From Timbuktu alone, there are an estimated 300,000 or more manuscripts tucked away in various libraries and private collections,[8] mostly written in Arabic but some in the native languages (namely Fula and Songhai).[9] Many were written at the famous University of Timbuktu. The material covers a wide array of topics, including astronomy, poetry, law, history, faith, politics, and philosophy.[10] Swahili literature, similarly, draws inspiration from Islamic teachings but developed under indigenous circumstances, one of the most renowned and earliest pieces of Swahili literature being Utendi wa Tambuka or "The Story of Tambuka".

As for the Maghreb, North Africans such as Ibn Khaldun attained great distinction within Arabic literature. Medieval North Africa boasted universities such as those of Fes and Cairo, with copious amounts of literature to supplement them.

Colonial African literature

The African works best known in the West from the periods of colonization and the slave trade are primarily slave narratives, such as Olaudah Equiano's The Interesting Narrative of the Life of Olaudah Equiano (1789).

In the colonial period, Africans exposed to Western languages began to write in those tongues. In 1911, Joseph Ephraim Casely Hayford (also known as Ekra-Agiman) of the Gold Coast (now Ghana) published what is probably the first African novel written in English, Ethiopia Unbound: Studies in Race Emancipation.[11] Although the work moves between fiction and political advocacy, its publication and positive reviews in the Western press mark a watershed moment in African literature.

During this period, African plays written in English began to emerge. Herbert Isaac Ernest Dhlomo of South Africa published the first English-language African play, The Girl Who Killed to Save: Nongqawuse the Liberator[12] in 1935. In 1962, Ngũgĩ wa Thiong'o of Kenya wrote the first East African drama, The Black Hermit, a cautionary tale about "tribalism" (discrimination between African tribes).

Among the first pieces of African literature to receive significant worldwide critical acclaim was the novel Things Fall Apart, by Chinua Achebe. Published in 1958, late in the colonial era, Things Fall Apart analysed the effect of colonialism on traditional African society.[13]

African literature in the late colonial period (between the end of World War I and independence) increasingly showed themes of liberation, independence, and (among Africans in francophone territories) négritude. One of the leaders of the négritude movement, the poet and eventual president of Senegal, Léopold Sédar Senghor, published in 1948 the first anthology of French-language poetry written by Africans, Anthologie de la nouvelle poésie nègre et malgache de langue française (Anthology of the New Black and Malagasy Poetry in the French Language), featuring a preface by the French existentialist writer Jean-Paul Sartre.[14]

For many writers this emphasis was not restricted to their publishing. Many, indeed, suffered deeply and directly: censured for casting aside their artistic responsibilities in order to participate actively in warfare, Christopher Okigbo was killed in battle for Biafra against the Nigerian movement of the 1960s' civil war; Mongane Wally Serote was detained under South Africa's Terrorism Act No 83 of 1967 between 1969 and 1970, and subsequently released without ever having stood trial; in London in 1970, his countryman Arthur Norje committed suicide; Malawi's Jack Mapanje was incarcerated with neither charge nor trial because of an off-hand remark at a university pub; and, in 1995, Ken Saro-Wiwa was hanged by the Nigerian junta.

Postcolonial African literature

With liberation and increased literacy since most African nations gained their independence in the 1950s and 1960s, African literature has grown dramatically in quantity and in recognition, with numerous African works appearing in Western academic curricula and on "best of" lists compiled since the end of the 20th century. African writers in this period wrote both in Western languages (notably English, French, and Portuguese) and in traditional African languages such as Hausa.

Ali A. Mazrui and others mention seven conflicts as themes: the clash between Africa's past and present, between tradition and modernity, between indigenous and foreign, between individualism and community, between socialism and capitalism, between development and self-reliance and between Africanity and humanity.[15] Other themes in this period include social problems such as corruption, the economic disparities in newly independent countries, and the rights and roles of women. Female writers are today far better represented in published African literature than they were prior to independence.

In 1986, Nigeria's Wole Soyinka became the first post-independence African writer to win the Nobel Prize in literature. Previously, Algerian-born Albert Camus had been awarded the prize in 1957. Other African Nobel laureates in literature are Naguib Mahfouz (Egypt) in 1988, Nadine Gordimer (South Africa) in 1991, John Maxwell Coetzee (South Africa) in 2003, Doris Lessing (UK/Zimbabwe) in 2007, and Abdulrazak Gurnah (Tanzania) in 2021.

Contemporary developments

There have been a lot of literary productions in Africa since the beginning of the current decade (2010), even though readers do not always follow in large numbers.[16] One can also notice the appearance of certain writings that break with the academic style.[17] In addition, the shortage of literary critics can be deplored on the continent nowadays.[18] Literary events seem to be very fashionable, including literary awards, some of which can be distinguished by their original concepts. The case of the Grand Prix of Literary Associations is quite illustrative.[19] Brittle Paper, an online platform founded by Ainehi Edoro, has been described as "Africa's leading literary journal".[20] As Bhakti Shringarpure notes, "the dynamic digital impulses of African creativity have not only changed African literature but have also fundamentally altered literary culture as we know it."[21]

The increasing use of the internet has also changed how readers of African literature access content. This has led to the rise of digital reading and publishing platforms like OkadaBooks.[22]

Literature published in Africa

Inaugurated in 1980 and running until 2009, the Noma Award for Publishing in Africa was presented for outstanding African writers and scholars published in Africa.[23]

Notable novels by African writers

Notable African poets

For a more comprehensive list, see List of African poets.

See also

References

  1. ^ Joseph (1996), p. 304.
  2. ^ George, Joseph, "African Literature", in Gordon and Gordon, Understanding Contemporary Africa (1996), ch. 14, p. 303.
  3. ^ "African literature" at info-please.
  4. ^ Gunner, E., and H. Scheub (2018), "African Literature". Encyclopædia Britannica, Inc.
  5. ^ Aoudjit, A. (2017). Algerian literature : A reader's guide and anthology (Francophone cultures and literatures; v. 66). New York, NY: Peter Lang Publishing, p. 77.
  6. ^ Haring (2011). "Translating African Oral Literature in Global Contexts". The Global South. 5 (2): 7. doi:10.2979/globalsouth.5.2.7. JSTOR 10.2979/globalsouth.5.2.7. S2CID 144077902.
  7. ^ African Literature - MSN Encarta. Archived from the original on 28 October 2009. Retrieved 17 April 2012.
  8. ^ "Timbuktu Manuscripts Project Description" (PDF). uio.no. 1 January 2003. Archived from the original (PDF) on 5 May 2006. Retrieved 17 April 2012.
  9. ^ Schulz, Matthias; Anwen Roberts (1 August 2008). "The Rush to Save Timbuktu's Crumbling Manuscripts". spiegel.de. Retrieved 17 April 2012.
  10. ^ "Ancient Manuscripts from the Desert Libraries of Timbuktu | Exhibitions - Library of Congress". Loc.gov. 27 July 2010. Retrieved 25 July 2014.
  11. ^ Newell, Stephanie, Literary Culture in Colonial Ghana: 'How to Play the Game of Life' , Bloomington, Indiana: Indiana University Press, 2002, p. 135, ch. 7, "Ethical Fiction: J.E. Casely Hayford's Ethiopia Unbound".
  12. ^ Dhlomo, H. I. E (1935). The girl who killed to save: Nongqause the liberator : a play. Lovedale, South Africa: Lovedale Press. OCLC 6680037.
  13. ^ Elizabeth, Marie (22 March 2013). "Humble beginnings of Chinua Achebe's 'Things Fall Apart'". The Washington Post. Retrieved 25 July 2014.
  14. ^ Leopold Senghor - MSN Encarta. Archived from the original on 31 October 2009.
  15. ^ Mazrui, Ali A., et al. "The development of modern literature since 1935" as ch. 19 of UNESCO's General History of Africa, vol. VIII, pp. 564f. Collaborating with Ali A. Mazrui on this chapter were Mario Pinto de Andrade, M'hamed Alaoui Abdalaoui, Daniel P. Kunene and Jan Vansina.
  16. ^ "La littérature africaine est en mouvement" (African literature is on the move): Africultures.com
  17. ^ This article compares the "rebellious" style of a young author (Eric Mendi) with the more classical style of Alain Mabanckou: Jeuneafrique.com
  18. ^ Bieloe, Latifa (28 May 2017). "Belgique::African Literature: Between Geniuses Affluence and Criticism Shortage::Belgium". Camer.be.
  19. ^ This prize receives books in three languages (Spanish, English and French), the books are proposed to the Jury by literary associations: Bellanaija.com
  20. ^ Udenwe, Obinna (13 February 2018). "The Rise of Brittle Paper: The Village Square of African Literature". The Village Square Journal. Retrieved 20 August 2019.
  21. ^ Shringarpure, Bhakti (4 January 2021). "African Literature and Digital Culture". Los Angeles Review of Books. Retrieved 25 March 2023.
  22. ^ Olofinlua, Temitayo (7 March 2021). "Okadabooks, E-Book Publishing and the Distribution of Homegrown Nigerian Literature". Eastern African Literary and Cultural Studies. 7 (1–2): 40–64. doi:10.1080/23277408.2020.1847803. ISSN 2327-7408. S2CID 233832700.
  23. ^ Jay, Mary (23 June 2006), "25 Years of the Noma Award for Publishing in Africa: an historic overview", The African Book Publishing Record, Volume 32, Issue 2, pp. 116–118, ISSN (Print) 0306-0322, DOI: 10.1515/ABPR.2006.116, 2 January 2008.
  24. ^ "African Language Materials Archive (ALMA)". msustatewide.msu.edu. Archived from the original on 21 May 2021. Retrieved 21 May 2021.

Bibliography

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