Awaara (1951 film)
|Directed by||Raj Kapoor|
|Produced by||Raj Kapoor|
|Written by||Khwaja Ahmad Abbas
K. N. Singh
All India Film Corporation,
R. K. Films
|Distributed by||R. K. Films, Chembur|
|14 December 1951|
|Box office||₹5.75 crore ($12.05 million)|
Awaara (Hindi: आवारा Āvārā, meaning "Vagabond"; also written Awāra), also known as The Vagabond overseas, is a 1951 Hindi film, produced and directed by Raj Kapoor, and written by Khwaja Ahmad Abbas. It stars Raj Kapoor, Nargis, Raj's real-life father Prithviraj Kapoor, Leela Chitnis, and K. N. Singh. Other members of the Kapoor family make an appearance, including Raj's youngest real-life brother Shashi Kapoor who plays the younger version of his character and Prithiviraj's father Dewan Bashwanath Kapoor playing a cameo role in his only film appearance. The film's music was composed by Shankar Jaikishan.
The film centers on the intertwining lives of poor Raj (Kapoor) and privileged Rita (Nargis). In the film, Kapoor's poor, innocent "little tramp" character references Charlie Chaplin and was further developed in other Kapoor films such as Shree 420.
The film became an overnight sensation in South Asia, and found success abroad in the Soviet Union, East Asia, Africa, and the Middle East. In particular, the song "Awaara Hoon" ("I am a Vagabond"), sung by Mukesh with lyrics by Shailendra, became hugely popular across the Indian subcontinent, as well as in the Soviet Union, China, Turkey, Afghanistan, and Romania. The film was also nominated for the Grand Prize of the Cannes Film Festival in 1953. Owing to its popularity in so many countries, the film is a candidate for most successful film of all time. Globally, it was the second highest-grossing 1951 film. In 2012, Awaara was included in the 20 new entries to All-Time 100 greatest films by TIME.
Judge Raghunath is a wealthy district judge who convicts Jagga, a man whose father was a criminal, of rape on little evidence. The judge believes that "good people are born to good people, and criminals are born to criminals." Jagga later escapes and kidnaps the judge's wife Leela for revenge. When he finds out that she has just become pregnant, he releases her after four days and plans a different kind of revenge. Leela's reputation is smeared by suspicions that she was unfaithful to her husband and the judge throws her out of the house, rejecting her pleas that the child is his.
She has a son, Raj, and they live in poverty as a result of being estranged from the father. As a child, Raj befriends Rita in school, but he is removed from the school rolls while trying to maintain a job as a shoe shine, and Rita moves to another city. One day, Raj meets Jagga, who convinces him to adopt a life of petty crime in order to save his starving mother. Raj grows up into a talented criminal, going in and out of short stays in jail, and working for Jagga's gang, while his mother is under the impression that he is an honest businessman. Raj never forgets Rita, keeping her birthday picture in his home, though he worries that she would dislike him if she knew what kind of man he has grown into.
While planning a bank robbery with his friends, Raj realises they need an automobile. He snatches a woman's purse when she steps out of the car, but finds no keys, and pretends to pursue the thief to release suspicion from himself. After his elaborate act, he returns the purse to the woman, who is charmed by his personality and apparent selflessness. Later, when Raj successfully steals a car, he hides from the police in a mansion where he meets the same woman from before. Seeing the same birthday picture, Raj realises that she is his school friend Rita. Rita tries to ask Raj how things have gone since schooldays, but he jokingly hints that he is a thief, and she decides not to ask further. Rita is now a ward of the Judge, who suspects that the new man in her life is no good. As Raj and Rita fall in love, he starts wanting to turn away from crime and worries that Rita will not accept him due to his lifestyle. Rita still tells him that she doesn't care about his past, as she loves him no matter where he comes from.
Raj tries to quit his life of crime to work at a factory, but his employers fire him when they find out that he was a thief. Rita invites him to her birthday, to the disapproval of the Judge, who believes that the impoverished Raj must come from a bad family. Remembering the humiliation he felt as a child when he could not afford a gift for Rita's birthday, Raj goes back to Jagga for a money loan. Jagga mocks his attempts to reform and asks him to commit more crimes. Raj refuses, but ends up stealing a necklace from a man on the street, not knowing the man was the Judge. At Rita's birthday, when Raj gives her a necklace without a case and the Judge gives her a case without a necklace (he did not realise it had been stolen until then), she discovers that Raj is indeed a thief. Rita goes to Raj's mother and learns his whole life story. She decides that Raj is not bad, but was forced into committing crimes by bad influence and the desperation of living in poverty. Raj is ashamed, still believing he is no good for her, but she forgives him.
Raj goes to the Judge to ask if he can marry Rita, but the Judge is still stubborn and turns him away. Meanwhile, Jagga and the gang commit the bank robbery, but it goes wrong and they have to run from the police. Jagga hides in Raj's house, where Leela recognizes him and he attacks her. Raj enters and fights him off, killing Jagga in self-defense. Raj goes on trial for Jagga's death, where Judge Raghunath is deciding the verdict. Rita persuades him that Raj acted in self-defense and is innocent. When Leela comes to the courthouse, she sees Raghudath and chases after him, but is struck by car. Rita collects the testimony from Leela in the hospital, and later Raj is allowed to visit her. Leela tells Raj that the Judge is his father and asks her son to forgive him. But Raj becomes angrier at the Judge for making him and his mother suffer. He escapes from jail and tries to kill the Judge for revenge, but is stopped by Rita. Due to these actions, Raj is brought to another court, and is defended by Rita, who reveals the full truth to court. Raj chooses not to defend his actions and says that he is a bad man. He asks the court not to think of him, but the millions of other children who grow up in poverty and end up turning to crime because high society does not care about them. While he awaits his execution, Raj is visited by Judge Raghunath, who finally accepts that Raj is his son and tearfully asks for forgiveness. In the end, Raj is spared execution, but sentenced to 3 years in prison for his crime. He promises that after getting released, he will reform himself for Rita, who promises to wait for him.
- Prithviraj Kapoor as Judge Raghunath
- Nargis as Rita
- Raj Kapoor as Raj Ragunath
- Leela Chitnis as Leela Raghunath
- K. N. Singh as Jagga
- Leela Mishra as Raghunath's Sister-in-law
- Cukoo as Bar dancer
- Helen as Dancer (uncredited)
- Shashi Kapoor as Young Raj (child artist)
- Prem Nath as Cameo appearance in song
- Dewan Bashwanath Kapoor as Cameo appearance
The music for this film was composed by Shankar Jaikishan while the songs were written by Shailendra and Hasrat Jaipuri. The soundtrack was listed by Planet Bollywood as number 3 on their list of 100 Greatest Bollywood Soundtracks.
|1||"Ek Do Teen"||Shamshad Begum||Shailendra|
|2||"Hum Tujhse Mohabbat Kar Ke"||Mukesh||Hasrat Jaipuri|
|4||"Ek Bewafa Se Pyar Kiya"||Lata Mangeshkar||Hasrat Jaipuri|
|5||"Ab Raat Guzarne Wali Hai"||Lata Mangeshkar||Hasrat Jaipuri|
|6||"Jab Se Balam Ghar Aaye"||Shamshad Begum||Hasrat Jaipuri|
|7||"Ghar Aaya Mera Pardesi"||Lata Mangeshkar||Shailendra|
|8||"Dam Bhar Jo Udhar Munh Phere"||Mukesh, Lata Mangeshkar||Shailendra|
|9||"Tere Bina Aag Yeh Chandni"||Manna Dey, Lata Mangeshkar||Shailendra|
|10||"Naiya Meri Manjhdhar"||Mohammed Rafi||Shailendra|
The film is a collaboration of the famous team of director/producer Kapoor and writer Khwaja Ahmad Abbas. K. A. Abbas originally wanted Mehboob Khan to direct the film but the two disagreed over the casting. Khan wanted Ashok Kumar to play the judge and Dilip Kumar the son. In the event, Abbas withdrew his script from Mehboob Studios and Raj Kapoor decided to direct it.
In 2003, Time magazine included it in a list of "10 Indian Films to Treasure". Time magazine also chose Raj Kapoor's performance in Awaara as one of the top ten greatest performances of all time. In 2005, Indiatimes Movies ranked the movie amongst the "Top 25 Must See Bollywood Films", writing, "Whenever Raj Kapoor and Nargis came together on screen, sparks flew. Their chemistry was electrifying and it crackles with raw passion in Raj Kapoor's Awaara. Nargis's wild and carefree sensuality pulsates and Raj Kapoor's scruffy hair-rebellious persona only adds fuel to the fire". The TIME magazine included the film among the 20 new entries added to All-Time 100 greatest films in 2012.
|India||₹2.3 crore (US$4.83 million)[n 1] in 1951
US$45 million (₹302 crore) in 2016
|Soviet Union||29 million SUR (US$7.25 million,[n 2] ₹3.45 crore)[n 1] in 1954
US$65 million (₹437 crore) in 2016
|Worldwide||₹5.75 crore (US$12.08 million) in 1954
₹739 crore (US$110 million) in 2016
In India, the film grossed a record of ₹2.3 crore in 1951, making it the highest-grossing film in India up until that time. This record was later beaten the next year by Aan, which grossed ₹2.8 crore in 1952.
In the Soviet Union, Awaara was released in 1954, drawing an audience of about 64 million viewers, the highest for any film in the Soviet Union up until that time, until its record was surpassed by Amphibian Man in 1962. At the Soviet box office, Awaara remained the most-viewed Indian film, the third biggest foreign hit of all time, and one of the top 20 biggest hits of all time. In terms of gross revenue, Awaara earned 29 million Soviet rubles (US$7.25 million,[n 2] ₹3.45 crore),[n 1] making it the highest-grossing Indian film overseas up until it was surpassed by Disco Dancer (1982), which grossed 60 million rubles in the Soviet Union.
The film was also a success in China, where the song "Awaara Hoon" and actor Raj Kapoor became widely known across the nation, much like in the Soviet Union. The film's success in both the Soviet Union and China has been attributed to the socialist themes expressed in the film. The film Awaara and the song "Awaara Hoon" are believed to have been Chairman Mao's favourite film and song, respectively. In more recent years, Awaara was referenced in the 2000 Chinese film Platform. Globally, Awaara was the second highest-grossing 1951 film.
- Linda Badley; R. Barton Palmer; Steven Jay Schneider, Traditions in world cinema, Rutgers University Press, 2006, ISBN 978-0-8135-3874-7,
... To this day 'Awaara hoon' ('I'ma vagabond'), the title song of Raj Kapoor's Awaara ('The Vagabond', 1951) remains well known throughout Russia, which the director- star visited, and China, where both the song and film were said to be Chairman Mao's favourites ...
- East and West in India's Development, page 43, MIT Center for International Studies, 1959
- Moscow Prime Time: How the Soviet Union Built the Media Empire that Lost the Cultural Cold War, page 44, Cornell University Press, 2011
- Sangita Gopal; Sujata Moorti (2008). Global Bollywood travels of Hindi song and dance ([Online-Ausg.] ed.). Minneapolis: University of Minnesota Press. p. 16. ISBN 0-8166-4579-5. Retrieved 26 June 2011.
- "Bollywood re-enters Russian homes via cable TV". The Hindu. Chennai, India. 27 September 2007. Archived from the original on 9 November 2012. Retrieved 7 June 2011.
- Natasa Ďurovičová, World cinemas, transnational perspectives, Taylor & Francis, 2010, ISBN 978-0-415-97653-4,
... hearing the hit theme song "Awaara Hoon" ("I am wayward") hummed on the streets of Nanjing. Then, traveling through a small town in a more remote part of China, Seth has to perform the song on request at a local gathering: 'No sooner have I begun than I find that the musicians have struck up the accompaniment behind me: they know the tune better than I do ...
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- 67.175856 INR per USD in 2016
- Indian Films in Soviet Cinemas: The Culture of Movie-going After Stalin, page 211, Indiana University Press, 2005
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- Khwaja Ahmad Abbas; Vasant Sathe; Suhail Akhtar; Vijay Jani; Nasreen Munni Kabir (2010). The Dialogue of Awaara: Raj Kapoor's Immortal Classic. Niyogi Books. ISBN 978-81-89738-54-9.