Angels in America (TV miniseries)

From Wikipedia, the free encyclopedia
  (Redirected from Angels in America (miniseries))
Jump to: navigation, search
Angels in America

DVD cover for Angels in America
Genre Miniseries
Directed by Mike Nichols
Produced by Celia D. Costas
Written by Tony Kushner
Starring Justin Kirk
Al Pacino
Patrick Wilson
Meryl Streep
Ben Shenkman
Mary-Louise Parker
Emma Thompson
Jeffrey Wright
Music by Thomas Newman
Cinematography Stephen Goldblatt
Editing by John Bloom
Antonia Van Drimmelen
Budget $60,000,000
Country United States
Canada
Language English
Hebrew
Aramaic
Yiddish
Original channel HBO
Original run December 7, 2003 – December 14, 2003
Running time 352 min.
No. of episodes 6 chapters

Angels in America is a 2003 HBO miniseries adapted from the Pulitzer Prize winning play of the same name by Tony Kushner. Kushner adapted his original text for the screen, and Mike Nichols directed. Set in 1985, the film has at its core the story of two couples whose relationships dissolve amidst the backdrop of Reagan era politics, the spreading AIDS epidemic and a rapidly changing social and political climate.[1]

HBO broadcast the film in various formats: two three-hour chunks that correspond to "Millennium Approaches" and "Perestroika," as well as six one-hour "chapters" that roughly correspond to an act or two of each of these plays; the first three chapters ("Bad News", "In Vitro" and "The Messenger") were initially broadcast on December 7, 2003 to international acclaim, with the final three chapters ("Stop Moving!", "Beyond Nelly" and "Heaven, I'm in Heaven") following.

Angels in America was the most watched made-for-cable movie in 2003, garnering much critical acclaim and multiple Golden Globe and Emmy awards, among other numerous accolades. In 2006, Seattle Times listed the series amongst "Best of the filmed AIDS portrayals" on the occasion of the 25th anniversary of AIDS.[2]

Contents

[edit] Plot

It is 1985: Ronald Reagan is in the White House, and Death swings the quiet scythe of AIDS across the nation. In Manhattan, Prior Walter tells Lou, his lover of four years, that he has AIDS; Lou, unable to handle it, leaves him. As disease and loneliness ravage Prior, guilt invades Lou. Joe Pitt, an attorney who is Mormon and Republican, is pushed by right-wing fixer Roy Cohn toward a job at the United States Department of Justice. Both Pitt and Cohn are in the closet: Pitt out of shame and religious turmoil, Cohn to preserve his power and image. Pitt's wife Harper is strung out on Valium, causing her to hallucinate constantly (sometimes jointly with Prior during his fever dreams), and she longs to escape from her sexless marriage. An angel with ulterior motives commands Prior to become a prophet. Pitt's mother and Belize, a close friend, help Prior choose. Joe leaves his wife and goes to live with Lou, but the relationship doesn't work out due to ideological differences. Roy is diagnosed with AIDS early on, and as his life comes to a close he is haunted by the ghost of Ethel Rosenberg.

As the film continues, these lost souls come together to create bonds of love, loss, and loneliness and, in the end, discover forgiveness and overcome abandonment.[3][4]

[edit] Cast

[edit] Soundtrack

The soundtrack of the series by Thomas Newman was nominated for Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media.

[edit] Production

Bethesda Fountain at the Bethesda Terrace in New York City's Central Park, where many scenes were shot
Below Bethesda Terrace, Central Park, where final scene was shot

Executive producer of the series, Cary Brokaw worked for over ten years to bring the 1991 stage production to television, having first read it in 1989, before its first production. In 1993, Al Pacino committed to playing the role of Roy Cohn. In the meantime, a number of directors, including Robert Altman, were part of the project. Altman worked on the project in 1993 and 1994, before budget constraints forced him to move out, as few studios could risk producing two successive 150 minute movies at the cost of $40 million. Subsequently, Kushner tried squeezing the play into a feature film, at which he eventually failed, realizing there was "literally too much plot," and settling for the TV miniseries format. While Kushner continued adapting the play until the late 1990s, HBO Films stepped in as producer, allocating a budget of $60 million.[5]

Canopus of Hadrian's Villa, where the heaven sequence was shot

Brokaw gave Mike Nichols the script while he was working with him on Wit (2001) starring Emma Thompson, who also co-adapted the play of the same title. The principal cast, including Meryl Streep, Al Pacino and Emma Thompson, having recently worked with Nichols, was immediately assembled by him. Jeffrey Wright was the only original cast member to appear in the film version, and had won the 1994 Tony Award for Best Performance by a Featured Actor for his stage performance.[6] The shooting started in May 2002, and after a 137-day schedule, ended in January 2003. Filming was done primarily at Kaufman Astoria Studios, New York City, with important scenes at Bethesda Fountain, Central Park, Manhattan. The heaven sequence was shot at Hadrian's Villa, the Roman archaeological complex at Tivoli, Italy, dating early 2nd century.

Special effects in the series were by Richard Edlund (Star Wars trilogy), who created the two important Angel visitation sequences, as well as the opening sequence wherein the angel at the Bethesda Fountain opens its eyes in the end, signifying her "coming to life."[5]

[edit] Critical reception

The New York Times wrote that "Mike Nichols's television version is a work of art in itself."[7] According to a Boston Globe review, "director Mike Nichols, and a magnificent cast led by Meryl Streep have pulled a spellbinding and revelatory TV movie out of the Tony- and Pulitzer Prize-winning work" and that he "managed to make "Angels in America" thrive onscreen..." [8]

[edit] Awards and nominations

[edit] Golden Globe Awards

  • Best Miniseries or Made for TV Movie
  • Best Actor in a Miniseries or TV Movie (Al Pacino)
  • Best Actress in a Miniseries or TV Movie (Meryl Streep)
  • Best Supporting Actor in a Series, Miniseries, or Movie (Jeffrey Wright)
  • Best Supporting Actress in a Series, Miniseries, or Movie (Mary-Louise Parker)

[edit] Emmy Awards

In 2004, Angels in America broke the record previously held by Roots for the most Emmys awarded to a program in a single year by winning 11 awards from 21 nominations. The record was broken four years later by John Adams.

Won

Nominated

[edit] Other

Broadcast Film Critics
  • Best Picture Made for Television
Directors Guild of America (DGA)
  • Outstanding Directorial Achievement in Movies for Television (Mike Nichols)
GLAAD Media Awards
  • Best Miniseries or Film Made for TV
Grammy Awards
  • Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media (Thomas Newman)
National Board of Review
  • Best Film Made for Cable TV
Producers Guild of America (PGA)
  • Producer of the Year Award in Longform (Mike Nichols, Cary Brokaw, Celia D. Costas and Michael Haley)
Satellite Awards
  • Best Actress - Miniseries or Film Made for TV (Meryl Streep)
  • Best Miniseries
  • Best Supporting Actor - (Mini)Series or Film Made for TV (Justin Kirk)
  • Best Actor - Miniseries or TV Film (Al Pacino)
  • Best Supporting Actor - (Mini)Series or Film Made for TV(Patrick Wilson)
  • Best Supporting Actor - (Mini)Series or Film Made for TV (Jeffrey Wright)
  • Best Supporting Actress - (Mini)Series or Film Made for TV (Mary-Louise Parker)
  • Best Supporting Actress - (Mini)Series or Film Made for TV (Emma Thompson)
Screen Actors Guild (SAG)

[edit] References

[edit] External links

Personal tools
Namespaces
Variants
Actions
Navigation
Interaction
Toolbox
Print/export
Languages