Elvis Presley: Difference between revisions
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The Milton Berle appearances drew such huge ratings that [[Steve Allen]] ([[American Broadcasting Company|ABC]]), who was a jazz devotee and hated rock 'n' roll, booked him for one appearance, which took place early on July 1, 1956. "Presley was dressed in the white tie and tails of a ´'high-class' musician, the clothes were intentionally made so tight he couldn't move freely." and billed as "the new Elvis Presley" by Allen.<ref>Roger Beebe, Denise Fulbrook and Ben Saunders, ''Rock over the Edge: Transformations in Popular Music Culture'' (Duke University Press, 2002), p.97.</ref> According to Jake Austen, "the way Steve Allen treated Elvis Presley was his federal crime. Allen thought Presley was talentless and absurd, and so he decided to goof on him. Allen set things up so that Presley would show his contrition by appearing in a tuxedo and singing his new song 'Hound Dog' to an elderly basset hound..."<ref>Jake Austen, ''TV-A-Go-Go: Rock on TV from American Bandstand to American Idol'' (2005), p.13. See also Beebe, Fulbrook and Saunders, ''Rock over the Edge'', p.97.</ref> "Scotty Moore has testified that when the band went into the studio the next day to record 'Hound Dog,' they were all angry about their treatment the previous night."<ref>Beebe, Fulbrook and Saunders, ''Rock over the Edge'', p.97.</ref> Notwithstanding, that night, Allen had for the first time beaten ''[[The Ed Sullivan Show]]'' in the Sunday night ratings, prompting Sullivan (CBS) to book Presley for three appearances: September 9, and October 28, 1956 as well as January 6, 1957, for an unprecedented fee of $50,000. |
The Milton Berle appearances drew such huge ratings that [[Steve Allen]] ([[American Broadcasting Company|ABC]]), who was a jazz devotee and hated rock 'n' roll, booked him for one appearance, which took place early on July 1, 1956. "Presley was dressed in the white tie and tails of a ´'high-class' musician, the clothes were intentionally made so tight he couldn't move freely." and billed as "the new Elvis Presley" by Allen.<ref>Roger Beebe, Denise Fulbrook and Ben Saunders, ''Rock over the Edge: Transformations in Popular Music Culture'' (Duke University Press, 2002), p.97.</ref> According to Jake Austen, "the way Steve Allen treated Elvis Presley was his federal crime. Allen thought Presley was talentless and absurd, and so he decided to goof on him. Allen set things up so that Presley would show his contrition by appearing in a tuxedo and singing his new song 'Hound Dog' to an elderly basset hound..."<ref>Jake Austen, ''TV-A-Go-Go: Rock on TV from American Bandstand to American Idol'' (2005), p.13. See also Beebe, Fulbrook and Saunders, ''Rock over the Edge'', p.97.</ref> "Scotty Moore has testified that when the band went into the studio the next day to record 'Hound Dog,' they were all angry about their treatment the previous night."<ref>Beebe, Fulbrook and Saunders, ''Rock over the Edge'', p.97.</ref> Notwithstanding, that night, Allen had for the first time beaten ''[[The Ed Sullivan Show]]'' in the Sunday night ratings, prompting Sullivan (CBS) to book Presley for three appearances: September 9, and October 28, 1956 as well as January 6, 1957, for an unprecedented fee of $50,000. |
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On [[September 9]], [[1956]], at his first of three appearances on the Sullivan show, Presley drew an estimated 82.5% percent of the television audience, calculated at between 55-60 million viewers. His second appearance was on [[October 28]], [[1956]]. At one point Sullivan stood on stage with Presley. While Sullivan was addressing the audience, Presley, who had been standing quietly, began shaking his legs, elicting screams from the young girls in the stage audience. Sullivan then looked at Presley, who had assumed his former, serious demeanor. Opposition had also gathered against his previous performance and even more so against his gyrations on stage. |
On [[September 9]], [[1956]], at his first of three appearances on the Sullivan show, Presley drew an estimated 82.5% percent of the television audience, calculated at between 55-60 million viewers. His second appearance was on [[October 28]], [[1956]]. At one point Sullivan stood on stage with Presley. While Sullivan was addressing the audience, Presley, who had been standing quietly, began shaking his legs, elicting screams from the young girls in the stage audience. Sullivan then looked at Presley, who had assumed his former, serious demeanor. Opposition had also gathered against his previous performance and even more so against his gyrations on stage. On his third and final Sullivan appearance ([[January 6]], [[1957]]) Sullivan bowed to pressure from "moralists" and ordered that Presley be televised only from the waist up due to his customary suggestive hip movements at the next appearance. Meanwhile the press had taken to calling him ''Elvis the [[Pelvis]]'', a nickname he is said to have thoroughly disliked. On his third and final appearance ([[January 6]], [[1957]]) on the ''[[The Ed Sullivan Show]]'', Sullivan, apparently very impressed by Presley, pointed to him and told the audience "This is a real decent, fine boy. We've never had a pleasanter experience on our show with a big name than we've had with you ... You're thoroughly all right." |
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===Controversial king=== |
===Controversial king=== |
Revision as of 21:22, 10 May 2007
- This article is about the singer. For other uses, see Elvis Presley (disambiguation).
Elvis Presley |
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Elvis Aaron Presley (January 8, 1935 – August 16, 1977), was an American singer, musician and actor. He is often known simply as Elvis, and is also called "The King of Rock 'n' Roll", or simply "The King". He remains a pop icon thirty years after his death, and is regarded as one the most significant and influential entertainers of the 20th century.
Presley started as a singer of rockabilly, singing many songs from rhythm and blues, gospel, and country. He was first billed as "The Hillbilly Cat". His combination of country music with bluesy vocals and a strong back beat marked a clear path toward rock & roll. He was the most commercially successful with rock and roll but he also had success with ballads, country, gospel, blues, pop, folk and even semi-operatic and jazz standards. His voice had a unique tonality and an extraordinarily center of gravity, leading to his ability to tackle a range of songs and melodies which would be nearly impossible for most other popular singers to achieve. In a musical career of over two decades, Presley set numerous records including, concert attendance, television ratings, and records sales, while became one of the best-selling artists in music history.
In the late 1960s until his death in 1977, Presley re-emerged as a live performer of old and new hit songs, both on tour and in Las Vegas, Nevada. His shows in Vegas were known for their highly energetic performances—both vocally and physically—and his trademark jump-suits and capes, which added to the drama. His concert performances were staggering in quantity, numbering 1,145 in the eight years from 1969 to 1977. He continued to perform to sold-out auditoriums around the U.S. until his sudden death in 1977.[1][2][3] He died suddenly on August 16th, 1977, stunning a nation and shocking his fans worldwide; many of whom did not realize that he had been far from healthy in the years leading up to his death (having struggled with obesity, depression, and severe prescription drug addiction). His death sparked not only national mourning but controversy over its details.
Biography
Early life
Elvis Presley was born in a two-room shotgun house in Tupelo, Mississippi, on January 8 1935 at around 4:35 a.m. His father Vernon Presley was a impoverished truck driver, and his mother Gladys Love Smith was a sewing machine operator at the time. Presley's twin brother, Jesse Garon Presley, was stillborn, thus leaving him to grow up as an only child. The Presley family lived just above the poverty line during their years in East Tupelo.
On the evening of April 5 1936, the Presley's survived the fourth deadliest tornado in US history that took 233 lives. In 1938, when Presley was three years old, his father was convicted of forgery. Presley's father Vernon, Gladys's brother Travis Smith, and Luther Gable were sentenced to three years at the Mississippi State Penitentiary for altering a check from Orville Bean, their boss, from $3 to $8 and then cashing it at a local bank.[4] Though the elder Presley was released after serving eight months, this event deeply influenced the life of the young family. During her husband's absence, Presley's mother lost the house and was forced to move in briefly with her in-laws next door.
In 1941 Presley started school at the East Tupelo Consolidated. There he seems to have been an outsider. His few friends relate that he was separate from any crowd and did not belong to any "gang", but, according to his teachers, he was a sweet and average student, and he loved comic books.
In January 1946 Presley's mother took him shopping for a birthday present at Tupelo Hardware. She bought him his first guitar, in lieu of a bike and rifle, for $12.75. Two years later in 1948 the Presley family left Tupelo, moving 110 miles northwest to Memphis, Tennessee. They would move to Lauderdale Courts public housing development in 1949. The young Presley took up guitar at 11 and would practice in the basement laundry room at Lauderdale Courts. He would play gigs in the malls and courtyards of the Courts with other musicians that lived there. Here, too, the thirteen-year-old Presley lived in the city's poorer section of town and attended a Pentecostal church. It was here where Elvis would be near Memphis music and cultural influences like Beale Street, Ellis Auditorium, Poplar Tunes record store with Sun Studio about a mile away. He was very much influenced by the Memphis blues music and the gospel sung at the church services.
Presley attended Humes High School in Memphis and worked at the school library and after school at Loew's State Theatre. In 1951 he enrolled in the school's ROTC unit and tried unsuccessfully to qualify for the high school football team, (the coach supposedly cut him from the team for not trimming his sideburns and ducktail). He spent his spare time around the African-American section of Memphis, especially on Beale Street. In 1953 he graduated from Humes, majoring in History, English, and Shop.
In his teens Presley was still a very shy person, a "kid who had spent scarcely a night away from home in his nineteen years."[5] He was teased by his fellow classmates who threw "things at him - rotten fruit and stuff - because he was different, because he was quiet and he stuttered and he was a mama's boy."[6] He is even said to have been cornered in the bathroom of his school by a couple of boys with scissors, but was rescued by upperclassman Red West.[7]
After graduation Presley worked at the Parker Machinists Shop, the Precision Tool Company with his father, and then for Crown Electric Company as truck-driver. It is at this time be began wearing his hair in his signature pompadour style. In her book, Elvis and Gladys, author Elaine Dundy wrote that Elvis was a fan of the comic book superhero Captain Marvel, Jr. as a boy, and would later model his trademark hairstyle on the comic book character.
First Recordings at Sun Studios
On July 18, 1953 Presley paid $3.25 to record the first of two double-sided demo acetates at Sun Studios, "My Happiness" and "That's When Your Heartaches Begin". Presley had made it for his mother as a much-belated birthday present.[8] Presley returned to Sun Studios on January 4, 1954 recording a second demo, "I'll Never Stand in Your Way" and "It Wouldn't Be the Same Without You" gaining the attention of the studio.
Sun Records founder Sam Phillips, who had already recorded blues artists such as B.B. King and Junior Parker,[9] thought black blues and boogie-woogie music might become tremendously popular among white people if presented in the right way.[10] Phillips and assistant Marion Keisker had heard the Presley discs and called him on June 26, 1954, to fill in for a missing ballad singer. Although that session was not productive, Phillips put Presley together with local Western swing musicians Scotty Moore and Bill Black to see what might develop. During a rehearsal break on July 5, 1954, Presley began singing a blues song written by Arthur Crudup called "That's All Right". Phillips liked the resulting recording and played it for local DJ Dewey Phillips, who played the song on Memphis radio station WHBQ from an acetate pressing. [11] Phillips then received orders for five thousand copies of a record that did not yet exist. Ten days after the "Than's Alright Mama" session, Presley, Black, and Moore recorded an uptempo version of bluegrass musician Bill Monroe's "Blue Moon of Kentucky", a waltz. [12] Sam Phillips now had two songs to release, which he did on July 19, 1954. [4]
When "That's Alright" was played on Memphis radio, listeners called to ask about the song. Nevertheless, from August 18 1954 through December 8, 1954 "Blue Moon of Kentucky", which had been a country standard since the later 1940s, was consistently charted at a higher postion. By December both sides of the record had been charted from Richmond, Virginia to Houston, Texas. [5]
First Public Performances
Presley’s earliest public performances were at the Bon Air Club in Memphis, a club with hard drinking lovers of hillbilly music. Elvis neither looked the part nor sounded like anything they were used to. Elvis, Scotty and Bill played their two songs at the Bon Air a couple of weekends that July, 1954. [6] Johnny Cash remembers seeing Elvis when he played during breaks at the Eagle’s Nest that summer and fall. [7] A July 30, 1954 appearance at the Overton Park Shell with Elvis as one of the Blue Moon Boys (Presley, Scotty and Bill), along with head liner Slim Whitman, was more successful. [8]
Sam Phillips then convinced Jim Denny, manager of the Grand Ole Opry in Nashville to book Elvis. On October 2, 1954 Hank Snow introduced Presley. Presley, Scotty and Bill performed their version of Blue Moon of Kentucky, and received a polite respond. Afterwards, Jim Denny told Elvis, “Boy, you’d better keep driving that truck.” [13]
The second Elvis single with Good Rockin' Tonight and I Don't Care if the Sun Don't Shine was released on September 25, 1954. Then on October 16, 1954, he made his first appearance on Louisiana Hayride, a radio broadcast of live country music in Shreveport, Louisiana, and was a hit with the large audience. His releases then began to reach the top of the country charts. On August 15, 1955, Presley was signed to a one year contract, by "Hank Snow Attractions", a management company jointly owned by singer Hank Snow and "Colonel" Tom Parker. "Colonel" Parker soon afterwards became Presley's manager.
Going national with RCA
"Colonel" Parker, recognizing the limitations of Sun Studios, negotiated a deal with RCA Victor Records to acquire Presley's Sun contract for $35,000 on November 21, 1955. Presley's first single for RCA "Heartbreak Hotel" quickly reached #1 in April 1956, selling one million copies. Within a year RCA would go on to sell ten million Presley singles.
Parker was a master promoter who wasted no time in furthering Presley's image, licensing everything from guitars to cookware. Parker's first major coup was to market Presley on television. First, he had Presley booked in six of the Dorsey Shows (CBS). Presley appeared on the show on January 28, 1956, then on February 4, 11 & 18, 1956, with two more appearances on March 17 & 24, 1956. In March, he was able to obtain a lucrative deal with Milton Berle (NBC) for two appearances. The first appearance was on April 3, 1956. The second appearance was controversial due to Presley's performance of "Hound Dog" on June 5, 1956. It sparked a storm over his "gyrations" while singing. The criticism was so severe that Presley was obliged to explain himself on a local New York City TV show, "Hy Gardner Calling." The controversy lasted through the rest of the 1950s. Parker's success led to Presley expanding the "Colonel's" management contract to an even 50/50 split.
The Milton Berle appearances drew such huge ratings that Steve Allen (ABC), who was a jazz devotee and hated rock 'n' roll, booked him for one appearance, which took place early on July 1, 1956. "Presley was dressed in the white tie and tails of a ´'high-class' musician, the clothes were intentionally made so tight he couldn't move freely." and billed as "the new Elvis Presley" by Allen.[14] According to Jake Austen, "the way Steve Allen treated Elvis Presley was his federal crime. Allen thought Presley was talentless and absurd, and so he decided to goof on him. Allen set things up so that Presley would show his contrition by appearing in a tuxedo and singing his new song 'Hound Dog' to an elderly basset hound..."[15] "Scotty Moore has testified that when the band went into the studio the next day to record 'Hound Dog,' they were all angry about their treatment the previous night."[16] Notwithstanding, that night, Allen had for the first time beaten The Ed Sullivan Show in the Sunday night ratings, prompting Sullivan (CBS) to book Presley for three appearances: September 9, and October 28, 1956 as well as January 6, 1957, for an unprecedented fee of $50,000.
On September 9, 1956, at his first of three appearances on the Sullivan show, Presley drew an estimated 82.5% percent of the television audience, calculated at between 55-60 million viewers. His second appearance was on October 28, 1956. At one point Sullivan stood on stage with Presley. While Sullivan was addressing the audience, Presley, who had been standing quietly, began shaking his legs, elicting screams from the young girls in the stage audience. Sullivan then looked at Presley, who had assumed his former, serious demeanor. Opposition had also gathered against his previous performance and even more so against his gyrations on stage. On his third and final Sullivan appearance (January 6, 1957) Sullivan bowed to pressure from "moralists" and ordered that Presley be televised only from the waist up due to his customary suggestive hip movements at the next appearance. Meanwhile the press had taken to calling him Elvis the Pelvis, a nickname he is said to have thoroughly disliked. On his third and final appearance (January 6, 1957) on the The Ed Sullivan Show, Sullivan, apparently very impressed by Presley, pointed to him and told the audience "This is a real decent, fine boy. We've never had a pleasanter experience on our show with a big name than we've had with you ... You're thoroughly all right."
Controversial king
By the spring of 1956, Presley was fast becoming a national phenomenon[17] and teenagers came to his concerts in unprecedented numbers. There were many riots at his early concerts. Scotty Moore says, "He’d start out, 'You ain’t nothin’ but a Hound Dog,' and they’d just go to pieces. They’d always react the same way. There’d be a riot every time."[18] When he performed at the Mississippi-Alabama Fair in 1956, 100 National Guardsmen surrounded the stage to control crowds of excited fans. The singer was considered to represent a threat to the moral well-being of young American women, because "Elvis Presley didn’t just represent a new type of music; he represented sexual liberation."[19] In 1956, a critic for the New York Daily News wrote that popular music "has reached its lowest depths in the 'grunt and groin' antics of one Elvis Presley." The Roman Catholic Church denounced him in its weekly magazine, America, in an article headlined "Beware Elvis Presley."[20]
In August, 1956 in Jacksonville, Florida a local Juvenile Court judge called Presley a "savage" and threatened to arrest him if he shook his body while performing at Jacksonville's Florida Theatre, justifying the restrictions by saying his music was undermining the youth of America. Throughout the performance, Presley stood still as ordered but poked fun at the judge by wiggling a finger. Similar attempts to stop his "sinful gyrations" continued for more than a year and included his often-noted January 6, 1957 appearance on The Ed Sullivan Show (during which he performed the spiritual number "Peace in the Valley"), when he was filmed only from the waist up.
Due to his controversial style of song and stage performances, municipal politicians throughout the United States began denying permits for Presley appearances. This caused teens to pile into cars and travel elsewhere to see him perform. Adult programmers announced they would not play Presley's music on their radio stations due to religious convictions that his music was "devil music" and to racist beliefs that it was "nigger music." Many of Presley's records were condemned as wicked by Pentecostal preachers, warning congregations to keep heathen rock and roll music out of their homes and away from their children's ears (especially the music of "that backslidden Pentecostal pup.") However, the economic power of Presley's fans became evident when they tuned in alternative radio stations playing his records. In an era when radio stations were shifting to an all-music format, in reaction to competition from television, profit-conscious radio station owners learned quickly when sponsors bought more advertising time on new all "rock and roll" stations, some of which reached enormous markets at night with clear channel signals from AM broadcasts.
Military service
On December 20, 1957, Presley received his draft notice for the then compulsory 2-year service with the United States Army. Presley worried that his absence in the public eye for 2 years, while serving in the Army, might end his career. Even more worried were Hal Wallis and Paramount who already spent $350,000 on pre-production of Presley's latest film King Creole and they feared the consequences of suspending the project or (worse) canceling it. Fortunately, the Memphis Draft Board granted Wallis and Colonel Parker a deferment until March 20 so Presley could complete his film project.[21] On March 24, 1958, he was inducted into the Army at the Memphis Draft Board. Presley sailed to Europe on the USS General George M. Randall, and and was posted to Ray Barracks, Friedberg, Germany.
Presley was a member of the, 1st Battalion, US 32nd Armored Regiment. He received no special treatment and was widely praised for not acting on a suggestion to do Special Services where he could have sung and continued to maintain a public profile. His military service received massive media coverage with much speculation whether or not two years out of the limelight at the height of his popularity would do irreparable damage to his career. His rankings and dates of promotions were as follows: Private (upon draft March 24, 1958); Private First Class (November 27, 1958); Specialist Fourth Class (June 1, 1959); and Sergeant (January 20, 1960). While in the Army, he earned sharpshooter badges for both the .45 pistol and the M1 rifle, and a marksman badge for the M2 carbine, as well as a Good Conduct Medal.[22]
During Presley's rising career, his mother Gladys became: despairing, depressed and lonely and began to neglect her health. She put on weight and began to drink everyday. She'd wanted Elvis to succeed, "but not so that he would be apart from her. The hysteria of the crowd frightened her.".[23] Doctors diagnosed liver problems, and Gladys's condition worsened. At that time, Elvis was stationed in Texas to fulfill his military obligations, but he got emergency leave to see her. He spent two days with his mother. However, shortly after his return to base, Gladys died on August, 14, 1958.[24] When he heard that his mother had died, Elvis was "sobbing and crying hysterically",[25] and eye-witnesses relate that he was "grieving almost constantly" for days.[26]
Presley returned to the United States on March 2, 1960, and was honorably discharged with the rank of Sergeant (E-5) on March 5.[27] One of his post-discharge photos shows him wearing dress blues with the grade of Staff Sergeant (E-6), but this was a tailor's error.[28]
Hollywood years
Presley began his movie career with Love Me Tender which opened on November 15, 1956. The movies Jailhouse Rock (1957) and King Creole (1958) are regarded as among his best early films.
"Colonel" Parker eventually negotiated a multi-picture seven-year contract with Hal Wallis that shifted Presley's focus from music to films during the 1960s. Under the terms of his contract, Presley earned a fee for performing plus a percentage of the profits on the films, most of which were huge moneymakers. These were usually musicals based around Presley performances, and marked the beginning of his transition from rebellious rock and roller to all-round family entertainer. Presley was praised by all his directors, including the highly respected Michael Curtiz, as unfailingly polite and extremely hardworking.
Presley admired the style of Marlon Brando, James Dean, and Tony Curtis and returned from the military eager to make a career as a movie star. Although "he was definitely not the most talented actor around",[29] he "became a film genre of his own."[30] Pop film staples of the early sixties, such as the Presley musicals and the AIP beach movies were mainly produced for a teenage audience and called by film critics a "pantheon of bad taste".[31] In the sixties, at Colonel Parker's command, Presley withdrew from concerts and television appearances, with the exception of a charity concert (Pearl Harbor, 1961) and a TV appearance with Frank Sinatra on ABC entitled "Welcome Home Elvis" where he sang "Witchcraft/Love Me Tender" with Sinatra. From then on it was full-time movies. "He blamed his fading popularity on his humdrum movies," Priscilla Presley recalled in her 1985 autobiography, Elvis and Me. "He loathed their stock plots and short shooting schedules. He could have demanded better, more substantial scripts, but he didn't." According to most critics, the scripts of the movies "were all the same, the songs progressively worse."[32] The latter were "written on order by men who never really understood Elvis or rock and roll."[33] For Blue Hawaii and its soundtrack LP, "fourteen songs were cut in just three days."[34] Julie Parrish, starring in Paradise, Hawaiian Style, says that Presley hated such songs and that he "couldn't stop laughing while he was recording" one of them.[35]
Although some film critics chastised these movies for their lack of depth, the fans turned out and they were enormously profitable. According to Jerry Hopkins's book, Elvis in Hawaii, Presley's "pretty-as-a-postcard movies" even "boosted the new state's (Hawaii) tourism. Some of his most enduring and popular songs came from those movies."[36] Altogether, Presley had made 27 movies during the 1960s, "which had grossed about $130 million, and he had sold a hundred million records, which had made $150 million."[37] Overall, he was one of the highest paid Hollywood actors during the 1960s; however, during the later sixties, "the Elvis Presley film was becoming passé. Young people were tuning in, dropping out and doing acid. Musical acts like the Jefferson Airplane, Grateful Dead, the Doors, Janis Joplin and many others were dominating the airwaves. Elvis Presley was not considered as cool as he once was."[38]
The movies Jailhouse Rock (1957), King Creole (1958), and Flaming Star (1960) are widely regarded as his best among film critics. Among fans, Blue Hawaii (1961) and Viva Las Vegas (1964) are also highly praised.
In addition to his own films, Presley has been the subject of more than seventy films that have his name in the title.
For details on films in which he starred, see the List of Elvis Presley films. For an interesting and diverse look at Elvis's film career and films about him see Elvis Information Network, specifically its Celluloid Elvis section [9]
Presley married Priscilla Beaulieu, whom he had met in Germany and who had stayed with him during the 1960s, on May 1, 1967 in Las Vegas, Nevada. A daughter Lisa Marie was born nine months later on February 1, 1968 in Memphis, Tennessee.
1968 comeback
Presley's star had increasingly faded over the 1960s as he made his movies and America was struck by changing styles and tastes after the "British Invasion" spearheaded by the Beatles and the San Francisco sound of Haight Ashbury.
Until the late sixties Presley continued to star in many B-movies that, although profitable, featured soundtracks that were of increasingly lower quality. Chart statistics for the summer of 1968 show that his recording career was floundering badly. He had apparently become deeply dissatisfied with the direction his career had taken over the preceding seven years, most notably the film contracts with a demanding schedule that eliminated creative recording and giving public concerts. This lead to a triumphant televised performance later dubbed the '68 Comeback Special, aired on the NBC television network on December 3, 1968, and released as an album by RCA. Although the Special featured big, lavish production numbers (not dissimilar to those in his movies), it also featured intimate and emotionally charged live sessions that saw him return to his rock and roll roots (he had not performed live since the Pearl Harbor concert of 1961). Rolling Stone magazine called it "a performance of emotional grandeur and historical resonance."[39] Presley was greatly assisted in the success of the '68 Comeback by the fact that the director and co-producer, Steve Binder, worked hard to make sure the show was not just a selection of Christmas songs, as Presley's manager had originally planned.
American icon
The comeback of 1968 was followed by a 1969 return to live performances, first in Las Vegas and then across the United States. The return concerts were noted for the constant stream of sold-out shows, with many setting attendance records in the venues where he performed. During this time, Presley became distant from the main currents of rock 'n' roll, which were seized by groups such as The Beatles and the Rolling Stones during the 1960s. This moving away from his roots was much criticized by critics and other rock musicians. [40]
After seven years off the top of the charts, Presley's song "Suspicious Minds" hit number one on the Billboard music charts on November 1, 1969.[41] He also reached number one on charts elsewhere: "In the Ghetto" did so in West Germany in 1969 and "The Wonder of You" did so in the UK in 1970.
From 1969 to 1971 Presley would dominate singles charts in many countries with a string of Top 20 hits, although this was at a time when album sales were growing significantly. Album sales was not an area where Presley (at the time) competed at the same level with artists such as The Beatles, The Rolling Stones, David Bowie and The Monkees.
Between 1970 and 1977 Presley gave 1,096 sold-out performances in Las Vegas and on tour. He was the first artist to have four shows in a row sold to capacity crowds at New York's Madison Square Garden, on June 9-11, 1972.
From 1971 to his death in 1977 Presley employed the Stamps Quartet, a gospel group, for his backup vocals. He recorded several gospel albums, earning three Grammy Awards for his gospel music. In his later years his live stage performances almost always included a rendition of How Great Thou Art, the 19th century gospel song made famous by George Beverly Shea.
After a decade dominated by making films, 1970 saw Presley embark on more of a musical career beginning with the release of his single Kentucky Rain which sold over 500,000 copies in the US alone, going Gold. The same month the singer returned to the International Hotel in Las Vegas for another series of performances. Presley broke his own attendance records with his shows (which he set in 1969). The following month he released his single The Wonder of You. The single became a Top 10 Gold hit in the US and went to #1 in the UK. Presley also released his album On Stage. The album was recorded live the previous month in Las Vegas. The album went platinum (1 million copies sold) in the US and sold over 2.5 million worldwide. That month he played to over 200,000 fans during 6 shows at the Houston Astrodome. The summer of 1970 saw him release his single I’ve lost You/The Next Step is Love which won a gold record award. The song is taken form the up coming That’s The Way It Is album.
Following this Presley returned to the International Hotel for more performances. This time MGM was there to film some of the shows and behind the scenes footage for a documentary called Elvis: That’s The Way It Is. He released an album later on of the same name. That fall he embarked on his first tour since 1957. It was an 8 date sold-out US tour. The following month he released the gold award single You Don't Have To Say You Love Me. That November he went back on the road for another tour and the year ended with the release of the album That’s The Way It Is, the live album In Person at the International Hotel, Las Vegas, Nevada and the single I Really Don’t Want To Know. Both albums and the single achieved a gold award.
In 1971 Presley released the album Elvis Country which became another gold award record. The album contains the previous year's hit I Really Don’t Want To Know. He went back to the International Hotel for more performances. He ended the year with a 15 date U.S. tour - all the dates being sold-out. 1971 saw Presley named 'One of the Ten Outstanding Young Men of the Nation' by the United States Junior Chamber of Commerce (The Jaycees) and he won the Bing Crosby Award from the National Academy of Recording Arts and Sciences (the organization that also presents Grammy awards).
Elvis started 1972 his new album Elvis Now which achieved a gold record. The same month the Top 40 hit single Until It's Time For You To Go was released. The He Touched Me album was then released and achieved platinum status in the US and went on to win Elvis his second Grammy Award, (Best Inspirational Performance). On April 5, 1972 (in Buffalo, New York) Elvis embarked on a 15 date US tour ending on April 18, 1972 in San Antonio, Texas. MGM filmed some of the shows for the film Elvis On Tour, which won a Golden Globe Award for Best Documentary of 1972. The day before the tour began Elvis released the single American Trilogy. The next month he began a 14 date US tour which started with 4 consecutive sold out shows at Madison Square Gardens in New York - the first artist ever to achieve this. A live album was recorded on June 10 and was rush released on June 18. The album As Recorded Live At Madison Square Garden became a triple-platinum seller in the US and sold over 5 million copies worldwide. After the tour, on August 1, 1972, Presley released the single Burning Love / "It's A Matter Of Time". The single achieved platinum status in the US and went to #2 on the charts. It would be his last top 10 hit. In November he began another sold-out tour and released the single Separate Ways, which earned him another gold record.
In 1973 Presley began the year with two sold-out January shows in Hawaii. The second show was broadcast live around the world. Known as the "Aloha from Hawaii" concert, it was the first of its kind to be broadcast worldwide via satellite and was seen by at least one billion viewers worldwide - a quarter of 1973's world population. In February he released the album Aloha from Hawaii via Satellite. The album went to #1 and spent 52 weeks on the charts. The album went 5x platinum in the U.S.
Presley and his wife Pricilla Beaulieu separated on February 23, 1972, agreeing to share custody of their daughter.[42] After his divorce in 1973 Presley became increasingly isolated, overweight, and was battling an addiction to prescription drugs which took a heavy toll on his appearance, health, and performances.
In 1974, Presley went to Vegas for more performances with packed houses. The new single I've Got A Thing About You Baby was released on January 11. The album Recorded Live on Stage in Memphis was recorded on March 20 and released on July 7 and achieved gold status. The single Promised Land was released on September 27. The song becomes a Top 20 hit and sold well. His live recording of "How Great Thou Art" from the album recorded at one of his Memphis concerts in 1974 won the Grammy for 'Best Inspirational Performance'. This was his third and final Grammy won out of fourteen nominations.
Presley continued to tour to sold out audiences through 1975. The year ended with Elvis performing before a massive sold-out concert in Michigan where he played to over 62,000 fans. By 1975 Presley was exceedingly overweight. Although he would at times go on starvation diets, he would immediately go on binges and gain all the weight back. It was obvious to those around him "that he no longer had the motivation to loose his extra poundage. Likewise, as he became self-conscious of his appearance, his self-confidence before the audience declined. Headlines such as 'Elvis Battles Middle Age' and 'Time Makes Listless Machine of Elvis' were not uncommon. In the Syracuse Post-Standard, Dale Rice wrote that 'Elvis was fat, and musically his performances were mediocre."[43]
After taking a break from releasing records and touring, Presley returned on March 12, 1976 with his new single Hurt/ "For The Heart" He also went back on tour for March and April playing to sell-out crowds all across the U.S. In May the album From Elvis Presley Boulevard, Memphis, Tennessee was released. The album went 'gold' in the U.S. From the end of May till November he tour extensively across the U.S. to sold-out shows. In December the single Moody Blue was released.
Last year
1977 brought a huge touring schedule which began February. He spent the rest of the year till his death on tour and Billboard Magazine rated him the year’s top grossing live act. However, by the beginning of 1977, "Elvis Presley had become a grotesque caricature of his sleek, energetic former self. Hugely overweight, his mind dulled by the pharmacopoeia he daily ingested, he was barely able to pull himself through his abbreviated concerts."[44] When he was in Alexandria, Louisiana, a local journalist complained that the star was on stage for less than an hour and "was impossible to understand." In Baton Rouge, Presley didn’t go on at all. He was unable to get out of his hotel bed, and his manager Parker cancelled the rest of the tour.
On April 21 the year’s third tour began, a Midwestern swing. The reviews "ranged from concern for his health to perplexity over how little he seemed to care," writes Peter Guralnick. According to a Detroit journalist, Elvis "stunk the joint out" in that city. Fans, too, Guralnick relates, "were becoming increasingly voluble about their disappointment, but it all seemed to go right past Elvis, whose world was now confined almost entirely to his room and his [spiritualism] books." In Knoxville, Tennessee, on May 20, "there was no longer any pretense of keeping up appearances," Guralnick writes. "The idea was simply to get Elvis out onstage and keep him upright for the hour he was scheduled to perform." So it went for the rest of that spring, with Presley stumbling and lurching through show after show.
Notwithstanding, shows on June 19, in Omaha, Nebraska & 21 (in Rapid City, South Dakota) were recorded by RCA for an upcoming live album and videotaped for an upcoming CBS-TV television special: “Elvis In Concert’’. The live album Elvis In Concert, which was recorded during the CBS special, eventually sold 3 million copies in the US alone, but wasn't released until October 3, 1977. In June the single Way Down was released. The single became a platinum seller in the US and went to #1 in the UK. The following month the album Moody Blue was released. It was the last album Presley released whilst he was alive. It sold well, going 'gold' in his lifetime but after his untimely death the album sold another 1.5 million copies in the US and 14 million worldwide.
Rick Stanley recalls that Presley was almost totally bedridden during the days of his last year. "We'd fly into a city and he'd go right into bed as soon as we got there. We'd have to get him up to do the show." During his last tour in 1977, "he performed poorly". When he did his show in Rapid City, "he was so nervous on stage that he could hardly talk. ... He was undoubtedly painfully aware of how he looked, and he knew that in his condition, he could not perform any significant movement. He looked, moved, and gestured like an overweight old man with crippling arthritis. Perspiration poured from him, enough for a river."[45] According to Albert Goldman, Elvis was 225 pounds over weight and during his performances "he had to wear a corset on stage. They didn't call it a corset, they called it a brace. It was a surgical looking garment that gathers the flesh in front and secures it from behind with a web of laces."
On June 26, 1977, Presley made his last live concert appearance in Indianapolis at the Market Square Arena on June 26, 1977. The Indianapolis Star wrote: "The big question was ..., had he lost weight? His last concert here, nearly 2 years ago, found Elvis overweight, sick and prone to give a lethargic performance. As the lights in the Arena was turned down after intermission, you could feel a silent plea rippling through the audience: Please, Elvis, don't be fat. And then he appeared, in a gold and white jumpsuit and white boots, bounding onstage with energy that was a relief to everyone. At 42, Elvis is still carrying around some excess baggage on his mid-section, but it didn't stop him from giving a performance in true Presley style."
Presley returned to Graceland for a two month vacation. There he rarely left his bedroom. On August 17, 1977 he was scheduled to begin another tour in Portland, Maine.
On August 16, 1977, at his Graceland mansion in Memphis, Tennessee, Presley was found lying on the floor of his bedroom's bathroom by his fiancee, Ginger Alden, who had been asleep. According to the medical investigator, a stain on the bathroom carpeting indicated Presley had thrown up and had 'stumbled or crawled several feet before he died'."[46] He was taken to Baptist Memorial Hospital, where at 3:30 P.M. doctors pronounced him dead. Presley was 42 years old, and when he died, "he weighed 159 kilograms" (350 pounds).[47]
At a press conference following his death, one of the medical examiners declared that he had died of a cardiac arrhythmia. Heart disease was very prevalent in his family, especially on his father's side. Presley's father Vernon also died of heart failure in 1979. In an interview for the BBC television programme Hard Talk on July 312000, Sam Phillips offered a slightly different explanation, based on his thirty year friendship with the Presley family. He believed that the cause of Presley's death was due to kidney failure, saying that members of the Presley family had a genetic weakness in their kidneys. He cited similarities between the deaths of Elvis and his mother Gladys. Phillips remarked that some six to eight weeks before each of their deaths, they suddenly and inexplicably became bloated, which he attributed to a kidney problem. Gladys Presley, who was 47 years old at the time, was diagnosed to have died of a heart attack brought on by hepatitis. Presley's autopsy results will not be in the public domain until 2027, 50 years after his death.
Rolling Stone magazine devoted an entire issue to Presley (RS 248) and his funeral was a national media event. [10] Hundreds of thousands of Presley fans, the press, and celebrities lined the street to witness Presley's funeral and Jackie Cahane gave the eulogy.
Presley was originally buried at Forest Hill Cemetery in Memphis next to his mother. After an attempted theft of the body, his remains and his mother's remains were moved to Graceland to the "meditation gardens."
Following Presley's death in 1977, US President Jimmy Carter said, "Elvis Presley's death deprives our country of a part of itself. He was unique and irreplaceable. More than 20 years ago, he burst upon the scene with an impact that was unprecedented and will probably never be equaled. His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture. His following was immense, and he was a symbol to people the world over of the vitality, rebelliousness, and good humor of his country."[48]
Presley recorded a number of country hits in his final years. Way Down was languishing in the American Country Music chart shortly before his death in 1977, and reached number one the week after his death. It also topped the UK pop charts at the same time.
Ancestry
Elvis Presley's ancestors emigrated to the United States over 250 years ago and can be traced back seven generations to Scotland. The first Presley in America was their son, Andrew Presley II, born in 1720, from Lonmay, Aberdeenshire in the North-east of Scotland, who arrived in North Carolina in 1745.
Presley was mostly of Scottish [49].[50].[51], Irish, Native American, Jewish[52], and German roots.
Voice characteristics
Elvis Presley was a baritone whose voice had an extraordinary compass — the so-called register — and a very wide range of vocal color.[53] It covered two octaves and a third, from the baritone low-G to the tenor high B, with an upward extension in falsetto to at least a D flat. Presley's best octave was in the middle, D-flat to D-flat. "He has always been able to duplicate the open, hoarse, ecstatic, screaming, shouting, wailing, reckless sound of the black rhythm-and-blues and gospel singers. But he has not been confined to that one type of vocal production." In ballads and country songs he was able to belt out "full-voiced high Gs and As that an opera baritone might envy," showing a remarkable ability to naturally assimilate styles. His "voice has always been weak at the bottom, variable and unpredictable. At the top it is often brilliant. His upward passage would seem to lie in the area of E flat, E and F."[54]
Presley's range, though impressive in its own right, did not in itself make his voice that remarkable, at least in terms of how it measured against musical notation. What made it extraordinary, was where its center of gravity lay. By that measure, and according to Gregory Sandows, Music Professor at Columbia University, Presley was at once a bass, a baritone, and a tenor, most unusual among singers in either classical or popular music.
Legacy
According to Rolling Stone Magazine, "it was Elvis who made rock 'n' roll the international language of pop." A PBS documentary described Presley as "an American music giant of the 20th century who single-handedly changed the course of music and culture in the mid-1950s."[55] His recordings, dance moves, attitude and clothing came to be seen as embodiments of rock and roll. His music was heavily influenced by African-American blues, Christian gospel, and Southern country.
Presley sang both hard driving rockabilly, rock and roll dance songs and ballads, laying a commercial foundation upon which other rock musicians would build their careers. African-American performers like Little Richard, Fats Domino, and Chuck Berry came to national prominence after Presley's acceptance among mass audiences of White American teenagers. Singers like Jerry Lee Lewis, the Everly Brothers, Buddy Holly, Johnny Cash, Roy Orbison and others immediately followed in his wake. John Lennon later observed, "Before Elvis, there was nothing."
During the post-WWII economic boom of the 1950s, many parents were able to give their teenage children much higher weekly allowances, signaling a shift in the buying power and purchasing habits of American teens. During the 1940s bobby soxers had idolized Frank Sinatra, but the buyers of his records were mostly between the ages of eighteen and twenty-two. Presley triggered a juggernaut of demand for his records by near-teens and early teens aged ten and up. Along with Presley's "ducktail" haircut, the demand for black slacks and loose, open-necked shirts resulted in new lines of clothing for teenage boys whereas a girl might get a pink portable 45 rpm record player for her bedroom. Meanwhile American teenagers began buying newly available portable transistor radios[56] and listened to rock 'n' roll on them (helping to propel that fledgling industry from an estimated 100,000 units sold in 1955 to 5,000,000 units by the end of 1958). Teens were asserting more independence and Presley became a national symbol of their parents' consternation.
Presley's impact on the American youth consumer market was noted on the front page of The Wall Street Journal on December 31, 1956 when business journalist Louis M. Kohlmeier wrote, "Elvis Presley today is a business," and reported on the singer's record and merchandise sales. Half a century later, historian Ian Brailsford (University of Auckland, New Zealand) commented, "The phenomenal success of Elvis Presley in 1956 convinced many doubters of the financial opportunities existing in the youth market."[57] Elvis even became very popular to British audiences as well.
By 1957 Presley was the most famous entertainer in the world. After pioneer band leader Bill Haley spawned interest in rock and roll in Western Europe, Presley's records triggered a wide shift in tastes with effects lasting many decades. Singers in dozens of countries made Presley-influenced recordings in many languages and his own records were sold around the globe, even behind the former Iron Curtain. By 1958 Cliff Richard, the so-called "British Elvis", was rising to prominence in the UK, and in France Johnny Hallyday, known as the "Elvis of France", became a rock and roll idol singing in French, soon to be followed by others like Claude François and, in Italy, by Adriano Celentano and Bobby Solo, all of whom were heavily influenced by Presley's early style. Later, as his first movies were shown throughout the world, Presley-mannered stage performers and singers appeared everywhere, from Latin America to Asia, the Middle East, and even in some parts of Africa. Airplay and sales of Presley recordings across Europe were followed by those of other American rockers who began touring there. Teenagers around the world copied his "ducktail" hair style.
For the next 21 years, until he died, Presley's singing style, mannerisms and look continued to be imitated with surprising regularity, wherever his image, songs, or movies happened to be shown, regardless of major shifts in popular culture, music, and manner of dress, all of which he had helped influence in the first place. But it was only after his death that an industry built itself around him. Many people of every race, creed and nationality taking up a career as professional Elvis impersonators — or Elvis Tribute Artists (ETAs) as they now prefer to be called.
Conversely, a parallel industry, mostly kitsch, continues to grow around his memory, chronicling his dietary and chemical predilections along with the trappings of his wide celebrity. Many impersonators still sing his songs. "While some of the impersonators perform a whole range of Presley music, the raw 1950s Elvis and the kitschy 1970s Elvis are the favorites."[58]
Among his many accomplishments, Presley is only one of four artists (Roy Orbison, Guns N' Roses and Nelly being the others) to ever have two top five albums on the charts simultaneously.
He has been inducted into the Rock and Roll Hall of Fame (1986), the Country Music Hall of Fame (1998), and the Gospel Music Hall of Fame (2001).
In 1993, Presley's image appeared on a United States postage stamp. According to a 2006 survey for the USPS, the Elvis Presley stamp is their most popular stamp.[59]
Upon announcing that Presley's home, the Graceland Mansion, was being designated as a National Historic Landmark, U.S Interior Secretary Gale Norton noted on 27 March, 2006, that “It didn’t take Americans and the rest of the world long to discover Elvis Presley; and it is clear they will never forget him. His popularity continues to thrive nearly 29 years after his passing, with each new generation connecting with him in a significant way.”
21st century
Interest in Presley's recordings returned during the buildup to the 2002 World Cup, when Nike used a Junkie XL remixed version of his "A Little Less Conversation" (credited as "Elvis Vs JXL") as the background music to a series of TV commercials featuring international soccer stars. The remix hit number one in over 20 countries, including the United Kingdom and Australia.[60]
At about the same time, a compilation of Presley's US and UK Number 1 hits, Elv1s: 30, was being prepared for release. "A Little Less Conversation" (remix version) was quickly added as the album's 31st track just before release in October 2002. Further stimulating popularity for the remixed "new" Elvis song, was the inclusion of Conversation into the opening credits of the NBC series Las Vegas; due to the large expense of such a song, however, home DVD sets of the TV show feature Conversation in the Pilot episode only. Nearly 50 years after Presley made his first hit record and 25 years after his death, the compilation reached number one on the charts in the US, the UK, Australia and many other countries. A re-release from it, "Burning Love" (not a remix), also made the Australian top 40 later in the year.
Presley's renewed fame continued with another remix in 2003 (this time by Paul Oakenfold) of "Rubberneckin'", which made the top three in Australia and top five in the UK. This was followed by another album called 2nd to None, a collection of his hits, including the "Rubberneckin'" remix, that just failed to reach number one.
To commemorate the 50th anniversary in mid-2004 of Presley's first professional recording, "That's All Right", it was re-released, and made the charts around the world, including top three in the UK and top 40 in Australia.
In early 2005 in the United Kingdom, RCA began to re-issue Presley's 18 UK number-one singles as CD-singles in the order they were originally released, one of them a week. The first of these re-issues, "All Shook Up", was ineligible to chart due to its being sold together with a collector's box which holds all 18 singles in it (it actually sold enough to be number two). The second, "Jailhouse Rock", was the number one in the first chart of 2005, and "One Night"/"I Got Stung", the third in the series, replaced it on the January 16 chart (and thus becoming the 1000th UK number one entry).
All of these have reached top five in the official charts.[61] These re-releases have made Presley the only artist so far to spend at least 1000 weeks in the British top 40.[62]
On the UK singles charts, Presley went to #1 the most times (21, three of them hitting #1 twice), spent the most weeks there (80), as well as had the most top tens and top forty hits. In the UK album charts, he is third (1,280 Weeks) to Queen (1,422 Weeks) and the Beatles (1,293 Weeks),[63]as well as earning the most top ten, and top forty albums. Still in the album category, his longevity record boasts an almost fifty year gap between his first, and last hit album.
In total, he has spent 2,574 weeks in both the UK singles and album charts, way ahead of his closest competitors, namely Cliff Richard (1,982), Queen (1,755), the Beatles (1,749), and Madonna (1,660).
In 2005 CBS aired a TV miniseries, Elvis starring Irish actor Jonathan Rhys-Meyers as Presley.
Shortly after taking over the management of all things Elvis from the Elvis Presley Estate (EPE)[11](which retained a 15% stake in the new company, while keeping Graceland and the bulk of the possessions found therein), Robert Sillerman's CKX company produced a DVD and CD featuring Presley (titled "Elvis by the Presleys"), as well as an accompanying two-hour documentary broadcast on Viacom's CBS Network, which alone generated $5.5 million.
A channel on the Sirius Satellite Radio subscriber service is devoted to the life and music of Presley, with all broadcasts originating from Graceland in Memphis, Tennessee.
In a list of the greatest English language singers of the 20th century, as compiled by BBC Radio, Presley was ranked second. The poll was topped by Frank Sinatra, with Nat King Cole and Ella Fitzgerald also in the top ten.[64]
In 2004, Rolling Stone Magazine ranked him #3 on their list of the 100 Greatest Artists of All Time.[65]
In July of 2005, Presley edged out Oprah Winfrey to be named the Greatest Entertainer in American history in the Greatest American election conducted by the Discovery Channel and America Online.
In mid October of 2005, Variety named the top 100 entertainment icons of the 20th century, with Presley landing on the top ten, along with the Beatles, Marilyn Monroe, Lucille Ball, Marlon Brando, Humphrey Bogart, Louis Armstrong, Charlie Chaplin, James Dean and Mickey Mouse.
A week later, Forbes magazine named Presley, for the fifth straight year, the top-earning dead celebrity, grossing US$45 million for the Presley estate during the period from October of 2004, to October 2005. Forbes pointed out that CKX spent $100 million in cash, and stock, for an 85% interest in Presley's income stream in February 2005.
In mid 2006, Forbes up-dated its list, with Presley ranking second, the top place being taken by Nirvana's frontman, Kurt Cobain, after the sale of 25% of his music publishing, which raked US$50 million for the singer's widow.
In November of 2006, Atlantic Magazine asked 10 prominent historians to name the 100 most influential Americans, with Presley (who ranked # 66), along with Louis Armstrong (79), being the only two musicians on the list.
In December 2006 EPE announced a strategy to bring Elvis and his music to a younger demographic in 2007. In addition, in 2009 the world famous Cirque De Soleil organisation will open a show based around Elvis' music.
Controversy surrounding death
Physical exhaustion
In her 1987 book Elvis and Kathy, friend and backup vocalist Kathy Westmoreland wrote "Everyone knew he was sick, that each public appearance brought him to the point of exhaustion." Kathy has been known to counter common misconceptions concerning Elvis's lifestyle and health leading up to his death.
Michael M. Baden and Judith Adler Hennessee say, "Elvis had had an enlarged heart for a long time. That, together with his drug habit, caused his death. But he was difficult to diagnose; it was a judgment call."[66]
Drug abuse
In her 1985 book, Elvis and Me, his wife Priscilla wrote that the star suffered from severe insomnia and by 1962 when she moved to Graceland he was taking placidyls to get to sleep and began to do so in ever increasing doses. It is thought by some that Presley started his drug habits by taking drugs given to soldiers to keep them awake since they were on late shifts. But, according to author Albert Goldman in his 1990 book Elvis: The Last 24 Hours, the pills were first given to him by Memphis disc jockey Dewey Phillips. Priscilla recounted how he would wake up at his normal time around 4:00 in the afternoon but would be groggy and irritable for a few hours from the heavy dose of pills. He started taking Dexedrine to wake up. She stated that over time, she saw "problems in Elvis's life, all magnified by taking prescribed drugs."
Priscilla also wrote the two of them tried marijuana but did not like it because it made them ravenously hungry, with extra weight the unwanted result. Although she said her husband abhorred street drugs, she tells in her book how they tried LSD. While they both thought it had been an "extraordinary experience" they were afraid of it and experimented that one time only. During the time when Presley was searching for peace in his life and consulting an Indian guru (as The Beatles and others were doing at the time), he read numerous books including Aldous Huxley's "Doors of Perception" and Timothy Leary's "Psychedelic Experience". In his book, Careless Love, biographer Peter Guralnick discusses in detail the singer's rampant prescription drug abuse. Cliff Gleaves, one of Elvis' friends and a reliable eyewitness, said about the singer's abuse of drugs, in this case speed:
- "Elvis didn't care if anyone else took them or not. He was getting off on them. He loved to sit there high and wiggle in the chair, ... just sit there and watch TV. He didn't give a damn whether you did anything. He was going to do what he wanted anyway."[67]
Bernard J. Gallagher writes about the use of drugs: "Social or recreational use is usually harmless, but intensified or compulsive use can prove fatal. This was true in the case of Elvis Presley,"[68]
In his book, Elvis: The Last 24 Hours, Albert Goldman even went as far as to suggest that Presley committed suicide by overdosing on a stash of drugs that he stockpiled. David Stanley, Presley's stepbrother, who was at Graceland the day Presley died, is alleged to have removed the needles and drug packets near Presley's body before the paramedics arrived, suggesting that he didn't want to see Presley's name tarred with the brush of suicide. These rumours have been strongly rejected by some of Elvis's family and friends such as Joe Esposito during past appearances on the Larry King Show.
Though the singer abused prescription drugs, Priscilla wrote that he never considered it wrong because it was a medical doctor prescribing them and he in fact publicly denounced the use of (illegal) hard drugs. At a meeting with U.S. President Richard Nixon, Presley even asked the President to appoint him "Federal Agent at Large" for the Bureau of Narcotics and Dangerous Drugs.
According to Peter Guralnick's book, Careless Love: The Unmaking of Elvis Presley (1999), "drug use was heavily implicated in this unanticipated death of a middle-aged man with no known history of heart disease...no one ruled out the possibility of anaphylactic shock brought on by the codeine pills he had gotten from his dentist, to which he was known to have had a mild allergy of long standing...There was little disagreement in fact between the two principal laboratory reports and analyses filed two months later, with each stating a strong belief that the primary cause of death was polypharmacy, and the BioScience Laboratories report...indicating the detection of fourteen drugs in Elvis's system, ten in significant quantity."
Priscilla Presley pointed out in her book that even if Elvis had admitted he needed help, in those days there was no Betty Ford Clinic where someone like him could get treatment. The singer's abuse of prescription drugs increased during the last years of his life, particularly after the breakup of his marriage in 1972.
On the other hand, some of his closest family members, friends, band members, and background singers have long disputed stories concerning Presley's alleged prescription drug abuse and "self-destructive" lifestyle. At the same time, they haven't denied that he did take prescription medications for bona fide or suspected health problems. For instance, Vernon Presley, Kathy Westmoreland, Charlie Hodge, and J.D. Sumner pointed out that Presley also suffered from severe health problems unrelated to drug abuse. These health problems included glaucoma, chronic insomnia, and perhaps even bone cancer. The illness may have increased his dependency on prescription medication. In 1977 alone, his personal physician Dr. George Constantine Nichopoulos (usually referred to as "Dr Nick") had prescribed 10,000 doses of amphetamines, barbiturates, narcotics, tranquilizers, sleeping pills, laxatives, and hormones.
Although his personal physician, Dr. George C. Nichopoulos, was exonerated in Presley's death, in July 1995 his license was suspended after the Tennessee Board of Medical Examiners found that he had improperly dispensed potentially addictive drugs to a number of his patients.
Elvis lives?
There is a belief in some quarters that Presley did not die in 1977. Many fans persist in claiming he is still alive, that he went into hiding for various reasons. This claim is allegedly backed up by thousands of so-called Elvis sightings that have occurred in the years since his death.[69] Critics of the notion state that a number of Presley impersonators can easily be mistaken for Presley and that the urban legend is merely the result of fans not wanting to accept his death.
Two main reasons are given in support of the belief that Presley faked his death:
- On his grave, his middle name Aron is misspelled as Aaron. Presley's parents went to great lengths to remove the double 'A' on his official birth certificate after his twin brother Jesse Garon was stillborn.
- "Hours after Presley's death was announced, a man by the name of Jon Burrows (Presley's traveling alias) purchased a one way ticket with cash to Buenos Aires."[70]
.
Discography
- For a detailed discography, see Elvis Presley discography.
- For a list of Presley's singles, see Elvis Presley hit singles.
- For a list of all of his songs, see Alphabetical list of all of Elvis Presley's songs.
See also
- Elvis Presley's relationships
- Elvis Presley's political beliefs
- Elvis Presley's cultural impact
- Elvis Presley phenomenon
- Cultural depictions of Elvis Presley
- Elvis impersonator
- Elvis sightings
- Memphis Mafia
- Elvis Presley Enterprises
- Priscilla Presley
- Lisa Marie Presley
- Elvis and Me
- Alphabetical list of all of Elvis Presley's songs
- List of songs about or referencing Elvis Presley
- Sun Records
- List of Elvis Presley films
- List of actors who have played Elvis Presley
- Best-selling artist of all-time
- List of artists by total number of USA number one singles
- List of best-selling music artists
- 24 Hour Church of Elvis
- Elvis-A-Rama Museum
- "Tagish" Elvis Presley
- Elvis Herselvis
- Look alike contest
Notes
- ^ "Fans Of Elvis Pay a Lot to See Little" by Damien Jaques, The Milwaukee Journal, April 28, 1977, retrieved October 22, 2006
- ^ "They Screamed For Elvis 'All it took was a shake of a finger'" by Paul Betit, Kennebec Journal, May 25, 1977, retrieved October 22, 2006
- ^ "There's no doubt about it -Elvis is still 'king'" by Jeri Gulbransen, Rapid City Journal, June 22, 1977, retrieved October 22, 2006
- ^ "Elvis Presley". history-of-rock.com. Retrieved 2006-08-27.
- ^ Guralnick, p.149
- ^ Guralnick, p.36, referring to an account by singer Barbara Pittman and Patrick Humphries, Elvis The #1 Hits: The Secret History of the Classics, p.117.
- ^ Connie Kirchberg and Marc Hendrickx, Elvis Presley, Richard Nixon, and the American Dream (1999), p.6-7.
- ^ According to the official Presley website at www.elvis.com
- ^ http://www.pbs.org/americanrootsmusic/pbs_arm_saa_elvispresley.html
- ^ See James Miller, Flowers in the Dustbin: The Rise of Rock and Roll, 1947-1977 (1999), p. 71
- ^ "Newsweek" August 18, 1997 "Good Rockin' page 55
- ^ The Rockabilly Legends; They Called It Rockabilly Long Before they Called It Rock and Roll by Jerry Naylor and Steve Halliday pages 38, 40 ISBN-13;: 978-I-4234-2042-2
- ^ The Rockabilly Legends; They Called It Rockabilly Long Before they Called It Rock and Roll by Jerry Naylor and Steve Halliday pages 43-46 ISBN-13;: 978-I-4234-2042-2
- ^ Roger Beebe, Denise Fulbrook and Ben Saunders, Rock over the Edge: Transformations in Popular Music Culture (Duke University Press, 2002), p.97.
- ^ Jake Austen, TV-A-Go-Go: Rock on TV from American Bandstand to American Idol (2005), p.13. See also Beebe, Fulbrook and Saunders, Rock over the Edge, p.97.
- ^ Beebe, Fulbrook and Saunders, Rock over the Edge, p.97.
- ^ [1]
- ^ Scotty Moore, That’s Alright, Elvis: The Untold Story of Elvis’s First Guitarist and Manager, Scotty Moore, p.175.
- ^ Peter Harry Brown and Pat H. Broeske, Down at the End of Lonely Street: The Life and Death of Elvis Presley (1998), p.55.
- ^ [2]
- ^ Elvis in the Army
- ^ Sergeant Elvis Aaron Presley
- ^ Robert Rodriguez, The 1950s' Most Wanted: The Top 10 Book of Rock & Roll Rebels, Cold War Crises, and All-American Oddities (2006), p.87
- ^ See Rodriguez, The 1950s' Most Wanted, p.87.
- ^ Guralnick, p.478.
- ^ Guralnick, p.480.
- ^ www.army.mil/CMH/faq/elvis.htm.
- ^ [3].
- ^ Leo Verswijver, Movies Were Always Magical: Interviews with 19 Actors, Directors, and Producers from the Hollywood of the 1930s through the 1950s (2002), p.129.
- ^ Tom Lisanti, Fantasy Femmes of 60's Cinema: Interviews with 20 Actresses from Biker, Beach, and Elvis Movies (2000), p.18.
- ^ Andrew Caine, Interpreting Rock Movies: The Pop Film and Its Critics in Britain, p. 21.
- ^ Connie Kirchberg and Marc Hendrickx, Elvis Presley, Richard Nixon, and the American Dream (1999), p.67.
- ^ Jerry Hopkins, Elvis in Hawaii (2002), p.32.
- ^ Hopkins, p.31
- ^ Tom Lisanti, Fantasy Femmes of 60's Cinema, p.19, 136.
- ^ Hopkins, Elvis in Hawaii, p. vii
- ^ Magdalena Alagna, Elvis Presley (2002)
- ^ Tom Lisanti, Fantasy Femmes of 60's Cinema: Interviews with 20 Actresses from Biker, Beach, and Elvis Movies, p.19.
- ^ http://www.rollingstone.com/artists/elvispresley/biography
- ^ "How Big Was The King? Elvis Presley's Legacy, 25 Years After His Death." CBS News, August 7, 2002.
- ^ This was the last time any song by Presley reached number one on the Hot 100, although "Burning Love" reached two in October 1972, and "A Little Less Conversation" topped the Hot Singles Sales chart in 2002.
- ^ According to Billy Stanley, he "wasn't the same person" as before. Cited in Connie Kirchberg and Marc Hendrickx, p.109.
- ^ See Samuel Roy, Elvis: Prophet of Power, p.70.
- ^ Tony Scherman, "Elvis Dies." American Heritage, August 16, 2006.
- ^ Samuel Roy, Elvis: Prophet of Power, p.71.
- ^ Guralnick, Careless Love: The Unmaking of Elvis Presley, p.651.
- ^ Great Moments in Science: Fat Dead Elvis.
- ^ "Death of Elvis Presley Statement by the President." by John Woolley and Gerhard Peters, The American Presidency Project, retrieved October 22, 2006
- ^ "Elvis roots 'lead to Scotland'"; a 23 March 2004 BBC story that cites Allan Morrison, the author of the then-unpublished book The Presley Prophecy.
- ^ "['Elvis Presley's Scottish Ancestry'].
- ^ "[Elvis presley's Roots]"
- ^ Elvis having Jewish heritage
- ^ Henry Pleasants, The Great American Popular Singers.
- ^ For more details, see Henry Pleasants, "Elvis Presley." In Simon Frith, ed., Popular Music: Critical Concepts in Media and Cultural Studies. Volume 3: Popular Music Analysis (2004), p.260.
- ^ "Elvis Presley": a page at pbs.org with a single paragraph, attributed to palmpictures.com.
- ^ Rich Gordon, "How Transistor Radios and Web (and Newspapers and Hi-Fi radio) are Alike", "Reprinted, with permission, from The Cole Papers, June 22, 2005."
- ^ Ian Brailsford, "History repeating itself: Were postwar American teenagers ripe for harvest?" (NB Microsoft Word format): transcript of a paper delivered at "Youth Marketing Reaches Forty", 17 May 2001.
- ^ Harry Stecopoulos and Michael Uebel, Race and the Subject of Masculinities (Duke University Press, 1997), p.198.
- ^
"Elvis remains the king of postage stamps". Associated Press. 2006-12-26. Retrieved 2006-12-26.
This year's Wonders of America set climbed to second place in the most popular stamps, but Elvis is still the King, the Postal Service said Tuesday.
{{cite news}}
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(help) - ^ It was also his first top 10 hit in the UK for nearly 22 years, and his first number one there for nearly 25 years. It topped Billboard's Hot Singles Sales chart (physical singles - legal downloads were not around at the time) but only reached #50 on the Hot 100.
- ^ Three number ones, eight number twos, four number threes, one number four, and one number five.
- ^ On December 9, 2005, the Book of British Hit Singles & Albums unveiled its annual list of the Top 100 Most Successful Acts of all time, based on the total number of weeks each recording artist has spent on the official UK Singles and Albums charts. Elvis Presley ranked first, with Cliff Richard, Queen, the Beatles and Madonna rounding out the top five.
- ^ BBC. "Queen top UK album charts league".
- ^ "Sinatra is voice of the century" BBC NEWS, April 18, 2001, retrieved October 22, 2006
- ^ "The Immortals: The First Fifty". Rolling Stone Issue 946. Rolling Stone.
- ^ Michael M. Baden and Judith Adler Hennessee, Unnatural Death: Confessions of a Medical Examiner (1992), p.35.
- ^ Guralnick, Careless Love: The Unmaking of Elvis Presley, p.240,
- ^ Bernard J. Gallagher, The Sociology of Mental Illness (1987), p.85.
- ^ The Elvis Presley Online Store, "Is Elvis alive or dead?"
- ^ "Is Elvis Alive?", which does not elaborate or give any source for this claim.
Bibliography
- List of more than 1500 books relating to Elvis Presley
- Authors of important works on Presley include
- Peter Guralnick, Last Train to Memphis: The Rise of Elvis Presley (Little, Brown, 1994); Careless Love: The Unmaking of Elvis Presley (Little, Brown, 1999). — Guralnick's books are considered by many to be the definitive works on Presley.
- Alanna Nash, Elvis Aron Presley: Revelations from the Memphis Mafia (Harpercollins, 1995); The Colonel: The Extraordinary Story of Colonel Tom Parker and Elvis Presley (Simon and Schuster, 2003). — Named the Society of Professional Journalists' National Member of the Year in 1994, a year before her book on Presley was published.
- Albert Goldman, Elvis (McGraw-Hill, 1981); Elvis: The Last 24 Hours (Pan Books, 1991). — Reviled by many fans and some critics for his harsh criticisms of Presley.
- Elaine Dundy, Elvis and Gladys (Futura, 1986). — Called "Nothing less than the best Elvis book yet" by the Boston Globe and Kirkus Reviews, "The most fine-grained Elvis bio ever."
- Michael T. Bertrand, Race, Rock, and Elvis (University of Illinois Press, 2000) ISBN 0-252-02586-5. - Written by a Tennessee State University assistant professor of history (see University of Illinois Press), the book examines the emergence of rock 'n' roll in a social and regional context.
- Louis Cantor - Dewey and Elvis - The Life and Times of a Rock 'n' Roll Deejay by a professor emeritus of history at Indiana University–Purdue University Fort Wayne who grew up in Memphis, Tennessee and attended high school with Presley. - University of Illinois Press (2005) ISBN 0-252-02981-X
- Vernon Chadwick, ed., In Search of Elvis: Music, Race, Art, Religion. Proceedings of the first annual International Conference on Elvis Presley (Westview, 1997).
- Erika Doss, Elvis Culture (University of Kansas Press, 1999).
- Greil Marcus, Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternative (Faber, 2000).
- Thomas Fensch - The FBI Files on Elvis Presley (New Century Books, 2001). ISBN 0-930751-03-5. This book reproduces actual texts from numerous FBI reports dating from 1959 to 1981,which represent a "microcosm [of Presley's] behind-the-scenes life."
The bibliographic reference Elvis In Print: The Definitive Reference & Price Guide: contact[12] contains references to more than 1,500 books about Elvis and a further 2,000 listings for popular culture and periodical releases substantially about the King of Rock 'n' Roll.
Links to major online reference sources, including the First Online Symposium on Elvis Aaron Presley, can be found on the Elvis Information Network [13] website.
External links
- Elvis Presley Enterprises - Official site of Elvis Presley.
- Elvis Presley at IMDb
- ElvisPedia - Encyclopedia of Elvis Presley.
- Rockhall - Rock Hall of Fame.
- Elvis at Music.com - Complete biography - discography.
- Elvis Gospel Service
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