List of jazz contrafacts: Difference between revisions
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* {{Cite book| last=Aebersold | first=Jamey | year=1982 | title=Charlie Parker Omnibook | publisher=Criterion | isbn = 0-7692-6053-5 }} |
* {{Cite book| last=Aebersold | first=Jamey | year=1982 | title=Charlie Parker Omnibook | publisher=Criterion | isbn = 0-7692-6053-5 }} |
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* {{Cite book| last=Baker | first=David | year=2006 | title=How To Play Bebop, Volume 3 | publisher=Alfred | isbn = 0-7390-2182-6 }} |
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* {{Cite book| last=Owens | first=Thomas | year=1982 | title=Bebop: The Music and Its Players | publisher=Oxford | isbn =0-1951-0651-2 }} |
* {{Cite book| last=Owens | first=Thomas | year=1982 | title=Bebop: The Music and Its Players | publisher=Oxford | isbn =0-1951-0651-2 }} |
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* {{Cite book| last=Sher | first=Chuck | year=2005 | title=The New Real Book, Volume 1 | publisher=Sher Music | isbn =0-9614701-4-3 }} |
* {{Cite book| last=Sher | first=Chuck | year=2005 | title=The New Real Book, Volume 1 | publisher=Sher Music | isbn =0-9614701-4-3 }} |
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Revision as of 01:53, 9 January 2013
A contrafact is a musical composition built using the chord progression of a pre-existing one but introducing a new melody. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. This article is a list of notable contrafacts by jazz artists.
See Also
"On The Dot" based on "Just In Time" composer: Brian Lynch
References
- Aebersold, Jamey (1982). Charlie Parker Omnibook. Criterion. ISBN 0-7692-6053-5.
- Baker, David (2006). How To Play Bebop, Volume 3. Alfred. ISBN 0-7390-2182-6.
- Owens, Thomas (1982). Bebop: The Music and Its Players. Oxford. ISBN 0-1951-0651-2.
- Sher, Chuck (2005). The New Real Book, Volume 1. Sher Music. ISBN 0-9614701-4-3.
- Sher, Chuck (2005). The New Real Book, Volume 2. Sher Music. ISBN 0-9614701-7-8.
- Sher, Chuck (2005). The New Real Book, Volume 3. Sher Music. ISBN 1-883217-03-2.
External links
- Searchable Realbook Index at www.seventhstring.co.uk
- Jazz era transition to Bebop: "Hot House" and the revolutionary aspect "Charlie Parker I: - Hot House", Article by Bernard Chazelle (Princeton, Collège de France), Sept. 9, 2008