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|url= http://www.berlinale.de/de/archiv/jahresarchive/1976/02_programm_1976/02_Filmdatenblatt_1976_19760003.php|title=Berlinale Archive 1976|work=berlinale.de|accessdate=November 30, 2010}}</ref> Dramatic accents were predominant in the ''[[Un borghese piccolo piccolo]]'' (''A Very Little Man'', [[1978 in film|1978]]), but he turned again to more cheerful comedy and attention to historical events from a popular, intimate point of view with ''[[Il Marchese del Grillo]]'' ([[1981 in film|1981]]). Both films featured Alberto Sordi at his best, the latter leading Monicelli to his third Silver Bear for Best Director award at the [[32nd Berlin International Film Festival]].<ref name="Berlinale 1982">{{Cite web|url= http://www.berlinale.de/de/archiv/jahresarchive/1982/02_programm_1982/02_Filmdatenblatt_1982_19820487.php|title=Berlinale Archive 1982|work=berlinale.de|accessdate=November 30, 2010}}</ref>
|url= http://www.berlinale.de/de/archiv/jahresarchive/1976/02_programm_1976/02_Filmdatenblatt_1976_19760003.php|title=Berlinale Archive 1976|work=berlinale.de|accessdate=November 30, 2010}}</ref> Dramatic accents were predominant in the ''[[Un borghese piccolo piccolo]]'' (''A Very Little Man'', [[1978 in film|1978]]), but he turned again to more cheerful comedy and attention to historical events from a popular, intimate point of view with ''[[Il Marchese del Grillo]]'' ([[1981 in film|1981]]). Both films featured Alberto Sordi at his best, the latter leading Monicelli to his third Silver Bear for Best Director award at the [[32nd Berlin International Film Festival]].<ref name="Berlinale 1982">{{Cite web|url= http://www.berlinale.de/de/archiv/jahresarchive/1982/02_programm_1982/02_Filmdatenblatt_1982_19820487.php|title=Berlinale Archive 1982|work=berlinale.de|accessdate=November 30, 2010}}</ref>


Among the final works by Monicelli are ''[[Speriamo che sia femmina]]'' ([[1985 in film|1985]]), ''Parenti serpenti'' ([[1992 in film|1992]]) and ''[[Dear Goddamned Friends|Cari fottutissimi amici]]'' ([[1994 in film|1994]]), featuring [[Paolo Hendel]]. The latter won an Honourable Mention at the [[44th Berlin International Film Festival]].<ref name="Berlinale 1994">{{cite web |url=http://www.berlinale.de/en/archiv/jahresarchive/1994/03_preistr_ger_1994/03_Preistraeger_1994.html |title=Berlinale: 1994 Prize Winners |accessdate=2011-06-11 |work=berlinale.de}}</ref> His 1999 film ''[[Dirty Linen (film)|Dirty Linen]]'' was entered into the [[21st Moscow International Film Festival]].<ref name="Moscow1999">{{cite web |url=http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1999 |title=21st Moscow International Film Festival (1999) |accessdate=2013-03-24 |work=MIFF}}</ref> His last [[feature film]] was ''[[The Roses of the Desert]]'' (''[[Le rose del deserto]]'', 2006), which he directed when he was 91 years old.
Among the final works by Monicelli are ''[[Speriamo che sia femmina]]'' ([[1985 in film|1985]]), ''Parenti serpenti'' ([[1992 in film|1992]]) and ''[[Dear Goddamned Friends|Cari fottutissimi amici]]'' ([[1994 in film|1994]]), featuring [[Paolo Hendel]]. The latter won an Honourable Mention at the [[44th Berlin International Film Festival]].<ref name="Berlinale 1994">{{cite web |url=http://www.berlinale.de/en/archiv/jahresarchive/1994/03_preistr_ger_1994/03_Preistraeger_1994.html |title=Berlinale: 1994 Prize Winners |accessdate=2011-06-11 |work=berlinale.de}}</ref> His 1999 film ''[[Dirty Linen (film)|Dirty Linen]]'' was entered into the [[21st Moscow International Film Festival]].<ref name="Moscow1999">{{cite web|url=http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1999 |title=21st Moscow International Film Festival (1999) |accessdate=2013-03-24 |work=MIFF |deadurl=yes |archiveurl=https://web.archive.org/web/20130322163246/http://moscowfilmfestival.ru/miff34/eng/archives/?year=1999 |archivedate=2013-03-22 |df= }}</ref> His last [[feature film]] was ''[[The Roses of the Desert]]'' (''[[Le rose del deserto]]'', 2006), which he directed when he was 91 years old.


In 1991 he received the [[Golden Lion]] for Career of the [[Venice Film Festival]]. A documentary made by Roberto Salinas and Marina Catucci, ''Una storia da ridere, breve biografia di Mario Monicelli'', appeared in 2008.
In 1991 he received the [[Golden Lion]] for Career of the [[Venice Film Festival]]. A documentary made by Roberto Salinas and Marina Catucci, ''Una storia da ridere, breve biografia di Mario Monicelli'', appeared in 2008.

Revision as of 23:48, 2 June 2017

Mario Monicelli
Monicelli in 2007
Born(1915-05-16)16 May 1915
Viareggio, Italy
Died29 November 2010(2010-11-29) (aged 95)
Rome, Italy
Occupation(s)Screenwriter, director, actor
Years active1935–2010
AwardsSilver Bear for Best Director
1957 Padri e figli
1976 Caro Michele
1981 Il Marchese del Grillo
Golden Lion
1959 La Grande Guerra
Career Golden Lion
1991 Lifetime Achievement

Mario Monicelli (Italian: [ˈmaːrjo moniˈtʃɛlli]; 16 May 1915 – 29 November 2010) was a six times-Oscar nominated Italian director and screenwriter and one of the masters of the Commedia all'Italiana (Comedy Italian style).

Biography

Monicelli was born in Viareggio in Tuscany and was the youngest son of the journalist Tommaso Monicelli. His older brother Giorgio worked as writer and translator. Another older brother, Franco, was a journalist.

He attended studies in the local lyceum, and entered the film world through his friendship with Giacomo Forzano, son of the playwright Giovacchino Forzano, who had been put in charge of the founding of cinema studios in Tirrenia by Benito Mussolini. Monicelli lived a carefree youth, and many of the cinematic jokes he later shot in Amici Miei were inspired by his own experience.

Monicelli made his first short in 1934, in collaboration with his friend Alberto Mondadori. He followed up this work with the silent film I ragazzi della Via Paal (an adaptation of the novel The Paul Street Boys), which was an award-winner in the Venice Film Festival.[1] His first feature length work was made in 1937 (Pioggia d'estate, "Summer Rain").[2] In the years 1939–1942 Monicelli also produced up to 40 numerous screenplays, and worked as an assistant director.

Monicelli made his official debut as a director in 1949, with Totò cerca casa, along with Steno. From the very beginning of his career Monicelli's cinematic style had a remarkable flow to it. The duo produced eight successful movies in four years, including Guardie e ladri (1951) and Totò a colori (1952). From 1953 onwards Monicelli worked alone, without leaving his role as a writer of screenplays.

Monicelli's career includes some of the masterpieces of Italian cinema. In I soliti ignoti (Big Deal on Madonna Street) (1958), featuring the ubiquitous comedian Totò in a side role, he discovered the comical talent of Vittorio Gassman and Marcello Mastroianni and probably started the new genre of the modern commedia all'italiana. While better known in the English-speaking world under the title Big Deal on Madonna Street, the actual translation from the Italian is "the usual unknown perpetrators" (closely resembling the famous line from Casablanca: "Round up the usual suspects"). The film was nominated for the Best Foreign Language Film at the 31st Academy Awards.[3]

La Grande Guerra (The Great War), released one year later, is generally regarded as one of his most successful works, which rewarded Monicelli with a Leone d'Oro in the Venice Film Festival, and an Academy Award nomination for the Best Foreign Film.[4] The film, featuring Gassman and the other superstar of Italian comedy, Alberto Sordi, excelled in the absence of rhetorical accents (the tragedy of World War I was still very present in Italians' minds in these years) and for its sharp, tragicomical sense of history. Monicelli received two more Academy Award nominations with I compagni (The Organizer, 1963) and The Girl with the Pistol (1968).[5]

L'armata Brancaleone (For Love and Gold, 1966) is another masterpiece of Italian cinema. The film tells the tragicomic tale of a Middle Ages Italian knight, with uncertain nobility and few means but high ideals, self-confidence and pomposity (Vittorio Gassman). The bizarre Macaronic Latin-Italian dialogues were devised by Age & Scarpelli, the most renowned writers of Italian comedies, and represent a whole linguistic invention which was followed by Brancaleone alle Crociate (Brancaleone at the Crusades) in 1970, and less successfully in Bertoldo, Bertoldino e Cacasenno.

Amici miei (My Friends, 1975), featuring Ugo Tognazzi and Philippe Noiret, was one of the most successful films in Italy and confirmed Monicelli's genius in mixing humour, irony and bitter understanding of the human condition. The film was popular to the point that some lines are today turned into well established idiomatic expression ("la supercazzola"), and even a programming language ("monicelli") has been created using a syntax based on film quotes. His 1976 film Caro Michele won him the Silver Bear for Best Director at the 26th Berlin International Film Festival.[6] Dramatic accents were predominant in the Un borghese piccolo piccolo (A Very Little Man, 1978), but he turned again to more cheerful comedy and attention to historical events from a popular, intimate point of view with Il Marchese del Grillo (1981). Both films featured Alberto Sordi at his best, the latter leading Monicelli to his third Silver Bear for Best Director award at the 32nd Berlin International Film Festival.[7]

Among the final works by Monicelli are Speriamo che sia femmina (1985), Parenti serpenti (1992) and Cari fottutissimi amici (1994), featuring Paolo Hendel. The latter won an Honourable Mention at the 44th Berlin International Film Festival.[8] His 1999 film Dirty Linen was entered into the 21st Moscow International Film Festival.[9] His last feature film was The Roses of the Desert (Le rose del deserto, 2006), which he directed when he was 91 years old.

In 1991 he received the Golden Lion for Career of the Venice Film Festival. A documentary made by Roberto Salinas and Marina Catucci, Una storia da ridere, breve biografia di Mario Monicelli, appeared in 2008.

Monicelli worked also for television and theatre, occasionally as an actor, and was a noteworthy playwright. Besides those already mentioned, actors who were launched by Monicelli or took part in his movies include Monica Vitti, Anna Magnani, Giancarlo Giannini, Stefania Sandrelli, Vittorio De Sica, Sophia Loren, Enrico Maria Salerno, Gian Maria Volontè, Paolo Villaggio, Nino Manfredi and Enrico Montesano.

Monicelli died on 29 November 2010 at the age of 95. He committed suicide by jumping from a window of the San Giovanni Hospital in Rome, where he had been admitted a few days earlier for prostate cancer.[10][11]

He was an outspoken atheist.[12]

Filmography

Director

Screenplays

Actor

References

  1. ^ "Mario Monicelli obituary". guardian.co.uk. London. 30 November 2010. Retrieved 2010-11-29.
  2. ^ "Tragic death of film director". italymag. Retrieved 2010-11-24.
  3. ^ "The 31st Academy Awards (1959) Nominees and Winners". oscars.org. Retrieved 2011-10-27.
  4. ^ "The 32nd Academy Awards (1960) Nominees and Winners". oscars.org. Retrieved 2011-10-27.
  5. ^ "The 41st Academy Awards (1969) Nominees and Winners". oscars.org. Retrieved 2011-11-15.
  6. ^ "Berlinale Archive 1976". berlinale.de. Retrieved November 30, 2010.
  7. ^ "Berlinale Archive 1982". berlinale.de. Retrieved November 30, 2010.
  8. ^ "Berlinale: 1994 Prize Winners". berlinale.de. Retrieved 2011-06-11.
  9. ^ "21st Moscow International Film Festival (1999)". MIFF. Archived from the original on 2013-03-22. Retrieved 2013-03-24. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  10. ^ "Mario Monicelli morto suicida a Roma" (in Italian). Corriere della Sera. 29 November 2010. Retrieved 29 November 2010.
  11. ^ Roston, Michael (29 November 2010). "Mario Monicelli, Italian Director, Dies at 95". The New York Times. Retrieved 30 November 2010.
  12. ^ Article of La Voce (In Italian).
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