Jump to content

The Postman (film)

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 98.164.125.58 (talk) at 20:15, 1 December 2013 (Plot). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

The Postman
Theatrical release poster
Directed byKevin Costner
Screenplay byEric Roth
Brian Helgeland
Produced byKevin Costner
Steve Tisch
Jim Wilson
StarringKevin Costner
Will Patton
Larenz Tate
Olivia Williams
James Russo
Tom Petty
CinematographyStephen Windon
Edited byPeter Boyle
Music byJames Newton Howard
Production
company
Tig Productions
Distributed byWarner Bros.
Release date
  • December 25, 1997 (1997-12-25)
Running time
177 minutes[1]
CountryUnited States
LanguageEnglish
Budget$80 million[2]
Box office$17,626,234 (US)[2]

The Postman is a 1997 American post-apocalyptic film directed by and starring Kevin Costner, and based on David Brin's 1985 novel of the same name. The film co-stars Will Patton, Larenz Tate, Olivia Williams, James Russo, and Tom Petty. It was filmed in Metaline Falls and Fidalgo Island, Washington, central Oregon, and Tucson, Arizona.

The film is set after an unspecified apocalypse has left a huge impact on human civilization. A nomadic survivor flees a warlord's army while unwittingly inspiring hope of restoring peace.

Plot

Roughly 10 to 15 years after an unspecified apocalypse referred to in terms of "strange weather", "the plague", "Bugs" and "three year winters" civilization collapses leaving pocketfuls of survivors in rural areas and small towns maintaining some semblance of civilization. Others have joined armies that prey on the survivors.

In 2013 an unnamed nomadic survivor (Costner) enters the flatlands of Oregon. Needing food and water he trades with small towns for performances of Shakespearian plays. The nomad is captured by and conscripted into a large neo-fascist calvery army known as the Holnists after deceased founder ex farmer Nathan Holn who is alluded in a letter to having contributed to the social collapse at the time of the general apocalypse. The army is now run by General Bethlehem (Will Patton).

During a hunting expidition the nomad, nicknamed Shakespere by the Holnists, escapes by jumping into a river. He takes refuge in a dead postman's mail carrier van. With a bag of mail and the dead postman's uniform, he arrives at Pineview, Oregon. He claims to be an actual postman from the newly restored government to gain entry. As he is able to produce a letter addressed to a member of the town, they give the Postman food and a place to live in the abandoned post office.

The Postman inspires a teenager named Ford Lincoln-Mercury (Larenz Tate), who presses him into swearing him into the faux restored postal service. The Postman is approached by Abby (Olivia Williams) seeking a "bodyfather" to impregnate her due to her husband's infertility. Pineview's sherriff is sceptical of "The Postman" telling him to get out of town the following day. Meanwhile, a pile of mail has been left at the door of the post office. Leaving Pineview, the residents give the postman a horse and the sheriff hopefully gives him a letter to his sister.

During a raid of Pineview, General Bethlehem learns of "the Postman" and his tales of restored government. Scared of losing his power, Bethlehem burns the American flag and post office. He kills Abby's husband when refused permission to have sex with her and kidnaps her. The Postman surrenders during a battle with the town of Benning, Oregon. The captive Abby captures a gun and fires on Bethlehem as he orders the execution of the postman. The two narrowly escape on horseback into the surrounding mountains, though the Postman has been badly wounded.

The Postman and Abby hide in an abandoned cabin. Abby tells the Postman she is pregnant with his child. As spring arrives, the two cross the range and run into a young girl, who claims to be a postal carrier. She reveals that Ford Lincoln Mercury has organized a horseback postal service of his own. They help towns and settlements to communicate and inadvertently spread the fictional tales of a restored government. Bethlehem orders the execution of the postal carriers, and the ensuing fights escalate into a running small-scale war. The Postman gets help from a Vietnam War veteran, who teaches him and the postal carriers guerrilla warfare tactics.

His postal carriers, mostly teenagers pitted against a better-equipped enemy, encur mounting casualties. Dismayed after a reprisal execution by Bethlehem of 10 Pineview civilians, including the sheriff, the Postman orders everyone to disband. He leaves with a last letter he has written to Bethlehem, saying the postal service is over and that the restored government doesn't exist. Ford insists on delivering the message, knowing that he will be killed afterward. Bethlehem reads the letter and is disapointed that he has won without a fight. He oders Ford and another captured deliverer killed. When the two postal men meet, however, they do not know each other. The other man introduces himself as a postman from California. Bethlehem realizes that idea of the postaman has taken root and to destroy the idea of the postman for a "clean slate" he must kill the postman. He decides to keep Ford as a hostage, but murders the other postman.

The Postman, Abby and a small group of postal carriers travel to Bridge City, built on an old dam wall. The settlement is led by a celebrity from before the apocalypse, (Tom Petty). Though never mentioned by name, it is alluded to that he was "famous once". Seemingly trapped between the dam and Bethlehem's scouts the enclave leader helps the Postman to escape on a cable car to find volunteers for an army to fight Bethlehem's forces.

In a voice over of King Henry V's speech prior to the Battle of Agincourt, the Postman stirs himself to war. With a large number of calvery troops he rides to meet Bethlehem's calvery army. Relishing the challenge to full battle Bethlehem and his army meet the postman's army across a field. Not wanting casualties from the battle the Postman challenges Bethlehem for Holnist leadership invoking "Law 7" which he learned of during his time in the conscript army. The law states any Holnist member can challenge the leader and if victorious take leadership. Bethlehem realizes that the Postman and "Shakespeare" are the same man. He accepts the challenge and is defeated. He does not accept his loss or the Postman's subsequent offer to build a new, peaceful world. He captures a gun and tries to shoot the Postman but is killed by his former first officer. The officer surrenders himself and the rest of the Holnists follow. In a voice over Abby tells that she and the Postman have a baby girl, whom she names Hope. The post office continues, rebuilding the country.

The story concludes 30 years later. Hope attends a statue unveiling tribute to her late father, who is recently deceased, in St. Rose, Oregon. From the modern clothing, and signs of modern technology it is suggested that the country has grown in development to approximate its pre-apocalypse status. The statue bears the inscription, "He delivered a message of hope embraced by a new generation,". A man and his wife stare at the statue of the Postman catching a letter from a small boy -— echoing a scene from earlier in the film, with the man saying "That's me.". 98.164.125.58 (talk) 19:22, 1 December 2013 (UTC)

Cast

Soundtrack

Untitled
  1. "Main Titles"
  2. "Shelter in the Storm"
  3. "The Belly of the Beast"
  4. "General Bethlehem"
  5. "Abby Comes Calling"
  6. "The Restored United States"
  7. "The Postman"
  8. "Almost Home" – Performed by Jono Manson
  9. "It Will Happen Naturally" – Performed by Jono Manson
  10. "The Next Big Thing – Performed by Jono Manson
  11. "This Perfect World" – Performed by John Coinman
  12. "Once This Was the Promise Land" – Performed by John Coinman
  13. "I Miss My Radio" – Performed by Jono Manson and John Coinman
  14. "Come and Get Your Love" – Performed by John Coinman
  15. "You Didn't Have to Be So Nice" – Performed by Amy Grant and Kevin Costner

Cast and crew information

On his personal website,[3] author David Brin reveals that while the studios were bidding for The Postman, his wife decided during a screening of Field of Dreams that Kevin Costner should portray The Postman. Brin agreed that the emotions evoked by Field of Dreams matched the message he intended to deliver with his novel. A decade later, after learning Costner would be cast as the lead, Brin said he was "thrilled" – more so when Costner's interpretation of the Postman's character was similar to Brin's. Costner threw out the old screenplay (in which the moral message of the novel had been reversed) and hired screenwriter Brian Helgeland; Brin says the two of them "rescued the 'soul' of the central character" and reverted the story's message back to one of hope.[4]

In an interview with Metro before filming began, Brin expressed his hope that The Postman would have the "pro-community feel" of Field of Dreams instead of the Mad Max feel of Costner's other post-apocalyptic film Waterworld. Brin said that, unlike typical post-apocalyptic movies that satisfy "little-boy wish fantasies about running amok in a world without rules", the intended moral of The Postman is that "if we lost our civilization, we'd all come to realize how much we missed it, and would realize what a miracle it is simply to get your mail every day."[5]

Reception

The Postman received negative reviews from critics.

Stephan Holden of The New York Times criticized the movie for its "bogus sentimentality" and "mawkish jingoism".[6] Roger Ebert described The Postman as "good-hearted" yet "goofy... and pretentious". However, Ebert recognized the movie as a failed parable, for which he said the viewers "shouldn't blame them for trying".[7] On Siskel & Ebert, Ebert and Gene Siskel gave the film "two thumbs down", with Siskel calling it "Dances with Myself" (in reference to Costner's Oscar-winning film Dances with Wolves) while referring to the bronze statue scene.[8]

According to review aggregator Rotten Tomatoes, 3 out of 32 film critics gave the film a positive review, with a "Rotten" score of 9% and an average rating of 3.8/10.[9] Metacritic gives the film a metascore of 29 out of 100 based on 14 reviews.

The film was subsequently released on VHS and DVD on June 9, 1998 and on Blu-ray Disc on September 8, 2009.

Box office

The film was also a notable failure at the box office. Produced on an estimated $80 million budget, it returned less than $18 million.[10][11]

Awards and nominations

Award Subject Nominee Result
Saturn Award Best Science Fiction Film Nominated
Best Supporting Actor Will Patton Nominated
Best Actor Kevin Costner Nominated
Razzie Award Worst Actor Won
Worst Director Won
Worst Picture Kevin Costner, Steve Tisch, and Jim Wilson Won
Worst Screenplay Eric Roth and Brian Helgeland, based on the book by David Brin Won
Worst Original Song The entire song selection Won

References

  1. ^ "THE POSTMAN (15)". Warner Bros. British Board of Film Classification. January 16, 1998. Retrieved August 31, 2013.
  2. ^ a b The Postman at Box Office Mojo
  3. ^ "DavidBrin.com". DavidBrin.com. December 22, 2009. Retrieved January 27, 2010.
  4. ^ Brin, David (1998), The Postman: An Impression by the Author of the Original Novel, retrieved January 15, 2012
  5. ^ Stentz, Zack (6/12/1997), "Brin on science fiction, society and Kevin Costner", Metro, retrieved August 3, 2007 {{citation}}: Check date values in: |date= (help)
  6. ^ Holden, Stephen (December 24, 1997). "Movie Review: The Postman". The New York Times. Retrieved August 3, 2007.
  7. ^ Ebert, Roger (December 25, 1997). "The Postman". Chicago Sun-Times. Retrieved August 3, 25, 2007. {{cite news}}: Check date values in: |accessdate= (help)
  8. ^ "Siskel & Ebert At The Movies – The Postman".
  9. ^ The Postman. Rotten Tomatoes. Flixter. Retrieved October 14, 2012.
  10. ^ "The Postman (1997)". Box Office Mojo. January 23, 1998. Retrieved January 27, 2010.
  11. ^ "'Titanic's' Voyage Is Steaming Ahead". Los Angeles Times. Retrieved June 3, 2012.
  • Parish, James Robert (2006), Fiasco – A History of Hollywood’s Iconic Flops, Hoboken, New Jersey: John Wiley & Sons, pp. 359 pages., ISBN 978-0-471-69159-4
  • Turner, Barnard Edward (2005), Cultural Tropes of the Contemporary American West, Lewiston, New York: Edwin Mellen, pp. 267 pages., ISBN 0-7734-6219-8
Awards
Preceded by Golden Raspberry Award for Worst Picture
18th Golden Raspberry Awards
Succeeded by