|Composition by Miles Davis|
|from the album Blue Haze|
|Recorded||March 15 and April 3, 1954|
|Producer(s)||Bob Weinstock, Ira Gitler|
|Blue Haze track listing|
The song composition officially credits Miles Davis as the writer. However, there is some controversy that the real author may be another jazz musician. The American jazz saxophonist Eddie "Cleanhead" Vinson has claimed ownership for the song, although it was originally credited to jazz trumpeter Miles Davis.
The following artists have covered this composition.
- Miles Davis – Miles Davis Quartet (1954)
- Stan Getz – West Coast Jazz (1955)
- Miles Davis – Workin' with the Miles Davis Quintet (1956)
- Gene Ammons – Jammin' in Hi Fi with Gene Ammons (1957)
- Anita O'Day – Anita O'Day Sings the Winners (1958)
- Phineas Newborn – The Great Jazz Piano of Phineas Newborn Jr. (1962)
- Sonny Rollins – Sonny Rollins & Co 1964 (1964)
- Joe Henderson – Four (1968)
- Harry Sweets Edison – Just Friends: Live at Bubba's Jazz Restaurant (1981)
- Chet Baker – Chet Baker in Tokyo (1987)
- Sam Jones – Right Down Front: The Riverside Collection (1988)
- Mulgrew Miller – From Day to Day (1990)
- Madeline Eastman – Mad About Madeline! (1991)
- Ron Affif – Vierd Blues (1993)
- Guy Barker – The Talented Mr Ripley - OST (with Pete King, Iain Dixon, Robin Aspland, Arne Somogyi and Clark Tracey) (1999)
- Anita O'Day – Complete Anita O'Day Clef/Verve Sessions (2000)
- Keith Jarrett – My Foolish Heart (2007)
- Lambert, Hendricks & Ross – Voices in Modern (2011)
Lambert, Hendricks & Ross use Davis's solo on their 1958 album "The Swingers" which caused some conflict between Hendricks and Davis.
- Yanow, Scott (2011). "Blue Haze - Miles Davis | AllMusic". allmusic.com. Retrieved 2 August 2011.
- Aebersold, Jamey (1995). Jamey Aebersold Play-A-Long - Volume 65 - Four and More. Jamey Aebersold Jazz Inc. pp. ii. ISBN 1-56224-209-1.
- Levine, Mark (1995). The Jazz theory Book. Sher Music Co. p. 388.
- Koster, Rick. Texas Music, St. Martin's Press, page 319, (2000) - ISBN 0-312-25425-3
- Levine, Mark (1995). The Jazz theory Book. Sher Music Co. p. 114.
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