Jang Kyung-ik

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In this Korean name, the family name is Jang.
Jang Kyung-ik
장경익
Born
South Korea
OccupationFilmmaker
Years active2002 to present
Employers
  • Shinsegi Telecommunications (2000 prior)
  • Megabox (2002–2008)
  • NEW (2008 to present)
Korean name
Hangul
장경익
Revised RomanizationJang Kyung-ik
McCune–ReischauerJang Kyung-ik

Jang Kyung-ik (Korean: 장경익) is a South Korean producer and entertainment executive. He is the founder member and current Next Entertainment World (NEW) head of film division and CEO of its subsidiary Studio&NEW.[1]

Jang establishing himself as a content producer in South Korea after producing major hit with the drama Descendants of the Sun, as well as film Miracle in Cell No. 7 and Train to Busan, which garnered 10 million viewers.[1][2]

Early life[edit]

During his school days, Jang Kyung-ik didn't have specific dreams, but he had a deep passion for movies.[3] He would rewatch films he liked. Movies he watched more than ten times during his school days included The Sound of Music and Graduation.[4] He tend to follow the performances of the actors rather than focusing on the director. He made sure to watch all the movies featuring Tom Hanks, Daniel Day-Lewis, and Meg Ryan.[4]

Jang's favorite movie is Chungking Express. In his 20s, he faced struggles with self-image and finding his path in life. Love also presented challenges for him. To cope, he took breaks from school and later joined the military upon receiving his mandatory military warrant. He also took a leave of absence to focus on exam preparation and left Korea for language training just one semester before graduation. Jang felt lost in a confusing world and continuously searched for answers. It was during this period that he found solace in the movie Chungking Express, which provided him with comfort.[5]

Career[edit]

Early career at Megabox[edit]

Jang majored in economics and started his first job as an office worker in the mobile telecommunications sector. Feeling frustrated with the mundane corporate life at Shinsegi Telecommunications, he decided to quit and pursue his own business. He ventured into a web animation business for two years but felt that something was missing, prompting him to explore new opportunities. In early 2002, Jang landed a job at Megabox, where the interviewer recognized his potential as a theater programmer. Through hard work, he quickly advanced in his career, eventually becoming the head of the programming team.[6][7]

As the head of Megabox's programming team, Jang Kyung-ik responsible for tasks such as theater placement and movie purchasing. The team determines which movies will be shown at Megabox's 19 theater sites nationwide. Despite not hiring film majors, the team, consisting of members with theater experience, judges movie success based on the preferences of the general audience. They focus on capturing audience emotions by carefully examining movie titles, posters, trailers, and considering press reactions, online community responses, and preview screenings. The team acknowledges the significant influence of word-of-mouth in the film industry.[8]

During his seven years at Megabox, Jang had the opportunity to meet and work with CEO Kim Woo-taek.[6][7] During his second to third year as the team leader, Jang Kyung-ik organized Japanese and European film festivals and launched the 'Movie On Style' brand. He actively participated in the marketing and distribution of high-art films, which he found incredibly fun. As Jang entered his mid-30s, his passion for movies deepened, further solidifying his lifelong dream of a career in the film industry. When contemplating the idea of starting a film company, CEO Kim Woo-taek suggested that they embark on the venture together.[3][9]

Establistment of Next Entertainment World (NEW)[edit]

In 2008, Kim Woo-taek, along with four founding members including Jang Kyung-ik as the Head of the film division, Kim Hyeong-cheol as the Head of the investment division, Kim Jae-min as the Head of the distribution division, and Park Jun-kyung as the Head of the marketing division, founded Next Entertainment World (NEW).[7] The name 'NEW' was chosen to reflect their desire for novelty and embracing new beginnings, akin to the excitement of celebrating the New Year. With 'NEW' as their company name, they constantly foster innovation and avoid clinging to outdated ideas.[3]

Jang describes the company atmosphere as a 'club culture,' where they don't have many meetings. According to Jang, as your rank increases, the amount of physical work should decrease while the amount of thinking should increase. As a result, all employees are busy. They make decisions through meetings held at most 3 to 4 times a week, with around 30 to 40% of decisions being made during these meetings. The rest is determined through back-and-forth communication.[10]

The film industry recognizes NEW's success in investing and distributing movies, partly due to their communication system. NEW employees know how to say 'no' to other people's opinions, regardless of their position. Jang appreciates the fact that employees freely express their thoughts, but it can also be challenging. He believes that the spontaneous atmosphere, similar to a college club, enables such open communication. Jang also mentioned that they don't hold individuals accountable for movies that fail at the box office. He considers success and failure as collective achievements and takes responsibility as the representative of the company.[10]

In 2010 NEW distributed nine mid-range or low-budget films, including Poongsan and Blind. Among them, six films exceeded the break-even point. The success rate is 66.7%. This is a surprising figure, considering that only 24.6% of Korean films released last year earned profit (estimated by the Korea Film Council).[11]

The company made a significant impact in 2012 with the release of blockbuster films such as Unbowed, All About My Wife, The Grand Heist, and Pietà.[12] These movies achieved better-than-expected results during the third quarter of 2012. The market's predictions were not really positive these movies managed to overcome conventional benchmarks.[13]

Director Chung Ji-young's first film after a 13-year break was Unbowed. The movie, produced and distributed by Aura Pictures, had a modest budget of ₩1.5 billion, which included marketing expenses and ₩500 million for production.[14] Ji-young expressed gratitude to the actors who agreed to work for minimal pay, praising their dedication.[15] received a remarkable 13-minute ovation during its premiere at the 2011 Busan International Film Festival.[16][17] It hit theaters on January 18, 2012, coinciding with the Lunar New Year holiday. Initially, it was screened on 245 screens, which was the second lowest among the films released that day. However, due to its growing popularity, the number of screens increased to 456 by January 24, before decreasing to 389 the following day. By January 26, the film had garnered 1.4 million admissions,[14][18] primarily due to positive word of mouth, turning it into an unexpected box office success. According to data from the Korean Film Council (KOFIC), Unbowed ranked as the third most-watched film in South Korea during the first quarter of 2012, with a total of 3.4 million admissions.[19][20]

All About My Wife, which came out following the success of Architecture 101, was not initially predicted to perform well at the box office. However, during its opening weekend from May 18 to 20, the film surpassed expectations by selling 594,195 tickets, making a significant impact by claiming the top spot at the local box office. It put up a formidable competition against Hollywood movies such as The Avengers and Men in Black 3.[21][22][23][24][25]

In a mere 19 days following its release, The Grand Heist captivated an audience of 4 million viewers, making it the seventh Korean film in 2012 to achieve this accomplishment.[26] The movie's total admissions was at a little over 4.9 million.[27][28] During its first week of release, the film secured the second position at the box office and generated a substantial gross of ₩9,615,802,659.[29] Over the course of five weeks, it accumulated a domestic total of ₩33,693,067,319,[30] solidifying its position as a standout among other summer hits such as The Amazing Spider-Man, The Last Night, The Dark Knight Rises, and The Thieves.[13]

Pietà, directed by Kim Ki-duk, proved to be an unexpected triumph.[13] It had its world premiere on September 4, 2012, as part of the competition lineup at 69th Venice International Film Festival,[31] where it won the Golden Lion.[32][33] It is the first Korean film to win the top prize at one of the three major international film festivals—Venice, Cannes and Berlin.[34][35][36][37][38][39] Following its festival success, Pieta received a theatrical release in South Korea on September 6, 2012.[40][41][42][43][44] The film's international distribution rights were acquired by 20 countries, including Italy, Germany, Russia, Norway, Turkey, Hong Kong, and Greece.[45] Notably, independent distributor, Drafthouse Films handled the theatrical release of Pieta in North America.[46]

Building on 2012 success, NEW continued to captivate audiences in 2013 with hits such as Miracle in Cell No. 7. Within its first two weeks of release, the film garnered an impressive 4.6 million admissions, equivalent to over US$30 million, thanks to strong positive reception and word of mouth. Despite the release of The Berlin File, the film managed to attract 15% more audience members in its third week, with seat bookings reaching an impressive 75.8%.[47][48][49] After just 32 days in theaters, the film achieved a significant milestone by becoming the eighth film in Korean cinema history to surpass 10 million ticket sales.[50][51][52][53] This was especially notable since Miracle in Cell No. 7 had a modest budget with a break-even point of 1.7 million admissions, resulting in the highest profit among all films that crossed the 10 million mark.[54] Continuing its success, the film surpassed 12 million viewers within 46 days of its release.[55][56] By March 15, 2013, a total of 52 days after its initial release, ticket sales reached an impressive 12.32 million, securing its position as the seventh highest grossing Korean film of all time.[57][58][59]

NEW surpassed competitors like CJ E&M, Showbox, and Lotte, and ranked first in terms of audience with the success of Miracle in Cell No. 7, Hide and Seek (5.6 Million viewers), and New World (4.68 Million viewers).[60][61]

The Attorney marked director Yang Woo-suk's directorial debut and was the third work by withUs Film.[62] The film drew inspiration from the real-life Burim case that unfolded in 1981 during the authoritarian Chun Doo-hwan regime. It follows the transformative journey of Song Woo-seok, portrayed by Song Kang-ho, a struggling tax lawyer who faces five intense trials and forms significant relationships along the way.[63] The concept for the movie was conceived by Choi Jae-won (withUs Film CEO) and Yang Woo-suk around early May 2012.[64]

CJ and Showbox had already shown interest in becoming distributors of the film. However, Jang Kyung-ik, called Choi Jae-won to express his disappointment, asking why the proposal had not been shared with him. NEW's CEO, Kim Woo-taek, also reached out to Choi Jae-won personally. Eventually, withUs Film and NEW signed an investment and distribution agreement.[62] NEW persistence paid off as The Attorney, with a production cost of approximately ₩7.5 billion, achieved tremendous success at the box office.[65] It sold over 11 million tickets and generated ₩82.9 billion in revenue. Currently, the film holds the 15th position among the highest-selling Korean films of all time and was the second highest-grossing Korean film in 2013.[66][67][68]

After 2013, 2014 was a period of recession for New. The ambitiously released Sea Fog and the action film Big Match failed commercially. Jang saw this as a period of downturn and reorganized the organization.[69]

2016 was the biggest boom since NEW founding. In the first half of the year, the ambitious drama business sector was a huge success. Descendants of the Sun became a huge hit, exceeding 38% in viewership ratings.[70]

Train to Busan had a budget of $8.5 million[71] and is built upon an original story conceived by Park Joo-suk.[72][73] The film, directed by Yeon Sang-ho, features a talented cast including Gong Yoo, Jung Yu-mi, Ma Dong-seok, Kim Su-an, Choi Woo-shik, Ahn So-hee and Kim Eui-sung.[74] The majority of the story unfolds on a KTX train journey from Seoul to Busan where a sudden zombie apocalypse erupts in the country, jeopardizing the safety of the passengers.[73]

The film premiered in the Midnight Screenings section of the 2016 Cannes Film Festival on 13 May.[75][76][77][78] Then, on August 7, it achieved a significant milestone by becoming the first Korean film of 2016 to surpass 10 million theatergoers, breaking audience record.[79][80] The film's impressive performance continued at the box office, grossing $80.5 million in South Korea, $2.2 million in the United States and Canada, and $15.8 million in other territories. Accordingly, its cumulative worldwide gross reached an impressive sum of $98.5 million.[81]

Studio&NEW[edit]

Studio&NEW (스튜디오앤뉴) was established in September 2016 with the objective of delivering high-quality content in the movie and drama sectors, drawing upon the production capabilities demonstrated in Descendants of the Sun.[82][83] In the year end of 2016, Jang Kyung-ik was appointed as CEO of Studio&NEW. Effectively from June 28, 2017, NEW (Next Entertainment World, CEO Kim Woo-taek) appointed Park Jun-kyung to assume the role of CEO for the NEW Film Division.[84][85][86]

In 2017, CEO Jang Kyung-ik, unveiled Studio&NEW's drama lineup and made an official announcement about signing a memorandum of understanding (MOU) with the broadcaster JTBC.[87]

Filming for The Great Battle commenced on August 23, 2017, and concluded on January 24, 2018.[88][89] Due to limited available information about the actual battle, director Lee Kwang-Sik had to extensively study approximately 100 publications from Japan and China.[90] He also expanded his research to gather more details about Yang Manchun, whose information was similarly scarce.[90] Due to a lack of sources, the director just referenced sources he had and filled the gaps with cinematic imagination.[91]

The film had its premiere in South Korea on September 19, 2018, with age 12-rating.[92] The film was released alongside Fengshui, The Negotiation, and The Nun, considered the most competitive week on Korean Box Office in 2018.[93] The Great Battle, which invested 15 billion won in net production costs, barely passed the break-even point. It recorded 4.52 million viewers as of September 30.[94] It was also released in North America on September 21, 2018. By September 21, the film had secured distribution deals in more than 32 countries, with release dates scheduled for October 2018 in the United Kingdom, Vietnam, Australia, New Zealand, Taiwan, and Singapore.[95] It was released on V.O.D on October 24, 2018.[96]

In January 2018, Studio&NEW attracted Series A worth 34.3 billion won from KT Skylife and others.[97] It was also expanding its business area to include Actor management.[98]

In early September 2019, Studio&NEW attracted Series B investment worth 22 billion won through common stock issuance. The cumulative investment amount is 56.3 billion won.[97]

On January 9, 2019, NEW (Next Entertainment World/Chairman Kim Woo-taek), appointed Jang Kyung-ik, the CEO of Studio&NEW, as the new CEO of its film division. From February 1, CEO Jang Kyung-ik served as the head of the film division and CEO of Studio&NEW simultaneously.[99]

In November 2020, Studio&NEW and Geumwol, film production company owned by Park Hoon-jung, signed an equity investment contract.[100]

On April 29, 2021, Studio&NEW (CEO Jang Kyung-ik) announced that it has entered into a long-term content partnership with Disney and will continue to showcase content produced by Studio&NEW through Disney+ in the future.[101]

In August 2023, Studio&NEW decided to close its actor management business to focus on content planning and production. Consequently, employees and actors belonging to the management business division received support in finding a new home.[102]

Filmography[edit]

Film[edit]

Feature film credit produced by NEW
Year Title Ref.
English Original
2008 Cyborg She 僕の彼女はサイボーグ [103]
2009 A Season of Good Rain 호우시절 [104]
2010 Poetry 시 [105]
Death Bell 2: Bloody Camp 고死 두번째 이야기 : 교생실습 [106]
Haunters 초능력자 [107]
Late Blossom 그대를 사랑합니다 [108]
Hello Ghost 헬로우 고스트 [109]
2011 Poongsan 풍산개 [110]
Blind 블라인드 [111]
Marrying the Mafia IV 가문의 영광4 - 가문의 수난 [112]
Unbowed 부러진 화살 [113]
Come Rain, Come Shine 사랑한다, 사랑하지 않는다 [114]
The Cat 고양이: 죽음을보는 두개의눈 [115]
2012 Dangerously Excited 나는 공무원이다 [116]
Miss Conspirator 미쓰 GO [117]
The Grand Heist 바람과 함께 사라지다 [118]
Pietà 피에타 [119]
Ghost Sweepers 점쟁이들 [120]
Love Fiction 러브 픽션 [121]
All About My Wife 내 아내의 모든 것 [122]
Love 911 반창꼬 [123]
2013 The Attorney 변호인 [124]
Cold Eyes 감시자들 [125]
Miracle in Cell No. 7 7번방의 선물 [126]
New World 신세계 [127]
The Fake 사이비 [128]
Hide and Seek 숨바꼭질 [129]
2014 Sea Fog 해무 [130]
For the Emperor 황제를 위하여 [131]
Fashion King 패션왕 [132]
Man in Love 남자가 사랑할 때 [133]
2015 Twenty 스물 [134]
Chronicle of a Blood Merchant 허삼관 [135]
The Phone 더 폰 [136]
Northern Limit Line 연평해전 [137]
The Beauty Inside 뷰티 인사이드 [138]
You Call It Passion 열정 같은 소리 하고 있네 [139]
The Tiger 대호 [140]
2016 Train to Busan 부산행 [141]
Pandora 판도라 [142]
2017 Because I Love You 사랑하기 때문에 [143]
The Mimic 장산범 [144]
2017 The King 더킹 [145]
Lucid Dream 루시드 드림 [146]
One Line 원라인 [147]
What a Man Wants 바람 바람 바람 [148]
The Villainess 악녀 [149]
Steel Rain 강철비 [150]
2018 Psychokinesis 염력 [151]
Herstory 허스토리 [152]
Believer 독전 [153]
The Great Battle 안시성 [154]
Rampant 창궐 [155]
2019 Homme Fatale 기방도령 [156]
Birthday 생일 [157]
Inseparable Bros 나의 특별한 형제 [158]
Cheer Up, Mr. Lee 힘을 내요, 미스터 리 [159]
Start-Up 시동 [160]
2020 Honest Candidate 정직한 후보 [161]
Peninsula 반도 [162]
Night in Paradise 낙원의 밤 [163]
The Call 콜 [164]
2021 Hostage: Missing Celebrity 인질 [165]
Perhaps Love 장르만 로맨스 [166]
2022 Special Delivery 특송 [167]
The Witch: Part 2. The Other One 마녀 2: the other one [168]
Honest Candidate 2 정직한 후보 2 [169]
The Night Owl 올빼미 [170]
2023 Soulmate 소울메이트 [171]
Long D 롱디 [172]
The Childe 귀공자 [173]
Smugglers 밀수 [174]
Marrying the Mafia: Returns 가문의 영광:리턴즈 [175]

Television Series[edit]

Television drama credits
Year Title Network Director Production house Ref.
English Korean
2016 Descendants of the Sun 태양의 후예 KBS2
  • KBS
  • Next Entertainment World
  • Barunson Inc.
  • Descendants of the Sun SPC
 [176]
2018 Ms. Hammurabi 미스 함무라비 JTBC Kwak Jung-hwan Studio&NEW [177]
The Beauty Inside 뷰티 인사이드 Song Hyun-wook
  • Studio&NEW
  • Yong Film
 [178]
2019 Chief of Staff 보좌관 Kwak Jung-hwan
  • Studio&NEW
 [179][180]
2020 Oh My Baby 오 마이 베이비 tvN Nam Ki-hoon
[181]
Graceful Friends 우아한 친구들 JTBC Song Hyun-wook
  • Studio&NEW
  • SLL
  • JCN
 [182]
2020–2021 Delayed Justice 날아라 개천용 SBS TV Kwak Jung-hwan
  • Studio&NEW
 [183]
2021 Doom at Your Service 어느 날 우리 집 현관으로 멸망이 들어왔다 tvN Kwon Young-il
[184]
The Devil Judge 악마판사 Choi Jung-kyu [185]
2023 Doctor Cha 닥터 차정숙 JTBC
  • Kim Dae-jin
  • Kim Jung-wook
  • Studio&NEW
  • SLL
  • JCN
 [186][187]
2023–2024 Tell Me That You Love Me 사랑한다고 말해줘 ENA Kim Yoon-jin
  • Studio&NEW
  • Artist Studio
 [188]

Web series[edit]

Web series
Year Title OTT Director Production house Credited as Ref.
English Korean Planner Investor
2022 Rookie Cops 너와 나의 경찰수업 Disney+ Kim Byung-soo
  • Studio&NEW
  • The Walt Disney Company (Korea)
 No Yes [189]
2023 Moving 무빙 Park In-je
  • Studio&NEW
  • Mr. Romance
  • The Walt Disney Company (Korea)
 Yes Yes [190][191]
2024 The Tyrant 폭군 Park Hoon-jung
  • Goldmoon
  • Studio&NEW
 No Yes [192][193]

Accolades[edit]

Award and nomination[edit]

Award Year Category Nominee(s) / work(s) Result Ref.
APAN Star Awards 2023 Drama of the Year Moving Nominated [194]
Asia Contents Awards & Global OTT Awards 2023 Best Creative Won [195]
Best Visual Effects Won
Critics' Choice Awards 2024 Best Foreign Language Series Nominated [196]
Grand Bell Awards 2023 Best Series Won [197][198]

Listicles[edit]

Name of publisher, year listed, name of listicle, and placement
Publisher Year Listicle Placement Ref.
Cine21 2023 Production Company of the Year Won [199]

References[edit]

  1. ^ a b "[인사] NEW, 장경익 영화부문 대표이사 선임" [[Greetings] NEW, Jang Kyung-ik appointed CEO of the film department]. 스포츠한국 (in Korean). 2019-01-09. Retrieved 2024-01-21.
  2. ^ "[장경익] 결국 영화로, 영화의 힘으로 가는 거다" [[Jang Kyung-ik] After all, it's going to the power of a movie, a movie.]. Cine21 (in Korean). 2015-04-29. Retrieved 2024-01-21.
  3. ^ a b c Kim, Hyo-won. "[엔터비즈]영화 '부산행' 투자배급사 NEW 장경익 영화부문대표 "100년 기업 만드는 게 꿈"" [[Enterbiz] Movie 'Busan' Investment Distribution Company NEW Jang Kyung-ik, CEO of the Film Division "Dream of Creating a 100-Year Company"]. entertain.naver.com (in Korean). Retrieved 2024-01-21.
  4. ^ a b Kim, Ji-hye (2016-09-01). "[인터뷰①] NEW 장경익 대표 "'뉴스럽다'는 말 가장 기분 좋아"" [[Interview①] NEW CEO Jang Kyung-ik "The word 'new' is the most pleasant"]. entertain.naver.com (in Korean). Retrieved 2024-01-22.
  5. ^ "장경익의 <중경삼림> 계속 울기만 할 거야?" [Jang Kyung-ik's <Chungking Express> Are you just going to keep crying?]. Cine21 (in Korean). 2017-10-18. Retrieved 2024-01-22.
  6. ^ a b "(영화)관을 짜는 사람, 극장 프로그램팀의 A-to-Z". entertain.naver.com (in Korean). Retrieved 2024-01-21.
  7. ^ a b c "[K-프로듀서스] ⑭ NEW 영화 사업부문 장경익 대표" [[K-Producers] ⑭ NEW Jang Kyung-ik, CEO of the Film Division]. Naver News (in Korean). 2014-04-12. Retrieved 2024-01-22.
  8. ^ "극장 흥행 감별사, "관객의 눈높이 맞추는 것이 흥행포인트"". No Cut News. 2007-04-02. Retrieved 2024-01-22.
  9. ^ w_admin (2013-10-10). "신세계의 영화". W korea (in Korean). Retrieved 2024-01-21.
  10. ^ a b ""실패에 대한 책임을 묻지 않는다"". Weekly Chosun (in Korean). 2013-09-15. Retrieved 2024-01-21.
  11. ^ ""불리한 현실이 우리에게는 강점이 되었다"". Sisa Journal (in Korean). 2012-03-19. Retrieved 2024-01-22.
  12. ^ Kim, Gun-woo. "NEW의 흥행타율 비결요? '싸이스러움' 이랄까요" [The secret of NEW's box office hit rate? It's like 'psysiness'.]. Naver News (in Korean). Retrieved 2024-01-21.
  13. ^ a b c "[인터뷰] NEW 영화사업부 장경익 대표 ① 방향 "편당 수익률 높이고 싶다"" [[Interview] NEW Jang Kyung-ik, CEO of the film business department, ① direction "I want to increase the rate of return per episode"]. 맥스무비 (in Korean). Retrieved 2024-01-22.
  14. ^ a b "Low-Budget Film 'Unbowed' Sweeps Box Office". The Chosun Ilbo. 31 January 2012. Retrieved 2012-11-18.
  15. ^ Lee, Claire (22 November 2012). "Director examines the world of Korean cinema". The Korea Herald. Retrieved 2012-11-25.
  16. ^ Lee, Hyo-won (22 December 2011). "'Unbowed' brings gripping, honest realism". The Korea Times. Retrieved 2012-11-18.
  17. ^ "Korean movie 'Unbowed' to open FIFF". The Korea Times. 8 May 2012. Retrieved 2012-11-18.
  18. ^ "'Unbowed' flying high at box office, reviving attention to forgotten case". The Korea Herald. 26 January 2012. Retrieved 2012-11-18.
  19. ^ Hong, Lucia (9 April 2012). "Korean movies notch up higher number in 1Q ticket sales". 10Asia. Retrieved 2012-11-18.
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  21. ^ Hong, Lucia (21 May 2012). "All About My Wife makes debut atop local box office, pushes The Avengers moves down to No. 2". 10Asia. Retrieved 2013-02-03.
  22. ^ Oh, Mi-jung (3 June 2012). "All About My Wife Hit 2.5 Million Mark Faster than Architecture 101"[permanent dead link]. enewsWorld. Retrieved 2013-02-03.
  23. ^ "All About My Wife Hits 3 Million Viewers". Soompi. 10 June 2012. Retrieved 2013-02-03.
  24. ^ "All About My Wife Having Breakthrough Of 4 Million Domestic Audience Comes To Theaters In North America". Korea Portal. 24 June 2012. Retrieved 2013-02-03.
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  26. ^ Lee, Claire (27 August 2012). "Korean movies dominate box office". The Korea Herald. Retrieved 2012-11-18.
  27. ^ "The Grand Heist Lures 4.6 Million Cinemagoers". The Chosun Ilbo. 4 September 2012. Retrieved 2012-11-18.
  28. ^ "The Grand Heist 2nd top-selling homegrown film for 2012". The Korea Times. 7 September 2012. Retrieved 2012-11-18.
  29. ^ "South Korea Box Office: August 10–12, 2012". Box Office Mojo. Retrieved 2013-01-26.
  30. ^ "South Korea Box Office: September 7–9, 2012". Box Office Mojo. Retrieved 2013-01-26.
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External links[edit]

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