Let It Bleed
|Let It Bleed|
|Studio album by The Rolling Stones|
|Released||5 December 1969|
|Recorded||November 1968, February–November 1969|
|Studio||Olympic Studios, London; Elektra Studios, Los Angeles|
|Genre||Hard rock, blues, country blues|
|The Rolling Stones chronology|
|Singles from Let It Bleed|
Let It Bleed is the eighth British and tenth American album by the English rock band the Rolling Stones, released in December 1969 by Decca Records in the United Kingdom and London Records in the United States. Released shortly after the band's 1969 American Tour, it is the follow-up to 1968's Beggars Banquet and the last album by the band to feature Brian Jones as well as the first to feature Mick Taylor.
Although the Stones had begun the recording of "You Can't Always Get What You Want" in November 1968, before Beggars Banquet had been released, recording for Let It Bleed began in earnest in February 1969 and would continue sporadically until early November" Brian Jones performs on only two tracks: playing the autoharp on "You Got the Silver", and percussion on "Midnight Rambler". His replacement, Mick Taylor, plays guitar on two tracks, "Country Honk" and "Live With Me", as well as on "Honky Tonk Women" which was recorded during the Let It Bleed sessions. Keith Richards, who had already shared vocal duties with Mick Jagger on "Connection" and sung separate lead vocals on parts of "Something Happened to Me Yesterday" and "Salt of the Earth", sang his first solo lead vocal on a Rolling Stones recording with "You Got the Silver". The London Bach Choir sang on "You Can't Always Get What You Want" but publicly disassociated itself from the album, citing what author Stephen Davis terms its "relentless drug ambience".
Let It Bleed was originally slated for release in July 1969. Although "Honky Tonk Women" was released as a single that month, the album itself suffered numerous delays and was eventually released in December 1969, after the band's US tour for it had already completed. The majority of the album was recorded at Olympic Studios in London, with further work taking place at Elektra Studios in Los Angeles while the Stones prepared for the tour. The Los Angeles-recorded portions included overdubs by guest musicians Merry Clayton (on "Gimme Shelter"), Byron Berline (on "Country Honk"), and Bobby Keys and Leon Russell (on "Live With Me").
Music and lyrics
|This section requires expansion. (July 2015)|
|Problems playing this file? See media help.|
According to Don Heckman from The New York Times, Let It Bleed was a "heavy" and "passionately erotic" album of hard rock and blues, influenced by African-American music. Richie Unterberger, writing for AllMusic, said it "extends the rock and blues feel of Beggars Banquet into slightly harder-rocking, more demonically sexual territory." Mojo magazine's James McNair felt the record had an emphasis on "earthy" country blues.
The album cover displays a surreal sculpture designed by Robert Brownjohn. The image consists of the Let It Bleed record being played by the tone-arm of an antique phonograph, and a record-changer spindle supporting several items stacked on a plate in place of a stack of records: a tape canister labelled Stones – Let It Bleed, a clock dial, a pizza, a tyre and a cake with elaborate icing topped by figurines representing the band. The cake parts of the construction were prepared by then-unknown cookery writer Delia Smith. The reverse of the LP sleeve shows the same "record-stack" melange in a state of disarray. The artwork was inspired by the working title of the album, which was Automatic Changer.
Release and reception
|Encyclopedia of Popular Music|||
|The Great Rock Discography||9/10|
|The Rolling Stone Album Guide|||
Released in December, Let It Bleed reached number 1 in the UK (temporarily demoting The Beatles' Abbey Road) and number 3 on the Billboard Top LPs chart in the US, where it eventually went 2x platinum. In a contemporary review for Rolling Stone magazine, music critic Greil Marcus said that the middle of the album has "great" songs, but "Gimme Shelter" and "You Can't Always Get What You Want" "seem to matter most" because they "both reach for reality and end up confronting it, almost mastering what's real, or what reality will feel like as the years fade in."
Let It Bleed was the Stones' last album to be released in an official mono version, which is rare and highly sought-after today. The album was released in US as an LP record, reel to reel tape and 8-track cartridge in 1969, and as a remastered CD in 1986. In August 2002, it was reissued in a remastered CD and SACD digipak by ABKCO Records, and once more in 2010 by Universal Music Enterprises in a Japanese only SHM-SACD version.
According to Rolling Stone, Let It Bleed is the second of the Stones' run of four studio LPs that are generally regarded as among their greatest achievements artistically, equalled only by the best of their great 45's from that decade. The other three albums are Beggars Banquet (1968), Sticky Fingers (1971) and Exile on Main St. (1972). In a retrospective review, NME magazine said that the album "tugs and teases" in various musical directions and called it "a classic". In his 2001 Stones biography, Stephen Davis said of the album "No rock record, before or since, has ever so completely captured the sense of palpable dread that hung over its era." In a five-star review for Rolling Stone in 2004, Gavin Edwards praised Keith Richard's guitar playing throughout the album and stated, "Whether it was spiritual, menstrual or visceral, the Stones made sure you went home covered in blood." Jason McNeil of PopMatters wrote that Beggars Banquet and Let It Bleed are "the two greatest albums the band’s (or anyone’s) ever made".
In 2000, Q magazine ranked it at number 28 in its list of "The 100 Greatest British Albums Ever". In 2001, the TV network VH1 placed Let It Bleed at 24th on their "100 Greatest Albums of R 'n' R" survey. In 1997, it was voted the 27th "Best Album Ever" by The Guardian. In 2003, Rolling Stone ranked it at number 32 on the magazine's list of the "500 Greatest Albums of All Time".
The track listing on the back of the album jacket did not follow the one on the album itself. According to Brownjohn, he altered it purely for visual reasons; the correct order was shown on the record's label. Additionally, "Gimme Shelter" is rendered as "Gimmie Shelter" on the jacket.
All songs written by Mick Jagger and Keith Richards, except "Love in Vain" by Robert Johnson. Early US editions of the album credit the song to Woody Payne, a pseudonym used by a music publisher of the songs of Robert Johnson.
|2.||"Love in Vain"||4:19|
|4.||"Live with Me"||3:33|
|5.||"Let It Bleed"||5:26|
|2.||"You Got the Silver"||2:51|
|4.||"You Can't Always Get What You Want"||7:28|
The Rolling Stones
- Mick Jagger – lead vocals (except "You Got the Silver"); harmonica on "Gimme Shelter" and "Midnight Rambler"
- Keith Richards – guitars on all tracks; bass guitar on "Live with Me"; backing vocals on "Gimme Shelter", "Country Honk" and "Monkey Man"; lead vocals on "You Got the Silver"
- Brian Jones – congas on "Midnight Rambler"; autoharp on "You Got the Silver"
- Mick Taylor – slide guitar on "Country Honk"; guitars on "Live with Me"
- Bill Wyman – bass guitar (except "Country Honk" and "Live with Me"); autoharp on "Let It Bleed"; vibes on "Monkey Man"
- Charlie Watts – drums (except "You Can't Always Get What You Want")
- Ian Stewart – piano on "Let It Bleed"
- Nicky Hopkins – piano on "Gimme Shelter", "Live with Me", "You Got the Silver" and "Monkey Man"; organ on "You Got the Silver"
- Byron Berline – fiddle on "Country Honk"
- Merry Clayton – vocals on "Gimme Shelter" (credited as "Mary Clayton" on the LP and 2002 CD remaster)
- Ry Cooder – mandolin on "Love in Vain"
- Bobby Keys – tenor saxophone on "Live with Me"
- Jimmy Miller – percussion on "Gimme Shelter"; drums on "You Can't Always Get What You Want"; tambourine on "Monkey Man"
- Leon Russell – piano and horn arrangement on "Live with Me"
- Jack Nitzsche – choral arrangements on "You Can't Always Get What You Want"
- Al Kooper – piano, French horn and organ on "You Can't Always Get What You Want"
- Nanette Workman – backing vocals on "Country Honk" and "You Can't Always Get What You Want" (not actress Nanette Newman as credited on the LP)
- Doris Troy – backing vocals on "You Can't Always Get What You Want"
- Madeline Bell – backing vocals on "You Can't Always Get What You Want"
- Rocky Dijon – percussion on "You Can't Always Get What You Want"
- The London Bach Choir – vocals on "You Can't Always Get What You Want"
|1969||UK Albums Chart||1|
|1969||Billboard Pop Albums||3|
Abbey Road by The Beatles
|UK Albums Chart number-one album
20 – 27 December 1969
Abbey Road by The Beatles
|United States||RIAA||2× Platinum|
- Egan, Sean (2005). Rolling Stones and the making of Let It Bleed. Unanimous Ltd. pp. 206–. ISBN 1 90331 877 7.
- Decca. "Inner sleeve credits". Retrieved 13 July 2012.
- Davis, Stephen (2001). Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones. New York, NY: Broadway Books. p. 306. ISBN 0-7679-0312-9.
- Bonanno, Massimo (1990). The Rolling Stones Chronicle. London: Plexus Publishing. pp. 86, 93. ISBN 0-207-16940-3.
- Wyman, Bill (2002). Rolling with the Stones. London: Dorling Kindersley. p. 356. ISBN 0-7513-4646-2.
- Davis, Stephen (2001). Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones. New York, NY: Broadway Books. pp. 304, 305. ISBN 0-7679-0312-9.
- Heckman, Don (28 December 1969). "Pop: No, The Rolling Stones are Not Fascists; Mick's Not Fascist". The New York Times. p. D24. Retrieved 21 June 2013. (subscription required)
- Unterberger, Richie. "Let It Bleed". AllMusic. Retrieved 17 June 2015.
- "The Rolling Stones Top 10 Albums" > "2. Let It Bleed". mojo4music.com. Retrieved 11 September 2015.
- Robert Brownjohn from the Design Museum website
- Delia Smith from loog2stoned.com
- Back cover image from the Design Museum website
- Wyman, Bill. 2002. Rolling With the Stones
- "Classic Album Covers: Issue Date – 7 January 2010". Royal Mail. Retrieved 8 January 2010.
- Michaels, Sean (8 January 2010). "Coldplay album gets stamp of approval from Royal Mail". The Guardian (London). Retrieved 8 January 2010.
- "The Rolling Stones Let It Bleed". Acclaimed Music. Retrieved 15 November 2014.
- "Let It Bleed CD". Muze Inc. Retrieved 21 June 2008.
- Graff, Gary; Durchholz, Daniel (eds) (1999). MusicHound Rock: The Essential Album Guide. Farmington Hills, MI: Visible Ink Press. pp. 950, 952. ISBN 1-57859-061-2.
- "Review: Let It Bleed". NME (London): 46. 8 July 1995.
- Edwards, Gavin (2 September 2004). "Review: Let It Bleed". Rolling Stone (New York): 147.
- "The Rolling Stones: Album Guide". rollingstone.com. Archived version retrieved 15 November 2014.
- "Album Reviews: The Rolling Stones – Let it Bleed". Rolling Stone. Retrieved 31 October 2009.
- Walsh, Christopher (24 August 2002). "Super audio CDs: The Rolling Stones Remastered". Billboard. p. 27.
- Steven Van Zandt. "The Immortals – The Greatest Artists of All Time: 4) The Rolling Stones". The RollingStone. Retrieved 31 October 2009.
- MacNeil, Jason (23 August 2004). "The Rolling Stones: Beggars Banquet / Let it Bleed". PopMatters. Retrieved 31 October 2009.
- "Let It Bleed". Rolling Stone. January 2003. Retrieved 21 August 2011.
- Record Retailer
- "The Rolling Stones Complete Hit Albums List (1964–2008)". BeatZenith. Retrieved 24 July 2009.