|Directed by||Siddiq Barmak|
|Written by||Siddiq Barmak|
|Produced by||Julia Fraser|
Julie Le Brocquy
Zabih ullah Frotan
|Edited by||Siddiq Barmak|
|Music by||Mohammad Reza Darvishi|
|Distributed by||A-Film Distribution (Netherlands)|
ICA Film Distribution (UK/Ireland)
Osama (Dari: اُسامه, romanized: Osamah) is a 2003 drama film made in Afghanistan by Siddiq Barmak. The film follows a preteen girl living in Afghanistan under the Taliban regime who disguises herself as a boy, Osama, to support her family. It was the first film to be shot entirely in Afghanistan since 1996, when the Taliban regime banned the creation of all films. The film is an international co-production between companies in Afghanistan, the Netherlands, Japan, Ireland, and Iran.
Although the title of the film highlights an allegorical relevance to Osama bin Laden, there is no further similarity. The film takes place during the Taliban regime in Afghanistan, which is especially repressive for women.
In Taliban-ruled Afghanistan, women must wear burqas to cover themselves and are banned from working outside the home. This causes difficulty for a family consisting of only an unnamed young girl, her mother, and her grandmother, whose male relatives were killed in battle during the Soviet invasion and subsequent civil wars. The mother loses her hospital job when the Taliban cuts off funding, and cannot find other work.
Desperate, the mother and grandmother decide to have the young girl disguise herself as a boy so that she can get a job. To persuade the girl to accept the plan, the grandmother tells her an Afghan fable about a boy who became a girl when he went under a rainbow. The girl reluctantly agrees, despite being afraid that the Taliban will kill her if they discover her masquerade. They cut her hair, and the girl plants a lock of it in a flowerpot. The only other people who know of the ruse are the milk vendor, who gives her a job because he was a friend of her deceased father, and a local boy named Espandi who sees through her disguise. It is Espandi who renames the girl Osama.
The masquerade becomes more difficult when the Taliban draft all the local boys into their madrasa, a religious and military training school for boys. They are taught how to fight and conduct ghusl, ritual ablutions, including one for when they experience a nocturnal emission or, when they are older, have sex with their wives. Osama attempts to avoid joining the ablution session, and the schoolmaster grows suspicious of her. She realises that she will inevitably be found out. Several of the boys begin to pick on her. Espandi is able to protect her at first, but her secret is discovered when she begins to menstruate.
Osama is arrested and put on trial along with two other people. The others are condemned and put to death, but as Osama is destitute and helpless, her life is spared; she is instead given in marriage to a much older man. He already has three wives, all of whom hate him and say he has destroyed their lives. The wives take pity on Osama, but are powerless to help her. The husband shows her the padlocks he uses on his wives' rooms, reserving the largest for her. The film ends with the new husband conducting an ablution in an outdoor bath, which the boys were earlier taught to conduct after ejaculation.
- Marina Golbahari – Osama
- Arif Herati – Espandi
- Zubaida Sahar – Mom
- Gol Rahman Ghorbandi – Lady No. 1
- Mohamad Haref Harat – Lady No. 2
- Mohamad Nader Khadjeh – Lady No. 3
- Khwaja Nader – Jadi
- Hamida Refah – Rohmi
Siddiq Barmak's inspiration was found in a news story he read while in Peshawar, Pakistan. The paper told the story of a girl who had dressed as a boy to attend school but was eventually discovered by the Taliban. Barmak would go on to add elements of other stories that were shared with him by people who had lived in Afghanistan under Taliban rule culminating with the story of the film.
The film was shot on location in Kabul. Work began in June 2002 and was completed in March 2003 with a budget of approximately $46,000 US$. All the actors in the film are amateurs found by the director on the streets of Kabul. Much of the dialogue was improvised by the actors.
Osama was originally titled Rainbow and ended on a hopeful note, with Osama passing under a rainbow and gaining her freedom. As time went on, Barmak grew dissatisfied with the ending, describing it as unrealistic for post-war Afghanistan. He changed the ending and title to reflect his feeling that Afghan women were still not truly free at the time he made the film.
Osama was very well received by the Western cinematic world. It gathered a rating of 96% based on 100 reviews collected by Rotten Tomatoes, a website which tabulates the reviews from professional film critics into a single rating. Writing for feminist magazine Off our backs, Priya Verma described the film as "gripping and unflinching." She worried that the film might seem unduly negative toward Islam, but concluded that Barmak's focus was the authoritarian control tactics employed by the Taliban against women contributed, rather than Islam in general. In The Hudson Review, Bert Cardullo pointed out the film's intentional omission of any spoken female names, emphasizing the casual, unthinking oppression of females under the Taliban regime.
Awards and nominations
- Awarded: Special Mention
- Nominated: Grand Prix for F1
- Awarded: AFCAE Award
- Awarded: Cannes Junior Award
- Awarded: Golden Camera – Special Mention
- Awarded: Best Actress – Marina Golbahari
- Nominated: Lino Brocka Award
- Awarded: Golden Globe Best Foreign Language Film – Afghanistan
- Nominated: Golden Satellite Award Best Motion Picture, Foreign Language – Afghanistan
- Won: Golden Trailer Best Foreign
- Won: Sutherland Trophy
- Won: Best Film Award Best Full – Length Fiction Film
- Won: Best Young Actor Award – Marina Golbahari
- Won: New Currents Award – Special Mention
- Won: PSB Audience Award
- Won: Golden Spike
- Nominated: Young Artist Award Best International Feature Film
- Bacha posh, the practice depicted in the film where a family without sons may pick a daughter to live as a boy
- The Breadwinner, a 2017 film with a similar premise.
- Cross-dressing in film and television
- "OSAMA (12A)". British Board of Film Classification. 12 December 2003. Retrieved 19 April 2013.
- Osama at Box Office Mojo
- Verma, Priya (2006). "Osama". Off Our Backs. 36 (3): 46. ISSN 0030-0071. JSTOR 20838657.
- Basoli, A.G.; Barmak, Siddiq (2004). "Emerging from the Taliban's Grim Legacy: An Interview with Siddiq Barmak". Cinéaste. 29 (3): 38–41. ISSN 0009-7004. JSTOR 41690254.
- "Osama and Afghan cinema: an interview with Siddiq Barmak". Opendemocracy.net. Archived from the original on 24 June 2018. Retrieved 23 June 2018.
- "Tri City Voice: Interview with Osama director, Siddiq Barmak by Christopher Cobb - February 17, 2004". Tricityvoice.com. Retrieved 23 June 2018.
- "Osama and Afghan cinema: an interview with Siddiq Barmak". openDemocracy. Retrieved 23 January 2019.
- "OUT-TAKES: The Power of Osama". The Brooklyn Rail. April 2004. Retrieved 23 January 2019.
- "Osama (2003)". Rotten Tomatoes. Retrieved 14 July 2010.
- Cardullo, Bert (2005). Entertainment (ed.). "An Afghan Is a Woman". The Hudson Review. 58 (2): 306–307. ISSN 0018-702X. JSTOR 30044778.