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For other uses, see Oberon (disambiguation).
The Quarrel of Oberon and Titania (1846) by Joseph Noel Paton

Oberon (also spelled Auberon) is a king of the fairies in medieval and Renaissance literature. He is best known as a character in William Shakespeare's play A Midsummer Night's Dream, in which he is Consort to Titania, Queen of the Fairies.[1]

Merovingian legend[edit]

Oberon's status as king of the fairies comes from the character of Alberich (from Old High German alb- "elf" and -rîh-, "ruler", "king"), a sorcerer in the legendary history[which?] of the Merovingian dynasty. In the legend, he is the otherworldly "brother" of Merowech, whose name is the eponym of the Merovingians but whose actual existence is unproven. Alberich wins for his eldest son Walbert the hand of a princess of Constantinople.[citation needed] In the Nibelungenlied, a Burgundian poem written around the turn of the 13th century, Alberich guards the treasure of the Nibelungen, but is overcome by Siegfried.

French heroic song[edit]

The name Oberon got its literary start in the first half of the 13th century from the fairy dwarf Oberon who helps the hero in the chanson de geste titled Les Prouesses et faitz du noble Huon de Bordeaux. Huon, son of Seguin count of Bordeaux, passed through the forest where he lived. He was warned by a hermit not to speak to Oberon, but his courtesy had him answer Oberon's greetings, and so gain his aid in his quest. Huon had killed Charlot, the Emperor's son, in self-defense, and so he must visit the court of the amir of Babylon and perform various feats to win a pardon. He succeeds only with Oberon's aid.

This elf is dwarfish in height, though very handsome. He explains that, at his christening, an offended fairy cursed him to dwarfish height (an example of the wicked fairy godmother folklore motif), but relented and gave him great beauty as compensation. Alberich features as a dwarf in the Nibelungen; the dwarfish height was thus explained.[2]

The real Seguin was Count of Bordeaux under Louis the Pious in 839, and died fighting against the Normans in 845. Charles l'Enfant, a son of Charles the Bald, died in 866 of wounds inflicted by a certain Aubouin in the circumstances of an ambush similar to the Charlot of the story. Thus, Oberon appears in a 13th-century French courtly fantasy that is based on a shred of 9th century fact. He is given some Celtic trappings, such as a magical cup (similar to the Holy Grail) that is ever full for the virtuous. "The magic cup supplied their evening meal; for such was its virtue that it afforded not only wine, but more solid fare when desired", according to Thomas Bulfinch. In this story, he is said to be the child of Morgan le Fay and Julius Caesar.

A manuscript of the romance in the city of Turin contains a prologue to the story of Huon de Bordeaux in the shape of a separate romance of Auberon and four sequels, and there are later French versions, as well.

Shakespeare saw or heard of the French heroic song through the c. 1540 translation of John Bourchier, Lord Berners, called Huon of Burdeuxe. In Philip Henslowe's diary, there is a note of a performance of a play Hewen of Burdocize on December 28, 1593.

A Midsummer Night's Dream[edit]

One of William Blake's illustration to his The Song of Los, scholars have traditionally identified the figures as Titania and Oberon, though not all new scholarship does.[3] This copy, currently held by the Library of Congress, was printed and painted in 1795.[4]
Illustration of Oberon enchanting Titania by W. Heath Robinson, 1914

Oberon is the king of all of the fairies in William Shakespeare's A Midsummer Night's Dream who is feuding with his wife Titania, the queen of the fairies. They are fighting over a changeling child whom Oberon wants to raise as his henchman. Titania wants to keep the child because he is the child of Titania's mortal follower who died, and she wants to raise the child for her follower. Because Oberon and Titania are powerful fairies, their arguments affect the weather. Titania describes what happens to nature when

Therefore the winds, piping to us in vains,
As in revenge, have suck'd up from the sea
Contagious fogs; which falling in the land
Have every pelting river made so proud
That they have overborne their continents:
The ox hath therefore stretch'd his yoke in vain,
The ploughman lost his sweat, and the green corn
Hath rotted ere his youth attain'd a beard;
The fold stands empty in the drowned field,
And crows are fatted with the murrion flock;
The nine men's morris is fill'd up with mud,
And the quaint mazes in the wanton green
For lack of tread are undistinguishable:
The human mortals want their winter here;
No night is now with hymn or carol blest:
Therefore the moon, the governess of floods,
Pale in her anger, washes all the air,
That rheumatic diseases do abound:
And thorough this distemperature we see
The seasons alter: hoary-headed frosts
Far in the fresh lap of the crimson rose,
And on old Hiems' thin and icy crown
An odorous chaplet of sweet summer buds
Is, as in mockery, set: the spring, the summer,
The childing autumn, angry winter, change
Their wonted liveries, and the mazed world,
By their increase, now knows not which is which:
And this same progeny of evils comes
From our debate, from our dissension;
We are their parents and original.
(Act 2, Scene 1)

Oberon tricks Titania into loving Bottom, using a special flower that makes you meet true love at first sight.

Furious that Titania will not give him the child, he puts juice from a magical flower into her eyes while she is asleep. The effect of the juice is that it will cause Titania to fall in love with the first thing she sees. Titania awakens and finds herself madly in love with Bottom, a weaver who has been given a donkey's head by Puck. Meanwhile, two couples have entered the forest: lovers Hermia and Lysander are pursued by Demetrius, who also loves Hermia, and Helena, who loves Demetrius. Oberon sends Puck to put some of the juice in Demetrius's eyes to make him fall in love with Helena, after he witnesses him rejecting her and decided to help her. When Puck puts the love potion on Lysander by mistake, and then on Demetrius, Helena finds herself loved by two men, and confusion breaks out. After Puck straightens out what he has done, and Demetrius discovers that he is really in love with Helena after all, Oberon looks upon Titania and her lover, Bottom, and feels sorry for what he has done. He reverses the spell and when Titania awakes the two reunite.

Other historical references[edit]

  • Oberon is a character in The Scottish History of James IV, a play written c. 1590 by Robert Greene.
  • In 1610, Ben Jonson wrote a masque of Oberon, the Faery Prince. It was performed by Henry Frederick Stuart, the Prince of Wales, at the English court on New Year's Day, 1611.
  • Christoph Martin Wieland first published his epic poem Oberon in 1780; it in turn became the basis (as indicated on the title page) for the German opera Huon and Amanda (Hüon und Amande in German), later known as Oberon, by Sophie Seyler. A plagiarized version of Seyler's opera[5] called Oberon by Karl Ludwig Giesecke with music by Paul Wranitzky debuted in Vienna shortly afterwards. Both operas enjoyed popularity. After extensive performances of the Giesecke version at the coronation of Leopold II in Frankfurt in 1791, it was much performed in Europe until it was surpassed in popularity by Weber's opera Oberon.
  • Oberon and Titania are main characters in the 1789 Danish opera Holger Danske, with music by F.L.Æ. Kunzen and libretto by Jens Baggesen.
  • Johann Wolfgang Goethe included the figures from Shakespeare's work in Faust I. Oberon is married to Titania, and the couple are celebrating their golden wedding anniversary in Faust I.
  • In 1826, Carl Maria von Weber's opera, Oberon, (written after a poem by Christoph Martin Wieland translated to an English libretto by James Robinson Planche) debuted at Covent Garden in London, England.
  • Oberon was a popular name for fairy familiars in 15th- and 16th-century England.
  • Oberon is the name of the patriarch of the royal family of Amber, in the book series "The Chronicles of Amber," by Roger Zelazny.
  • A fanciful etymology was given for the name Oberon by Charles Mackay in his book The Gaelic Etymology of the Languages of Western Europe along with many other theories on words found in the English language that have not found mainstream acceptance.[6][7][8]
  • Oberon is a character in the animated Disney series Gargoyles. He is known as Lord Oberon, King of the Faeries, and is husband to Titania. He is the Lord over all of Avalon.
  • Oberon and Titania both are featured in Chapter 8 of the manga The Ancient Magus' Bride. Here he is portrayed as a satyr.
  • Oberon is the name of one of the playable characters in the science fiction shooter Warframe. In this game, Oberon has the power to restore health and life to allied players, while using light to destroy enemies.
  • Oberon is a character in the board game The Resistance: Avalon.
  • Oberon, along with his wife Titania and servant Puck, appears in the episode "A Midsummer's Nightmare" of science fantasy television series Lexx.


  1. ^ Rose, Carol (1996). "M". Spirits, Fairies, Leprechauns and Goblins: An Encyclopedia. New York: W.W. Norton. p. 207. ISBN 0-393-31792-7. OCLC 554956069. 
  2. ^ Katharine Briggs, An Encyclopedia of Fairies, Hobgoblins, Brownies, Boogies, and Other Supernatural Creatures, "Huon de Bordeaux", p. 227. ISBN 0-394-73467-X
  3. ^ Morris Eaves, Robert N. Essick, and Joseph Viscomi (eds.). "Description of " The Song of Los, copy B, object 5 (Bentley 5, Erdman 5, Keynes 5)"". William Blake Archive. Retrieved January 27, 2013. 
  4. ^ Morris Eaves, Robert N. Essick, and Joseph Viscomi (eds.). "The Song of Los, copy B, object 5 (Bentley 5, Erdman 5, Keynes 5)". William Blake Archive. Retrieved January 27, 2013. 
  5. ^ Peter Branscombe, W. A. Mozart: Die Zauberflöte, Cambridge University Press, 1991, p. 28
  6. ^ The author of Word Origins…And How We Know Them, Oxford University Press, USA, 2005 and An Analytic Dictionary of English Etymology: An Introduction University Of Minnesota Press, 2008
  7. ^ Oxford Etymologist
  8. ^ http://blog.oup.com/2010/05/kibosh/

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