|Single by Janet Jackson|
|from the album Janet Jackson's Rhythm Nation 1814|
|B-side||"Rhythm Nation" (Instrumental)|
|Released||October 24, 1989|
Flyte Tyme Studios
|Janet Jackson singles chronology|
"Rhythm Nation" is a song by American singer Janet Jackson, released as the second single from her fourth studio album Janet Jackson's Rhythm Nation 1814 (1989). It was written and produced by Jackson, in collaboration with James "Jimmy Jam" Harris III and Terrence "Terry" Lewis. Jackson developed the song's concept in response to various tragedies in the media, deciding to pursue a socially conscious theme by using a political standpoint within upbeat dance music. In the United States, it peaked at number two on the Billboard Hot 100 and topped the Hot R&B/Hip-Hop Songs and Dance Club Songs singles charts. It also peaked within the top 40 of most singles charts worldwide. "Rhythm Nation" received several accolades, including BMI Pop Awards for "Most Played Song", the Billboard Award for "Top Dance/Club Play Single" and Grammy Award nomination for Jackson as "Producer of the Year." It has been included in two of Jackson's greatest hits collections, Design of a Decade: 1986–1996 (1995) and Number Ones (2009).
The music video for "Rhythm Nation" was directed by Dominic Sena, serving as the final inclusion in Jackson's long-form Rhythm Nation 1814 film. It portrays rapid choreography within a "post-apocalyptic" warehouse setting, with Jackson and her dancers adorned in unisex military attire. It was filmed in black-and-white to portray the song's theme of racial harmony. Jackson's record label attempted to persuade her against filming the video, but upon her insistence it became "the most far-reaching single project the company has ever attempted." The video received two MTV Video Music Awards for "Best Choreography" and "Best Dance Video." Jackson also won the Billboard Award for "Best Female Video Artist" in addition to the "Director's Award" and "Music Video Award for Artistic Achievement." The Rhythm Nation 1814 film won the Grammy Award for Best Long Form Music Video. The video's outfit was inducted into the National Museum of Women in the Arts and Rock & Roll Hall of Fame, where its hand-written lyrics are also used in the museum's class on female songwriters.
Artists such as Sleigh Bells, Jamie Lidell, and Kylie Minogue have cited the song as an influence, while artists including Lady Gaga, Peter Andre, OK Go, Mickey Avalon, Usher, and Britney Spears have referenced its music video. Beyoncé, Cheryl Cole, Rihanna and Ciara have also paid homage to its outfit and choreography within live performances. It has inspired the careers of choreographers such as Wade Robson and Travis Payne. Actors including Kate Hudson, Michael K. Williams, and Elizabeth Mathis have studied its music video, with its choreography also used in the film Tron: Legacy. It has been covered by Pink, Crystal Kay, and Girls' Generation and has also been performed on Glee, The X-Factor, and Britain's Got Talent.
- 1 Background
- 2 Composition
- 3 Critical reception
- 4 Chart performance
- 5 Music video
- 6 Live performances
- 7 Influence
- 8 Covers
- 9 Awards and accolades
- 10 Legacy
- 11 Philanthropy
- 12 Official versions and remixes
- 13 Track listings
- 14 Charts
- 15 Certifications
- 16 See also
- 17 References
- 18 External links
Upon recording her fourth studio album, Jackson was inspired to cover socially conscious issues as a response to various tragedies in the media. Producer Jimmy Jam stated, "Janet came up with the 'Rhythm Nation' concept. A lot of it had to do with watching TV. We're avid TV watchers, and we would watch MTV, then switch over to CNN, and there'd always be something messed-up happening. It was never good news, always bad news." She was particularly saddened by the Stockton playground murders, leading her to record "Livin' in a World (They Didn't Make)." She decided to pursue additional songs with a similar concept, focusing on a political standpoint within energetic dance music. The song's lyrics were written as a montage of racial unity with Jackson's passion for dance, envisioning a colorblind world sharing the same beliefs. Jam explained:
|“||"We wanted something to do with rhythm, because that's what Janet's life is about: beat, rhythm. One night over dinner, Janet said, "rhythm nation." I told Terry, and he just sang the melody, "We are part of the rhythm nation." And then I hit, "The people of the world today, searching for a better way of life," and Janet sings, "Rhythm Nation." And it just all came together."||”|
Jackson jokingly considered it a "national anthem for the Nineties," leading her to develop Rhythm Nation 1814, titled after the year "The Star-Spangled Banner" was written. She derived its lyrical theme from the diversity amongst society, which she observed to be united by music. Jackson said, "I realized that among my friends, we actually had a distinct 'nation' of our own. We weren't interested in drugs or drinking but social change. We also loved music and loved to dance... that's how Rhythm Nation 1814 was born." She also likened its concept to the various groups formed among youth, asserting a common identity and bond, saying, "I thought it would be great if we could create our own nation. One that would have a positive message and that everyone would be free to join." Jackson also commented, "I found it so intriguing that everyone united through whatever the link was. And I felt that with most of my friends. Most people think that my closest friends are in the [entertainment] business, and they're not. They're roller-skating rink guards, waitresses, one works for a messenger service. They have minimum-wage paying jobs. And the one thing that we all have in common is music. I know that within our little group, there is a rhythm nation that exists."
Jackson desired the song's theme to capture the attention of her teenage audience, who were potentially unaware of socially conscious themes. She commented, "I wanted to take our message directly to the kids, and the way to do that is by making music you can really dance to. That was our whole goal: How can I get through to the kids with this?" She became encouraged by artists such as Marvin Gaye, Bob Dylan, and Joni Mitchell, feeling as if their demographics were already familiar with social themes. Jackson said, "These were people who woke me up to the responsibility of music. They were beautiful singers and writers who felt for others. They understood suffering." Upon questioning, Jackson said, "I know I can't change the world single-handedly, but for those who are on the fence, maybe I can lead them in a positive direction... If I just touched one person, just to make that difference, make them change for the better, that's an accomplishment." Jackson also responded to potential ridicule, stating, "a lot of people have said, "She's not being realistic with this Rhythm Nation. It's like 'Oh, she thinks the world is going to come together through her dance music,' and that's not the case at all. I know a song or an album can't change the world. But there's nothing wrong with doing what we're doing to help spread the message." Jackson added, "If personal freedom has political implications and if pleasure must be part of any meaningful solution — and it really must — there's nothing wrong with it at all."
Problems playing this file? See media help.
The distinctive bass groove was based on "Thank You (Falettinme Be Mice Elf Again)" by Sly and the Family Stone. Its socially conscious lyrics preach racial harmony and leadership through dance, protesting bigotry, fascism, and geographic boundaries with "compassionate, dedicated people power." It uses a moderate funk tempo composed in the key of F major. Jackson's vocals range from Bb3 to G5, climaxing during the song's middle eight. It opens with prelude "Pledge," in which Jackson describes "a world rid of color-lines" over apocalyptic bells and ambient noise. According to The New York Times' writer Stephen Holden, the song is an "utopian dance-floor exhortation" whose lyrics "[call] for racial harmony and cooperative struggle to create a better, stronger world". Its chorus is supported by male voices, with Jackson addressing her audience in a similar vein to a politician, "abandoning the narrow I for the universal we and inviting us to do the same." Its final chorus closes with multiple ad-libs as Jackson encourages listeners to sing with her, spreading the song's message of multicultural solidarity in a "grand pop statement."
"Rhythm Nation" received positive reviews from critics, garnering praise for its lyrical theme. Rolling Stone declared it the album's "essential moment," describing the song as "a headbanging good time." Stephen Holden of The New York Times called it a "militantly utopian dance-floor exhortation." Michael Saunders of The Sun Sentinel declared it "upbeat funk-pop" which showcased Jackson's "light, breathy voice."
Sputnik Music applauded its "extraordinary" production and chorus, thought to result in "a catchy, smart single which would appease the Jackson haters and delight the fans." People specified its "burnin' hunk o' funk guitar riff". Entertainment Weekly declared it a "paean to the human spirit," likened to "a chorus line of storm troopers." Vince Aletti of Rolling Stone described the song as a "densely textured, agitated track" propelled by "syncopated yelps" of unity.
Vince Aletti considered its message "dedicated" and "compassionate," praising its concept of a "multiracial, multinational network." He added, "Jackson addresses her constituency the way a politician might, abandoning the narrow I for the universal we and inviting us to do the same." Sal Cinquemani of Slant Magazine described it as a "socially charged calls to arms," promoting a "Zen-like transcendence of self." Its lyrics were regarded to call for "social justice" rather than personal freedom, focusing on "strength in numbers" and "unity through mandatory multiculturalism." In May 2016, Entertainment Weekly ranked "Rhythm Nation" as the best Janet Jackson song of all time, commenting, "it rode to the new jack swing of its era, but this industrial-edged anthem [...] is one of the most radical hits ever by a pop diva. It broke all of the lines, color and otherwise, high-stepping all the way. Richard Croft called it "a protest song with a twist," commending its description of how change can be made rather than questioning why it hasn't occurred. Women, Politics, and Popular Culture author Lilly Goren considered it to reflect "politically driven feminist messages." Chris Willman of Los Angeles Times proposed its theme "big on community, stressing social consciousness for a young target audience and proposing a prejudice-free" nation. An additional review stated, "[Janet] wanted social justice and voiced it in one of the most fabulous, bad ass ways possible."
Jon Pareles of The New York Times praised its "earnest concern," also noting its "call for unity and good intentions." Its preach of racial unity was applauded, thought to unite "Ms. Jackson's opposition to racism with an image of a mass audience." The publication also observed Jackson to eagerly "rail against societal ills like racism and domestic abuse." Additionally, it was used as an example of a socially conscious song having influence over the public, thought to effectively call for "racial harmony and cooperative struggle to create a better, stronger world." Pareles added Jackson "kept the propulsive funk and added worthy, generalized social messages". An anecdote likened its theme of peace to the teachings of social activist Mahatma Gandhi, saying, "“Rhythm Nation” sheds light on the problem of apathy, which is common among young people today." Jackson's conscious lyrics and desire to "not only entertain, but to educate" was praised, concluding, "["Rhythm Nation"] speaks particularly to young people and encourages them to be the leaders of tomorrow.”
"Rhythm Nation" debuted at number forty-nine on the Billboard Hot 100 the week of November 11, 1989. It was the week's highest new entry, breaking Madonna's consecutive streak of Hot Shot Debuts on the chart. It peaked at number two on the Billboard Hot 100 on December 30, 1989 for three consecutive weeks, behind Phil Collins' "Another Day in Paradise." It also reached number two on Mainstream Top 40 and reached number one on the ATV Top 40 in addition to Hot R&B/Hip-Hop Songs and Hot Dance Club Play, topping the latter chart for three weeks. It reached number two in Canada, where it was the tenth most successful single of the year. Internationally, it reached number two on Japan's airplay chart and South Africa, number nine in the Netherlands and France's airplay chart, fourteen in Italy, fifteen on Belgium's VRT Top 30, seventeen in New Zealand, eighteen in Sweden, and nineteen in Ireland. It also peaked within the top twenty-five of Poland, Switzerland, and the United Kingdom, and at number fifty-six in Australia. It was certified Gold by the Recording Industry of America (RIAA).
The music video for "Rhythm Nation" was directed by Dominic Sena. It was the final inclusion in Jackson's long-form Rhythm Nation 1814 film, following "Miss You Much" and "The Knowledge." Its premise focuses on rapid choreography within a "post-apocalyptic" warehouse setting, with Jackson and her dancers outfitted in unisex black military-style uniforms. It was filmed in black-and-white to portray the song's theme of racial harmony. Jackson stated, "There were so many races in that video, from Black to White and all the shades of gray in between. Black-and-white photography shows all those shades, and that's why we used it." Its wardrobe also reflects the song's theme of gender equality, using matching unisex outfits. Jackson commented, "The foggy, smoky street and the dark, black-and-white tone, that was all intentional. When you've done a lot of videos, it can be difficult to keep it fresh and new. You have to try something you've never done, in fear of looking like something you've already created."
While developing its concept, Jackson's record label attempted to persuade her against filming the video, feeling as if it didn't have mainstream appeal. Upon her insistence, it became "the most far-reaching single project the company has ever attempted." The video received multiple accolades, including MTV Video Music Awards for "Best Choreography" and "Best Dance Video." Jackson was also the recipient of the "Director's Award," "Best Female Video Artist," and the "Music Video Award for Artistic Achievement" at the Billboard Awards. The video's long-form version won a Grammy Award for Best Long Form Music Video. It was later listed among the "Greatest Music Videos of All Time" by Slant Magazine. Entertainment Weekly considered it "legendary" while Rolling Stone declared it "the gold standard for dystopian dance-pop music videos," thought to include "the most memorable choreography in pop video history." MTV News commended it as "the clip that sent Jackson into the stratosphere as an envelope-pushing pop star." The video's outfit is included in the Rock & Roll Hall of Fame's "Women Who Rock: Vision, Passion, Power" exhibit and the National Museum of Women in the Arts, and was previously displayed on a statue at Walt Disney World theme park.
During its initial promotion, "Rhythm Nation" was performed on Top of the Pops and TV Plus, in addition to Germany's Countdown and Peter's Pop Show. It was also performed for Queen Elizabeth II and the Royal Family at the Royal Variety Performance, in celebration of Elizabeth the Queen Mother's ninetieth birthday. Jackson's pants split during the performance due to its intense choreography. It was performed on The Ellen DeGeneres Show and America United: In Support of Our Troops concert during promotion for her tenth album, Discipline. The song was notoriously performed with "All for You" and an excerpt of "The Knowledge" at the Super Bowl XXXVIII halftime show, in which Jackson's breast was accidentally exposed by Justin Timberlake. The performance led to the inspiration for YouTube and launch of Facebook, also becoming the most watched, recorded, and replayed event in television history. It also set a record for Jackson as the most searched term and image in internet history.
"Rhythm Nation" has been performed on all of her following tours. On the Rhythm Nation Tour, Jackson's performance was described as "a wedge of hard-driving bodies moves like a robot battalion in precision drill." Jackson's outfit had been "mimicked by many of her fans" throughout the tour. Observing its routine, The New York Times stated, "Legs chop wide open, then close again. They shoot out abruptly to the sides, then kick into jazz spins and bouncing splits to the floor. There are sedate pelvic jerks and a swiveling turn on a toe, trotting runs and purposeful syncopated walks. But essentially these are bodies rooted into the floor, taut yet alive in the way of a boxer edgily biding his time in the ring." A live rendition from the janet. World Tour was aired on MTV.
The Velvet Rope Tour was reported to feature "the characteristic, Russian-style military suit she wore in the video, corresponding with the song's rigid, robotic dance movements." Los Angeles Times regarded her "a human musical medley," while The Daily Telegraph considered it "show-stopping" for its display of "hyperbolic tension." Jackson's rendition on the All for You Tour was described as a "neon-lit number straight out of Blade Runner." Rolling Stone declared it "stunning," adding, "even near the end of the two-hour show, her voice was unwaveringly powerful, carrying the "Sing it people/Sing it children" lines like a flag on the Fourth of July." Jackson's dancers emulated "animated toys and storybook figures" in catsuits, performing robotic moves against "structured, sassy beats." On Number Ones, Up Close and Personal, Jackson's rendition was also praised, as she "sliced her way through tight, sharp choreography.” Alexis Petridis of The Guardian called it "ferocious," adding, "if she wanted to remind people how commanding a presence she can be, she's done her job." Jackson also included the song on her 2015-16 Unbreakable World Tour; Jon Pareles of The New York Times, wrote that "as the concert neared its end, Ms. Jackson moved from the personal to the communal, summoning the staccato funk and calls for collective action of 'Rhythm Nation'. Suddenly, the number of onstage dancers more than doubled, all moving in sync". She also has included the song on her current 2017 State of the World Tour.
"Rhythm Nation" has been cited to influence various artists within its production, lyrical theme and vocal arrangement. Its music video has also been considered among the most influential in popular culture. Rolling Stone observed it to "set the template for hundreds of videos to come in the Nineties and aughts," with Entertainment Weekly also declaring it "groundbreaking," in addition to "striking, timeless and instantly recognizable." Mike Weaver stated Jackson's "one-of-a-kind, funk-and-groove choreography was unlike anything seen in the history of pop music. [...] every show choir and every hiphop dancer wanted to cut and paste parts and pieces of the Rhythm Nation production into their set." Regarding its influence, Sherri Winston of The Sun Sentinel stated, "No one can witness the militaristic precision of Rhythm Nation, which gives the impression that a really angry pep squad has taken over the dance floor, and not see how Janet's style has been sampled, borrowed and stolen over and over ... and over."
The song has inspired artists such as Sleigh Bells, Jamie Lidell, Kylie Minogue, and record producer Yoo Young-jin. Various aspects of its music video have been referenced by numerous artists, including Britney Spears, Lady Gaga, Peter Andre, OK Go, Nicki Minaj, Usher, and Jessie Ware. Its outfit and choreography has been paid homage to in performances by Spears, Beyoncé, Cheryl Cole, and Rihanna. In film, actors such as Kate Hudson, Michael K. Williams, and Elizabeth Mathis have studied its music video, with Mathis notably using its choreography during a scene in Tron: Legacy. Choreographers such as Travis Payne and Wade Robson have called it a primary influence to their careers. Aylin Zatar of BuzzFeed remarked, "She also basically pioneered the dancing in a warehouse, post-apocalyptic, industrial setting video. So, Britney (“Till The World Ends”), Rihanna (“Hard”), Lady Gaga (“Alejandro”), and even the Spice Girls (“Spice Up Your Life”) – you all have Ms. Jackson to thank."
Jacob Artist, Melissa Benoist and Erinn Westbrook covered "Rhythm Nation" in a mashup with "Nasty" during the fifth season of Glee, in the episode "Puppet Master." Pink covered "Rhythm Nation" for both the opening medley and in the finale medley with Queen and David Bowie's "Under Pressure" for the film Happy Feet Two. Japanese singer Crystal Kay performed a Japanese rendition of the song for the Japanese version of the film. Girls' Generation performed the song on KBS Gayo Daechukje and their debut concert tour, Girls' Generation Asia Tour Into the New World. Korean pop group After School covered the song on music show Kim Jung-eun's Chocolate.
The Stereo Hogzz performed a live rendition and replicated its choreography during the first season of The X Factor. English dance troupe Diversity incorporated its choreography during a performance on the third season finale of Britain's Got Talent. It was also performed on America's Best Dance Crew and Britain's Stars in Their Eyes. Pink, Usher, and Mýa performed a dance tribute to "Rhythm Nation" on Jackson's MTV Icon special. Filipino singer Jaya included a live cover on the album Jaya Live at the Araneta. The song's countdown is used in various releases of the video game NBA Live.
Awards and accolades
"Rhythm Nation" won a Billboard Award for "Top Dance/Club Play Single of the Year," with Jackson also winning "Best Female Artist, Dance," "Best Female Video Artist," "Director's Award," and the "Music Video Award for Artistic Achievement." The song also won a BMI Pop Award for "Most Played Song," in addition to awarding her "Songwriter of the Year." Jackson received a Grammy Award nomination for "Producer of the Year, Non-Classical," with its full-length music video winning "Best Long Form Music Video." Slant Magazine included it among the "Greatest Dance Songs of All Time" and "Greatest music Videos of All Time." VH1 ranked its music video among their "Greatest Videos." The video also won two MTV Video Music Awards for "Best Choreography" and "Best Dance Video," with Jackson awarded the Video Vanguard Award for her contributions to popular culture. The song is performed at Las Vegas' Legends in Concert series. The hand-written lyrics to "Rhythm Nation" and the music video's outfit are included in the Rock and Roll Hall of Fame's "Women Who Rock: Vision, Passion, Power" exhibit, with its lyrics also used in the museum's course on feminist songwriters.
|List of accolades for "Rhythm Nation"|
"Rhythm Nation" is among Jackson's signature songs, commended for its lyrical theme and innovative production. Jackson commented, "When I first proposed a socially conscious concept, there were voices of doubt. But the more I thought about it, the more committed I became, I no longer had a choice. The creativity took over, "Rhythm Nation" came alive. I saw that a higher power was at work." Jon Pareles declared it "one of the more innovative Top 10 hits of the 1980's," while Yahoo! Music called it "revolutionary" and "militaristic." Michael Saunders considered it among Jackson's repertoire of "skillfully packaged pop songs that have made her one of the biggest-selling performers in popdom." Jimmy Jam stated, "Janet has said a million times, "You're not going to change anybody. But if you've got somebody on the fence, and they're at that point when they're either going to go one way or another, then a little nudge in that direction ain't gonna hurt." So that's all you're trying to do. And it's cool to do that. It's cool to do that and have a hit."
Slant Magazine ranked it among the best singles of the eighties, saying, "the music is militant and regimented, with beats that fire like artillery juxtaposed with the typically thin-voiced Janet's unbridled vocal performance." The publication added, "Rhythm Nation" makes its statement without relying on schmaltz; it's no wonder why big brother Mike was envious of it." The song was later ranked number twenty-one on their list of "100 Greatest Dance Songs," praising Jackson's "guarded political optimism into a direct attack on the 1980s' culture of indifference." Richard Croft praised its "powerful" production, declaring, "the beats on this song are probably the most powerful ever to be heard in the history of mankind." Another critique declared it "the best song Janet has ever done", praising its "mission statement" in addition to its "frantic beats, the message, the determined vocal performance, the lyrics and the explosive chorus," adding "There are few moments in pop music as thrilling as the transition of the dance breakdown into to the final choruses, complete with Janet going nuts over the ad-libs, as if she was in a trance brought on but just how beyond amazing this song is. And that’s not even mentioning the incredible video."
Jackson founded the "Rhythm Nation Scholarship," assisting students in meeting their academic goals. The monetary award is given to students who have demonstrated high academic achievement or have been actively involved within their school or community. She received the Chairman's Award at the NAACP Awards for her work regarding illiteracy, drug abuse, violence, and high school dropout prevention. In response to a critic who said her socially conscious lyrics could accomplish "nothing," Jackson invited two high school graduates to the stage, who both had previously credited the song and its music video as the motivation for staying in school. Various portions of the "Rhythm Nation" outfit were donated to charity, including the Music Against AIDS auction. A tribute band known as "Rhythm Nation" performs at various fundraisers, including benefits for children with cancer at the Ronald McDonald House in New York City.
Official versions and remixes
- List of number-one dance singles of 1989 (U.S.)
- List of number-one dance singles of 1990 (U.S.)
- R&B number-one hits of 1990 (USA)
- Bronson, Fred (2003). Rhythm Nation. Billboard Book of Number One Hits. p. 744.
- Janet Jackson. Ebony. Johnson, Robert E. February 1990. Accessed July 6, 2010.
- Jam & Lewis: Hot House & Serious Soul With The Magicians Of Minneapolis. Keyboard. Widders-Ellis, Andy. May 1990. p. 27. Accessed July 6, 2010.
- Janet's Nation. Essence. Ritz, David. March 1990. Accessed 4 Jan 2014.
- Jackson's Heights. Pond, Steve. Us Magazine. March 5, 1990. Accessed July 6, 2010.
- Ain't I A Woman?. Bowie, Regina Q. Upscale. January 1996. p. 24. Accessed July 6, 2010.
- "Janet Jackson Finally Learns to Say 'I'". Los Angeles Times. Hilburn, Robert. 15 April 1990. Accessed 4 Jan 2014.
- Janet Jackson. Rolling Stone. Curtis, Anthony E. February 22, 1990. Accessed 4 Jan 2014.
- Ripani, Richard J. (2006), The New Blue Music: Changes in Rhythm & Blues, 1950–1999, Univ. Press of Mississippi, pp. 131–132, 152–153, ISBN 1-57806-862-2
- "Janet Jackson: Damita Jo - Music Review - Slant Magazine". Slant Magazine. Cinquemani, Sal. 23 March 2004. Retrieved 4 Jan 2014.
- "Rhythm Nation 1814 - Album Reviews - Rolling Stone". Rolling Stone. Aletti, Vince. 19 Oct 1989. Retrieved 4 Jan 2014.
- "Janet Jackson "Rhythm Nation" Sheet Music - Download & Print". MusicNotes.com. Retrieved July 1, 2014.
- "Pop View – Do Songs About The World's Ills Do Any Good?". New York Times. Holde, Stephen. 7 Jan 1990. Retrieved 4 Jan 2014.
- "500 Greatest Albums of All Time: Janet Jackson, 'Rhythm Nation 1814' - Rolling Stone". Rolling Stone. 31 May 2012. Retrieved 4 Jan 2014.
- "Women Who Rock: The 50 Greatest Albums of All Time: Janet Jackson, 'Rhythm Nation' - Rolling Stone". Rolling Stone. 22 June 2012. Retrieved 4 Jan 2014.
- "Janet's Reckoning". The Sun Sentinel. Saunders, Michael. 7 Oct 1997. Retrieved 4 Jan 2014.
- "Janet Jackson - Rhythm Nation 1814 (album review)". Sputnik Music. Powell, Zachary. 16 Feb 2008. Retrieved 4 Jan 2014.
- "Picks and Pans Review: Janet Jackson's Rhythm Nation 1814". People Magazine. 20 Nov 1989. Retrieved 4 Jan 2014.
- "Movie Reviews and News - EW.com". Entertainment Weekly. 19 Jan 1996. Retrieved 4 Jan 2014.
- "The 100 Best Singles of the 1980s - Feature - Slant Magazine". Slant Magazine. 20 Aug 2012. Retrieved 4 Jan 2014.
- Arnold, Chuck (May 16, 2016). "Janet Jackson's 50 best songs of all time, ranked". Entertainment Weekly. Retrieved August 3, 2016.
- "20. Janet Jackson – 'Rhythm Nation' (1989)". Wordpress. Croft, Richard. 1 June 2010. Retrieved 4 Jan 2014.
- You've Come A Long Way, Baby: Women, Politics, and Popular Culture. Goren, Lilly. 22 May 2009. Retrieved 4 Jan 2014.
- Willman, Chris (23 April 1990). "POP MUSIC REVIEW: Janet Jackson's Dance of Community". Los Angeles Times. Retrieved 22 September 2017.
- "Are You A Part of the Rhythm Nation". Afro-punk.com. 7 March 2013. Retrieved 4 Jan 2014.
- "Pop Review – At the Mercy of Lust, Yet in Total Control - Page 2 - New York Times". New York Times. Pareles, Jon. 18 July 1998. Retrieved 4 Jan 2014.
- "Recordings – Janet Jackson Adopts a New Attitude: Concern - New York Times". New York Times. Pareles, Jon. 17 Sep 1998. Retrieved 4 Jan 2014.
- "Capitalizing On Jackson Tempest - Page 2 - New York Times". New York Times. Ogunnaike, Lola. 4 Feb 2004. Retrieved 4 Jan 2014.
- "Review/Pop; Janet Jackson Fleshes Out Her Own Video Image". New York Times. Pareles, Jon. 17 March 1990. Retrieved 4 Jan 2014.
- "Rhythm Nation – Crossing Crossroads". Wordpress. Torrenueva, Christopher. 13 Feb 2010. Retrieved 4 Jan 2014.
- "Jackson Number Ones". "Jackson Number Ones". Halstead, Craig. 2003. Retrieved 4 Jan 2014.
- "Item Display - RPM - Library and Archives Canada". Retrieved 2009-09-15.
- "Radio 2 - Top 30" (in Dutch). Top 30. Archived from the original on February 22, 2012. Retrieved July 10, 2014.
Hoogste notering in de top 30 : 2
- "Song artist 26 - Janet Jackson". tsort.info. Archived from the original on October 6, 2013. Retrieved April 4, 2009.
- Ryan, Gavin (2011). Australia's Music Charts 1988-2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
- "RIAA - Gold & Platinum Searchable Database". Archived from the original on 2015-09-04. Retrieved 4 Jan 2014.
- I Want My MTV: The Uncensored Story of the Music Video Revolution. Tannenbaum, Rob. 27 Oct 2011. p. 179. Retrieved 4 January 2014.
- "Millennium Dance Complex". Retrieved 4 January 2014.
- "Janet Jackson Sweeps Music Awards : Pop: The singer wins eight Billboard prizes, matching Michael's 1984 Grammy performance". Los Angeles Times. November 17, 1990. Retrieved 4 January 2014.
- "Past Winners Search - GRAMMY.com". Grammy.com. Retrieved 4 January 2014.
- "100 Greatest Music Videos - Feature - Slant Magazine". Slant Magazine. Gonzalez, Ed. June 26, 2003. Retrieved January 4, 2014.
- "'Glee' recap: No Strings Attached". Entertainment Weekly. 29 Nov 2013. Retrieved 4 January 2014.
- "Ten Best Apocalyptic Dance Music Videos". Rolling Stone. April 6, 2011. Retrieved 4 June 2011.
- "'Alejandro' Video Preview: Lady Gaga Tips Her Hat To Madonna And Janet Jackson". MTV. Anderson, Kyle. June 2, 2010. Retrieved 4 January 2014.
- "'Women Who Rock': Janet Jackson : Janet Jackson - fox8.com". Fox News. February 23, 2012. Retrieved 4 June 2011.
- "A shrine to women artists". Stump, Douglas. Lebanon Daily News. November 27, 2012. Retrieved 4 June 2011.
- "Disney Yanks Janet's Mickey - E! Online". March 3, 2004. E! Online. March 3, 2004. Retrieved 4 June 2011.
- "Janet Jackson Rhythm Nation Live on TOTPs". YouTube. Retrieved 4 June 2011.
- "Janet Jackson - Rhythm Nation - Peters Popshow". YouTube. Retrieved 4 June 2011.
- "EABF - Entertainment Artistes' Benevolent Fund / 1990, London Palladium". Eafbf.org.uk. Retrieved 4 Jan 2014.
- "Janet Jackson Talks Tour On 'Paul O'Grady', Joe Jonas Performs "See No More"". Idolator. 2 July 2011. Retrieved 4 Jan 2014.
- "Ellen Gets Down with Janet". Ellentv.com. May 16, 2008. Retrieved 4 Jan 2014.
- "America United Concert - Rhythm Nation". YouTube. Retrieved 4 Jan 2014.
- "Nipple Ripples: 10 Years of Fallout From Janet Jackson's Halftime Show". Rolling Stone. Kreps, Daniel. 30 Jan 2014. Retrieved 30 Jan 2014.
- "YouTube Inventors and Founders Profile". About.com. Bellis, Mary. 2005. Retrieved 4 January 2014.
- "In the Beginning, There Was a Nipple". ESPN. Cogan, Marin. January 28, 2014. Retrieved 4 January 2014.
- "Pop View – Ballet, Boogie, Rap, Tap and Roll". New York Times. Dunning, Jennifer. 26 Aug 1990. Retrieved 4 Jan 2014.
- "Short Takes: Tokyo Fans Cheer Janet Jackson". Dunning, Jennifer. 18 May 1990. Retrieved 4 Jan 2014.
- "Pop View – Ballet, Boogie, Rap, Tap and Roll". New York Times. Dunning, Jennifer. 26 Aug 1990. Retrieved 4 Jan 2014.
- "Making Music Without a Sound". LA Times. Ikenberg, Tamara. 20 Nov 1998. Retrieved 4 Jan 2014.
- "Don't overplan it, Janet". Daily Telegraph. Briggs, Simon. 9 June 1998. Retrieved 4 Jan 2014.
- "Janet displays her crowd control". USA Today. 1990. Retrieved 4 Jan 2014.
- "Ms. Janet Jackson Gets Nasty". Rolling Stone. Sheppard, Denise. 10 July 2001. Retrieved 4 Jan 2014.
- "Pop Review – Channel Surfing With a Diva, From BET to Playboy". New York Times. Pareles, Jon. 22 Aug 2001. Retrieved 4 Jan 2014.
- "Pop review: Janet Jackson - The Guardian". The Guardian. Clarke, Betty. 27 July 2001. Retrieved 4 Jan 2014.
- "Janet Jackson: The Number Ones Up Close And Personal Tour Live At Mohegan Sun on March 16 (Concert Review)", MuuMuse, Stern, Bradley, March 2011, retrieved 2012-03-09
- "Janet Jackson – review". The Guardian. Petridis, Alexis. 1 July 2011. Retrieved 4 Jan 2014.
- Pareles, Jon (September 1, 2015). "Review: Janet Jackson, on Unbreakable Tour, Shows Off Her Demure Side". The New York Times. Arthur Ochs Sulzberger Jr. Retrieved 30 April 2017.
- "Rolling Stone Readers Pick Their 10 Favorite Dancing Musicians". Rolling Stone. 14 July 2011. Retrieved 4 January 2014.
- "Action Jacksons - Michael Jackson Remembered - EW.com". Entertainment Weekly. Seymour, Craig. 7 Dec 1999. Retrieved 4 January 2014.
- Sweat, Tears, and Jazz Hands: The Official History of Show Choir from Vaudeville to Glee. Weaver, Mike. 2011. Retrieved 4 January 2014.
- "Welcome To Planet Janet: It's Our World". The Sun Sentinel. Winston, Sherri. 18 March 2001. Retrieved 4 January 2014.
- "Alexis Krauss of Sleigh Bells Chats With Glamour About New Album Bitter Rivals and Her Pop-Culture Obsessions". Glamour. Woods, Mickey. 8 Oct 2013. Retrieved 4 Jan 2014.
- "Jamie Lidell: soul man turns the page". The Independent. Bray, Elisa. 25 Jan 2013. Retrieved 4 Jan 2014.
- "Important points regarding Kylie's new single and album". Popjustice. 26 April 2010. Retrieved 4 Jan 2014.
- "[Interview] Record producer Yoo Young-jin - Part 1". Asiae.co.kr. 11 June 2010. Archived from the original on 6 October 2014. Retrieved 4 Jan 2014.
- "Janet Jackson Has The Best Music Videos In The History Of Music Videos". BuzzFeed. Zafar, Aylin. 7 Dec 2005. Retrieved 4 Jan 2014.
- "Britney Gets Into 'Toxic' Form for 'Womanizer' Video". PopEater. 7 Oct 2008. Retrieved 4 Jan 2014.
- "Here Is Lady Gaga's "Alejandro" Video, Finally". Village Voice. Harvilla, Rob. 8 June 2010. Retrieved 4 Jan 2014.
- "Peter Andre's Defender by Peter Falloon - Promo News". Promo News. Falloon, Peter. 8 March 2010. Archived from the original on 7 October 2014. Retrieved 4 Jan 2014.
- "OK Go Have Another Homemade Clip In The Can". Montogomery, James. Archived from the original on 2014-01-09. Retrieved 4 Jan 2014.
- "Picks and Pans Review: Nicki Minaj's Top 5 Style Idols - People.com". People.com. 6 Dec 2010. Retrieved 4 Jan 2014.
- "Grammys 2011 Belong To Arcade Fire, Lady Antebellum". MTV. Kaufman, Gil. 14 Feb 2011. Retrieved 4 Jan 2014.
- "Jessie Ware Channels A Little Janet Jackson, A Little Madonna For "Imagine It Was Us"". VH1. Viera, Bene. 9 April 2013. Retrieved 4 Jan 2014.
- "Teen Queen Britney Does It Again!". Orlando Sentinel. Moore, Roger. 10 Sep 2000. Retrieved 4 Jan 2014.
- "The MTV Video Music Awards: A Running Diary". Village Voice. Briehan, Tom. 1 Aug 2006. Retrieved 4 Jan 2014.
- "Inside the 2010 BRIT Award". Dose. Collins, Leah. 18 Oct 2009. Retrieved 4 Jan 2014.
- "We Went To Rihanna's Diamonds World Tour New York Show And The Outfits Were Amazing". MTV Style. 8 May 2013. Retrieved 4 Jan 2014.
- "Kate Hudson Interview – Something Borrowed". Collider. Radish, Christina. 2011. Retrieved 4 Jan 2014.
- "Michael K. Williams on Playing Omar on 'The Wire,' Discovering Snoop, and How Janet Jackson Changed His Life". 2 Jan 2008. Archived from the original on 2014-11-29. Retrieved 4 Jan 2014.
- "Initiation: 'Trons Elizabeth Mathis Is Our Wonder Woman". Vibe. Mathis, Elizabeth. Archived from the original on 2014-11-29. Retrieved 16 Dec 2010.
- "Dance – Reality-Show Pop Stars Need a Choreographer, Too". Gladstone, Valerie. 1 April 2001. Retrieved 4 Jan 2014.
- "The Choreographers: Wade Robson learns to dance like a penguin". King, Susan. 6 Nov 2011. Retrieved 4 Jan 2014.
- https://www.youtube.com/watch?v=JiRTim8wVBI Janet Jackson- Icon promo on TRL
- "Nasty / Rhythm Nation (Glee Cast Version) - Single". iTunes. 25 Nov 2013. Retrieved 2011-08-01.
- "Crystal Kay to voice act for Japanese dubbed version of "Happy Feet 2"". Tokyo Hive. Oricon. 19 Oct 2011. Retrieved 4 Jan 2014.
- on YouTube
- on YouTube
- "Stereo Hogzz Wow Simon Cowell With 'Rhythm Nation' Performance on 'X Factor'". Popcrush. Maher, Cristin. 2 Nov 2011. Retrieved 4 Jan 2014.
- "Diversity Dance Troupe Land a Gig in a 3D Film". 3 June 2009. Retrieved 4 Jan 2014.
- "Stars in Their Eyes - Janet Jackson". YouTube. Retrieved 4 Jan 2014.
- "'America's Best Dance Crew 2': Exclusive peek at Janet Jackson episode". Los Angeles Times. Phillips, Jevon. 11 July 2008. Retrieved 4 Jan 2014.
- "Jaya Live at the Araneta". AllMusic. 2001. Retrieved 2011-08-01.
- "Three New "Legends In Concert" To Debut on Norwegian Epic: Janet Jackson, Neil Diamond And Aretha Franklin". NCL.com. January 7, 2011. Retrieved 4 Jan 2014.
- "A Bright Rhythm Nation". Rock and Roll Hall of Fame. Metz, Kathryn. November 28, 2012. Retrieved 4 January 2014.
- "100 Greatest Dance Songs - Feature - Slant Magazine". Slant Magazine. 30 Jan 2006. Retrieved 4 Jan 2014.
- "Review/Pop; Wrapped in Song and Spectacle, Janet Jackson Plays the Garden". The New York Times. Pareles, Jon. 20 Dec 1993. Retrieved 4 Jan 2014.
- "Pays Tribute To Janet, TLC, Supremes In 'Pretty Girl Rock' Video". Yahoo! Music. Johnson Jr, Billy. 17 Nov 2010. Retrieved 4 Jan 2014.
- "Classic Album: Janet Jackson – Janet Jackson's Rhythm Nation 1814". The Gospel According To Richard Eric. Eric, Richard. 11 Oct 2011. Retrieved 4 Jan 2014.
- "Conversations with Janet Jackson - Global Grind". Global Grind. Fuller, James. 5 Nov 2010. Retrieved 4 Jan 2014.
- "Janet – Causes". JanetJackson.com. Retrieved 4 Jan 2014.
- "NAACP Winners: Just a Beginning". Los Angeles Times. Snow, Shauna. 13 Jan 1992. Retrieved 4 Jan 2014.
- "Now Hard Rockers, Rappers Spread AIDS Warning Too". Los Angeles Times. Hochman, Steve. 13 Oct 1989. Retrieved 4 Jan 2014.
- "Rhythm Nation - Rock & Pop Function Band for Hire - East Suffix". Warble-Entertainment. Retrieved 4 Jan 2014.
- "Benefits – New York Times". New York Times. 9 Jan 2000. Retrieved 4 Jan 2014.
- "Benefits – New York Times". New York Times. 27 April 2003. Retrieved 4 Jan 2014.
- "And the OSCar goes to... Lee Groves". G-Force Software. Retrieved September 20, 2014.
- "Janet Jackson – Rhythm Nation – swisscharts.com". swisscharts.com. Retrieved April 4, 2009.
- "RPM weekly magazine". RPM. Retrieved April 4, 2009.
- "Musicline.de – Chartverfolgung – Janet Jackson – Rhythm Nation". Media Control (in German). Musicline.de. Retrieved April 4, 2009.
- "Italian Charts". IFPI. ifpi.com. Retrieved February 22, 2009.
- "The Irish Charts". Irish Recorded Music Association. irishcharts.ie. Retrieved April 4, 2009.
- "Jackson Number Ones". Halstead, Craig. Authors Online Ltd. 2003. p. 38. Accessed 20 April 2014.
- "Chart Stats – Janet Jackson – Rhythm Nation". The Official Charts Company. Chart Stats. Retrieved April 4, 2009.
- "Rhythm Nation 1814 > Charts & Awards > Billboard Singles". Allmusic. Retrieved April 4, 2009.
- "Billboard Top 100 - 1990". Archived from the original on 2010-01-17. Retrieved 2009-09-15.
- "American single certifications – Janet Jackson – Rhythm Nation". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Single, then click SEARCH