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In December 1970, Paul Hunham is an authoritarian [[classics]] professor at Barton Academy, a [[New England]] [[boarding school]] that he once attended on scholarship. His students and fellow teachers despise him for his brutally honest grading and stubborn personality. Dr. Woodrup, Barton's headmaster and Hunham's former student, scolds Hunham for costing the academy an important backer (a U.S. senator) by flunking the senator's son, causing [[Princeton University]] to rescind his offer of admission.
In December 1970, Paul Hunham is an authoritarian [[classics]] professor at Barton Academy, a [[New England]] [[boarding school]] that he once attended on scholarship. His students and fellow teachers despise him for his brutally honest grading and stubborn personality. Dr. Woodrup, Barton's headmaster and Hunham's former student, scolds Hunham for costing the academy an important backer (a U.S. senator) by flunking the senator's son, causing [[Princeton University]] to rescind his offer of admission.


As punishment, Hunham is forced to supervise the five students left on campus during the holiday break, including Angus Tully, whose mother abruptly cancelled a family trip to [[Saint Kitts]] to honeymoon with her new husband. Also staying behind is cafeteria manager Mary Lamb, whose son, Curtis, attended Barton and joined the U.S. military to pay for college before being killed in the [[Vietnam War]].
As punishment, Hunham is forced to supervise the five students left on campus during the holiday break, including Angus Tully, whose mother abruptly cancelled a family trip to [[Saint Kitts]] to honeymoon with her new husband. Also staying behind is cafeteria manager Mary Lamb, whose son, Curtis, attended Barton and joined the U.S. military to pay for college, but was killed in the [[Vietnam War]].


To the students' chagrin, Hunham forces them to study and exercise on their break. After six days, the wealthy father of one of the students arrives by helicopter and agrees to take the five students on the family's ski trip as long as their parents give them permission to leave campus. Angus, unable to reach his parents, is left alone at Barton with Hunham and Mary. Hunham catches Angus trying to book a hotel room off campus, and the two argue about Hunham's disciplinarian policies. Angus impulsively runs through the school halls and defiantly leaps into a pile of gym equipment, [[joint dislocation|dislocating]] his shoulder. Hunham takes Angus to the hospital; to protect Hunham from blame, Angus lies to the doctors about the circumstances of his injury, which improves their relationship. At a restaurant, Hunham and Angus encounter Lydia Crane, Woodrup's assistant. Hunham flirts with Lydia, who then invites the pair to her [[Christmas Eve]] party.
To the students' chagrin, Hunham forces them to study and exercise on their break. After six days, the wealthy father of one of the students arrives by helicopter and agrees to take the five students on the family's ski trip as long as their parents give them permission to leave campus. Angus, unable to reach his parents, is left alone at Barton with Hunham and Mary. Hunham catches Angus trying to book a hotel room off campus, and the two argue about Hunham's disciplinarian policies. Angus impulsively runs through the school halls and defiantly leaps into a pile of gym equipment, [[joint dislocation|dislocating]] his shoulder. Hunham takes Angus to the hospital; to protect Hunham from blame, Angus lies to the doctors about the circumstances of his injury, which improves their relationship. At a restaurant, Hunham and Angus encounter Lydia Crane, Woodrup's assistant. Hunham flirts with Lydia, who then invites the pair to her [[Christmas Eve]] party.

Revision as of 10:59, 9 February 2024

The Holdovers
Theatrical release poster
Directed byAlexander Payne
Written byDavid Hemingson
Produced by
Starring
CinematographyEigil Bryld
Edited byKevin Tent
Music byMark Orton
Production
companies
Distributed byFocus Features
Release dates
  • August 31, 2023 (2023-08-31) (Telluride)
  • October 27, 2023 (2023-10-27) (United States)
Running time
133 minutes[1]
CountryUnited States
LanguageEnglish
Box office$35.5 million[2][3]

The Holdovers is a 2023 American comedy-drama film directed by Alexander Payne and written by David Hemingson. Set in the winter of 1970, the film stars Paul Giamatti as a strict classics teacher at a New England boarding school who is forced to chaperone a handful of students with nowhere to go on Christmas break. Da'Vine Joy Randolph and Dominic Sessa play the school cafeteria manager and one of the students who stays on campus, respectively.

The Holdovers premiered at the 50th Telluride Film Festival on August 31, 2023, and was released in the United States by Focus Features on October 27, 2023. It received positive reviews and has grossed $35 million. The film was named one of the top 10 films of 2023 by the National Board of Review and the American Film Institute, and has received many other accolades, including two wins at the Golden Globe Awards; five nominations at the 96th Academy Awards, including Best Picture; and seven nominations at the British Academy Film Awards, including Best Film.

Plot

In December 1970, Paul Hunham is an authoritarian classics professor at Barton Academy, a New England boarding school that he once attended on scholarship. His students and fellow teachers despise him for his brutally honest grading and stubborn personality. Dr. Woodrup, Barton's headmaster and Hunham's former student, scolds Hunham for costing the academy an important backer (a U.S. senator) by flunking the senator's son, causing Princeton University to rescind his offer of admission.

As punishment, Hunham is forced to supervise the five students left on campus during the holiday break, including Angus Tully, whose mother abruptly cancelled a family trip to Saint Kitts to honeymoon with her new husband. Also staying behind is cafeteria manager Mary Lamb, whose son, Curtis, attended Barton and joined the U.S. military to pay for college, but was killed in the Vietnam War.

To the students' chagrin, Hunham forces them to study and exercise on their break. After six days, the wealthy father of one of the students arrives by helicopter and agrees to take the five students on the family's ski trip as long as their parents give them permission to leave campus. Angus, unable to reach his parents, is left alone at Barton with Hunham and Mary. Hunham catches Angus trying to book a hotel room off campus, and the two argue about Hunham's disciplinarian policies. Angus impulsively runs through the school halls and defiantly leaps into a pile of gym equipment, dislocating his shoulder. Hunham takes Angus to the hospital; to protect Hunham from blame, Angus lies to the doctors about the circumstances of his injury, which improves their relationship. At a restaurant, Hunham and Angus encounter Lydia Crane, Woodrup's assistant. Hunham flirts with Lydia, who then invites the pair to her Christmas Eve party.

On Christmas Eve, Angus, Hunham, Mary, and Barton's janitor Danny attend Lydia's party. Angus, who rarely sees girls his age at his all-boys boarding school, flirts with Lydia's niece Elise. Hunham is disappointed to discover that Lydia has a boyfriend, and Mary gets drunk and has an emotional breakdown over Curtis's death. Hunham insists on leaving early. While arguing, Hunham references Angus' father and Angus angrily responds that his father is dead. Mary scolds Hunham for his unsympathetic behavior.

After reflecting on his behavior and feeling remorseful for his actions, Hunham arranges a small Christmas celebration. Mary persuades Hunham to grant Angus's wish for a "field trip" to Boston. After dropping Mary off in Roxbury to spend time with her pregnant sister, Angus and Hunham bond over various activities in Boston, including ice skating and a visit to the Museum of Fine Arts. They encounter one of Hunham's classmates from Harvard University, who has become a successful academic. When prompted, Hunham lies about his career, and Angus plays along. Hunham reluctantly confesses to Angus that he had been expelled from Harvard after deliberately hitting a classmate (a legacy donor's son who falsely accused him of plagiarism) with a car. Hunham explains that although the incident nearly ruined Hunham's career prospects, the old Barton headmaster took pity on him and offered him a teaching job, and that since then, he has never left Barton.

When Hunham and Angus go to see Little Big Man at the Orpheum Theatre, Angus sneaks away and Hunham catches him entering a taxi. Angus explains he wants to see his father, and Hunham agrees to accompany him, assuming they are going to a cemetery. However, Angus's father is alive and confined in a psychiatric hospital due to mental health issues and violent outbursts. Following the visit, Angus (who is on medication for depression) expresses concern that his future behavior will echo his father's. Hunham comforts Angus, sincerely expressing respect for him. Hunham, Angus, Mary, and Danny celebrate New Year's Eve together.

In January 1971, Hunham is summoned to Dr. Woodrup's office, where Angus's mother and stepfather are waiting. They tell Hunham that Angus's visit to the psychiatric hospital was unauthorized and that the snow globe Angus had given his father led to another violent outburst against the medical staff. Angus's mother and stepfather threaten to withdraw Angus from Barton and send him to a military academy, but Hunham defends Angus and takes full responsibility for organizing the trip. Woodrup fires Hunham but allows Angus to stay at Barton.

Mary, who has come to better terms with Curtis's death, gives Hunham a notebook for the monograph he wants to write. Hunham and Angus share a farewell. In his car, Hunham washes his mouth out with the expensive cognac he stole from Woodrup, then spits it out toward the school and drives away.

Cast

Paul Giamatti stars as Paul Hunham
  • Paul Giamatti as Paul Hunham, a classics teacher at the Barton Academy boarding school. Hunham (unlike Giamatti) has a lazy eye, although neither the actor nor the crew have revealed how the effect was produced.[4]
  • Dominic Sessa as Angus Tully, a Barton student "held over" (i.e., left on campus) during Christmas break
  • Da'Vine Joy Randolph as Mary Lamb, Barton cafeteria manager and bereaved mother
  • Carrie Preston as Miss Lydia Crane, a Barton staff member
  • Brady Hepner as Teddy Kountze, Angus's enemy; one of the five holdovers
  • Ian Dolley as Alex Ollerman, a member of The Church of Jesus Christ of Latter-day Saints; one of the five holdovers
  • Jim Kaplan as Ye-Joon Park, an international student from Korea; one of the five holdovers
  • Michael Provost as Jason Smith, the Barton football team's quarterback; one of the five holdovers
  • Andrew Garman as Dr. Hardy Woodrup, the headmaster of Barton Academy
  • Naheem Garcia as Danny, a Barton janitor
  • Stephen Thorne as Thomas Tully, Angus' institutionalized father
  • Gillian Vigman as Judy Clotfelter, Angus' mother
  • Tate Donovan as Stanley Clotfelter, Angus' stepfather
  • Darby Lily Lee-Stack as Elise, Angus's romantic interest
  • Kelly AuCoin as Hugh Cavanaugh, Paul's former Harvard classmate
  • Dan Aid as Kenneth, a Vietnam veteran

Production

Development

Director Alexander Payne

The Holdovers is the second collaboration between director Alexander Payne and actor Paul Giamatti after Sideways (2004). Payne conceived it after watching Marcel Pagnol's 1935 film Merlusse,[5] and contacted screenwriter David Hemingson, whose boarding-school television pilot he had read.[6] In 2024, Hemingson revealed that the film is partially semi-autobiographical, with some of the dialogue and scenes taken verbatim from his own life, such as words from his own real-life uncle. The scene with the sex worker was inspired by a real-life incident that he said actually "happened to me on First Avenue and 30th Street with [my uncle] when I was seven years old. This woman walked up on an incredibly cold day and solicited and said, 'The kid can wait around the corner.' That is an actual incident from my life. The cherries jubilee thing is something that happened to me with my mother. So many of the things in the movie are just a love letter to my mom and my uncle and my dad."[7] In June 2021, Miramax acquired the distribution rights.[8] In early 2022, Da'Vine Joy Randolph and Carrie Preston joined the cast.[9][10]

Filming

Filming began in Massachusetts on January 27, 2022 and wrapped in late March.[11][12][13] Location manager Kai Quinlan, who had worked on other films set in New England like Spotlight and Black Mass, drew on her Massachusetts upbringing for the film.[14] Similarly, Giamatti drew on his experience attending Choate Rosemary Hall in the 1980s, including his memories of a strict teacher whom he described as "not a happy man."[15] To create the fictional Barton Academy, the film crew shot on location at five real-life Massachusetts schools: Groton School (the chapel and the Nashua River), Northfield Mount Hermon School (the chapel and building exteriors), Deerfield Academy (the front lawn and building exteriors), St. Mark's School (the dining hall, gymnasium, and headmaster's office), and Fairhaven High School (the study hall and auditorium).[16][17] Dominic Sessa, in his first film role as Angus, attended Deerfield in the class of 2022.[18] The film crew also shot at the historic Somerville and Orpheum theatres and on the Boston Common. Payne later said that capturing the 1970s aesthetic was relatively easy because "change comes slowly to New England".[19]

Cinematography and post-production

To make the film look and feel like it was actually made during the 1970s, Alexander Payne hired Eigil Bryld to serve as cinematographer and camera operator. On being selected, Byrld remarked "There's a sense of a spirit of the '70s movies — breaking away from your studios. And all the DPs of the period that I really admired would push the film stock or they would do handheld or whatever. And then I started thinking, 'That's really what I should be going for.'" Both digital and film formats were tested prior to filming, before it was decided to shoot the film digitally with an Arri Alexa with Panavision H series lenses, particularly a 55mm lens, creating a "vintage portrait look." "It's a movie about people who are forced into the frame together, and they don't necessarily want to be in the same frame," Byrld added. "Gradually over time, they come together more and more ... And that was one arc we were looking for — how we would reflect that, how we framed it and where we put the camera." Film emulsion and color grading were added to the footage during post-production to complete the look.[20]

The crew added to the film's 1970s stylization by creating a retro-style title card and logo variants for Focus Features and Miramax to open the film. Graphic designer Nate Carlson, who worked with Payne on Election (1999), was responsible for creating these, using the film's color palette from the set designs and visual style, as well as inspiration from the way film studio logos looked in the 1970s, to make them look as authentic and true to the time period as possible. Although the film's international prints (distributed by Universal Pictures) could simply use the 1963 Universal logo to open the film, neither Focus Features and Miramax (the American distributor and production company) existed in the 1970s, so Carlson had to invent an original symbol for Focus Features (that involved lowercase "ff" initials with animated text moving into place on a red background) and a looped zoom-in animation for Miramax. Film emulsion was then added to make the logos look realistic for the time period. Miramax was so enthusiastic about Carlson's take on their logo that it hired him to design the studio's new permanent logo for their future films, debuting with Operation Fortune: Ruse de Guerre (2023) and The Beekeeper (2024). For the film's title card, Carlson kept things simple, using a custom font of his own design while staying in line with Payne's vision. He also designed the crest for Barton Academy and created two versions, one dating back to the 1800s to reflect its history and a modern, updated version.[21]

Music

Main article: The Holdovers (soundtrack)

Original music for The Holdovers was composed by Mark Orton. It also features several classic Christmas songs, and other songs from the 1970s by The Allman Brothers Band, Tony Orlando and Dawn, Labi Siffre, Badfinger, Shocking Blue, Damien Jurado, Herb Alpert, Gene Autry, Temptations, Chet Baker, Artie Shaw, and Cat Stevens. The soundtrack was released digitally by Back Lot Music on November 10, 2023, and on compact disc and vinyl on November 17.[22]

Release

A special screening of the film was held for buyers on September 11, 2022. The next day, it was reported that Focus Features had acquired distribution rights for $30 million.[23] The film was scheduled for a limited theatrical release on November 10, 2023, followed by a wide release on November 22.[24] However, it was pushed up to a limited release on October 27, followed by a wide release on November 10.[25] It released in the United Kingdom on January 19, 2024.[1]

The Holdovers's world premiere was at the 50th Telluride Film Festival on August 31, 2023.[26][27] It also screened at the 2023 Toronto International Film Festival on September 10, 2023, where it was runner-up for the People's Choice Award.[28][29] It was also invited to the 28th Busan International Film Festival's 'Icon' section, where it was shown on October 7, 2023.[30]

Home media

The Holdovers was released on digital platforms on November 30, 2023, followed by a Blu-ray and DVD release on January 2, 2024.[31]

Reception

Box office

As of February 6, 2024, The Holdovers has grossed $19.8 million in the United States and Canada and $15.6 million in other territories for a worldwide total of $35.5 million.[2][3]

The film made $211,093 from six theaters in its opening weekend, an average of $35,082 per venue.[32] It expanded to 64 theaters in its second weekend, making $599,833.[33] It then made $3.2 million from 778 theaters in its third weekend.[34] Continuing to expand, it made $2.7 million in both its fourth and fifth weekends.[35][36] Following its five Oscar nominations, the film expanded from 127 theaters to 1,262 in its 14th week of release and made $520,000, an increase of 568% from the previous weekend.[37]

Critical response

Da'Vine Joy Randolph and Paul Giamatti garnered critical acclaim for their performances as Mary Lamb and Paul Hunham and received Academy Award nominations for Best Supporting Actress and Actor, respectively.

On the review aggregator website Rotten Tomatoes, 97% of 339 critics' reviews are positive, with an average rating of 8.5/10. The website's consensus reads: "Beautifully bittersweet, The Holdovers marks a satisfying return to form for director Alexander Payne."[38] Metacritic, which uses a weighted average, assigned the film a score of 82 out of 100, based on 61 critics, indicating "universal acclaim".[39] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while those polled by PostTrak gave it an 80% overall positive score.[36]

Wesley Morris of The New York Times praised Giamatti's performance and Payne's direction, writing, "Even as the story accrues the heft of personal tragedy, each scene seems to float or bob."[40] Patrick Ryan, writing for USA Today, compared it to Frank Capra’s It's a Wonderful Life, noting that both films grapple with troubled pasts and shattered dreams at Christmastime.[41] Critics have also compared it to the films of Hal Ashby, such as Harold and Maude and The Last Detail.[42][43]

Reviews in The Boston Globe and Boston.com both praised the film's 1970s New England setting.[43][44] Ann Hornaday of The Washington Post wrote that it "doesn't only have the look and feel of that time period, it resuscitates the finest elements of its narrative traditions".[45] Richard Brody, writing for The New Yorker, described The Holdovers as "a pile of clichés", but one realized "with such loving immediacy that it feels as if Payne were discovering them for himself". Brody was more critical of the time period, arguing that the "hermetically sealed, historically reduced drama" ignored the politically fraught setting of the 1970s.[46] Nonetheless, Michael Schulman, another writer for The New Yorker, included Giamatti, Sessa and Randolph in his list of the year's best performances, and considered the latter "in a prime position for the Best Supporting Actress race."[47]

Justin Chang of the Los Angeles Times praised the film's "enveloping sense of time and place", but as a whole, criticized it as "a flat, phony, painfully diagrammatic movie masquerading as a compassionate, humane one." Chang said that Mary Lamb, despite Randolph's affecting performance, was "somehow the movie's most under-developed role."[42]

Filmmaker James Gray praised the film, saying "The film takes place in 1970, the first year of American history's greatest hangover. And the rhythms and look, precisely rendered, lend a bracing authenticity to the proceedings. More important, the movie recalls vividly both that era's glorious dreams and the stinging cost of idealism. These lonely souls may seem doomed, but they're still trying. And though bearing witness may not always be pretty, it is beautiful. So is The Holdovers."[48]

Accolades

Award Date of ceremony Category Nominee(s) Result Ref.
AACTA International Awards February 10, 2024 Best International Supporting Actress Da'Vine Joy Randolph Pending [49]
AARP Movies for Grownups Awards January 17, 2024 Best Director Alexander Payne Nominated [50]
[51]
Best Actor Paul Giamatti Nominated
Best Screenwriter David Hemingson Nominated
Best Intergenerational Film The Holdovers Won
Academy Awards March 10, 2024 Best Picture Mark Johnson Pending [52]
Best Actor Paul Giamatti Pending
Best Supporting Actress Da'Vine Joy Randolph Pending
Best Original Screenplay David Hemingson Pending
Best Film Editing Kevin Tent Pending
African-American Film Critics Association January 15, 2024 Best Supporting Actress Da'Vine Joy Randolph Won[a] [53]
Alliance of Women Film Journalists January 4, 2024 Best Film The Holdovers Nominated [54]
Best Actor Paul Giamatti Nominated
Best Actress in a Supporting Role Da'Vine Joy Randolph Won
Best Woman's Breakthrough Performance Nominated
Best Screenplay, Original David Hemingson Nominated
Best Ensemble Cast – Casting Director Susan Shopmaker Nominated
American Film Institute Awards December 7, 2023 Top 10 Films of the Year The Holdovers Won[b] [55]
American Cinema Editors March 3, 2024 Best Edited Feature Film (Comedy, Theatrical) Kevin Tent Pending [56]
Artios Awards March 7, 2024 Outstanding Achievement in Casting – Feature Studio or Independent (Comedy) Susan Shopmaker, Lisa Lobel, Angela Peri, Melissa Morris Pending [57]
Astra Film and Creative Arts Awards January 6, 2024 Best Picture The Holdovers Nominated [58]
Best Director Alexander Payne Nominated
Best Actor Paul Giamatti Won
Best Supporting Actor Dominic Sessa Nominated
Best Supporting Actress Da'Vine Joy Randolph Won
Best Original Screenplay David Hemingson Nominated
Best Cast Ensemble The Holdovers Nominated
February 26, 2024 Best Casting Susan Shopmaker Nominated
Best Editing Kevin Tent Nominated
Austin Film Critics Association Awards January 10, 2024 Best Film The Holdovers Nominated [59]
Best Actor Paul Giamatti Nominated
Best Supporting Actress Da'Vine Joy Randolph Won
Best Original Screenplay David Hemingson Nominated
Best Editing Kevin Tent Nominated
The Robert R. "Bobby" McCurdy Memorial Breakthrough Artist Award Dominic Sessa Nominated
Black Reel Awards January 16, 2024 Outstanding Supporting Performance Da'Vine Joy Randolph Nominated [60]
Boston Society of Film Critics Awards December 10, 2023 Best Film The Holdovers Won [61]
Best Actor Paul Giamatti Won
Best Supporting Actress Da'Vine Joy Randolph Won
Best Original Screenplay David Hemingson Won
British Academy Film Awards February 18, 2024 Best Film The Holdovers Pending [62]
Best Director Alexander Payne Pending
Best Actor Paul Giamatti Pending
Best Supporting Actor Dominic Sessa Pending
Best Supporting Actress Da'Vine Joy Randolph Pending
Best Original Screenplay David Hemingson Pending
Best Casting Susan Shopmaker Pending
Capri Hollywood International Film Festival January 2, 2024 Best Supporting Actress Da'Vine Joy Randolph Won [63]
Celebration of Cinema and Television December 4, 2023 Supporting Actress Award (Film) Won [64]
Chicago Film Critics Association Awards December 12, 2023 Best Actor Paul Giamatti Won [65]
Best Supporting Actress Da'Vine Joy Randolph Won
Best Original Screenplay David Hemingson Nominated
Most Promising Performer Dominic Sessa Nominated
Critics' Choice Movie Awards January 14, 2024 Best Picture The Holdovers Nominated [66]
Best Director Alexander Payne Nominated
Best Actor Paul Giamatti Won
Best Supporting Actress Da'Vine Joy Randolph Won
Best Young Actor/Actress Dominic Sessa Won
Best Acting Ensemble The Holdovers Nominated
Best Original Screenplay David Hemingson Nominated
Best Comedy The Holdovers Nominated
Dallas–Fort Worth Film Critics Association December 18, 2023 Best Picture The Holdovers Won [67]
Best Director Alexander Payne 3rd Place
Best Actor Paul Giamatti 2nd Place
Best Supporting Actor Dominic Sessa 5th Place
Best Supporting Actress Da'Vine Joy Randolph Won
Best Screenplay David Hemingson Won
Denver Film Critics Society January 12, 2024 Best Comedy The Holdovers Nominated [68]
Best Lead Performance by an Actor, Male Paul Giamatti Nominated
Best Supporting Actress Da'Vine Joy Randolph Won
Best Original Screenplay David Hemingson Nominated
Directors Guild of America Awards February 10, 2024 Outstanding Directing – Feature Film Alexander Payne Pending [69]
Florida Film Critics Circle December 21, 2023 Best Actor Paul Giamatti Nominated [70]
[71]
Best Supporting Actor Dominic Sessa Nominated
Breakout Award Nominated
Best Supporting Actress Da'Vine Joy Randolph Runner-up
Best Original Screenplay David Hemingson Nominated
Georgia Film Critics Association Awards January 5, 2024 Best Picture The Holdovers Nominated [72]
[73]
Best Actor Paul Giamatti Nominated
Best Supporting Actress Da'Vine Joy Randolph Won
Best Original Screenplay David Hemingson Won
Best Ensemble The Holdovers Runner-up
Golden Globe Awards January 7, 2024 Best Motion Picture – Musical or Comedy Nominated [74]
Best Actor – Motion Picture Musical or Comedy Paul Giamatti Won
Best Supporting Actress Da'Vine Joy Randolph Won
Gotham Independent Film Awards November 27, 2023 Outstanding Supporting Performance Da'Vine Joy Randolph Nominated [75]
Houston Film Critics Society January 22, 2024 Best Picture The Holdovers Nominated [76]
[77]
Best Director Alexander Payne Nominated
Best Actor Paul Giamatti Won
Best Supporting Actor Dominic Sessa Nominated
Best Supporting Actress Da'Vine Joy Randolph Won
Best Screenplay David Hemingson Nominated
Best Ensemble Cast The Holdovers Nominated
Heartland International Film Festival October 5, 2023 Pioneering Spirit: Rising Star Award Dominic Sessa Won [78]
Independent Spirit Awards February 25, 2024 Best Supporting Performance Da'Vine Joy Randolph Pending [79]
Best Breakthrough Performance Dominic Sessa Pending
Best Screenplay David Hemingson Pending
Best Cinematography Eigil Bryld Pending
Indiana Film Journalists Association December 17, 2023 Best Film The Holdovers Nominated [80]
[81]
Best Director Alexander Payne Nominated
Best Lead Performance Paul Giamatti Nominated
Best Supporting Performance Da'Vine Joy Randolph Nominated
Dominic Sessa Nominated
Breakout of the Year Nominated
Best Original Screenplay David Hemingson Won
Best Ensemble Acting The Holdovers Nominated
IndieWire Critics Poll December 11, 2023 Best Film 9th Place [82]
Best Performance Paul Giamatti 6th Place
Best Screenplay David Hemingson 4th Place
Iowa Film Critics Association January 17, 2024 Best Picture The Holdovers Won [83]
Best Director Alexander Payne Won[c]
Best Actor Paul Giamatti Won
Best Supporting Actress Da'Vine Joy Randolph Won
Kansas City Film Critics Circle January 27, 2024 Best Actor Paul Giamatti Won[d] [84]
Best Supporting Actress Da'Vine Joy Randolph Won
Las Vegas Film Critics Society December 13, 2023 Best Supporting Actress Won [85]
Los Angeles Film Critics Association Awards December 10, 2023 Best Supporting Performance Won [86]
Montclair Film Festival October 30, 2023 Audience Award - Fiction Feature The Holdovers Won [87]
NAACP Image Awards March 16, 2024 Outstanding Supporting Actress in a Motion Picture Da'Vine Joy Randolph Pending [88]
National Board of Review December 6, 2023 Top Ten Films The Holdovers Won[b] [89]
Best Actor Paul Giamatti Won
Best Supporting Actress Da'Vine Joy Randolph Won
Best Original Screenplay David Hemingson Won
National Society of Film Critics Awards January 6, 2024 Best Supporting Actress Da'Vine Joy Randolph Won [90]
Best Screenplay David Hemingson Runner-up[e]
Nevada Film Critics Society December 23, 2023 Best Original Screenplay David Hemingson Won [91]
New York Film Critics Circle Awards November 30, 2023 Best Supporting Actress Da'Vine Joy Randolph Won [92]
New York Film Critics Online Awards December 15, 2023 Top 10 Films The Holdovers Won[b] [93]
Best Supporting Actress Da'Vine Joy Randolph Won
North Texas Film Critics Association December 18, 2023 Best Picture The Holdovers Nominated [94]
Best Director Alexander Payne Nominated
Best Actor Paul Giamatti Won
Best Supporting Actor Dominic Sessa Nominated
Best Newcomer Won
Best Supporting Actress Da'Vine Joy Randolph Won
Best Screenplay David Hemingson Won
Gary Murray Award for Best Ensemble The Holdovers Nominated
Oklahoma Film Critics Circle January 3, 2024 Top 10 Films 2nd Place [95]
Best Actor Paul Giamatti Won
Best Supporting Actress Da'Vine Joy Randolph Won
Best Screenplay David Hemingson Won
Phoenix Film Critics Society December 18, 2023 Top Ten Films of 2023 The Holdovers Won[b] [96]
Best Actress in a Supporting Role Da'Vine Joy Randolph Won
Best Screenplay David Hemingson Won
Producers Guild of America Awards February 25, 2024 Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures The Holdovers Pending [97]
San Diego Film Critics Society December 19, 2023 Best Picture The Holdovers Nominated [98]
Best Actor Paul Giamatti Runner-up
Best Supporting Actress Da'Vine Joy Randolph Runner-up
Best Original Screenplay David Hemingson Runner-up
Best Ensemble The Holdovers Won
Best Use of Music Nominated
San Diego International Film Festival October 22, 2023 Audience Award - Best Gala Film The Holdovers Won [99]
Santa Barbara International Film Festival February 10, 2024 Virtuoso Award Da'Vine Joy Randolph Won [100]
San Francisco Bay Area Film Critics Circle Awards January 9, 2024 Best Actor Paul Giamatti Nominated [101]
Best Supporting Actress Da'Vine Joy Randolph Won
Best Original Screenplay David Hemingson Nominated
Satellite Awards February 18, 2024 Best Motion Picture, Comedy or Musical The Holdovers Pending [102]
Best Director Alexander Payne Pending
Best Actor in a Motion Picture, Comedy or Musical Paul Giamatti Pending
Best Actor in a Supporting Role Dominic Sessa Pending
Best Actress in a Supporting Role Da'Vine Joy Randolph Pending
Best Screenplay, Original David Hemingson Pending
Best Film Editing Kevin Tent Pending
Screen Actors Guild Awards February 24, 2024 Outstanding Performance by a Male Actor in a Leading Role Paul Giamatti Pending [103]
Outstanding Performance by a Female Actor in a Supporting Role Da'Vine Joy Randolph Pending
Seattle Film Critics Society Awards January 8, 2024 Best Picture of the Year The Holdovers Nominated [104]
Best Actor in a Leading Role Paul Giamatti Nominated
Best Actress in a Supporting Role Da'Vine Joy Randolph Won
Best Ensemble Cast The Holdovers Won
Best Screenplay David Hemingson Won
Southeastern Film Critics Association December 18, 2023 Top 10 Films The Holdovers 3rd Place [105]
Best Supporting Actress Da'Vine Joy Randolph Won
Best Original Screenplay David Hemingson Won
St. Louis Film Critics Association December 17, 2023 Best Film The Holdovers Nominated [106]
Best Actor Paul Giamatti Runner-up
Best Supporting Actor Dominic Sessa Nominated
Best Supporting Actress Da'Vine Joy Randolph Won
Best Original Screenplay David Hemingson Runner-up
Best Ensemble The Holdovers Won
Best Soundtrack Nominated
Best Comedy Film Won
Best Editing Kevin Tent Nominated
Toronto Film Critics Association December 17, 2023 Outstanding Lead Performance Paul Giamatti Runner-up[f] [107]
Outstanding Supporting Performance Da'Vine Joy Randolph Won
Outstanding Breakthrough Performance Dominic Sessa Runner-up[g]
Toronto International Film Festival September 17, 2023 People's Choice Award The Holdovers Runner-up [29]
Vancouver Film Critics Circle February 12, 2024 Best Male Actor Paul Giamatti Pending [108]
Best Supporting Female Actor Da'Vine Joy Randolph Pending
Washington D.C. Area Film Critics Association Awards December 10, 2023 Best Film  The Holdovers Nominated [109]
Best Actor Paul Giamatti Nominated
Best Supporting Actor Dominic Sessa Nominated
Best Youth Performance Won
Best Supporting Actress Da'Vine Joy Randolph Won
Best Original Screenplay David Hemingson Nominated
Best Ensemble The Holdovers Nominated
Women Film Critics Circle Awards December 18, 2023 Best Supporting Actress Da'Vine Joy Randolph Won [110]

Notes

  1. ^ Tied with Danielle Brooks for The Color Purple.
  2. ^ a b c d This award does not have a single winner, but recognizes multiple films.
  3. ^ Tied with Christopher Nolan for Oppenheimer.
  4. ^ Tied with Cillian Murphy for Oppenheimer.
  5. ^ Tied with Celine Song for Past Lives.
  6. ^ Shared with Andrew Scott for All of Us Strangers, Emma Stone for Poor Things, and Kôji Yakusho for Perfect Days.
  7. ^ Shared with Charles Melton for May December.

References

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