Mathcore: Difference between revisions
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== References == |
== References == |
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Revision as of 22:14, 19 March 2009
| Mathcore | |
|---|---|
| Stylistic origins | Metalcore Math rock Grindcore Post-hardcore |
| Cultural origins | early 1990s North America |
| Typical instruments | vocals − Electric guitar − Bass guitar − drums |
| Other topics | |
| Avant-garde metal Post-metal Technical death metal | |
Mathcore (also known as technical metalcore or progressive metalcore) is a rhythmically complex and dissonant style of metalcore. It has its roots in bands like Converge,[1] Botch,[2][3] and the Dillinger Escape Plan.[4] The term mathcore is suggested by analogy with math rock. Both math rock and mathcore make use of unusual time signatures. Math rock groups such as Slint, Don Caballero, Shellac, and Drive Like Jehu have some influence on mathcore, though mathcore is more closely related to metalcore and grindcore. Prominent mathcore groups have been associated with grindcore.[5][6][7][8][9]
History
An early antecedent to mathcore was practiced by Black Flag, in 1984, with the album My War: "Its seven-minute metal dirges and fusion-style time signatures proved too much for many fans".[10] Many groups from the mathcore scene paid tribute to Black Flag for the album Black on Black.[11]
Mathcore is an offshoot of math rock, which originated in the early 1990s. Math rock's convergence with metalcore inspires the portmanteau term: math rock with hardcore. The earliest known bands to record this hybrid include Rorschach, Starkweather, Botch and Converge. Throughout the 1990s, several other groups started to emerge: Cave In from Massachusetts, Cable from Connecticut, Coalesce from Kansas City, and Knut from Switzerland. The term mathcore was coined at the release of The Dillinger Escape Plan's 1999 debut album Calculating Infinity. The Dillinger Escape Plan is often considered the "pioneer" of mathcore.[12] The style had previously been referred to as "noisecore",[13][14] which confusingly also refers to a style of hardcore techno and an earlier outgrowth of grindcore.[15]
In the early 2000s several new mathcore bands started to emerge. These bands were rarely described as such, but were commonly related to mathcore pioneers or cited a major mathcore band as an influence. Norma Jean's earlier records are often compared to Converge and Botch[16][17] and are sometimes comically referred to as a "Botch rip-off".[18] Other new mathcore bands that cite older mathcore bands as an influence or are compared to one include The Locust,[19] Daughters,[20] Some Girls,[21] Fear Before the March of Flames,[22] Behold... The Arctopus,[23]and The Number Twelve Looks Like You.[24]
Style
Much like math rock, mathcore incorporates heavy usage of unusual time signatures, jarring tempo changes and unconventional song structure. The influence of metal and metalcore is what sets it apart as an extreme variation.
The term progressive metalcore varies from mathcore in that it is used more to describe metalcore bands who are strongly influenced by progressive metal and rock bands. In general terms it is more a simple combination of the two genres. Mathcore is generic to bands who are heavily hardcore influenced also moving towards playing technical grindcore, with various experimental influences. Some examples of progressive metalcore bands would be The Human Abstract, Between the Buried and Me, Protest the Hero, SikTh, Shai Hulud, Don The Reader, Fear the Fiasco, Misery Signals and August Burns Red.
See also
References
- ^ "Converge biography". Rockdetector.com. Retrieved 2007-08-23.
- ^ Botch - We Are The Romans Review
- ^ San Francisco Bay Guardian : Article : The Gap's attack on kids
- ^ TV3 > News > Story > Mathcore band the 'Dillinger Escape Plan' visit NZ
- ^ "Contemporary grindcore bands such as The Dillinger Escape Plan [...] have developed avant-garde versions of the genre incorporating frequent time signature changes and complex sounds that at times recall free jazz." Keith Kahn-Harris (2007), Extreme Metal, Berg Publishers, ISBN 1-84520-399-2, p. 4.
- ^ Epitaph Records, Dillinger Escape Plan artist info, [1] Access date: September 16, 2008.
- ^ Vik Bansal, Miss Machine review, Music OMH, 2 August 2004. [2] Access date: September 16, 2008.
- ^ Whitney Strub, "Behind the Key Club: An Interview with Mark "Barney" Greenway of Napalm Death ", PopMatters, May 11, 2006. [3] Access date: September 17, 2008.
- ^ Jason Buchanan, The Dillinger Escape Plan: Miss Machine - The DVD review, Allmovie. [4] Access date: September 17, 2008.
- ^ Steven Blush, American Hardcore: A Tribal History, "Thirsty and Miserable", Los Angeles: Feral House, 2001, p. 66
- ^ Mark Prindle, Citizine interview with Greg Ginn, June 7, 2003. [5] Access date: October 8, 2008.
- ^ "Mathcore band the 'Dillinger Escape Plan' visit NZ" 3news.co.nz. Retrieved on August 3, 2008.
- ^ Whitney Strub, "Behind the Key Club: An Interview with Mark "Barney" Greenway of Napalm Death ", PopMatters, May 11, 2006. [6] Access date: September 17, 2008.
- ^ "Botch ... a noisecore pioneer," 'Terrorizer, "Grindcore Special," #180, Feb. 2009, p. 63.
- ^ Terrorizer, "Grindcore Special," #180, Feb. 2009, p. 44.
- ^ Bosler, Shawn. Christian metalcore heavyweights Norma Jean make new believers with O’ God, the Aftermath." Decibel Magazine. Retrieved on August 3, 2008.
- ^ Bansal, Vik. "Norma Jean - O God The Aftermath (Abacus)" musicOMH.com. Retrieved on August 3, 2008.
- ^ Heisel, Scott. "Listening Station" Alternative Press. Issue 242 Page 168.
- ^ Ken McGrath. "Destruction and Chaos are Never Far Behind". Interview with Bobby Bray. Sorted Magazine. 2003. [7] Access date: October 4, 2008.
- ^ Steve Carlson, Hell Songs review, "Blog Critics", October 19, 2006. [8] Access date: September 13, 2008.
- ^ "San Diego Reader"[9] Access date: September 13, 2008.
- ^ "Fear Before The March Of Flames Bio" The Gauntlet. Retrieved on August 3, 2008.
- ^ "Behold... The Arctopus Bio" Metal Blade Recordings. Retrieved on August 3, 2008.
- ^ Miller, Kirk. "The Number Twelve Looks Like You: Put on Your Rosy Red Glasses - You know, the kind Bootsy Collins wears..." Decibel Magazine. Retrieved on August 3, 2008.
