Nothing Really Matters: Difference between revisions
Reverted 1 edit by SummerPhDv2.0 (talk): Get your eyes checked. (TW) |
add direct source for this user |
||
Line 47: | Line 47: | ||
| format = [[Ogg]] |
| format = [[Ogg]] |
||
}} |
}} |
||
"Nothing Really Matters" is an mid-tempo [[Electronic dance music|EDM]] song which contains influences of [[techno]], [[Chillwave|downtempo pop]], and [[house music]].<ref name="twodecades">{{harvnb|Metz|Benson|1999|p=98}}</ref> It is set in the [[time signature]] of common time, and is composed in the key of [[F major]], with a moderate tempo of 104 [[beats per minute]]. Madonna's vocals range from the lower octave of F<sub>3</sub> to the higher note of A{{flat}}<sub>4</sub>.<ref>{{cite web|url=http://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0026155|title=Madonna Ciccone: Nothing Really Matters (music notes)|publisher=Musicnotes.com|accessdate=March 9, 2016}}</ref> Greg Kot from ''[[Chicago Tribute]]'' labelled the production as a "worldly, and weary Madonna".<ref>{{cite news|last=Kot|first=Greg|authorlink=Greg Kot|date=March 1, 1998|url=http://articles.chicagotribune.com/1998-03-01/news/9803010300_1_shep-pettibone-pop-stars-william-orbit|title=New-material Girl|newspaper=[[Chicago Tribune]]|accessdate=September 22, 2015}}</ref> [[David Browne]] from ''[[Entertainment Weekly]]'' noticed that the "hard-step beats and synth washes make the romantic-physical yearnings (and hooks) of 'Skin' and 'Nothing Really Matters' even tauter...".<ref>{{cite news|url=http://www.ew.com/ew/article/0,,282100,00.html|title=Ethereal Girl|last=Browne|first=David|authorlink=David Browne|date=March 6, 1998|work=[[Entertainment Weekly]]|accessdate=July 23, 2009}}</ref> [[J.D. Considine]] from ''[[Baltimore Sun]]'' felt the song was a "smart, groove-intensive tune".<ref>{{cite web |last=Considine|first= J.D.|url=http://articles.baltimoresun.com/1998-03-03/features/1998062049_1_madonna-techno-new-album|title=Seeing, hearing the light Review: Madonna's depth and deft feel for techno pop should sway any nonbelievers|work=[[The Baltimore Sun]]|date=March 3, 1998|accessdate=March 9, 2016}}</ref> Chuck Taylor from ''[[Billboard (magazine)|Billboard]]'' compared the composition of "Nothing Really Matters" to the "disco-encrusted" "[[Vogue (Madonna song)|Vogue]]" (1990). However, he found that the "core" important part of the song was its "sweetly-spiritual" and "simple" lyrical content.<ref name="billboardsingles">{{cite web |author=Taylor, Chuck|url=https://books.google.co.nz/books?id=gw4EAAAAMBAJ&pg=PA41|title=Reviews and Previews: Singles|work=[[Billboard (magazine)|Billboard]]|date=February 13, 1999|accessdate=March 9, 2016}}</ref> |
"Nothing Really Matters" is an mid-tempo [[Electronic dance music|EDM]] song<ref name="huffington2"/> which contains influences of [[techno]], [[Chillwave|downtempo pop]], and [[house music]].<ref name="twodecades">{{harvnb|Metz|Benson|1999|p=98}}</ref> It is set in the [[time signature]] of common time, and is composed in the key of [[F major]], with a moderate tempo of 104 [[beats per minute]]. Madonna's vocals range from the lower octave of F<sub>3</sub> to the higher note of A{{flat}}<sub>4</sub>.<ref>{{cite web|url=http://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0026155|title=Madonna Ciccone: Nothing Really Matters (music notes)|publisher=Musicnotes.com|accessdate=March 9, 2016}}</ref> Greg Kot from ''[[Chicago Tribute]]'' labelled the production as a "worldly, and weary Madonna".<ref>{{cite news|last=Kot|first=Greg|authorlink=Greg Kot|date=March 1, 1998|url=http://articles.chicagotribune.com/1998-03-01/news/9803010300_1_shep-pettibone-pop-stars-william-orbit|title=New-material Girl|newspaper=[[Chicago Tribune]]|accessdate=September 22, 2015}}</ref> [[David Browne]] from ''[[Entertainment Weekly]]'' noticed that the "hard-step beats and synth washes make the romantic-physical yearnings (and hooks) of 'Skin' and 'Nothing Really Matters' even tauter...".<ref>{{cite news|url=http://www.ew.com/ew/article/0,,282100,00.html|title=Ethereal Girl|last=Browne|first=David|authorlink=David Browne|date=March 6, 1998|work=[[Entertainment Weekly]]|accessdate=July 23, 2009}}</ref> [[J.D. Considine]] from ''[[Baltimore Sun]]'' felt the song was a "smart, groove-intensive tune".<ref>{{cite web |last=Considine|first= J.D.|url=http://articles.baltimoresun.com/1998-03-03/features/1998062049_1_madonna-techno-new-album|title=Seeing, hearing the light Review: Madonna's depth and deft feel for techno pop should sway any nonbelievers|work=[[The Baltimore Sun]]|date=March 3, 1998|accessdate=March 9, 2016}}</ref> Chuck Taylor from ''[[Billboard (magazine)|Billboard]]'' compared the composition of "Nothing Really Matters" to the "disco-encrusted" "[[Vogue (Madonna song)|Vogue]]" (1990). However, he found that the "core" important part of the song was its "sweetly-spiritual" and "simple" lyrical content.<ref name="billboardsingles">{{cite web |author=Taylor, Chuck|url=https://books.google.co.nz/books?id=gw4EAAAAMBAJ&pg=PA41|title=Reviews and Previews: Singles|work=[[Billboard (magazine)|Billboard]]|date=February 13, 1999|accessdate=March 9, 2016}}</ref> |
||
The song begins with a "strange, electronic, slightly broken noise" that spans between the start of the song up until 54 seconds.<ref name="likeanicon"/> The [[ambient music|ambient]] influenced beginning gives the impression that "Nothing Really Matters" would be a ballad, but in the minute mark, it changes to a mid-tempo dance-pop song. The ambient music becomes restrained, although a cursory bleeping sound can be heard from the right to the left. The background has a number of faint [[strings]] in it, which signifies the depth of the [[stereo field]].<ref name="rikky">{{harvnb|Rooksby|2004|p=53}}</ref> The chorus starts with a fast-pacing dance sound, with the lyrics; "Nothing really matters / love is all we need / everything I give you / all comes back to me." Throughout the entire song, it includes two [[verse (popular music)|verses]], three choruses, one [[bridge (music)|bridge section]], and an [[Conclusion (music)|outro]].<ref name="notes"/> The bridge is backed by piano sounds with a descending sequence by a couple of [[bar (music)|bars]].<ref name="rikky"/> Madonna sings the same lyrics in the outro, but is slowed down and echoed longer until the music [[fade (audio engineering)|fades out]].<ref name="notes"/> |
The song begins with a "strange, electronic, slightly broken noise" that spans between the start of the song up until 54 seconds.<ref name="likeanicon"/> The [[ambient music|ambient]] influenced beginning gives the impression that "Nothing Really Matters" would be a ballad, but in the minute mark, it changes to a mid-tempo dance-pop song. The ambient music becomes restrained, although a cursory bleeping sound can be heard from the right to the left. The background has a number of faint [[strings]] in it, which signifies the depth of the [[stereo field]].<ref name="rikky">{{harvnb|Rooksby|2004|p=53}}</ref> The chorus starts with a fast-pacing dance sound, with the lyrics; "Nothing really matters / love is all we need / everything I give you / all comes back to me." Throughout the entire song, it includes two [[verse (popular music)|verses]], three choruses, one [[bridge (music)|bridge section]], and an [[Conclusion (music)|outro]].<ref name="notes"/> The bridge is backed by piano sounds with a descending sequence by a couple of [[bar (music)|bars]].<ref name="rikky"/> Madonna sings the same lyrics in the outro, but is slowed down and echoed longer until the music [[fade (audio engineering)|fades out]].<ref name="notes"/> |
Revision as of 14:42, 23 November 2016
"Nothing Really Matters" | |
---|---|
Song | |
B-side | "To Have and Not to Hold" |
"Nothing Really Matters" is a song recorded by American singer Madonna for her seventh studio album, Ray of Light (1998). It was written by Madonna and Patrick Leonard, and was produced by the singer with William Orbit and Marius De Vries. The song was released as the fifth and final single from the album on March 2, 1999, by Maverick Records and Warner Bros. Records. An EDM song on which Madonna experiments with different musical genres, "Nothing Really Matters" includes ambient music and electronic noise frequencies that were added by De Vries. The lyrics are about Madonna's first daughter Lourdes Leon, and also has themes of selfishness, affection, and motherhood.
"Nothing Really Matters" was critically appreciated for its lyrical content and composition, and was declared by reviewers as one of Madonna's most personal efforts; however, some critics felt the song was tepid and lacklustre compared to other tracks from Ray of Light. In the United States, the song remains Madonna's lowest entry on the Billboard Hot 100, peaking at number 93. Its low chart peak was due to lack of airplay, and delay in releasing the CD single; Madonna's fans protested about the delay by Warner Bros. The song became her 23rd number-one on the US Dance Club Songs chart, reached the top spot in Spain, and entered the top ten in countries including Canada, Finland, Italy, New Zealand, and the United Kingdom.
An accompanying music video was directed by Swedish director Johan Renck, and was released on February 13, 1999. Inspired by the Arthur Golden 1997 novel Memoirs of a Geisha, the video portrays Madonna as a geisha, dancing in a small room. The red kimono worn by Madonna in the video was designed by French fashion designer Jean Paul Gaultier. It was worn by the singer during her performances of the song at the 41st Annual Grammy Awards and the Drowned World Tour. "Nothing Really Matters" is cited as one of Madonna's most underrated singles to date. The costume and music video has been cited by journalist and academics as one of Madonna's most iconic and best re-inventions.
Background and writing
![](http://upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Guy_Oseary.jpg/170px-Guy_Oseary.jpg)
"Nothing Really Matters" was written by Madonna and American producer and songwriter Patrick Leonard, and was produced by herself alongside British producer's William Orbit and Marius De Vries.[1] The song was inspired by Madonna's daughter Lourdes Leon, whom she gave birth to in 1996. These events inspired a period of introspection for the singer. "That was a big catalyst for me. It took me on a search for answers to questions I'd never asked myself before," she said to Q magazine in 2002.[2] Madonna begun writing the song with Leonard during developing her album Ray of Light.[3] However, unlike their previous work dynamics, Leonard gave little input during studio sessions and only co-wrote four songs for the album, including "Nothing Really Matters". As a result, Madonna did not want him to produce the song.[3] Her manager Guy Oseary then telephoned Orbit, and suggested that the latter send some songs to Madonna. Orbit sent a 13-track digital audio tape (DAT) to Madonna, which included a demo version of "Nothing Really Matters"'s music. According to Madonna, she had been a fan of Orbit's for a long time and was pleased with the demo version and started to work on it.[2]
De Vries, who had worked on the demo, asked Orbit to help produce the song, and was enlisted. According to Madonna: Like an Icon writer Lucy O'Brien, De Vries and Orbit had originally composed and produced the track before Ray of Light had been conceived.[4] During the sessions, Orbit found De Vries' contribution "off-putting", but De Vries' said; "On all the collaborations I'd left a lot of space for him, but for this I wanted to put something on the table and say, 'This is what I think'". De Vries had added electronic noise frequencies during the first chorus of the song, stating that he had a "vision on how the song should be finished". Orbit did not like the addition since it sounded to him that the "DAT's broken".[4] De Vries defended his contribution saying that it was supposed to be "like that... It's quite slow for a dance tune of that nature, not a pacey tune." Madonna had enjoyed all three of their contributions to the track, and as a result, Oribt reluctantly left it on.[4] In J. Randy Taraborrelli's book Madonna: An Intimate Biography, the singer said that the main inspiration behind "Nothing Really Matters", and "The Power of Good-Bye" from the same album, was other people judging and dissecting her creative process. Elaborating on the statement, she added:
In 'Nothing Really Matters' and 'The Power of Good-Bye', I want people to have a visceral and emotional reaction to things, rather than to have in their mind where all my stuff comes from. With the songs, I wanted to say that it does not matter really what you think or do, just think by yourself, and not judge and dissect others. You know if I see a bug crawling across the floor and it inspired me to write the most incredible love poem, I don't want people to be thinking about their relationship, and then think of my bug crawling across the floor. It's then that the power of good-bye becomes better than the power of acceptance.[5]
Recording and composition
"Nothing Really Matters" was recorded alongside the rest of the album at Larrabee North Studio in North Hollywood, California. Only three other people were in the studio with Madonna during the recording of the song and album: Orbit, recording engineer Pat McCarthy, and his assistant engineer, Matt Silva.[1] The song featured no live instrumentation, and was part of a machinery issue that delayed initial recording as Orbit preferred working with sample loops and synth-based instrumentation. As a result, it took a while to finish production of the song, until the computers were repaired.[3] The song was mastered by Ted Jensen at Sterling Studios in New York, and included background vocals from Donna DeLory and Nikki Harris.[1]
"Nothing Really Matters" is an mid-tempo EDM song[6] which contains influences of techno, downtempo pop, and house music.[7] It is set in the time signature of common time, and is composed in the key of F major, with a moderate tempo of 104 beats per minute. Madonna's vocals range from the lower octave of F3 to the higher note of A♭4.[8] Greg Kot from Chicago Tribute labelled the production as a "worldly, and weary Madonna".[9] David Browne from Entertainment Weekly noticed that the "hard-step beats and synth washes make the romantic-physical yearnings (and hooks) of 'Skin' and 'Nothing Really Matters' even tauter...".[10] J.D. Considine from Baltimore Sun felt the song was a "smart, groove-intensive tune".[11] Chuck Taylor from Billboard compared the composition of "Nothing Really Matters" to the "disco-encrusted" "Vogue" (1990). However, he found that the "core" important part of the song was its "sweetly-spiritual" and "simple" lyrical content.[12]
The song begins with a "strange, electronic, slightly broken noise" that spans between the start of the song up until 54 seconds.[4] The ambient influenced beginning gives the impression that "Nothing Really Matters" would be a ballad, but in the minute mark, it changes to a mid-tempo dance-pop song. The ambient music becomes restrained, although a cursory bleeping sound can be heard from the right to the left. The background has a number of faint strings in it, which signifies the depth of the stereo field.[13] The chorus starts with a fast-pacing dance sound, with the lyrics; "Nothing really matters / love is all we need / everything I give you / all comes back to me." Throughout the entire song, it includes two verses, three choruses, one bridge section, and an outro.[1] The bridge is backed by piano sounds with a descending sequence by a couple of bars.[13] Madonna sings the same lyrics in the outro, but is slowed down and echoed longer until the music fades out.[1]
The lyrics are about the birth of Madonna's daughter Lourdes, and the realization of motherhood. In an interview with the Wesleyan University Press, Madonna stated; "There's a song on the album called 'Nothing Really Matters', and it is very much inspired by my daughter. it's just realizing that at the end of the day, the most important thing is loving people and sharing love. The birth of my daughter has been a huge influence. It's different to look at life through the eyes of a child, and suddenly you have a whole new respect for life and you kind of get your innocence back. It's this realisation which I incorporated in 'Nothing Really Matters', 'Little Star' and 'Mer Girl'."[14][15] Based on the lyrical content, Bryan Lark from The Michigan Daily reviewed the parent album, and stated because the single "Ray of Light" was about confronting the past, "Nothing Really Matters" conversely is about "moving onward."[16]
Release details
"Nothing Really Matters" was selected as the fifth and final single from Ray of Light, and was released on March 2, 1999 by Maverick Records and Warner Bros. Records. "Nothing Really Matters" was released in six major formats; a 12 inch vinyl, two CD singles, one maxi CD, a cassette tape, and a digital download.[17] A promotional 7 inch vinyl was issued to several clubs in North America, and included the original album version and the b-side and parent album track "To Have and Not To Hold".[18] Two 12 inch vinyl formats were released in North America; one included four vinyl's that include two tracks on each, while the second was re-issued with new artwork and track list placement.[19][20] The CD maxi included the album version, and two remixes by the late Austrian disc jockey Peter Rauhofer (under the alias Club 69).[21] Two CD singles were issued worldwide except for North America; the first CD includes the album version, one remix by Rauhofer, and one remix by Peter Kruder & Richard Dorfmeister, whilst the second includes three remixes by Rauhofer.[22][23] A cassette tape was released in the United Kingdom; this includes the album version and one remix by Rauhofer, presented on both sides of the recording tape.[24]
Critical reception
Stephen Thomas Erlewine from AllMusic, Kevin C. Johnson from St. Louis Post-Dispatch and Chris Gernard from Metro Weekly, all of them highlighted "Nothing Really Matters" as one of Ray of Light's best tracks.[25][26][27] Erlewine, who also wrote Madonna's biography for the website, highlighted the song as one of Madonna's career stand outs.[28] Chuck Taylor from Billboard labeled the song as a "gem" and commended the "irresistible hook".[12] From the same publication, the Billboard Staff commented, "What if the suave dance of 'Nothing Really Matters', the eye-popping 'Ray of Light' music video or the stark beauty of 'Frozen' never existed? Luckily, we never need to find out."[29] Rolling Stone said that "[s]ongs like the title track and 'Nothing Really Matters' are filled with warmth and wonder."[30] Stephen Thompson from The A.V. Club was positive in his review, stating that the "chugging" chorus and composition "should ring across dance floors for years to come..."[31] Nathan Smith from Houston Press was also positive, stating "Few singles illustrated [Madonna's change in musical approach] better than 'Nothing Really Matters'". He concluded "It's a great, bouncy dance track that never received the love it deserved, and its family-friendly themes are a good fit for the event."[32]
However, Enio Chiola from PopMatters felt the song's commercial appeal and production was inferior to other album tracks, and stated that "Skin" (another song of Ray of Light) would have been a better release.[33] Jose F. Promis from AllMusic reviewed the single release, and awarded it two-and-a-half stars out of five. He labelled that the original album version was somewhat "tepid", and further commented, "This single is a case of where the production supersedes the song, which in and of itself is among Madonna's simplest and least interesting tunes." However, he commended the remixes for the track, including the "Eastern Asian", "chillout" and "several club cuts".[34]
At the 2000 ASCAP Rhythm and Soul Awards, "Nothing Really Matters" was nominated for the Award-Winning Dance Song award; this was Madonna's first nomination in that category, and was her second nomination at the awards since the previous year (her song "Ray of Light" was nominated, and eventually won the Top Dance Song award).[35] "Nothing Really Matters" eventually won the award, becoming her first win in that category and was her final until she won it again in 2002 for "Don't Tell Me".[36][37]
Chart performance
In the United States, "Nothing Really Matters" debuted at number 99 on the Billboard Hot 100, making it her lowest entry on the chart.[38] It reached a peak of number 93 the following week, and was present for two weeks overall.[39] "Nothing Really Matters" topped the Dance Club Songs chart and stayed there for two weeks, whilst peaking at number 25 on the Pop Songs chart.[40][41] Jose F. Promis from AllMusic believed the single's lack of charting success in North America was due "to the terrible timing of the single's release, which was much after radio and club airplay had peaked."[42][38] Many fans in North America blamed Warner Bros. Records' marketing strategy for the song's poor charting.[25] "Nothing Really Matters" was also the first time since 1994's Bedtime Stories, that Madonna charted four singles from her album on the Hot 100.[38] In Canada, the song reached a peak of number six on the RPM Singles Chart.[43]
In the United Kingdom, "Nothing Really Matters" entered the UK Singles Chart at number seven on March 13, 1999.[44] It was later certified silver by the British Phonographic Industry (BPI) for shipments of 200,000 units.[45] According to Official Charts Company, the song has sold 128,137 copies as of August 2008.[46] In Belgium's Flanders region, the song debuted and peaked at number 43 on March 13, 1999,[47] while in the Wallonia region, the song debuted and peaked at number 43, spending a sole week on the chart.[48] In the Netherlands, the song debuted at number 73 on the Single Top 100 chart, and reached a peak of 34 on March 13, 1999.[49] The song reached a peak of number 38 in Germany, spending a total of nine weeks on the chart.[50] In Finland, the song debuted at number six on the Finnish Singles Chart, and spent two weeks overall.[51] In Spain, the song debuted at number one on the Spanish Singles Chart and stayed there for three consecutive weeks.[52]
In Australia, "Nothing Really Matters" debuted on the ARIA Singles Chart at its peak of number 15 on March 4, 1999. The next week it descended at number 22, and continued down to its final appearance at number 49, present for a total of six weeks on the chart.[53] In New Zealand, the song debuted at number seven on the New Zealand Singles Chart on April 11, 1999. It stayed there for two weeks, until descending to number 45. It rose to number 26 on its final peaking week, and was present for a total of nine weeks on the chart.[54]
Music video
Background and inspiration
The music video was directed by Johan Renck and filmed in January 1999 at Silvercup Studios in Long Island City, New York.[55] According to a behind-the-scenes interview with Entertainment Tonight, Madonna stated that the inspiration behind the video was from the 1997 Arthur Golden novel Memoirs of a Geisha. She later stated; "The whole idea of a geisha is a straight metaphor for being an entertainer because, on one hand you're privileged to be a geisha, but on the other hand you're a prisoner..." Madonna choreographed her own moves on the video, since she "[did not] like how other people say how I should move, I'm my own best choreographer."[56] In an interview with American broadcaster and journalist Larry King, Madonna commented about the geisha depiction; "...there was a character in the book called Hatsumomo and she's been my muse for the past six months. So I don't know."[57] She stated that her daughter at the time called Madonna the novel's character, Hatsumomo, which the singer found intriguing yet bizarre.[56]
The red kimono that Madonna wore in the music video was created by French fashion designer Jean-Paul Gaultier.[1] The entire look for the video consists of Madonna having a black bob, wearing the red kimono and ankle high boots. The kimono was tailored by a large red leather belt.[58] Madonna wore the kimono again at the 41st Annual Grammy Awards, which she performed at. The look was then re-designed by Gaultier and the Italian fashion duo Dean and Dan Caten for Madonna's 2001 Drowned World Tour.[59] "Nothing Really Matters" premiered on MTV on February 13, 1999.[60]
Synopsis and reception
The video opens with an empty room with a fish painting, then shows Madonna holding to what looks like a baby but is actually a bag of water. Alternating scenes shows her in a red and black kimono dancing to the song. Then, a scene features a group of people of Asian heritage, who walk down a dark hallway. As Madonna sings the song in a black kimono, she grips onto the bag of water. When the chorus starts, it features Madonna in a red kimono continuing to dance. Scenes like this carry on through the rest of the song. There are multiple scenes of Japanese people dancing to the song, performing butoh dance moves.[61] These scenes were shot in a decommissioned R1 Reactor below the Royal Institute of Technology in central Stockholm.[62] The ending scene has Madonna sitting while someone is painting her back and slowly rests her body on the group. It finishes with Madonna in her red kimono walking towards the camera as it slowly descends away from her.
The music video received favorable reviews from critics. Soman S. Chainani from The Crimson was positive in his review, stating "The video is deliciously subversive. In a sense, Madonna consciously sheds layers of her post-modern act during the 4:25 minute video, daring us to piece together its clues." Labelling it a "surreal" video with "angular" imagery and direction, he concluded "Random? Of course not. Realizing it's all the pieces of a puzzle, we grasp the stunning answer.Madonna is, in all truth, a modern-day Geisha. She is trapped within her corridor, without the least privacy, but she is free to perform."[63] A reviewer from HitFix commented: "[The video] is a gorgeous futuristic creation and one of Madonna's most underrated videos. Dark and hypnotic, 'Matters' features unconventional choreography that was initially off putting to many (at least for 1999), but in actuality director Johan Renck has created a visual spectacle that demands repeat viewing. It also features one of Madonna's more inspired video performances."[64]
At the 1999 MTV Video Music Awards, Renck, Bjorn Benckert and Tor-Bjorn Olsson were all nominated for Best Special Effects in a Video. This was Madonna's second sub-credited nomination in that category, having been nominated, and eventually won for the same award a year prior with her single "Frozen". Madonna was also nominated three times for her single "Beautiful Stranger" that same year. However, Renck, Benckert, and Olsson lost to Sean Broughton, Stuart D. Gordon and Paul Simpson of Digital Domain with their work on "Special" by British band Garbage; this remains Madonna's final video to be nominated in that category.[65][66]
Live performance
On February 24, 1999, Madonna performed "Nothing Really Matters" at the 1999 41st Annual Grammy Awards as the opening number from the show. The performance was held and recorded at Shrine Auditorium in Los Angeles, California.[67] The stage had two large Japanese infrastructures on either side, a black screen, and a semi-large bench on which Madonna stood. The performance opened with the lights beaming on Madonna, who wore the red Gaultier kimono, red platform boots, and black bob hairstyle. The chorus started with four back-up dancers holding plastic bag, similar to the Japanese people in the music video, and a background dancer being projected on screen. By the second chorus, Madonna's back-up vocalists started singing atop the benches wearing similar kimonos. During the song's bridge interlude, a man entered the stage and started performing with flamed rope.[67] When Madonna won the award for Best Pop Vocal Album at the same ceremony, She came onstage with William Orbit to accept the award in the red kimono.[68][69]
The live performance received positive reviews from most music critics; Jason Kaufman from NY Rock commented about the performance: "Her constant nationality morphing has got to go. With her geisha-girl-gone-club-hopping outfit last night, [...] the woman proved she's a walking Epcot Center, long on fashion and short on culture. And what were those women dancing behind her in her musical number holding? The objects looked like fetuses from last week's The X-Files".[70] Bradley Stern from Idolator hosted a poll, asking viewers what was their best Madonna Grammy performance. Including the 1999 Grammys, Stern listed Madonna's performances at the 2001 ceremony with "Music", 2006 ceremony with "Hung Up", and 2014 show with "Same Love" and "Open Your Heart".[71][72][73] "Nothing Really Matters" came third in the poll with 102 votes.[74] InStyle Staff highlighted the performance as one of the best Grammy performance to date.[75]
Legacy and other usage in media
![](http://upload.wikimedia.org/wikipedia/commons/thumb/8/83/FrozenDionisioWeiland.jpg/220px-FrozenDionisioWeiland.jpg)
"Nothing Really Matters" has been noted as one of Madonna's most underrated singles to date.[6] Louis Virtel from NewNowNext listed the song at number 94 on their Top 100 Madonna Songs list; he stated "Copping both new-age maxims and Beatle sentiments ('Everything I give you all comes back to me'), 'Nothing Really Matters' is as queer and curious as a red patent-leather geisha costume."[76] The Gaultier kimono has be cited by several publications as one of Madonna's most notable re-inventions and looks, including fashion magazines like InStyle, Elle and Harper's Bazaar.[77][78][79][80][81][82] Alongside this, the kimono has been recognized as one of the Grammy's best and worst looks.[83]
Louis Virtel listed the music video at number 49 on his ranking of 55 Best Music Videos by Madonna.[84] Julien Sauvalle from Out listed the video at number eight on his Top 20 Most Stylist Madonna music videos list.[85] Idolator's Nicole Sta called the clip as one of Madonna's best music videos.[86] Nikki Ogunnaike from Glamour magazine listed the video as one of Madonna's Top 5 Most Fashionable music videos.[87]
The geisha look was further reproduced for Madonna's appearance on the May–June 1999 issue of Harper's Bazaar magazine.[88] Madonna took partial creative control of the issue, and requested photographer of the shoot Patrick Demarchelier to incorporate elements of the novel Memoirs of a Geisha into it, both visually and typographically.[57] Three covers were selected for different regions around the world.[88] In 2016, the geisha look was adapted on the Logo TV series RuPaul's Drag Race, season eight. The shows host, RuPaul, announced that contestants had to create a gown that was inspired by Madonna's iconic looks. Four drag queen contestants wore the geisha look (one contestant wore a geisha look from Madonna's video "Paradise (Not for Me)"). A fifth contestant decided on wearing a kimono from the video of "Nothing Really Matters", but changed. This runway show was criticized by Vulture, for the lack of variety of Madonna's iconic looks outside of "Nothing Really Matters".[89][90][91]
Track listings and formats
|
|
Credits and personnel
- Madonna – lead vocals, songwriter, producer
- Patrick Leonard – songwriter
- William Orbit – producer
- Marius De Vries – producer
- Niki Haris – background vocals
- Donna DeLory – background vocals
- Steve Sidelnyk – drum programming
- Mark Endert – engineer
- Jon Ingoldsby – engineer
- Patrick McCarthy – engineer
- Dave Reitzas – engineer
- Matt Silva – engineer
- Ted Jensen – mastering
- Kevin Reagan – art direction, design
- Luis Sanchez – photography
Credits adapted from Ray of Light album liner notes.[1]
Charts
Weekly charts
|
Year-end charts
|
Certifications
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI)[45] | Silver | 200,000^ |
* Sales figures based on certification alone. |
See also
- List of Madonna tribute albums
- List of number-one singles of 1999 (Spain)
- List of number-one dance singles of 1999 (U.S.)
Notes
- ^ a b c d e f g Ciccone, Madonna (1998). Ray of Light (Liner notes). Madonna. Worldwide: Maverick Records; Warner Bros. Records. 9 46847-2.
- ^ a b Black, Johnny (August 2002). "Making of Ray of Light". Q. 17 (8). ISSN 0955-4955.
- ^ a b c Walters, Barry (April 1998). "Madonna: The 'Ray of Light' Cover Story, 'Madonna Chooses Dare'". Spin. Retrieved March 4, 2016.
- ^ a b c d O'Brien 2007, p. 167
- ^ Taraborrelli 2002, p. 90
- ^ a b Boxx, Pandora (December 30, 2014). "The 13 Most Underrated Madonna Songs". The Huffington Post. Retrieved March 9, 2016.
- ^ Metz & Benson 1999, p. 98
- ^ "Madonna Ciccone: Nothing Really Matters (music notes)". Musicnotes.com. Retrieved March 9, 2016.
- ^ Kot, Greg (March 1, 1998). "New-material Girl". Chicago Tribune. Retrieved September 22, 2015.
- ^ Browne, David (March 6, 1998). "Ethereal Girl". Entertainment Weekly. Retrieved July 23, 2009.
- ^ Considine, J.D. (March 3, 1998). "Seeing, hearing the light Review: Madonna's depth and deft feel for techno pop should sway any nonbelievers". The Baltimore Sun. Retrieved March 9, 2016.
- ^ a b Taylor, Chuck (February 13, 1999). "Reviews and Previews: Singles". Billboard. Retrieved March 9, 2016.
- ^ a b Rooksby 2004, p. 53
- ^ Lysloff & Gay 2003, p. 183
- ^ Sischy, Ingrid (March 2001). "Madonna Exclusive! The Ultimate Interview". Interview. ISSN 0149-8932.
- ^ Lark, Bryan (March 10, 1998). "Madonna Opens Heart and Soul on 'Light'". Michigan Daily. Retrieved March 9, 2016.
- ^ "Madonna – Nothing Really Matters (Master format)". discogs. Retrieved March 9, 2016.
- ^ a b Nothing Really Matters/To Have and Not To Hold (Liner notes). Madonna. Maverick Records; Warner Bros. Records. 1998. 7-17102.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ a b Nothing Really Matters (Liner notes). Madonna. Maverick Records; Warner Bros. Records. 1999. PRO-A-9647.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ a b Nothing Really Matters (Liner notes). Madonna. Maverick Records; Warner Bros. Records. 1999. 9 44613-0.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ a b Nothing Really Matters (Liner notes). Madonna. Maverick Records; Warner Bros. Records. 1999. PRO-CD-9638.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ a b Nothing Really Matters (Liner notes). Madonna. Maverick Records; Warner Bros. Records. 1999. 9362 44621 2.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ a b Nothing Really Matters (Liner notes). Madonna. Worldwide: Maverick Records; Warner Bros. Records. 1999. 9362 44623 2.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ a b Nothing Really Matters (Liner notes). Madonna. Maverick Records; Warner Bros. Records. 1999. 5439 16997 4.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ a b Erlewine, Stephen Thomas (March 6, 1998). "Ray of Light". AllMusic. Retrieved July 23, 2009.
- ^ Johnson, Kevin C. (October 25, 2012). "Madonna courts controversy, fans on explosive new tour". St. Louis Post-Dispatch. Retrieved March 9, 2016.
- ^ Garnard, Chris (August 6, 2013). "Madonna from worst to first: ranking her 12 Albums". Metro Weekly. Retrieved March 9, 2016.
- ^ Erlewine, Stephen Thomas (March 6, 1998). "Madonna > Songs". AllMusic. Retrieved July 23, 2009.
- ^ Lipshutz, Jason (March 9, 2015). "Madonna's Albums Ranked From Worst to Best". Billboard. Retrieved March 9, 2016.
- ^ "Madonna, 'Ray of Light'". Rolling Stone. May 31, 2012. Retrieved March 9, 2016.
- ^ Thompson, Stephen (March 29, 2002). "Madonna – Ray of Light". The A.V. Club. Retrieved March 9, 2016.
- ^ Smith, Nathan (February 1, 2012). "Causing a Commotion: The Madonna Super Bowl Setlist We'd Like to See". Houston Press. Retrieved March 9, 2016.
- ^ Chiola, Enio (March 21, 2012). "The Top 10 Madonna Album Cuts of All Time". PopMatters. Retrieved March 9, 2016.
- ^ Promis, Jose F. (March 3, 1999). "Madonna – Nothing Really Matters". AllMusic. Retrieved March 9, 2016.
- ^ Hazelwood, Darrell T. (May 28, 1999). "Flash! / The latest entertainment news and more...". Newsday: A.16. ISSN 0278-5587.
- ^ Hall, Rashaun (June 24, 2000). "ASCAP Honors R&B Hitsmakers". Billboard. 112 (26): 61. ISSN 0006-2510.
- ^ "2002 ASCAP Rhythm and Soul Awards: Honoring ASCAP's Top Writers and Publishers of 2001". ASCAP. Retrieved December 11, 2010.
- ^ a b c Bronson, Fred (May 1, 1999). "When Do Six Weeks Feel Like 'Forever'?". Billboard. Retrieved March 9, 2016.
- ^ a b "Madonna Chart History (Hot 100)". Billboard. Retrieved March 10, 2016.
- ^ a b "Madonna Chart History (Dance Club Songs)". Billboard. Retrieved March 10, 2016.
- ^ a b "Madonna Chart History (Pop Songs)". Billboard. Retrieved March 10, 2016.
- ^ F. Promis, Jose. "Madonna What It Feels Like for a Girl". AllMusic. Retrieved July 20, 2014.
- ^ a b "Top RPM Singles: Issue 9901." RPM. Library and Archives Canada. Retrieved March 10, 2016.
- ^ a b "Madonna: Artist Chart History". Official Charts Company. Retrieved March 10, 2016.
- ^ a b "British single certifications – Madonna – Nothing Really Matters". British Phonographic Industry. Retrieved March 10, 2016. Select singles in the Format field. Select Silver in the Certification field. Type Nothing Really Matters in the "Search BPI Awards" field and then press Enter.
- ^ Jones, Alan (August 19, 2008). "The immaculate guide to 50 years of Madonna". Music Week. Archived from the original on September 11, 2008. Retrieved April 7, 2014.
- ^ a b "Madonna – Nothing Really Matters" (in Dutch). Ultratop 50. Retrieved March 10, 2016.
- ^ a b "Madonna – Nothing Really Matters" (in French). Ultratop 50. Retrieved March 10, 2016.
- ^ a b "Madonna – Nothing Really Matters" (in Dutch). Single Top 100. Retrieved March 10, 2016.
- ^ Cite error: The named reference
ger
was invoked but never defined (see the help page). - ^ a b "Madonna: Nothing Really Matters" (in Finnish). Musiikkituottajat. Retrieved March 10, 2016.
- ^ a b Salaverri 2005, p. 321
- ^ a b "Madonna – Nothing Really Matters". ARIA Top 50 Singles. Retrieved March 10, 2016.
- ^ a b "Madonna – Nothing Really Matters". Top 40 Singles. Retrieved March 10, 2016.
- ^ "Madonna Shoots New Video As "Chicago" Saga Continues". MTV News. Retrieved February 28, 2016.
- ^ a b "Entertainment Tonight News: Madonna, Behind-the-Scenes". Entertainment Tonight. February 6, 1999.
{{cite web}}
: Missing or empty|url=
(help) - ^ a b King, Larry (January 19, 1999). "Interview: Madonna reviews life on Larry King Live". CNN. Retrieved March 9, 2016.
- ^ "Madonna – Nothing Really Matters (music video)". IMVDB. February 13, 1999. Retrieved March 9, 2016.
- ^ D'Angelo, Joe (June 6, 2001). "Madonna to revisits Evita, Geisha Girl, Cowgirl Personas for new tour". MTV News. Retrieved March 9, 2016.
- ^ "Madonna's "Nothing Really Matters" World Premieres On MTV Saturday, February 13 At 1 PM ET/PT". Business Wire (Press release). New York. February 10, 1999. Retrieved February 28, 2016.
- ^ Alford, Henry (January 19, 2016). "Just Say 'Yes': A Social Experiment". The Buffalo News. Retrieved November 23, 2016.
- ^ Dinea, Stefania (October 7, 2014). "KTH and Madonna?". Kungliga Tekniska högskolan. Retrieved November 23, 2016.
{{cite news}}
: Cite has empty unknown parameter:|1=
(help) - ^ Chainani, Soman S. (February 16, 1999). "The Video: Nothing Really Matters". The Crimson. Retrieved March 9, 2016.
- ^ "Top 10 Greatest Madonna Videos of All-Time: 7. Nothing Really Matters". HitFix. March 2012. Retrieved March 9, 2016.
- ^ "Who has won the most MTV Video Music Awards?". Vibe. 16 (2): 58. March 2008. ISSN 1070-4701.
- ^ "MTV Video Music Awards – Browse by Year". MTV. MTV Networks. Retrieved December 11, 2010.
- ^ a b Fouz-Hernández & Jarman-Ivens 2004, p. 111
- ^ "Grammy Award Winners – Madonna". National Academy of Recording Arts and Sciences. Retrieved November 26, 2010.
- ^ "Madonna Wins Best Pop Album". Grammy Awards. February 24, 1999. Retrieved March 9, 2016.
- ^ Kaufman, Jason (February 1999). "Pinch Me, I Must Be Dreaming: The Grammys Finally Get It Right". Ny Rock. Retrieved March 9, 2016.
- ^ Morton 2002, p. 337
- ^ Kauffman, Gil (February 1, 2006). "Madonna's Oddest Collab Yet: Singer To Perform At Grammys With Gorillaz". MTV News. Retrieved May 13, 2010.
- ^ Franich, Darren (January 26, 2014). "Grammys: Macklemore & Ryan Lewis performance features 33 marriages, Madonna". Entertainment Weekly. Retrieved January 29, 2014.
- ^ Stern, Bradley (January 15, 2015). "Idrawlator: Which Madonna Grammy Awards Performance Is The Best?". Idolator. Retrieved March 9, 2016.
- ^ "The Most Unforgettable Grammys Performances of All Time". InStyle. February 10, 2016. Retrieved March 9, 2016.
- ^ Virtel, Louis (March 2, 2013). "The 100 Greatest Madonna Songs". NewNowNext. Retrieved March 9, 2016.
- ^ Sher, Emily (February 10, 2015). "See Madonna's crazy Grammy looks throughout the years". Today Style. Retrieved March 9, 2016.
- ^ "Madonna's Most Iconic Looks Ever". InStyle. 2015. Retrieved March 9, 2016.
- ^ "Madonna's Most Iconic Looks". Harper's Bazaar. November 9, 2011. Retrieved March 9, 2016.
- ^ "Madonna's Fashion Evolution: Her Most Iconic Looks". Billboard. July 22, 2015. Retrieved March 9, 2016.
- ^ "Looking Back: Madonna". Elle. August 16, 2012. Retrieved March 9, 2016.
- ^ Eckardt, Stephanie (July 13, 2011). "See All of Madonna's Most Iconic Looks". New York. Retrieved March 9, 2016.
- ^ Lempel, Robin (February 7, 2015). "Grammy 2015 Style Shocking? Crazy Red Carpet Fashion from Lady Gaga, Jennifer Lopez, and others is worth a second look". Hollywood Take. Retrieved March 9, 2016.
- ^ Virtel, Louis (August 16, 2013). "Madonna's 55 Best Videos, In Honor of her 55th Birthday". NewNowNext. Retrieved March 9, 2016.
- ^ Sauvalle, Julien (March 10, 2015). "Madonna's 20 Most Stylish Videos". Out. Retrieved March 9, 2016.
- ^ Sta, Nicole (March 16, 2012). "Madonna March Madness: Vote For The Best Videos In The Sweet 16 Bracket". Idolaor. Retrieved March 9, 2016.
- ^ Ogunnaike, Nikki (August 16, 2013). "In Honor of Madonna's Birthday: The Material Girl's 5 Most Fashionable Music Videos". Glamour. Retrieved March 9, 2016.
- ^ a b "A Whole New Look: Melanie Griffiths, The Duchess of York, The Mayflower Madam, and Madonna". Harper's Bazaar. May 1999.
{{cite journal}}
:|access-date=
requires|url=
(help) - ^ Sava, Olivia (April 5, 2016). "The Snatch Game gets strange on an underwhelming RuPaul's Drag Race". The A.V. Club. Retrieved April 6, 2016.
- ^ Guerra, Joey (April 5, 2016). "RuPaul's Drag Race: Bland ambition". Houston Chronicle. Retrieved April 6, 2016.
- ^ Moylan, Brian (April 5, 2016). "RuPaul's Drag Race Recap: Snatch Me If You Can". Vulture. Retrieved April 6, 2016.
- ^ "Madonna – Nothing Really Matters" (in German). Ö3 Austria Top 40. Retrieved March 10, 2016.
- ^ "Top RPM Dance/Urban: Issue 8128." RPM. Library and Archives Canada. Retrieved March 10, 2016.
- ^ "The Eurochart Hot 100 Singles". Music & Media. March 20, 1999. Archived from the original on March 11, 2005. Retrieved November 7, 2016.
{{cite web}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - ^ "Madonna – Nothing Really Matters" (in French). Les classement single. Retrieved March 10, 2016.
- ^ "The Irish Charts – Search Results – Nothing Really Matters". Irish Singles Chart. Retrieved March 10, 2016.
- ^ "Madonna: Discografia Italiana" (in Italian). Federation of the Italian Music Industry. 1984–1999. Retrieved January 8, 2008.
- ^ "Official Scottish Singles Sales Chart Top 100". Official Charts Company. Retrieved June 12, 2015.
- ^ "Madonna – Nothing Really Matters". Singles Top 100. Retrieved March 10, 2016.
- ^ "Madonna – Nothing Really Matters". Swiss Singles Chart. Retrieved March 10, 2016.
- ^ "RPM Top 100 Tracks 1999" (PDF). Billboard. December 25, 1999. Retrieved November 23, 2016.
- ^ a b "1999 The Year in Music" (PDF). Billboard. December 25, 1999. p. YE-60. Retrieved November 23, 2016.
References
- Fouz-Hernández, Santiago; Jarman-Ivens, Freya (2004). Madonna's Drowned Worlds. Ashgate Publishing, Ltd. ISBN 0-7546-3372-1.
{{cite book}}
: Invalid|ref=harv
(help) - Lysloff, René; Gay, Leslie (2003). Music and technoculture. Wesleyan University Press. p. 192. ISBN 0-8195-6514-8.
{{cite book}}
: Invalid|ref=harv
(help) - Metz, Allen; Benson, Carol (1999). The Madonna Companion: Two Decades of Commentary. Music Sales Group. ISBN 0-8256-7194-9.
{{cite book}}
: Invalid|ref=harv
(help) - Morton, Andrew (2002). Madonna. Macmillan Publishers. ISBN 0-312-98310-7.
{{cite book}}
: Invalid|ref=harv
(help) - O'Brien, Lucy (2007). Madonna: Like an Icon. Harper Collins. ISBN 0-593-05547-0.
{{cite book}}
: Invalid|ref=harv
(help) - Rooksby, Rikky (2004). The Complete Guide to the Music of Madonna. Omnibus Press. ISBN 0-7119-9883-3.
{{cite book}}
: Invalid|ref=harv
(help) - Salaverri, Fernando (2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
{{cite book}}
: Invalid|ref=harv
(help) - Taraborrelli, Randy J. (2002). Madonna: An Intimate Biography. Simon & Schuster. ISBN 978-1-4165-8346-2.
{{cite book}}
: Invalid|ref=harv
(help)
External links
- Single chart usages for Germany2
- 1999 singles
- Billboard Dance Club Songs number-one singles
- Madonna (entertainer) songs
- Number-one singles in Spain
- Songs written by Patrick Leonard
- 1999 songs
- Songs written by Madonna (entertainer)
- Song recordings produced by Marius de Vries
- Music videos directed by Bo Johan Renck
- Maverick Records singles