Day of the Dead

This article is about the Mexican holiday. For other uses, see Day of the Dead (disambiguation).

Day of the Dead
Día de Muertos altar commemorating a deceased man in Milpa Alta, Mexico City
Observed by	Mexico, and regions with large Mexican populations
Type	Cultural Catholic. (Allegations of political and syncretic in nature)
Significance	Prayer and remembrance of friends and family members who have died
Celebrations	Creation of altars to remember the dead, traditional dishes for the Day of the Dead
Begins	November 1
Ends	November 2
Date	November 2
Next time	2 November 2025 (2025-11-02)
Frequency	Annual
Related to	All Saints' Day

The Day of the Dead (Template:Lang-es) is a Mexican holiday celebrated in Mexico and elsewhere associated with the Catholic celebrations of All Saints' Day and All Souls' Day. The multi-day holiday involves family and friends gathering to pray for and to remember friends and family members who have died. It is commonly portrayed as a day of celebration rather than mourning. Mexican academics are divided on whether the festivity has indigenous pre-hispanic roots or whether it is a 20th-century rebranded version of a Spanish tradition developed by the presidency of Lazaro Cardenas to encourage Mexican nationalism through an "Aztec" identity. The festivity has become a national symbol and as such is taught in the nation's school system, typically asserting a native origin. In 2008, the tradition was inscribed in the Representative List of the Intangible Cultural Heritage of Humanity by UNESCO.

The holiday is sometimes called Día de los Muertos in Anglophone countries, a back-translation of its original Mexican name, Día de Muertos. Whereas in Spain and most of Latin America the public holiday and similar traditions are typically held on All Saints' Day (Todos los Santos), the Mexican government under Cardenas switched the festivity to All Souls' Day (Fieles Difuntos) in an effort to secularize the festivity and distinguish it from the Hispanic Catholic festival.

The Dia de Muertos was then promoted throughout the country as a continuity of ancient Aztec festivals celebrating death, a theory strongly encouraged by Mexican poet Octavio Paz. Traditions connected with the holiday include building home altars called ofrendas, honoring the deceased using calaveras, aztec marigolds, and the favorite foods and beverages of the departed, and visiting graves with these as gifts. Visitors also leave possessions of the deceased at the graves.

Observance in Mexico

Altars (ofrendas)

People go to cemeteries to be with the souls of the departed and build private altars containing the favorite foods and beverages, as well as photos and memorabilia, of the departed. The intent is to encourage visits by the souls, so the souls will hear the prayers and the comments of the living directed to them. Celebrations can take a humorous tone, as celebrants remember funny events and anecdotes about the departed.

Mexican cempasúchil (marigold) is the traditional flower used to honor the dead.

Cempasúchil, alfeñiques and papel picado used to decorate an altar

Plans for the day are made throughout the year, including gathering the goods to be offered to the dead. During the three-day period families usually clean and decorate graves; most visit the cemeteries where their loved ones are buried and decorate their graves with ofrendas (altars), which often include orange Mexican marigolds (Tagetes erecta) called cempasúchil (originally named cempōhualxōchitl, Nāhuatl for 'twenty flowers'). In modern Mexico the marigold is sometimes called Flor de Muerto ('Flower of Dead'). These flowers are thought to attract souls of the dead to the offerings. It is also believed the bright petals with a strong scent can guide the souls from cemeteries to their family homes.

Toys are brought for dead children (los angelitos, or 'the little angels'), and bottles of tequila, mezcal or pulque or jars of atole for adults. Families will also offer trinkets or the deceased's favorite candies on the grave. Some families have ofrendas in homes, usually with foods such as candied pumpkin, pan de muerto ('bread of dead'), and sugar skulls; and beverages such as atole. The ofrendas are left out in the homes as a welcoming gesture for the deceased. Some people believe the spirits of the dead eat the "spiritual essence" of the ofrendas' food, so though the celebrators eat the food after the festivities, they believe it lacks nutritional value. Pillows and blankets are left out so the deceased can rest after their long journey. In some parts of Mexico, such as the towns of Mixquic, Pátzcuaro and Janitzio, people spend all night beside the graves of their relatives. In many places, people have picnics at the grave site, as well.

Families tidying and decorating graves at a cemetery in Almoloya del Río in the State of Mexico, 1995

Some families build altars or small shrines in their homes; these sometimes feature a Christian cross, statues or pictures of the Blessed Virgin Mary, pictures of deceased relatives and other people, scores of candles, and an ofrenda. Traditionally, families spend some time around the altar, praying and telling anecdotes about the deceased. In some locations, celebrants wear shells on their clothing, so when they dance, the noise will wake up the dead; some will also dress up as the deceased.

Food

During Day of the Dead festivities, food is both eaten by living people and given to the spirits of their departed ancestors as ofrendas ('offerings'). Tamales are one of the most common dishes prepared for this day for both purposes.

Pan de muerto and calaveras are associated specifically with Day of the Dead. Pan de muerto is a type of sweet roll shaped like a bun, topped with sugar, and often decorated with bone-shaped pieces of the same pastry. Calaveras, or sugar skulls, display colorful designs to represent the vitality and individual personality of the departed.

In addition to food, drink is also important to the tradition of Day of the Dead. Historically, the main alcoholic drink was pulque while today families will commonly drink the favorite beverage of their deceased ancestors. Other drinks associated with the holiday are atole and champurrado, warm, thick, non-alcoholic masa drinks.

Jamaican iced tea is a popular herbal tea made of the flowers and leaves of the Jamaican hibiscus plant (Hibiscus sabdariffa), known as flor de Jamaica in Mexico. It is served cold and quite sweet with a lot of ice. The ruby-red beverage is called hibiscus tea in English-speaking countries and called agua de Jamaica (water of hibiscus) in Spanish.

Calaveras

Those with a distinctive talent for writing sometimes create short poems, called calaveras literarias (skulls literature), mocking epitaphs of friends, describing interesting habits and attitudes or funny anecdotes. This custom originated in the 18th or 19th century after a newspaper published a poem narrating a dream of a cemetery in the future, "and all of us were dead", proceeding to read the tombstones. Newspapers dedicate calaveras to public figures, with cartoons of skeletons in the style of the famous calaveras of José Guadalupe Posada, a Mexican illustrator. Theatrical presentations of Don Juan Tenorio by José Zorrilla (1817–1893) are also traditional on this day.

José Guadalupe Posada's depiction of La Calavera Catrina, shown wearing a fanciful ealry 20th century hat.

Posada created what might be his most famous print, he called the print La Calavera Catrina ("The Elegant Skull") as a parody of a Mexican upper-class female. Posada's intent with the image was to ridicule the others that would claim the culture of the Europeans over the culture of the indigenous people. The image was a skeleton with a big floppy hat decorated with 2 big feathers and multiple flowers on the top of the hat. Posada's striking image of a costumed female with a skeleton face has become associated with the Day of the Dead, and Catrina figures often are a prominent part of modern Day of the Dead observances.

A common symbol of the holiday is the skull (in Spanish calavera), which celebrants represent in masks, called calacas (colloquial term for skeleton), and foods such as sugar or chocolate skulls, which are inscribed with the name of the recipient on the forehead. Sugar skulls can be given as gifts to both the living and the dead. Other holiday foods include pan de muerto, a sweet egg bread made in various shapes from plain rounds to skulls, often decorated with white frosting to look like twisted bones.

Local traditions

The traditions and activities that take place in celebration of the Day of the Dead are not universal, often varying from town to town. For example, in the town of Pátzcuaro on the Lago de Pátzcuaro in Michoacán, the tradition is very different if the deceased is a child rather than an adult. On November 1 of the year after a child's death, the godparents set a table in the parents' home with sweets, fruits, pan de muerto, a cross, a rosary (used to ask the Virgin Mary to pray for them) and candles. This is meant to celebrate the child's life, in respect and appreciation for the parents. There is also dancing with colorful costumes, often with skull-shaped masks and devil masks in the plaza or garden of the town. At midnight on November 2, the people light candles and ride winged boats called mariposas (butterflies) to Janitzio, an island in the middle of the lake where there is a cemetery, to honor and celebrate the lives of the dead there.

In contrast, the town of Ocotepec, north of Cuernavaca in the State of Morelos, opens its doors to visitors in exchange for veladoras (small wax candles) to show respect for the recently deceased. In return the visitors receive tamales and atole. This is done only by the owners of the house where someone in the household has died in the previous year. Many people of the surrounding areas arrive early to eat for free and enjoy the elaborate altars set up to receive the visitors.

In some parts of the country (especially the cities, where in recent years other customs have been displaced) children in costumes roam the streets, knocking on people's doors for a calaverita, a small gift of candies or money; they also ask passersby for it. This relatively recent custom is similar to that of Halloween's trick-or-treating in the United States. Another peculiar tradition involving children is La Danza de los Viejitos (the Dance of the Old Men) when boys and young men dressed like grandfathers crouch and jump in an energetic dance.

See also

• Danse Macabre
• Literary Calaverita
• Samhain
• Skull art
• Thursday of the Dead
• Veneration of the dead
• Walpurgis Night

Further reading

• Andrade, Mary J. Day of the Dead A Passion for Life – Día de los Muertos Pasión por la Vida. La Oferta Publishing, 2007. ISBN 978-0-9791624-04
• Anguiano, Mariana, et al. Las tradiciones de Día de Muertos en México. Mexico City 1987.
• Brandes, Stanley (1997). "Sugar, Colonialism, and Death: On the Origins of Mexico's Day of the Dead". Comparative Studies in Society and History. 39 (2): 270–99. doi:10.1017/S0010417500020624.
• Brandes, Stanley (1998). "The Day of the Dead, Halloween, and the Quest for Mexican National Identity". Journal of American Folklore. 111 (442): 359–80. doi:10.2307/541045. JSTOR 541045.
• Brandes, Stanley (1998). "Iconography in Mexico's Day of the Dead". Ethnohistory. 45 (2). Duke University Press: 181–218. doi:10.2307/483058. JSTOR 483058.
• Brandes, Stanley (December 15, 2006). Skulls to the Living, Bread to the Dead. Blackwell Publishing. p. 232. ISBN 978-1-4051-5247-1.
• Cadafalch, Antoni. The Day of the Dead. Korero Books, 2011. ISBN 978-1-907621-01-7
• Carmichael, Elizabeth; Sayer, Chloe. The Skeleton at the Feast: The Day of the Dead in Mexico. Great Britain: The Bath Press, 1991. ISBN 0-7141-2503-2
• Conklin, Paul (2001). "Death Takes a Holiday". U.S. Catholic. 66: 38–41.
• Garcia-Rivera, Alex (1997). "Death Takes a Holiday". U.S. Catholic. 62: 50.
• Haley, Shawn D.; Fukuda, Curt. Day of the Dead: When Two Worlds Meet in Oaxaca. Berhahn Books, 2004. ISBN 1-84545-083-3
• Lane, Sarah and Marilyn Turkovich, Días de los Muertos/Days of the Dead. Chicago 1987.
• Lomnitz, Claudio. Death and the Idea of Mexico. Zone Books, 2005. ISBN 1-890951-53-6
• Matos Moctezuma, Eduardo, et al. "Miccahuitl: El culto a la muerte," Special issue of Artes de México 145 (1971)
• Nutini, Hugo G. Todos Santos in Rural Tlaxcala: A Syncretic, Expressive, and Symbolic Analysis of the Cult of the Dead. Princeton 1988.
• Oliver Vega, Beatriz, et al. The Days of the Dead, a Mexican Tradition. Mexico City 1988.
• Roy, Ann (1995). "A Crack Between the Worlds". Commonwealth. 122: 13–16.