Portal:Jazz

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Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony and African rhythmic rituals. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation.

As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were the prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines.

The mid-1950s saw the emergence of hard bop, which introduced influences from rhythm and blues, gospel, and blues to small groups and particularly to saxophone and piano. Modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation, as did free jazz, which explored playing without regular meter, beat and formal structures. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock music's rhythms, electric instruments, and highly amplified stage sound. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay. Other styles and genres abound in the 21st century, such as Latin and Afro-Cuban jazz. (Full article...)

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Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz which incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.

David H. Rosenthal contends in his book Hard Bop that the genre is, to a large degree, the natural creation of a generation of African-American musicians who grew up at a time when bop and rhythm and blues were the dominant forms of black American music. Prominent hard bop musicians included Horace Silver (pictured), Charles Mingus, Art Blakey, Cannonball Adderley, Miles Davis and Tadd Dameron. (Full article...)

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Bradford Alexander "Brad" Mehldau (/ˈmɛlˌdaʊ/; born August 23, 1970) is an American jazz pianist, composer, and arranger.

Mehldau studied music at The New School, and toured and recorded while still a student. He was a member of saxophonist Joshua Redman's Quartet with bassist Christian McBride and drummer Brian Blade in the mid-1990s, and has led his own trio since at least 1992. His first long-term trio featured bassist Larry Grenadier and drummer Jorge Rossy; in 2005 Jeff Ballard replaced Rossy. These bands have released a dozen albums under the pianist's name.

Since the early 2000s Mehldau has experimented with other musical formats in addition to trio and solo piano. Largo, released in 2002, contains electronics and input from rock and classical musicians; later examples include touring and recording with guitarist Pat Metheny, writing and playing song cycles for classical singers Renée Fleming and Anne Sofie von Otter, composing orchestral pieces for 2009's Highway Rider, and playing electronic keyboard instruments in a duo with drummer Mark Guiliana.

Aspects of pop, rock, and classical music, including German Romanticism, have been absorbed into Mehldau's writing and playing. Through his use of some traditional elements of jazz without being restricted by them, simultaneous playing of different melodies in separate hands, and incorporation of pop and rock pieces, Mehldau has influenced musicians in and beyond jazz in their approaches to writing, playing, and choice of repertoire. (Full article...)

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Miles Davis

image credit: Tom Palumbo

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Did you know...

... that Dave Brubeck's wife Iola wrote the lyrics to "In Your Own Sweet Way"?
... that the 1969 song "It's Too Bad" by Jimi Hendrix was considered newly discovered thirty years later when it was added to The Jimi Hendrix Experience (2000) album?
... that Bebo (pictured) and Chucho Valdés won the Grammy and the Latin Grammy Award for Best Latin Jazz Album for their album Juntos Para Siempre?

January - March 2013

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"Writing about music is like dancing about architecture"

"Livery Stable Blues" by the Original Dixieland Jass Band, recorded on 26 February 1917

credit: public domain

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Jazz writer Dan Morgenstern, left, with record producer George Avakian, right

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v t e Jazz
General topics	Outline of jazz Jazz (word) Jazz band Big band Improvisation Jazz Jam session Scat singing Swing performance Jazz bass Jazz drumming Jazz guitar French horn in jazz Jazz piano Jazz trombone Jazz violin Vocal jazz Women in jazz
Genres	Afrobeat Avant-garde jazz Bebop Hard bop Neo-bop jazz Post-bop Cape jazz Chamber jazz Cool jazz Dixieland Flamenco jazz Folk jazz Free jazz Free funk Free improvisation Punk jazz Gypsy jazz Jazz-funk Jazz fusion Jazz rap Latin jazz Afro-Cuban jazz M-Base Mainstream jazz Marabi Modal jazz Nu jazz Orchestral jazz Organ trio Progressive jazz Ska jazz Smooth jazz Soul jazz Stride Swing Swing revival Third stream Trad jazz
Musicians	Bassists Clarinetists Drummers Guitarists Organists Percussionists Pianists Saxophonists Trombonists Trumpeters Vibraphonists Violinists Vocalists
Musicians by genre	Bebop Chamber jazz Cool jazz and West Coast jazz Hard bop Jazz fusion Scat Smooth jazz Soul jazz Swing
Standards	Pre-1920 1920s 1930s 1940s post-1950
Discographies	Bethlehem Blue Note BYG Cobblestone Contemporary CTI ECM ESP-Disk Flying Dutchman Freedom Groove Merchant Impulse! India Navigation JMT Landmark Mainstream Milestone MPS Muse Prestige Riverside Strata-East Verve Winter & Winter
Festivals	Beaches (Toronto) Cape Town Chicago Copenhagen Jakarta Monterey Montreal Montreux New Orleans Newport North Sea Pori Saint Lucia
Culture	Contrafacts Institutions and organizations Jazz funeral Jazz poetry Jazz royalty Jazz theory See Template: Jazz theory Rare groove Second line Venues
Regional scenes	Australian jazz Armenian jazz Azerbaijani jazz Jazz mugham Balkan jazz Bulgarian jazz Baltimore jazz Belgian jazz Brazilian jazz British jazz British dance band Canadian jazz Chicago jazz Continental European jazz Cuban jazz Czech and Slovak jazz Danish jazz Dutch jazz European free jazz French jazz German jazz Haitian jazz Indian jazz Indo jazz Iranian jazz Italian jazz Japanese jazz Kansas City jazz Latin American jazz Malawian jazz New Orleans jazz New York City jazz Polish jazz Yass South African jazz Cape jazz Spanish jazz Swedish jazz West Coast jazz Zimbabwean jazz
History	Bibliography of jazz Blues British dance band Ragtime Jazz Age Continental jazz Straight-ahead jazz Pre-1920 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s 2020
Related	Acid jazz Contradanza Blues Jump blues New Orleans blues Brass band Exotica Quiet storm Ragtime Novelty ragtime Sophisti-pop West African music Western swing
Media	Bird Jazz (miniseries) The Jazz Singer Round Midnight Straight, No Chaser

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