Jump to content

Shool

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Sid95Q (talk | contribs) at 17:29, 18 October 2023 (Reverted 1 edit by 103.154.236.68 (talk): Unsourced). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

For villages in Iran, see Shool, Iran.
Not to be confused with School.

Shool
Poster
Directed byEeshwar Nivas
Written byScreenplay:
Ram Gopal Varma
Dialogues:
Anurag Kashyap
Story byRam Gopal Varma
Eeshwar Nivas
Produced byRam Gopal Varma
Nitin Manmohan
StarringManoj Bajpayee
Sayaji Shinde
Raveena Tandon
CinematographyHari Nair
Edited byBhanodaya
Music byScore:
Sandeep Chowta
Soundtrack:
Shankar–Ehsaan–Loy
Production
company
Varma Corporation
Distributed byDream Merchants Enterprise
Release date
  • 5 November 1999 (1999-11-05)
Running time
135 min
CountryIndia
LanguageHindi
Budget₹5 crore[1]
Box office₹8.58 crore[1]

Shool (transl. Spike) is a 1999 Indian Hindi-language action crime film directed by Eeshwar Nivas. Written and produced by Ram Gopal Varma, it portrays the politician-criminal nexus and the criminalization of politics in Bihar and its effect on the life of an honest police officer. It stars Manoj Bajpayee as Inspector Samar Pratap Singh and Sayaji Shinde as the criminal-politician Bachhu Yadav, a character loosely based on politician turned criminal, Surajbhan Singh.[2]

Parts of the film were shot in Motihari, Bihar. The climax of the film was entirely shot at the abandoned state Legislative Assembly in Bhopal.[3] The film won the National Film Award for Best Feature Film in Hindi,[4] and was screened at the International Film Festival of India, and the Toronto International Film Festival.[5] The film is considered as a cult film over the years.[6] The rights to this film are owned by Shah Rukh Khan's Red Chillies Entertainment.

Plot

The film opens with a late night telephone call from Patna asking to speak to Bachchu Yadav, a MLA of the ruling political party in Bihar. His lackeys trace their boss to a prostitute's abode, where he receives the telephone and is informed that his party has selected another MLA for the ticket this time. He wastes no time, reaches the newly selected MLA candidate's home and pressures him to give up his nomination in lieu of money. When intimidation fails, his thugs stab the MLA-candidate under his supervision.

Meanwhile, Inspector Samar Pratap Singh arrives in Motihari, Bihar, where he has been transferred to, with his wife Manjari and daughter. At the railway station, he gets into a confrontation with a coolie. The two have a tiff on the payment of Rs. 30/- to be paid to the coolie for his services, which Singh refuses to pay, as he (rightfully) thinks he is being overcharged. As the situation goes to the verge of fisticuffs, a local police hawaldaar intervenes. Not knowing that Singh, too, is a police officer, the hawaldaar tries to manhandle Singh. Infuriated, Singh takes the matter to the police station to which he is posted. As Singh writes a complaint against the hawaldaar for harassing an innocent local (Singh), a sub-inspector, Hussain, intervenes. Hussain asks Singh to forgive the hawaldaar, to which Singh does not relent. Singh later learns that the Motihari police station runs according to Yadav's whims. Singh is an idealist who respects the constitution and the rule of law, and expects that everyone else should do the same. But no one follows the law in Motihari, especially the policemen who receive hafta (illicit weekly payments) from Yadav to do his bidding.

One day, the D.S.P. asks Singh to break up a fight between two rival gangs and arrest the people who attacked some of Yadav's men. Singh investigates and finds out that Yadav's men are the real culprits. Among them are Sudhir Vinod (Nagesh Bhosle) and Lallan Singh, so Singh arrests them instead. When the D.S.P. orders Singh to release them, he refuses, saying that he has already registered the case. This is the first time Singh's superior learns of his real character and expresses concern over his future. Sub-inspector Hussain, who shamelessly admits to subjection to Yadav, declares that Singh won't last long in his current job if he continues in his ways. Singh sadly learns the limit of his official prowess, when the court releases Yadav's men.

Yadav demonstrates his limited education when he speaks in the Bihar Legislative Assembly against the construction of a hydro-electric dam on the river Ganges, as it would be "stealing" electricity from the water to the disadvantage of the farmers; he misquotes the famous political slogan "Jai Jawan Jai Kisan".

Singh finds himself alone in his fight and against the odds of a corrupt and rotten system. One day, while buying vegetables in the local market, he sees three young men sitting on a wall teasing passing girls by singing lewd Bhojpuri songs; when he confronts them, they react defiantly to Singh (who is in plainclothes). However, on learning that he is the S.H.O., two of them become defensive and tell him meekly that they are students of M.S. College, but the third declares proudly that he is the younger brother of Pranav Thakur, another influential politician, hoping that Singh will be impressed, but Singh retorts with a slap and forces him to apologise to the girls.

On his way home, Yadav decides to give an interview to a female journalist who boldly asks him if he is a murderer. Yadav, understandably, gets annoyed and tries to confuse and intimidate her, and upon failing to do so, simply asks her to get out of his car.

Yadav gets irritated by Singh's methods, particularity, because he arrested his men. He decides to annoy him and organises his own marriage anniversary. Singh reaches the scene and asks to see the required permission papers for operating loudspeakers late into the night. When no such official papers are produced, Singh seizes the music system and disrupts the party. Yadav confronts him and asks to be forgiven (in a patronising and satiric manner). The inebriated D.S.P., who is also present at the party, tries to cool Singh's tempers by telling him such rules are inconsequential in small villages. Singh refuses to yield, which angers the D.S.P. who gives Singh a direct order to let the matter go. Singh stands firm, and states that he will let the situation go only if given written orders. The following morning, the act of defiance by Singh causes a heated debate between Singh and the D.S.P., who, with the help of the corrupt sub-inspector Hussain, frames Singh for a physical attack on his senior. Tiwari tries to help Singh but in vain and Singh is suspended from his post.

Yadav and his men decide to land the final blow on Singh and finish him once and for all, with his goons passing disgustingly indecent comments towards Singh's daughter at a market, causing Singh to lose his temper and single-handedly beating them. One of the henchman attacks Singh with a heavy wooden club, but instead bludgeons Singh's daughter on her head, killing her.

When the badly injured Laljee goes to Yadav and tells him that Singh has beaten them badly, Yadav, who cares next to nothing even about his most loyal men, finds it a golden opportunity to accuse Singh. He immediately takes a shotgun from the wall and hits Laljee on the head forcefully enough to kill him, and then orders his henchmen to register a complaint that Laljee actually died because of the beating by Singh. The police waste no time and arrest Singh while he is still grieving over his daughter's dead body. Singh's parents come to help him, and his father pleads with Yadav to get him released. Yadav uses this situation to his advantage and gets Singh released by asking one of his henchmen to testify. When Singh realises that Yadav was behind his release, he insults Yadav.

A few days later, Singh's parents leave, and he has a big fight with his wife, who holds his idealism to blame for the quagmire they find themselves in, including their daughter's death. She asks him why he won't kill Yadav if he's as brave as he pretends to be. Singh tells her he's afraid for her sake, and leaves in a huff. Manjari tries to commit suicide with an overdose of sleeping pills. Singh's only true friend in town, the honest sub-inspector Tiwari, informs Singh about Manjari's suicide attempt and both rush to the hospital. Singh manages to speak a few sentences of comfort with her, where she absolves him of his guilt and asks him to avenge her and their daughter, before she dies.

Singh, having lost the woman he loved; feels he has lost everything and has nothing to live for anymore. He goes home, readies himself and wears his police uniform, visits the police station and snatches his service weapon in spite of sub-inspector Hussain's warning. Hussain pulls out his gun, but Singh kills him and makes way to Patna, where the state legislature is in session. He enters the well of the house, defying heavy security. Singh finds Yadav and drags him by his collar to the Speaker's dais. After an emotional appeal to members of parliament on the leadership crisis and criminalisation of politics, he shoots Yadav in the head, declares his patriotism and yells "Jai Hind" twice.

Cast

Soundtrack

Shool
Soundtrack album by
Shankar–Ehsaan–Loy
Released
11 September 1999 (India)
GenreFeature film soundtrack
Label
ProducerRam Gopal Varma
Shankar–Ehsaan–Loy chronology
Bhopal Express
(1999) 		Shool
(1999) 		Mission Kashmir
(2000)
Track # Song Singer(s)
1 Aaya Mere Papa Ko Kavita Krishnamurthy, Shankar Mahadevan, Baby Anagha
2 Main Aayi Hoon U.P. Bihar Lootne Sapna Awasthi, Chetan Shashitaal, Shankar Mahadevan
3 Main Aayi Hoon U.P. Bihar Lootne (Remix) Sapna Awasthi, Chetan Shashitaal
4 Shool Shankar Mahadevan
5 Shool Si Chubhe Hai Sukhwinder Singh

Reception

Anupama Chopra of India Today wrote, "Shool is pacy, has a dollop of music and crisp dialogues written by Anurag Kashyap. But it isn't the pathbreaker that Zanjeer and Ardh Satya were. Because it is utterly predictable. The story about an honest policeman has been worn out by Hindi cinema. Shool doesn't take the premise further."[9]

In a retrospective review in 2018, Anvita Singh of The Indian Express wrote, "Eeshwar Nivas’ direction is decent, and the script, okay, but it could have gone down the hill had Manoj Bajpayee not been there. Sayaji Shinde as Bacchu Yadav also puts up a solid act as the crooked and scheming politician, but it’s Manoj’s performance as the fair police officer that escalates the movie."[10]

Awards

National Film Awards 1999
Filmfare Awards

Screen Awards

References

  1. ^ a b "Shool – Movie". Box Office India. Archived from the original on 27 October 2022. Retrieved 27 October 2022.
  2. ^ "Violent drama". Archived from the original on 14 October 2012. Retrieved 28 July 2011.
  3. ^ Bajpayee, Manoj (20 May 2023). "Manoj Bajpayee ने Anurag Kashyap को टेढ़ा आदमी बताया, फिर Paanch फिल्म पर क्या कह गए?" [Manoj Bajpayee called Anurag Kashyap a crooked man, then what did he say on the film Paanch?]. Guest in the Newsroom (Interview). Interviewed by Saurabh Dwivedi. Noida: The Lallantop. Retrieved 18 June 2023. Actor Manoj Bajpayee is in Guest in the newsroom. Manoj Bajpayee starer movie 'Sirf Ek Banda Kafi Hai' is about to release on Zee 5. Manoj talks about his character in the film. Apart from this, Manoj also talks about his role in series and films like Satya, Shool, Gangs of Wasseypur, Family Man. He shares how he approaches a character, right from his NSD days to working in films. Manoj talks about his experience of working with actors like Shah Rukh Khan, Amitabh Bachchan in the industry. Watch the full interview to know what Manoj Bajpayee talks about his career, personal life and Bollywood in an interview with Saurabh Dwivedi.
  4. ^ Nagpal, B.B (6 July 2000). "Vanaprastham is best film, Sarfarosh is most popular". Rediff.com. Archived from the original on 18 June 2023. Retrieved 18 June 2023.
  5. ^ "47th National Film Awards" (PDF). Directorate of Film Festivals. Archived (PDF) from the original on 7 January 2018. Retrieved 13 March 2012.
  6. ^ "Manoj Bajpayee: 'Shool' has become quite a game changer". Telangana Today. Indo-Asian News Service. 20 March 2021. Archived from the original on 11 June 2023. Retrieved 11 June 2023.
  7. ^ Tondon, Raveena (4 January 2000). "Ravishing Raveena's back!". Quote Martial (Interview). Interviewed by Sukanya Verma. Mumbai: Rediff.com. Archived from the original on 29 April 2022. Retrieved 13 June 2023. She eventually blossomed with the 1999 release, Shool. The film marked a new chapter in Raveena's career. Gone was the star with the flashy minis, this was a simple, cotton-saree-minimal-makeup actress striving to prove her calibre. It was an effort that pleased her fans; when she was shooting in Bihar for Shool, her fans went berserk and threw coins at her as a sign of their affection. The situation eventually went so out of hand that E Niwas's unit had to request police permission. The remaining portion of Raveena's scenes were shot in Film City, Bombay.
  8. ^ Yadav, Rajpal (1 July 2020). "Rajpal Yadav revisits Shool". First of Many (Interview). Interviewed by Mimansa Shekhar. New Delhi: The Indian Express. Archived from the original on 31 October 2022. Retrieved 13 June 2023. The first film I signed was Shool where Anurag Kashyap, who was the writer-assistant, recommended me. Ram Gopal Varma was its producer. The film was to be shot in Bihar. They needed 4-5 new actors for small character roles. I went to their office to meet them. I met all of them for the first time during Shool, and I was cast for one of the roles, which was of a coolie.
  9. ^ Chopra, Anupama (18 October 1999). "Film review: Shool, starring Manoj Bajpai, Raveena Tandon". India Today. Archived from the original on 18 June 2023. Retrieved 18 June 2023.
  10. ^ Singh, Anivita (6 March 2018). "When Aiyaary actor Manoj Bajpayee donned the uniform for Shool". The Indian Express. New Delhi. Archived from the original on 28 June 2022. Retrieved 19 June 2023.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Shool&oldid=1180760374"